How does a story about a band’s tour bus dumping waste on a tourist boat enter a city’s “pop culture fabric”?

On August 8, 2004, the driver of the tour bus for the Dave Matthews Band emptied the bathroom waste as they crossed over the Chicago River. The waste fell on passengers in a tourist boat passing below.

Photo by Blue Arauz on Pexels.com

Lots of things happen in big cities. Some stories are stranger or more influential than others. But how might one story get commemorated for years? Which cultural narratives last? One non-profit leader described this particular story:

“The incident is woven into the city’s pop culture fabric, and the anniversary seemed like an opportunity to emphasize that the world has to protect our natural resources, but it didn’t work out,” Frisbie said of the effort.

The article on the 20th anniversary provides some hints on how this story caught on and continues to be told. To go beyond a story that the people involved tell over and over, some help is needed:

-Famous people involved. The music group was well-known with multiple #1 platinum albums under their belt. This was not a random tour bus.

-Criminal charges and a court case. This involves different public bodies and can keep a story in the news.

-The media. A strange but true story – bathroom matters! a famous band! charges! – is a good one to get attention. And can we expect stories on the 25th anniversary, the 30th, and so on?

I am sure it would be hard to measure but it would be interesting to look at how this story stacks up against other stories in the city of Chicago. Which ones stand the test of time? Does this one make it into “official” lore (books, museums, memorials, etc.)? What is the half-life of pop culture stories in Chicago?

Using the Dave Matthews Caravan to help sell former US Steel Works site

The Dave Matthews Band has a proven track record for selling albums and filling large stadiums but now they are being asked to do more: showcase the 600 acre former US Steel Works site in south Chicago.

Early next month, in the first real use of the enormous lakefront land parcel since the plant finally closed in 1992, tens of thousands more will walk through a different set of gates. Instead of lunchboxes, they’ll be clutching tickets to a three-day, multiband rock event, the second stop of the Dave Matthews Band Caravan. The worker who checks their ticket may well be a volunteer, paid not with wages but with a ticket to the show…

Having the show there, in open space roughly centered on 83rd Street, was a risky choice: Land needed clearing, logistics needed developing, transportation needed planning. But to Jerry Mickelson, the partner in Chicago-based music promoter Jam Productions who brought Matthews and the old mill grounds together, it was a risk worth taking…

Where there were once 160 buildings, the only structures left on the property — which covers the lakefront from 79th Street on the north to 87th Street on the south — are massive masonry retaining walls once used to hold raw materials and a former clock house now used by a development company to show off its plans to turn the area into a bustling urban jewel…

What McCaffery wants to do, detailed in drawings and videos in the company’s on-site showroom, is dramatic — creation rather than a mere makeover.

In his plan, malls will be built, lakefront parkland donated, the city’s largest marina constructed, entire neighborhoods erected on ground that used to produce the raw materials of construction. It’s a $4 billion, 30- or 40-year plan, carved up into separate phases.

It sounds like this concert idea is a stepping stone to a larger plan for this sizable parcel and the article suggests most people, including local politicians, are happy with these concert plans. It sounds like a reasonable idea: the site is being clean, the concertgoers will only be there for a few days, the influx of people will presumably provide some boost to nearby businesses, and all of this could show off the viability of the site for more permanent uses.

But I would have a few questions about the long-term proposal for the site:

1. How does this concert and the big plans for future uses fit with the existing area? I imagine traffic could be a concern to some people.

2. The large long-term plan is contingent on extending Lake Shore Drive – who will pay for that?

3. Is there a need in Chicago for such a large mixed-use site, particularly this far away from the city center? If it is built, will they come?

Regardless of what happens in the long-term, this is a unique music festival site in Chicago and we’ll see if the Dave Matthews Band can also help sell real estate development.