A McMansion with a real McDonald’s/fast food theme inside?

A home in suburban New York has an interior devoted to McDonald’s and fast food:

There is a New York house for sale that was decorated as a love affair with fast food and it’s crazy. The kitchen looks like a modern McDonald’s complete with a kids section with old playland furniture. There are also tons of old fast food memorabilia like Ronald McDonald statues and stained glass that was used in McDonald’s restaurants in the 70s.

The fast-food theme doesn’t just start and end with McDonald’s. It includes Burger King, Wendys, and White Castle too…

This is the actual kitchen in this house. Does that not look like a modern McDonalds? Just about the only things missing are cash registers and a drive-thru window…

I swear I didn’t just run down to my local McDonalds and snap a picture of their bathroom. I mean really, how creepy would that be? This one of the bathrooms off the kitchen and it looks just like one you’d find in a typical fast food joint.

According to Zillow, the home is over 3,400 square feet and has seven bedrooms:

The term McMansion is linked to McDonald’s in that the “Mc-” prefix implies something mass produced with relatively poor quality. Does this home fit? The home is big, roughly 1,000 more square feet than the average new home. The exterior is interesting: the proportions are off as the top windows which look like they are symmetrical do not line up with the bottom features where the entryway (completely with columned portico) and garage are offset. The gables over the top windows are unncessary though the siding looks consistent.

Is the house a bit odd looking? Yes. Is the McDonald’s and fast food interior unique? Yes. But, I wonder if something else is going on here that does not quite line up with the McMansion moniker. When I first saw the home and location, I wondered if this was a postwar house. Indeed, the Zillow listing says the home was constructed in 1947. My guess is that this home had at least one addition or major change since its initial construction and these add-ons contributed to the odd facade. When people use the term McMansion, they tend to refer to a home built since the 1980s that was constructed with the poor features and quality. This home is not that. When looking on Google Street View, many of the nearby homes look to be older homes as well.

Perhaps this home is more like a McMansion because the interior specifically references fast food. Is it ironic? Nostalgic? Does all of it come the property? Put a Golden Arches in front of the house and this might be accurately termed a McDonald’s House, not a McMansion.

Reconsidering the need for faculty offices after COVID-19

With more faculty and college instructors working from off-campus during COVID-19, does this mean faculty offices can be done away with in the future?

Many campus planners have long advocated for fewer traditional, individual, closed-door offices, and more shared workspaces for faculty and staff members, like what many private companies have. The idea is that open, common work rooms will foster collaboration and make instructors more visible and less intimidating to students. A few phone rooms, meeting rooms, and lockers could serve for whenever somebody needed quiet, privacy, and somewhere to store belongings.

Having fewer private offices could also save on heating and electricity costs. On average, 19 percent of campuses’ indoor square footage is dedicated to offices, according to a 2007 survey (the latest available) of 276 institutions that are members of the Society for College and University Planning. (Only housing, at 20 percent, commands a larger area.) Using that much space more efficiently could make a big difference to a college’s bottom line.

Especially if faculty and staff members will continue to work from home more often, leaving their desks unoccupied some days of the week, colleges could save by having people who come in on different days share the same private office. As Paul Dale, president of Paradise Valley Community College, in Phoenix, Ariz. put it, it’s a way of fitting “30 pounds of potatoes in a 20-pound bag.”

Faculty members accustomed to their own offices can be loath to give them up, however. Private faculty-office space is a marker of accomplishment and prestige, said Luanne Greene, president of Ayers Saint Gross. Sometimes it’s even written into tenure contracts. But with the pandemic-driven increase in working from home, Greene and her team have seen a shift.

These arguments mirror those from corporate world where the open office emerged in recent decades: efficiencies in how space is used plus possibilities for collaboration and quick interactions. Yet, open offices are not embraced by all workers.

From my own studies of spaces plus my experiences as a faculty member, here are at least a few reasons why offices are valuable:

  1. A sense of space that is yours. College classrooms are often impersonal, spaces meant to be used by instructors from a variety of disciplines. They contain the tools necessary for teaching and learning – projectors, computers, whiteboards, desks or tables plus seating, etc. – but they often have little character. In contrast, offices are spaces where instructors can customize their surroundings to fit their personality and their needs for work (conversations, study, writing, etc.).
  2. A permanent place to store books and other materials. An open work space has little room for this and the assumption may be that we are living in a paperless world. This is not true for many scholars.
  3. A place of solitude that is conducive to the kind of creativity and study that scholars need to do. Putting on headphones in a busy area or working from home may not be able to approximate the way that an office can provide the solitary setting that is often needed.

Of course, not all college instructors might see this the same way. But, as the article notes, faculty would have concerns. And the solution presented at the end of this section – smaller individual offices with more space that could shared by all – is an intriguing compromise for settings and instructors where that collaborative space would be valued.

Who exactly designs “zany McMansions”?

Are architects capable of designing McMansions?

Photo by Pixabay on Pexels.com

Pro tip: One of the more fun ways to hunt for real estate is to go to your favorite site and search the keyword “architect.” You’ll end up with a lot of zany McMansions, but among the chaff are some well-pedigreed gems.

While this sounds like an interesting exercise, it brings up an important question. Who exactly is designing the McMansions that critics revile?

One of the biggest critiques of McMansions is that they are poorly designed and their architectural quality is suspect. This might come in the form of odd proportions or a mish-mash of styles or a blending of features. Instead of a pleasing aesthetic, the McMansion presents a mass produced version of something that tries to nod to established homes but only succeeds in aping such residences.

Typically left unsaid in these critiques is who exactly put together these unpleasing designs. Often the designs for homes come from builders or developers. What they have in mind when designing a home may not be the same as architects.

I would guess that architects would prefer that more single-family homes are designed by architects. Not only would this supply more work, it would have likely lead to more architecturally coherent homes. The emphasis might be less on providing space, an impressive front, and the most bang-for-your-buck, and instead focus on beauty plus functionality. Of course, some homes could l look great in the eyes of some and not be very desirable (see some modernist structures).

Perhaps more of the focus should come back to builders and developers: what could they do to provide the features American buyers want while also designing more architecturally pleasing homes? The same McMansions might not be so bad for many if they had a better design or fit the neighborhood better. Some would still object to the size of the home – is it really necessary to have 3,000-10,000 square feet? – but at least it would not be in danger of easy attacks. The architectural coherence could affect the price point but might also help the long-term reputation of the neighborhood and builder.

What the architecture of City Hall communicates

A new book titled City Hall looks at the design of city hall across American communities:

“Our democratic heritage goes back to ancient Greece, and so it stands to reason that when America was born, so to speak, in the late 18th century, municipal buildings referred to the Greco-Roman architecture, with the pillars and pediments and cornices,” he says. But as the country matured, different forms of architecture began to emerge. “Then it becomes, ‘Do we still embrace the neoclassical style architecture, or do we start embracing our own time?’” he adds. (That argument more recently played out at the federal level, when former President Donald Trump tried to make neoclassical architecture the default style for all national buildings in his controversial “Making Federal Buildings Beautiful Again” effort.)…

In many of these examples, governments used their city halls to express civic pride, and to be “at the forefront of progressive building technologies and changing architectural styles,” architectural historian Thomas Mellins writes at the beginning of Drooker’s book…

Regardless of the architecture, there is a recognition among mayors and architects that municipal buildings are ultimately places for the people, and that the designs need to convey a message of approachability. In San Jose’s new city hall, which opened in 2005, Richard Meier’s postmodern design made extensive use of glass, making a statement about government transparency as well as energy efficiency. The building’s unusual three-part structure emphasized that theme: There’s the rotunda and the city council chamber, and in between them at the heart of the complex is an open plaza that then-mayor Ron Gonzales and his administration wanted toserve as the “people’s living room.”

Public or civic buildings present a unique opportunity to highlight particular values and create public space to be used and enjoyed. This can be done in a variety of architectural styles or forms, affected by trends in architecture, regional differences, the size of the community, the resources available, and more.

This reminds me of James Howard Kunstler’s critique of Boston’s City Hall, a building designed by noted architect I. M. Pei. Kunstler argues that the space is not inviting and not a worthy public space. The Brutalist architecture does not necessarily invoke warm fuzzies about local government.

In contrast, many suburban communities opt for modest city halls in either more traditional styles or simpler postwar forms. Many suburbanites like the idea of smaller local governments and the suburban structures can highlight tradition and/or efficiency.

West Chicago City Hall depicted on Google Street View.

Part of the approachability of these a city hall or civic building involves how well they fit with the surrounding landscape. A Brutalist building could be more approachable with lush greenery around it. A plain suburban city hall could be more inviting if it did not sit behind a large parking lot. More broadly, American communities would benefit from inviting public spaces that are connected to civic buildings.

An on-trend Amazon HQ2

Many plans are made for large buildings in cities and metropolitan regions. Not all of them are built. But, when Amazon releases plans for their HQ2 in Arlington, Virginia, people take notice because of the company and the design.

AboutAmazon.com

The centerpiece will be the site’s fourth and tallest tower, a 350-foot structure dubbed the Helix because it will feature two spiraling outdoor walkways with trees and plants from Virginia that twist to the building’s top…

Amazon’s new campus is the latest in a growing line of outdoorsy office projects, as companies try harder to offer a pleasant work environment and appeal to eco-conscious employees.

The Helix “will be an opportunity for people to literally go on a hike in the city,” said Dale Alberda, a principal at architecture firm NBBJ, which is designing the development across the river from Washington, D.C.

Plans for inside of the building also call for plenty of greenery, along with meeting space, offices and studios for artist residency programs. “You feel like you’re in a lush garden in the middle of winter in D.C.,” Mr. Alberda said of the interior design.

As someone who teaches Urban Sociology, this is right on trend in multiple ways.

  1. It is just outside the central city of the region but within a business district. (The Washington D.C. region has some unique features due to the government buildings at the center but the multinode region is found throughout the United States.)
  2. The building has numerous green features, both visible (such as lots of trees) and invisible (planning for efficiency).
  3. The design is more whimsical and playful compared to the more common glass and steel box. The structure will certainly stand out and attract visitors just to see it.
  4. The architects and the company say it is designed with people and well-being in mind, not just efficiency or costs.

Perhaps the only trend missing is a mixed-use component where the office space is combined with residential and commercial space.

All of this is for a tech company – perhaps the tech company right now – within an industry that hundreds of American communities would love to attract. Does this building work in the same way if it is built by an insurance company or as a municipal structure?

It will also be interesting to see how this interacts with surrounding buildings – including the other planned Amazon towers – and the broader community. Amazon says the grounds will be open to the public yet how many community members will be able to take advantage.

The architectural view of Chicago’s Plan for Transformation for public housing

In an interview for Chicago, former architecture critic of the Chicago Tribune Blair Kamin responded to a question about how public housing in Chicago has turned out:

Cover of the 2000 report on the Plan for Transformation.

Overall, though, I would say the Plan for Transformation has been a disappointment. It took far too long. It built too little housing. The overall aim of integrating very poor people into their communities and the city at large has not been fully achieved. The continued segregation of Chicago by race and class continues. I guess you could say that the series helped set the agenda or some of the reforms that occurred, but I’m sure not satisfied with the outcome.

For low-income housing to succeed, it doesn’t need to be an architectural showplace. It just needs to do the basics, right. It needs to provide shelter, it needs to provide community, it needs to provide integration into the broader society, so [that] people can climb the ladder, economically and socially, if they want to. It doesn’t need to win a design award, although good design certainly can be a part of its success.

I do think it’s really important to say that design is not deterministic. In other words, better buildings will not make better people. Design is part of the equation of integrating the very poor into the city. But it can’t do it all by itself. It’s naive to think that. It needs to be combined with social service programs, and other things – schools, families that are supportive – in order for it to succeed. Design can open the door to success, but it cannot achieve that on its own.

And the corollary is true, too. You can’t blame bad design for the failures completely. You can’t completely blame bad design for the failures of high-rise public housing. The failure has had to do as much withe federal policy that was well intentioned, but foolish. Concentrating lots of very poor people and a vast high rise development, like the Robert Taylor Homes or Stateway Gardens, was an invitation to disaster. In a way, it doesn’t matter how the buildings are designed. The design simply accentuated the social problem these high concentrations of poverty.

Kamin highlights multiple important elements at play: how much replacement housing was actually created, the larger social issues still very present in Chicago (“segregation…by race and class”), and the role of design. I’ll comment briefly on each.

First, this was one of the fears of public housing residents as the Plan for Tranformation was getting underway: if high-rises are torn down, will they be replaced and by what? The Plan for Transformation has not delivered on the number of units promised. The issue of the high-rises may have been addressed but the issues simply morphed into different issues.

Second, is the issue really public housing or is it ongoing inequality in Chicago? As luxury buildings keep going up, conditions in many Chicago neighborhoods have not improved. Public housing has never been particularly popular in the United States but neither has actually acknowledging and addressing the deeper issues of why some city residents might have a need for public housing or why affordable housing is in short supply.

Third, considering the full set of forces at work in a particular context – design, social forces and processes, relationships, power dynamics, the organizations and institutions involved – is very important. If segregation by race and class is present in Chicago, certain institutional actors have particular vested interests, and the design all need to be considered, how might this change constructing buildings in the first place?

With all this said, I hope conversations about public housing and affordable housing in Chicago are not solely relegated to discussions of past decisions and poor outcomes.

The “world’s most expensive home” – $340 million! – about to go on sale

Architectural Digest displays and summarizes the features of what is a very expensive property in Los Angeles:

After nearly a decade of design and development work, what is being billed as “the world’s most expensive home” is finally ready for its close-up. Set on a five-acre parcel in the posh Los Angeles enclave of Bel Air—and aptly named The One—the 105,000-square-foot property’s interiors have remained a closely guarded secret. Until now. AD has been an exclusive look at what’s inside this record-setting property—and the design and aesthetic minds that made it happen.

Surrounded on three sides by a moat and a 400-foot-long jogging track, the estate appears to float above the city. Completed over eight years—and requiring 600 works to build—the home was designed by architect Paul McClean, who was enlisted by owner and developer Nile Niami to help it live up to its reported $340 million price tag…

Beyond the eye-catching design are the home’s equally jaw-dropping stats. There are 42 bathrooms, 21 bedrooms, a 5,500-square-foot master suite, a 30-car garage gallery with two car-display turntables, a four-lane bowling alley, a spa level, a 30-seat movie theater, a “philanthropy wing (with a capacity of 200) for charity galas with floating pods overlooking Los Angeles, a 10,000-square-foot sky deck, and five swimming pools…

Due to recently approved city ordinances, a house of this magnitude will never again be built in Los Angeles, which means The One will truly remain one of a kind. “This project has been such a long and educational journey for us all,” McClean notes. “It was approached with excitement and was thrilling to create, but I don’t think any of us realized just how much effort and time it would take to complete the project.”

What a house – and at a particular time. With concerns about mansionization in Los Angeles plus COVID-19 and its effects exacerbating inequality in capital and housing and shedding light on how much space people have, here is an incredibly large and expensive home. Given the limited pool of actors with the resources to purchase this home, these larger patterns might not matter much.

Down the road, because of its size and price alone does this become a local or international landmark? Or, because it is a single-family home in an exclusive location, will this house rarely be seen? Some of this might depend on who the owner is. The next step in the news coverage is to figure out who purchases the home and what they do with it and then the legacy of the property will come later.

It would be interesting to compare this home to previous properties that claimed to be the most expensive or the largest. I recall an effort in Florida to construct a 75,000 foot home; a documentary about the home detailed some of the process and issues that arose.

The new residential skyscrapers in Chicago continue to highlight capital flows and disparities

While reading reporting about skyscrapers going up in Chicago even during COVID-19, I continue to wonder: who is purchasing all of the residential units in times like these? Here is one example involving Chicago’s new third-tallest building.

Part of the Chicago skyline from East Jackson Drive – Google Maps

Located on a multilevel riverfront site at 363 E. Wacker Drive that belongs to the same Lakeshore East development as Aqua, Vista will house a 191-room hotel and 393 condominiums once it’s complete in the third quarter of next year.

For now, as COVID-19 rages and office cubicles remain empty, the tower sends the upbeat message that downtown has a future, and it’s not just for the 1%. Vista’s ground-level amenities will benefit ordinary citizens as well as those who can afford the tower’s condos, which start at around $1 million.

The entry point of $1 million means that the clientele for such a building is pretty restricted. The Chicago area is not a superheated real estate market like San Francisco or Manhattan or several other coastal cities yet tall residential buildings are meant for a select few.

On the other hand, another skyscraper project in Chicago might move to make their residential units available for rent rather than purchase:

The biggest Chicago skyscraper to have construction halted by the coronavirus pandemic could be revived in 2021 — as apartments instead of condos.

Unit layouts are being redesigned at 1000M, the Helmut Jahn-designed condo tower on South Michigan Avenue, in an effort to refinance the project and resume construction next year, “primarily as a rental project.”…

It was the largest condo development by unit count, at 421 units, launched in Chicago since the Great Recession all but shut down construction of condos in the city for several years. At 832 feet, it also would be the tallest Jahn-designed building in Chicago, where the German-born architect is based.

With rentals being in demand, this makes some sense in order to help get the project started again. At the same time, these rental units will not come cheap.

All of this residential construction suggests there is a lot of capital continuing to flow for prestigious building projects in desirable locations. COVID-19 might be a bit of a speed bump – whose impact will continue to be determined by its length – but big lenders, developers, and buyers still have an appetite for these prestigious residential units.

Focusing on the construction of these units can both help the public pay attention to where the money is really going as well as continue to highlight the disparities in development money by location. It is hard not to report on these new tall structures; they require a lot of effort and resources and will be part of a celebrated skyline for decades. Yet, within Chicago, as the skyscrapers continue to rise for the corporations and residents with plenty of resources, needs for housing and other development are very present elsewhere.

Finding the “unstandard McDonald’s”

A Twitter account titled “unstandard mcdonald’s” features unusual McDonald’s buildings.

Recently discovering this account reminded me of some earlier posts about unusual McDonald’s (see here and here). There might be some things worth researching here…

  1. How often are fast food companies – or any large corporations with many locations – willing to compromise their architectural identity to either meet (a) local standards or to (b) be located in a potentially profitable location? In the first case, different communities might want a fast food restaurant to look a certain way. Some might consider a typical McDonald’s tacky or vulgar but the business might be more acceptable if it fits with local architecture. In the second case, McDonald’s might prefer to have a drive-thru and huge identifiable arches but can you pass up a location in a heavily trafficked location like an urban street corner or a museum?
  2. What makes the cases featured on this Twitter account stand out is that they are deviations from what McDonald’s typically looks like. Fast food – and other industries – value recognizability, especially when drivers are going by at a high rate of speed. McDonald’s helped standardize all sorts of things (hence McDonaldization), including architecture and design. Of course, that look can change over time but it typically takes place within a corporate-defined time period to refresh locations or project a new image.
  3. Can fast food have local variation? Different regions have different chains while other businesses are all across the country. Perhaps the most famous example in a similar space to McDonald’s is In-N-Out Burger. As the chain expands (and the recent opening of locations in Colorado drew lots of customers), does it lose some of its cachet and quality as it becomes just another national chain? Fast food is part of the American lifestyle but it also draws much critique.

Utilizing the front porch during COVID-19

With social life changed to COVID-19, front porches offer a unique opportunities for social interaction:

Photo by Thgusstavo Santana on Pexels.com

Thanks to the pandemic, the front porch is enjoying a new golden age. Like their near cousins, stoops, steps, even fire escapes, porches offer a semipublic setting where we can meet friends and neighbors face-to-face—even if those faces are masked. In the words of Claude Stephens, founder of a tongue-in-cheek group called Professional Porch Sitters Union Local 1339, a porch is “the only place where you can feel like you are outside and inside at the same time; out with all of the neighbors and alone reading a book.”…

“The front porch was an escape from the heat of the wood-burning kitchen stove,” explains historian Donald Empson, the author of “The Street Where You Live,” an architectural guide to St. Paul, Minn. “On the porch, in the cool of the evening, the family could gather to discuss the day’s events and exchange the latest news with neighbors strolling by.” Porches offered neighbors a place to exchange gossip, to spin sagas and sing songs, to flirt and court and air political views. The front porch at the turn of the century was Starbucks, flash mob, church social and Facebook rolled into one…

We no longer need front porches to broadcast our political agendas or to keep cool, as our grandparents once did. But we still need them, perhaps now more than ever. Porches give us a physical space to safely host friends, neighbors and passersby for the small talk and deep conversations otherwise difficult to foster in the middle of a pandemic.

If you’re yearning to add a porch, a 300-square-foot version will set you back an average of $21,000. One study shows you can recoup 90% or more of that investment at resale. But you can’t place a dollar value on the intangible elements of a porch—a social lubricant, a casual meeting place, an eye on the world, a place that’s a little bit yours and a little bit theirs.

Architects, urban planners, and others have argued for decades that front porches and the social life associated with them would help improve community. By spending time in a zone connected to the single-family home yet open to people passing by, residents open themselves up to interactions in a way that is not possible with the common holing up inside to watch TV or driving in and out of the garage at the beginning and end of each day.

It would be interesting to see how exactly front porches are being used right now. There is a time period of home construction lasting at least a few decades in the postwar era when front porches were not common. Older homes may have home as might some newer homes, though these newer porches can be fairly small or more cosmetic than usable. Do people in neighborhoods where front porches are more common report higher levels of social interaction during COVID-19?

In addition to the new opportunities for social interaction during COVID, the front porch can also function as a work or social space separate from inside life yet still connected to the home. With many working from home or students going to school remotely, the front porch offers a covered yet open-to-nature space. Just make sure the Wifi works well…