Wrong direction on Lake Shore Drive in “When Harry Met Sally”

I noticed this again recently: the movie When Harry Met Sally gets an important feature of Chicago wrong early on. As described by IMDB:

When Harry and Sally drive from the University of Chicago to New York, they should drive on the Lake Shore Drive heading to the south (to the direction of Gary), not to the north (to the direction of downtown). So they should not be on the Lake Shore drive on the north of downtown.

It is not clear how this mistake was made but it could be an easy one to make for multiple reasons:

  1. The University of Chicago is an island onto itself on the south side of Chicago. It takes several miles and multiple social worlds to get to the better known, wealthier, whiter part of Chicago (the Loop and North Side). Perhaps this is commentary about where University of Chicago students end up?
  2. Would the view along the southern portion of Lake Shore Drive be recognizable to many people? The views of Chicago are very different at these different ends. The southern approach to the city provides a more industrial, working-class view while the north side emphasizes high-rises and waterfront amenities.
  3. Perhaps this could further fuel Chicago’s sense of inferiority compared to New York City: “they don’t even know the north and south sides of our great city!”

The Bachelorette may be the best use for a McMansion

With the criticism that McMansions receive, are there any contexts where they are appropriate? I submit that The Bachelor/Bachelorette shows are one such setting:

  1. The home needs to be big. The latest version of The Bachelorette started with 31 suitors. Not only is space needed to house all of them, a McMansion has big spaces like the living room or pool area where lots of people can congregate.
  2. The home needs to be garish and over the top.  For a show that knows it can’t take itself too seriously (are the contestants here for “the right reasons”?), the loud house works just fine.
  3. Having a big, well-appointed house fits with the show’s fantasy theme. Everyone knows that most relationships don’t start and/or occur in huge houses, on adventurous and/or fancy dates, and on trips around the globe. But, watching everyone interact in a 1950s ranch home simply wouldn’t fit with the dream-like aspect of the show. (Indeed, it is an interesting contrast to juxtapose the parts of the show that take place in the McMansion versus the home visit weeks where the families of contestants live in more normal settings.) Big features that are clearly visible on TV? Large pool and hot tub? Vaguely Mediterranean style? Check, check, and check.

For the average American household – less than five people – the home used on the show doesn’t make much sense. But, as a key setting for a fanciful TV dating show, it may be perfect.

When a suburb is made out to be racist on a fictional TV show

Many Americans are protective about their own community so it is little surprise that leaders in Crown Point, Indiana were not happy with their portrayal on TV as a place where there is racial antagonism:

Crown Point Mayor David Uran says the city and its residents deserve an apology after the city was depicted as a racist community on the May 10 episode of the NBC drama “Chicago P.D.”‘…

He said the way show crossed a fictional storyline with a factual place gave the impression the incident is something that occurred or could occur in the city…

As mayor, he said he is always trying to promote inclusiveness in the community to attract people to live, work and play in Crown Point. He said he has reached out to NBC through different emails and is demanding an apology for the city and its residents.

In the episode, “Army of One,” a black man is killed after he was released from jail for a rape that occurred while he was a star high school athlete dating a white girl.

I wonder at the strategy here: would making this case on the website of the Chicago Tribune call more attention to the portrayal? Do people watching TV shows necessarily link the actions on the screen to the specific places named, particularly if the place is relatively unknown (Crown Point is at the edge of the Chicago metropolitan region)? (Police shows do this all the time and it likely influences how many viewers see big cities as cesspools of crime.) Perhaps the mayor is simply standing up for concerned members (and potential voters) of the community.

At the same time, northwest Indiana communities may have struggled with race. How do many of the white communities and residents view Gary? Or, what about the KKK: here is an overview of historical documents from the Crown Point KKK from 1913-1932, the Crown Point activity of the KKK is noted in the academic history Citizen Klansman: The Ku Klux Klan in Indiana, 1921-1928, and there were rumblings of KKK activity in Lake County in 2005. Additionally, a research project in Northwest Indiana suggests a number of bias incidents between 1990 and 2014. And these struggles wouldn’t be unique to northwest Indiana; this is part of the American story in many communities and suburbs.

Arms race among new luxury apartments includes live-in musicians

If you have the resources, you have some options in shopping for a nice new apartment including a building musician:

Amenities for high rise buildings are generally culled from a well-honed list of known popular offerings—a lounge, gym, a pool, an outdoor deck, and grilling stations wouldn’t really lead anyone to blink an eyelash. Being LEED certified is often expected.

At the 34-story, 298-unit Exhibit on Superior, amenities for the studio, convertible, and 1 to 3-bedroom units include those, as well as keyless entry with smartphone integration, stainless steel appliances, in-unit washer and dryer and more. Quite nice—but the downtown luxury apartment market glut has led to an arms race to attract new residents and keep rents from being slashed.

And even though the price point is comparably lower (and the floor plans are comparably smaller) than other neighborhood offerings to attract a younger demographic, developer Magellan Development Group and MAC Management wanted to bring some artistry and magic to their building (and to their other properties, if this catches on). Here’s the idea.

A contest is open for the best acoustic guitarist and vocalist to live and play for one year at Exhibit on Superior. The winning musician gets free rent at an unfurnished studio for a year, the title of Musician in Residence, and the chance to hone their skills while playing against any number of cool nooks and spaces in the bKL Architecture-designed building. The residents get in-house live entertainment and bragging rights to live in a building with the first so-called Exhibit A-Lister.

My first thought was that sounds like the arms race among colleges to provide amenities for prospective students ranging from excellent food, state of the art gyms, and private and luxurious dorms. Then it hit me: these luxury apartment buildings may be going after that same demographic: college graduates who want the excitement of the city. If we could narrow it even more, perhaps they are employed in a creative industry or field.

After thinking this through a bit, it is clever to pair residential real estate with music. We might expect something like this in commercial spaces or privately-owned property that is trying to operate like public space (perhaps a park like area outside a major office building). But, this continues the trend of some of the other “weapons” in this residential arms race: providing building amenities that encourage sociability while simultaneously offering well-appointed private units. Let’s hope all the residents like the acoustic guitar scene…

From I Love Lucy in Connecticut to Desperate Housewives’ Wisteria Lane: Suburban TV Shows, 1950-2007

In my study of suburbs, I have run across numerous scholarly sources that discuss the role television played in promoting American suburbs. A number of them suggest that the idealized image of nuclear family life taking place in the single-family home presented in shows in the 1950s and 1960s encouraged Americans to make the move to the suburbs. My recently published paper (published online in Sociological Focus, forthcoming in print) aimed to put these arguments in context: just how common were these suburban television shows? Did such shows reflect the millions of Americans who already moved to the suburbs or create demand for the suburban life?

The short answer: suburban-set TV shows were relatively rare among the top 30 ranked shows from 1950 to 2007. There certainly were some classic shows – ranging from Father Knows Best to Home Improvement – but many of the top 30 shows were set in cities. Here is my concluding paragraph:

Even though the United States has become a suburban nation, its most popular television shows from the second half of the 20th century and the early years of the 21st century did not match this demographic shift. The suburban sitcom or drama, satirized in films like Pleasantville or featuring anti-heroes in more recent television shows like The Sopranos, was a relatively rare figure in the top 30 television shows. The suburban show is a recognizable form with its emphasis on family life in a single-family home without much social strife, and new fall lineups continue to include variations on the genre, yet many popular American shows were set elsewhere. Thus, these longitudinal findings suggest popular television shows had a limited influence on pulling and/or pushing Americans to the suburbs. America may be suburban but its most popular television shows are not.

There is much more to explore here. The scholarship on the topic thus far has focused on particular key examples of suburban-set shows but has rarely considered the full scope of television or how exactly watching a show set in the suburbs would change people’s behaviors.

Film about McMansions on Martha’s Vineyard

Here is a review of how a film examining the larger and larger homes built on Martha’s Vineyard:

The premise of the film begins on familiar ground, with Bena casting a critical, almost dogmatic eye on the issue:

“On the first day that I arrived I landed several jobs and it wasn’t long before I was working seven days a week. My main gig was carpentry. At first I really enjoyed the work, but over time I found myself working on larger and larger homes. The larger the home, the more my sense of uneasiness increased. And the fact that they were often third or fourth homes seemed incongruous with their enormous size. They looked more like bus stations or hotels, not summer cottages.

The houses were heated year round and I found the waste of resources shocking and depressing. Not only did the “starter castles” dwarf the cottages and historic homes they replaced, they seemed out of keeping with everything that I love about Martha’s Vineyard. I felt like I was ruining the place that I wanted to call home. And that is why I took off my tool belt and picked up a camera.”

But as the film progresses, Bena’s approach becomes much more nuanced. In talking with other local carpenters who work on these huge houses, we discover that their livelihood depends on these large contracts. We hear from long-time residents, some of whom are uneasy about telling newcomers what to build or not to build. In his interviews with some of these owners of these oversize mansions, we hear the human side of their stories as well. But we also see how some of these wealthy homeowners take advantage of legal loopholes — or even flout them completely — with serious consequences.

This sounds interesting and surprisingly multi-faceted for a story about McMansions.

At the same time, I suspect the story is complicated here because of tourism. This is not a “normal” location but rather one that locals as well as thousands of visitors might consider “home.” Additionally, there is a lot of money involved with what it takes to visit and build (with limited land). When the president travels there and draws attention to this particular issue, this is a special place. The story of McMansions at Martha’s Vineyard might be able to reach more people because of the known location but it isn’t necessarily the same McMansion story as teardowns in Los Angeles neighborhoods or in suburbs outside of Washington D.C. or new McMansions in the exurbs.

Aurora, IL a large suburb or a place that should celebrate pumpkins and strawberries?

A recent interview with the director of Wayne’s World included some comments about the suburb of Aurora, the hometown of Wayne Campbell.

“It’s starting in February and ending on July 4 with a headbanging session to ‘Bohemian Rhapsody’ in an effort to get more people than ever before together to headbang to that song,” Spheeris said in an interview with Entertainment Weekly posted online Thursday. “I can’t believe it. Don’t they have pumpkins or strawberries to celebrate? Isn’t that crazy?”…

For its 25th anniversary, the film is set to return to some theaters Feb. 7-8. Meanwhile, the Aurora Downtown group, the city of Aurora and the Aurora Area Convention and Visitors Bureau are organizing a celebration of the movie scheduled to start Feb. 3 and wrap up July 4.

Planned events include a children’s air guitar competition, a trivia contest and a headbanging event to try to beat the Guinness record…

“She may not be aware that Aurora is a city of 200,000. She may think it’s a lot smaller based on the ideas of the movie,” Rauch said. “I think she might just be thinking that her movie may not be as important as pumpkins or strawberries.”

This all sounds fairly lighthearted but it does provide an opportunity to highlight the second largest city in Illinois. Indeed, the Downtown Aurora group has a page dedicated to this topic: “Aurora, Beyond Wayne’s World“:

You might be aware that Aurora is the second largest city in Illinois. With a population of 200,456 it is second only to Chicago. But did you know that Aurora got it’s nickname “The City of Lights” by being the first city in the country to have all electric street lights? Or that Aurora has been scouted for top-name films in recent years? Here is a list of fun facts that you might know about Aurora, IL.

In the film, Aurora doesn’t look so big. At the same time, the population doubled over this time period (1990-today) from just under 100,000 residents to 200,000 residents.