Tag Archives: horror movies

What motivates people to document the “urban ruins” of New York City?

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There is the glittering New York City, capital of the world, and then there are the urban ruins:

From the creepy to the bizarre, Ellis’ exploration of the derelict and decrepit has lead him to document nearly 50 locations across New York City and beyond. The images chronicle forsaken schools, asylums, and forts, along with railroads and waterfronts. He updates his popular blog constantly, and a collection of 150 images has been published in Abandoned NYC.

Ellis has become somewhat of an expert at discovering the city’s hidden ruins. He gleans a lot of information from other “urban explorers” who post their findings online. He also uses Google Earth — if he sees a building with a collapsed tree outside or what look like abandoned cars, it’s a sure sign no one’s inside. In three years of urban spelunking, he’s somehow avoided being arrested. There are occasional run-ins with security guards, but he usually leaves when they tell him to and that’s that. “Getting in is easier than you think,” he says.

Wired runs stories like these regularly and you can find lots of such pictures online (particularly from Detroit). What is the appeal? My guesses at the moment:

1. It contrasts with the glittering/branded images most cities want to present.

2. It fits in with those interested in darker things like deviant activity (not necessarily illegal, but at least out of the mainstream), horror films, and post-apocalyptic stories. And all of this may be down the block or around the corner in the city! And there are such artistic opportunities!

3. It strikes me that it may be relatively easy to find these sites. Some of the pictures here are from larger sites but some could be from relatively small buildings. It may not be clear from the outside how ruined it looks inside.

4. Perhaps this is some reaction to the orderly middle- to upper-class presentation of the world where everything has to be in its right place. Sites like these present an opportunity to revel in disorder.

5. Humans can survive in such spaces? Again, we are used to seeing the more upscale settings in which the rich and famous live but seeing how the lower half lives may just be more hidden and/or blocked.

6. This is about preserving history. Without such photos, it is easy for buildings to quickly or slowly disappear.

Horror film featuring dissertation writing sociology Ph.D. student does not end well

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Sociologists don’t often make it into movies or TV shows but here is a new horror film that features the trials of a sociology Ph.D. student:

Matt Passmore (The Glades) and Huntingdon Valley native Katie Walder (Gilmore Girls) star as Las Vegas couple Josh and Sarah – he’s a croupier at one of the big casinos; she’s a Ph.D. candidate in sociology – whose quiet, cookie-cutter lives in a quiet, cookie-cutter housing development are turned inside out when the ultimate neighbor from hell moves in across the drive.

A scrawny, Norman Bates-ian creature with stringy, greasy hair parted in the middle, Dale (Nathan Keyes) is instantly, and most creepily, besotted with Sarah.

That’s because Sarah is the spitting image of Dale’s mom, who was viciously stabbed to death by Dale’s pop, as we see in a brief prologue…

The creepfest begins one afternoon when Sarah is jotting down some thoughts about the latest chapter in her dissertation, a study of the social effects of Internet porn. She falls asleep, only to wake up later that night dressed in an entirely different outfit.

Doesn’t sound like a good film. Also, it doesn’t sound like the sociology Ph.D. matters much for the plot. Could any graduate program have fit the bill here? Don’t sociologists get to do anything interesting in the media?

Crafting the perfect Gothic McMansion in a 21st century novel

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A review of the new novel Fallen Land suggests the McMansion at the heart of the book plays a big role:

The McMansion, that derisively nicknamed trophy home of suburban arrivistes, is different things to all people: the darling of building contractors, the forest-guzzling residential equivalent of the SUV to land preservationists.

Among American practitioners of the modern Gothic novel, the McMansion has rarely been rendered with the resplendent gloom of, say, Shirley Jackson’s Hill House, or the majesterial melancholy of Edgar Allan Poe’s House of Usher. In his smashing followup to his formidable debut novel “Absolution,” however, Patrick Flanery has fashioned a crumbling 21st-century manor that can hold its own among those authors’ most sepulchral, ALLEGORICAL inspirations.

The trappings of “Fallen Land’’ are pure old-school Hollywood. Imagine a housing development that evokes the splashy-cum-sinister Victorian fantasy of “Meet Me in St. Louis” and Hitchcock’s “Shadow of a Doubt” and you have Dolores Woods, a Midwestern subdivision committed to a regressive aesthetic “in which the past was preferable and this country was at its greatest before it tried to tear itself apart in the middle of the nineteenth century.” The community’s pastiche array of gabled roofs and picket fences disguise the jerry-built nature of its construction: pop-up palaces whose yawning spaces and teetering infrastructure “terrify where they were meant to comfort,” the American Dream turned nightmare.

The development’s showpiece, classically enough, has been erected atop the site of tragic events from a darker epoch whose emotional undercurrents will haunt the home’s new tenants, Julia and Nathaniel Noailles. The Noailles have relocated from Boston with their smart, idiosyncratic son Copley (named for the hotel address where he was conceived) in pursuit of snazzier positions: she with a university lab, he with a mega-corporation that powers virtually every private enterprise on earth, including the fascistic private school in which Copley is newly installed.

I’ve noted before that the McMansion has become a popular tragic setting for modern stories. See this post about McMansions and horror films. The McMansion represents a hollow setting, a place that may look impressive but is empty at its core. The people who inhabit such homes are similar: people who thought purchasing a big home would bring satisfaction but are sadly mistaken. Even worse, the inhabitants – and it sounds like those in Fallen Land fit the bill – might be bad people, the kinds who squander money, are mean or amoral, and are up to nefarious purposes. All together, these stories suggest at the least that tragedies befall those in McMansions with the stronger argument that those who live in McMansions and their homes are rotten to the core.

Perhaps my argument would be strengthened by searching for counterfactuals: can we find many positive depictions of McMansion dwellers in novels, movies, TV shows, etc.?

Scarier than McMansions: half-completed McMansions

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In the middle of a slideshow about the “World’s Eeriest Abandoned Places” is an image of a South Florida neighborhood of half-completed McMansions. The description of Lehigh Acres (picture 7 of 8):

There’s something bluntly creepy about the abandoned exurbs of Florida. Forsaken construction sites, like the ones in the middle-class development of Lehigh Acres in Florida’s southwest, are filled with half-built McMansions, unkempt yards overtaken by alligators and snakes, and derelict cul de sacs that lead to nothing. Florida’s population is diminishing for the first time ever, and nowhere is the exodus felt stronger than here.

Before Halloween, I wrote about the trend of horror films using McMansions as scary settings. Perhaps abandoned sites are more in the genre of post-apocalyptic films…

Overall, I’m not sure why abandoned buildings are viewed as being so creepy. I wonder if this fear has increased with the prosperity of the Western world in recent decades. With so much money out there, it strikes us as very odd that a building would just be left behind and unused. Is there something horribly wrong with the building? Why wouldn’t someone want to preserve and reuse it? But, I assume this has happened plenty throughout human history. Think about the ruins of empires; what happened with all the structures the Romans built when their empire slowly collapsed over the centuries? Or what exactly happened to those Mayan cities in the jungle? I remember as a kid learning about the “Lost Colony” of Roanoke but this certainly happened with other explorer settlements like the Vikings in Greenland. Until recent history, abandoned buildings and settlements were probably more common and “normal.”

Is a McMansion truly a better scary movie setting than a smaller, older house?

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In the last few days, I’ve seen a few stories about horror movies that take place in McMansions (see here and here). Are McMansions inherently scarier than smaller and older houses? I’ll offer a few arguments for each.

On the side of McMansions:

1. Bigger houses allow more room for weird things to happen and more space for bad creatures to pop out of. The victims have room to run away and utilize rooms they may not have entered in weeks (because the house is just that big!).

2. Perhaps residents of McMansions and all of their faux wealth (according to critics) are more deserving of bad things happening to them or are more naive and innocent. Either way, there is something about McMansion owners that makes them better targets for these films.

3. It is really about a commentary on the foolishness of buying and living in McMansions. Perhaps the horror is the inevitable result of American individualism and consumerism.

On the side of smaller and older homes:

1. They are more claustrophobic. There is nowhere else to go.

2. They are older so there is more potential for odd backstories (think of all of those old owners) or odd places (unused cellars, crawlspaces, attics, etc.).

3. The homeowners may be of a different demographic – they don’t have the wealth to live in McMansions or new homes – so there is potential for different kinds of story lines beyond wealthy and pampered teenagers or young couples who have “made it.”

I think McMansions are an easy target for horror movies and other cultural critics. Most Americans don’t live in them but they symbolize the kind of well-off life that contrasts with darker stories. Of course, dark things can happen in all kinds of houses…