All television shows have settings and locations but few are as important as the large home on Downton Abbey:
The main character in Downton Abbey is not a person at all. It’s a building. Downton Abbey.
There it is in the opening credits of the new film and, despite a whole raft of new changes that I am trying not to give away, there it stands at the end, towering over all of the humans who enter and exit its doors, more custodians than owners, really.
The domestic edifice is this hugely successful franchise’s reason for being, the explanation for the movie, the lodestar for the show’s fans. Individual characters can die — and, God knows, they have. But if “Downtown Abbey” itself were ever to fall, then the story would be over.
This is unusual. Most long-running TV shows are centered on either an individual or a family. “Mad Men” could not survive past the death of Don Draper. “Dexter” needed Dexter. “Breaking Bad” tells the story of Walter White. “Game of Thrones” (73 episodes!) had numerous story arcs, heaven knows, but it still remained the story of communities, not unlike “The Wire” or “The Deuce.” “Star Wars” is a generational saga at its core. And, of course, superhero franchises need their superheroes. (Or their close relations.)
In many television shows, the setting functions more as a backdrop than anything else. The opening credits may show a city and/or home. The show itself may feature a few main sets, typically a place of residence and a workplace. But, swap one city or suburb for another or home for another home and the show could go on.
Would the same be true for Downton Abbey? If the show took place in a different English manor – which are occasionally seen on the show and in the movie – would it be a different show or a weaker show? Is the show popular because of the house or is the house popular because of the show?
It seems like a step too far to suggest that a bad or mediocre television show could be rescued by or solely built on a unique and interesting setting. Good characters encountering interesting situations is a necessary ingredient, even in a show that depends on an unusual and/or popular location. Yet, we could study the degree to which a setting or location or building figures in the plot and popularity of a show. For example, would The Sopranos be the same show without the suburban McMansion the family lives in?