The Art Institute of Chicago is currently displaying The Great Wave by Katsushika Hokusai. I enjoyed seeing the print and reading more about it as it is not always on display.

But it was also notable the setting in which the print is displayed. The Ando Gallery is unique; hear the audio tour experience here. The room has darker lighting and there is a high ceiling. The print is on a long wall to the back left from the entrance.

Because the print it smaller and the gallery has space, here is what the scene looks like:

On the day I was there, the print had a small crowd around it as people took in the work and the text on the wall. I was reminded of the gallery of The Louvre with the Mona Lisa where a large crowd presses to see what is a smaller painting. In both places, the work and its status attracts crowds.

This is a different experience compared to other common settings. First, large paintings – like A Sunday on La Grande Jatte at the Art Institute – can attract crowds. However, the size of the painting means many people can still see the whole thing even when there are numerous people around. Second, numerous works in art museums have few or no people looking at them. Even on busy days, one can find quiet rooms where there are no crowds and an observer can take it all in on their own.

Even as we might interact with art as individuals regularly, whether in museums or in books or elsewhere, this also serves as a reminder that we often do it in interaction with others. The small crowd around The Great Wave were quiet, even reverent, as each person or group took it in. But they could not ignore that many others were also right there having their own experience.