The McMansion for dogs in the sculpture park

A sculpture park in St. Louis has a new exhibit for dogs that includes a McMansion:

This summer, Laumeier Sculpture Park hosts “Dog Days of Summer,” an exhibit that allows visitors to ponder the dog/human relationship while giving their pets a chance to romp free across the park grounds…

The exhibit’s centerpiece, “Not Without My Dog,” is an interactive dog trail installed outdoors. Designed by Finnish artist Tea Makipaa, the art piece has six stations dogs can examine as they wind their way along the park’s nature trail.

“It’s a place where dogs can be themselves and we can better understand how they perceive the world,” Venso said.

One of the interactive stations, called “Dogs of USA,” has several contemporary versions of doghouses. Venso said one burned-out house represents Detroit. Another is built in cookie-cutter “McMansion” style. A third is an eight-story brick tenement doghouse.

What an interesting collection of “contemporary” doghouses: a burned-out house, a McMansion, and a tenement. Why these three and what is the message behind them? Perhaps they simply represent interesting settings that allow the sculptor to show some creativity. (Who will be the first to take a picture of a dog going to the bathroom on the McMansion in the park and post it gleefully online?)

I’m going to have to check the website of the sculpture park to see if they include any pictures of these three doghouses after the exhibit opens June 25.

Dioramas of suburbs and McMansions

The New York Times has a story about photographers who build model homes and suburban scenes in order to photograph them:

Yet “Otherworldly: Optical Delusions and Small Realities,” at the Museum of Arts and Design, circles back to the two-dimensional image in ways that feel very sophisticated. A good number of the show’s more than 40 artists build model homes, cities and landscapes mainly to photograph them…

James Casebere, meanwhile, shows his photographs but not the architectural models of suburban housing developments on which they are based. By controlling the lighting and printing his images on a large scale, he makes sprawl seem even more aggressive and insidious. In “Landscape With Houses (Dutchess County, N.Y.) #8” tightly spaced McMansions tower over a quaint white-clapboard farmhouse.

Mr. Casebere is something of an anomaly in this show because he is so focused on the present. Other examples of model architecture tend to indulge nostalgia, along the lines of Michael Paul Smith’s bland 1950s strip mall and Alan Wolfson’s gritty little slice of 1970s Canal Street in New York…

The trip through all of these microcosms can be tedious: too many shoeboxes, not enough ideas. One exception is a video by Junebum Park, who uses his hands and a rooftop camera to turn an ordinary parking lot into a kind of moving diorama. A simple trick of perspective is all it takes to make him the master of Matchbox cars and ant-size pedestrians.

The article ends by suggesting that too many of the dioramas are similar. What would happen if an artist presented suburban homes in a positive light rather than portraying sprawl as “aggressive and insidious” – would this be different enough or unacceptable?

I am intrigued by the idea that a “bland” 1950s strip mall induces nostalgia. What exactly does this look like?

California housing forecast includes fewer McMansions, depressed construction industry

Several researchers from UCLA suggest California housing industry will experience some changes in the next few years including a construction industry that will need years to recover:

UCLA forecasters have seen the future of California’s housing market, and it looks like this: more apartments near the coast, fewer McMansions in the desert…

That’s bad news for the state economy, however, for two reasons. One is that construction of multifamily homes requires less labor than construction of single-family homes. Second, areas such as the Inland Empire and Central Valley that were hit hardest by the housing bust won’t get a construction boom to help pull them out of the economic doldrums.

This means “there is an even larger structural unemployment problem in California than we originally thought,” Nickelsburg wrote in the forecast. “Not only do we have excess construction, real estate and support skills, but some of those that will be demanded will be in the wrong geography.”

California won’t start adding a significant number of building permits until 2013, forecasters say, which is one of the reasons the state’s unemployment rate will stay above 10% until the middle of that year. Nonfarm employment in the state won’t return to pre-recession levels until 2014, and construction employment won’t reach those levels until at least 2021.

The demographic shifts and move away from McMansions have been predicted elsewhere but the longer-term impact of a troubled construction industry has sort of flown under the radar. I wonder how much of the current unemployment troubles in the US are the result of the lack of home construction, i.e., what percent of the unemployed are construction workers? Where do construction workers end up working in a prolonged housing industry slump?

All of this is a reminder that the housing crisis which helped lead to the economic crisis is a longer-term issue. Lower housing prices don’t just influence homeowners who wish they could sell or get a return on their home or large lending institutions who lost a lot of money – millions of construction workers are under- or unemployed and communities can no longer rely on quick single-family home construction to help revive their economies.

A LEED-certified modular McMansion

Ask and you shall receive: a few days ago, I asked whether builders could construct “green McMansions.” I came across a video of the construction of a modular, LEED-certified McMansion. Here is why this 6,300 square foot home is green:

New Classics systems-built construction has a smaller impact on the environment than traditional building methods do…

In addition to the green benefits embedded in our construction process, all New Classics homes require less energy to operate…

In addition to the advantages delivered by our systems-built construction, we’ve joined forces with a number of our trade partners to incorporate further energy management and practical green technology into the Bradley Green Home. All of our environmental management features are easy to live with and make smart economic sense…

I would be interested to see whether this home proves attractive to buyers and critics. While it is still a large home (5 bedrooms, 6.5 baths, guest cottage in the back), it also includes a lot of green features including a “geothermal heating and cooling system,” “a solar hot water system,” “The first living retaining walls in the Washington, D.C., area have been installed in the backyard to control erosion,” and “A rainwater collection system” with a “3,000-gallon underground storage tank.” Which wins out in the end: the size and design of the home or its green features? Are these green features enough to counter the fact that this is still part of suburban sprawl in Bethesda, Maryland?

Another important question: what does this home cost? To buy space, luxury, and green, I imagine it could command a premium.

Even Shakespeare doesn’t like McMansions

As the debate over the value of certain college majors continues, William Shakespeare responds and defends the liberal arts and also knocks McMansions:

See, when I wrote all those plays back in the day, I had no intention of helping the bright-eyed brats of the future find their way to high-paying jobs and McMansions in the ’burbs. No, I was after something else altogether. (If you don’t understand this, please do not feel alone; this great stage of fools is plenty crowded.) To be sure, one should not attempt to mine A Midsummer Night’s Dream for literal fortune, unless, of course, you’re in the tights-and-tunics trade. But that’s another matter…

Students can do worse than to take literature courses, like ones devoted to my work, or to that of Toni Morrison, or even to depressing saps like Melville. To study literature is to practice critical thinking; to write about texts is to hone writing skills. The very things that the masters of industry demand in their employees, no?

Shakespeare seems to have heard the selling points for a liberal arts education.

The phrase that interests me: “the bright-eyed brats of the future find their way to high-paying jobs and McMansions in the ’burbs.” This seems to be a broad indictment of how students (and others?) view college: it is about making money and living comfortably as one pursues the American dream. In contrast, the liberal arts promotes thinking and wrestling with the big questions that humans have sought to answer throughout history. But do McMansions and critical thinking have to be mutually exclusive? McMansion seems to refer here more to the homeowners themselves who are only interested in making money, getting ahead, and enjoying life. Is the opposite implication that critical thinkers would never purchase or build a McMansion because they would see its faults? Do critical thinkers (and liberal arts majors) only live in homes with character and history in the city?

Can you replace a $4.1 million dollar Malibu home with a McMansion?

The typical image of a teardown McMansion is something like this: in an older neighborhood, a 1950s ranch home is purchased, torn down, and replaced with a 3,500 square foot new home that dwarfs its neighbors. While this is a concern for many communities across the United States, can you possibly have a teardown McMansion in Malibu that would replace a $4.1 million dollar home?

Shangri-La was recently listed on the Malibu real estate market for $4.1 million — the first time it’s been for sale in over 30 years. Known best as Bob Dylan’s recording studio, Shangri-La was also a studio and hangout for other rockers like Clapton, Robbie Robertson, Joe Cocker and Pete Townsend. More recently, the house hosted Adele and Kings of Leon while they each spent time in the recording studio…

Listing agent Shen Schulz of Sotheby’s International explained that the current owners are looking for a buyer who will carry on the property’s legacy.

“This is a very special property,” Schulz said. “They don’t want it to be torn down and turned into a McMansion. We want a musician that will carry on the energy and pass the baton.”

Although perched on the bluffs above picturesque Zuma Beach, this home doesn’t look like a typical million-dollar beach retreat in ritzy southern California where median Malibu home values are over $1.5 million. While the home doesn’t have a pool, it does have two recording studios — an extensive one in the lower level of the home as well as a smaller one in the vintage Airstream trailer parked on the lawn.

The price of the home would suggest that it is not just any old ranch home. It is difficult to find specifics about the home itself rather than its recording legacy – even the listing or the house’s own website doesn’t say much about the actual home. The real estate listing does say that the home was built in 1958, it has 4 bedrooms and 3 bathrooms, and has a total of 4,449 square feet. This is a rather large ranch home.

But all of this makes clear that this particular home should not be bought because of a remodeled kitchen or even the views of the ocean. A buyer of this late 1950s ranch will be buying into rock history. The idea that the home would be replaced by a McMansion seems to suggest that the term McMansion here refers to a home without true character. Shangri-La certainly has character and a new home simply can’t compete with a background as a bordello and analog recording studio. While a typical argument against teardown McMansions is that they change the character of a neighborhood, the argument here is that a teardown would deprive musicians (and others?) of hallowed ground. You could build a beautiful and bigger new home with even more recording space (and egads, digital equipment?) and it just wouldn’t be the same.

By the way, this is one of the most expensive positive teardown properties I’ve ever seen. Is the price high because of the ocean views, the house’s history, or is it an effort to discourage someone from tearing down the home?

When you don’t like a teardown home, call it a McMansion

A local official in the Philadelphia suburbs writes about a Lower Merion site where a notable older home was torn down and now a home home is being constructed. What is interesting here is how the official describes how preservationists are using the term “McMansion” as part of their criticism of the new house:

Those who criticize the Kestenbaum residence built in La Ronda’s place are trying to deflect blame for their own failure over many years. Their use of terms such as “McMansion,” “McMonstrosity,” and “cookie cutter” demonstrates ignorance of what Kestenbaum is actually building.

I have toured the construction site and can report that Kestenbaum is building a home befitting the historic traditions of craftsmanship and old-world elegance that are hallmarks of the Main Line estates of yesteryear. The home is made of hand-chiseled stone, with extensive masonry work and important architectural details throughout.

The home bears no resemblance to the cookie-cutter McMansions found in expensive tract housing elsewhere in the Philadelphia region. To so characterize the Kestenbaum residence is insulting, incendiary, and ignorant.

I have met the neighbors of the new Kestenbaum home. I have spoken to property owners with a real interest in what happens in their community and their neighborhood. Their reaction to the new construction is consistent with what I have reported. The responses of so-called neighbors described recently in The Inquirer are in fact those of a few preservationists who are continuing to pursue their one-sided agenda, regardless of whom they hurt in the process or what falsehoods they promote.

It seems that the use of the term “McMansion” is quite effective here, hence the response from this local official. The term suggests that the new home is a “cookie-cutter” home lacking in appropriate architecture. Compared to the older home that was on the site (and you can read a bit more about it here), preservationists see the new home as a travesty (see an example here). Overall, this new home is likely quite different than the suburban McMansions that one might expect to find not too far away. But by using this pejorative term in a teardown situation (an older home replaced with a newer home), preservationists have tied this new home, however nice it may be, to negative images of the exurbs.

This story also provides an example of questions that pop up in communities throughout the United States: what exactly should be done with older homes, particularly well-designed estates?

Witold Rybczynski on McMansions, American housing, suburbs

With the continued housing slump (and a story going around that the $8,000 homebuyer credit of recent years only masked the issues of the housing market), a number of commentators have shared their thoughts about the future of housing in America. Witold Rybczynski weighs in with his prediction for the near future in a piece with the headline of “McMansions dead at last?“:

Owning single-family houses represents a long-established tradition that the U.S. shares with many countries (Canada, Australia, the United Kingdom, Ireland, the Netherlands, Norway), but 10 years is long enough for traditions and behavior to change. It is likely that in the future multifamily housing will represent a larger share of the American housing market than the one-in-five new dwellings that has been the historic norm.

What about single-family houses, which will still remain for many people the home of choice? There is some evidence that urban townhomes and infill housing are more popular, as rising gas prices increase the cost of commuting. Higher energy costs also affect heating and air conditioning, which may have the effect of discouraging homebuyers from purchasing large houses with soaring entryways and expansive family rooms. While the evidence is fragmentary—the current reduction in average new house sizes has more to do with the preponderance of first-time buyers than an overall shift in demand—it is clear that the long recessionary cold-shower will dampen the exuberance that characterized the boom years of 2000 to 2005. That will mean smaller houses closer together on smaller lots in inner suburbs, fewer McMansions, and fewer planned communities in the distant hinterland. An alternative scenario is that American optimism will prevail and it will be business as usual, as happened during the boom of the 1950s following the Great Depression, or during the period following the Energy Crisis of 1973, when car buyers, after a brief flirtation with Japanese compact cars, embraced minivans and SUVs. But I wouldn’t count on it.

It sounds like Rybczynski thinks the American housing market will be denser and smaller in the future as a reaction to the last few years. He also makes the point that one big issue plaguing the housing market is more demographic in nature: household formation has slowed down as more people are living with other people rather than starting their own households that require a separate home.

Two other things also seem noteworthy:

1. Rybczynski suggests the reduction in home size is more due to having more first-time buyers than anything else. What about downsizers, particularly Baby Boomers who are retiring or whose children have left the house, that others have talked about?

2. Rybczynski also suggests that we will have fewer planned communities. I assume he is referring to larger planned communities/suburbs that simply may not be possible with low housing demand. But what about a possible uptick in smaller planned developments done by New Urbanists and others who can offer a denser form of suburbia?

Perhaps the fun part about reading pieces like this now is that we likely have years before we can really assess whether something has changed. In the meantime, we can wonder how low home values might go.

Architect discusses Bin Laden’s McMansion

I’ve continued to track the meme of Bin Laden’s Abbottabad house being a McMansion and a new mentions trickle in each day. Here is an explanation of the Bin Laden-McMansion connection from an architect at Architect magazine:

It may be unfair to tar your typical New Jersey Neo-Colonial with the brush of a Pakistani compound, especially since Bin Laden’s crib seemed to be home to a multigeneration community of interest and family. It made better use of sprawling space than most nuclear family–inhabited American homes, and I hate to say that it looks from the photographs to be more honestly modern than most of our fake palazzos and palaces.

The bin Laden compound was also not like a true McMansion because it was not about flash. There were no fancy cars in evidence, no landscaping that was put in place every spring and ripped up again in the winter, no garish colors. There was, for heaven’s sake, not even an Internet connection–how did they play games? How did they get onto Groupon?

We have made Osama Bin Laden everything we are afraid of. It is fitting that evil turns out not to lurk in caves, which would be so last millennium, or live in a tent, which would be so the millennium before that. It lives in the suburbs. It turns out that our fear of cities and our distaste of others was something he shared while fostering the paranoia that we might be in danger if we leave our cocoon through his and his cohorts’ murderous programs. So we, or at least the government that many of us do not want to pay for, swooped in, surgically extracting the emblem of that fear. I note that, unlike in so many other operations against our enemies, we left the McMansion standing.

A few things stick out:

1. There are a number of jabs here at McMansions. So we don’t like Bin Laden and we don’t like McMansions – why not put the two together? Seriously, the argument here is that McMansions are emblematic of sprawl, have poor architecture/design, are full of tacky people (who use Groupon! and have garish landscaping!), and they are all about flash.

2. There is another story referred to here: Bin Laden was found in the suburbs, the last place Americans would expect and one that goes against all our fears of people who live in caves or cities. I’ve already written about this and still find it a bit strange to claim that Bin Laden was living a suburban lifestyle in a suburban home when this particular community seems somewhat unique as a miltary community.

3. Additionally, it is claimed that Bin Laden, like Americans, was afraid of cities and others, hence, the need to live in a compound/McMansion in a suburb. Americans do have quite an anti-urban bias and occasional fear of others. There is likely some truth to this but I wonder how the average American might respond to being equated to Bin Laden.

4. Is it safe to presume that the last sentence indicates that the author would have preferred that this particular raid have destroyed the Bin Laden McMansion? If so, is it more because it was home to Bin Laden or because it is a McMansion?

Overall, this a good piece for illustrating the common critiques of McMansions.

Zoning smaller lots in western Australia leads to fewer McMansions

Here is a report from western Australia about a way to limit the construction of McMansions: approve smaller residential lots.

The McMansion is likely to become architectural history as small blocks take over as the more popular housing lot size in WA.

Research by the Urban Development Institute of Australia said 60 per cent of blocks approved in Perth and Mandurah this financial year were less than 500sqm.

In 2004-05, only 30 per cent of all approvals were for blocks of this size. The increase has become pronounced in recent months, with 2130 small blocks approved in the December quarter compared with 1462 in the three months to September.

UDIA chief executive Debra Goostrey said the change had been driven by land prices, and a greater acceptance of small properties amid changing demographics.

It sounds then like development is becoming denser and houses are becoming smaller in this part of Australia. And there is also information on the lot size and house size trends over time:

A typical 1940s home had 125sqm of floor space on a block that was 1150sqm, or a quarter acre.

In the 1950s, block sizes fell to about 750sqm and homes were typically 150sqm in size.

The extravagant 80s brought in the era of the McMansion, with the floor spaces of homes blowing out to 300sqm and this became more extreme in the 1990s, with homes typically covering 350sqm of floor space on a 650sqm block.

It is interesting that this story emphasizes the size of the lot. Of course, this would have some effect on the size of the home that can be built on the lot but not necessarily. One issue that frequently comes up in American communities with teardowns is that the new owners want to build a relatively large home compared to the relatively smaller size of the lot. This can lead to situations where the new home, often dubbed a McMansion dwarfs older single-family homes. In response, many communities have developed guidelines about the new home including height restrictions and how much of a lot the new home can cover.

The article suggests that lots are becoming smaller because of prices and “changing demographics.” Is any of it due to larger concerns about sprawl? Compared to the typical quarter-acre lot of the 1940s, many of the lots today are less than half of that size. There is also mention in this article of an interest in more infill development. It sounds like there could also be some zoning issues going on as governments pursue denser forms of residential development.