Would you put a “Museum for the Middle Class” in Schaumburg, Illinois?

A 2004 Onion article imagined a “Museum for the Middle Class” in the Chicago suburb of Schaumburg:

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“The splendid and intriguing middle class may be gone, but it will never be forgotten,” said Harold Greeley, curator of the exhibit titled “Where The Streets Had Trees’ Names.” “From their weekend barbecues at homes with backyards to their outdated belief in social mobility, the middle class will forever be remembered as an important part of American history.”

Museum guests expressed delight over the traditions and peculiarities of the middle class, a group once so prevalent that entire TV networks were programmed to satisfy its hunger for sitcoms…

During the modern industrial age, the middle class grew steadily, reaching its heyday in the 1950s, when its numbers soared into the tens of millions. According to a study commissioned by the U.S. Census Bureau, middle-class people inhabited great swaths of North America, with settlements in the Great Plains, the Rocky Mountains, the Pacific Northwest, and even the nation’s urban centers…

One of the 15 permanent exhibits, titled “Working For ’The Weekend,’” examines the routines of middle-class wage-earners, who labored for roughly eight hours a day, five days a week. In return, they were afforded leisure time on Saturdays and Sundays. According to many anthropologists, these “weekends” were often spent taking “day trips,”eating at chain family restaurants, or watching “baseball” with the nuclear family.

If there were such a museum, would it make sense to have it in Schaumburg? Here are a few pros and cons for doing so:

Pros: Schaumburg is a postwar suburban community incorporated in 1956. It is home to nearly 80,000 residents today. It has a large shopping mall within village limits and it has plenty of office space. (More on this in the Cons section.) It has access to multiple major highways and a train station on a line to Chicago, facilitating travel throughout the region. Locating a museum about middle-class life in a successful suburb makes sense given that suburban life is often associated with middle-class life.

Cons: Schaumburg is a particular kind of suburb, an edge city, with lots of retail and office space next to major highways. It is less of a bedroom suburb full of quiet single-family home neighborhoods and more of a suburban commercial center. It is less about a bucolic suburban lifestyle and more about easily-accessible stores and entertainment options. If a middle-class American life was about providing opportunities for their kids and having a single-family home, plenty of other suburbs could showcase this.

Perhaps the 2004 Onion was correct: the American middle-class of the turn of the twenty-first century might become a relic. If it does, where it is commemtorated will be interesting to see.

The Chicago bungalow as a symbol of early 20th century success

Living in a Chicago bungalow became a symbol of a successful life:

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The humble bungalow made it possible for Chicagoans to realize the American Dream of home ownership. In the first part 20th century, between 80,000 and 100,000 bungalows were built in Cook County. The majority went up between the end of World War I and the beginning of the Great Depression, making many about 100 years old. Many were home to first-generation immigrants. They formed an arc around the city’s center known as the Bungalow Belt.

It “stretches all around the city, from South Shore to Marquette Park, out west to Austin to the Northwest Side and West Rogers Park,” Dominic Pacyga, a Columbia College urbanologist, told the Tribune in 2000…

In 1997, a Tribune declared: “Bungalows Were Better Than A Place To Live. They Told The World Who You Were” over a story that declared the humble home to be “an idea, a symbol, a trophy, a style, an approach to life.”…

Chicago’s bungalow builders left that idea behind, while appropriating the concept that the middle class deserved homes with little artistic touches, like those the wealthy took for granted: leaded window glass, red or yellow brick with checkerboard patterns, bay fronts either octagonal, squared or rounded.

Three quick thoughts:

  1. This highlights the coming and going of residential architectural styles. This design emerged in a particular era, took off, and now has been replaced by other designs that address the wants of residents and builders and that also became symbols of joining the middle class. (See the suburban ranch home or the McMansion.)
  2. How exactly does a particular home style become a status symbol? The article hints at the role of developers (selling the image that goes with this particular home), politicians (promoting the style and protecting the homes in later decades), and residents. Could we add in famous cultural works that take place in or highlight or celebrate the bungalow? The role of zoning officials and historic preservationists?
  3. How many of these homes initially were owned by white residents of Chicago and how much has this changed over time? How much did bungalows contribute to long-standing patterns of residential segregation and differences in wealth among homeowners?

Ben Folds and “Rockin’ the Suburbs”

In 2001, Ben Folds released an album and song with the same name critiquing suburban life. From the chorus of “Rockin’ the Suburbs“:

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I’m rockin’ the suburbs
Just like Michael Jackson did
I’m rockin’ the suburbs
Except that he was talented

The song pokes fun at “being male, middle-class, and white” as the protagonist angrily goes through life. Folds highlights one group of suburbanites – what would he do with the increasingly complex suburbia?

Folds suggested the song was done in the style of two groups popular at the time:

The song parodies Korn and Rage Against the Machine. Folds stated of the song “I am taking the piss out of the whole scene, especially the followers.”[1]

This reminds me of a sidewalk square nearby in suburbia that immortalizes “Korn.” Both groups provided music and lyrics that could be used to express discontent about a suburban America.