Tag Archives: suburban critiques

Supermax prison looks like suburban sprawl from the air?

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A photographer taking and examining aerial photos of prisons made an interesting connection: the prisons look like suburban sprawl from the air.

High above the Arizona desert in 2010, after a day of photographing housing developments, Christoph Gielen looked down from the helicopter upon Arizona State Prison Complex-Florence. The hexagonal arrangement of the prison site, to him, replicated the six-sided concentric order of suburbs he’d shot previously. That chance observation kickstarted a three-year project called American Prison Perspectives, in which Gielen examines the architecture of Supermax prisons via aerial photos…

“I want to expose the prevailing trend toward building increased-security prison systems, and illustrate how prison design and architecture do, in fact, reflect political discourse, economic priorities, cultural sentiments and social insecurities,” says Gielen. “What does our ongoing tolerance of solitary confinement say about us as a society?”

Alas, there is not much talk here about the possible connections between the design of suburbs and high-security prisons. However, I imagine the commentary consistent with common critiques of the suburbs might go like this: we shouldn’t be surprised at this because suburban patterns are meant to help isolate and imprison people. A difference is that Americans might be self-isolating (though one could argue there is certainly a social and cultural push toward the suburbs) and prisoners have little choice in these prisons. But, wouldn’t that make the suburban prison even worse?

It would be interesting to know if there is any tangible connection/influence between these two kinds of designs…

English sociologist says “suburbs not so boring”

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A sociology lecturer in England argues that suburbs are more complex than many think:

A sociology lecturer has delved into life on the Kingsynmpton estate, the racial make up of Kingston and TV show The Good Life as part of a new book about suburbia.

Kingston University’s Rupa Huq’s book, On The Edge, says that those who fondly imagine the suburbs as the preserve of maiden aunts on bicycles, archetypal Englishness –or places of stifling conformism are wide of the mark.

She said: “I think suburbs are much more complicated and dynamic than we give them credit for.”

My short response: I think Huq’s argument would also work well for American suburbs. While critics argue they are dull and similar, suburban communities are quite varied. But, I’m not sure the image of “maiden aunts on bicycles” would quite apply…

Can Chicago art convince suburban residents that they have a responsibility to help fight violence in the city?

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Chicago Tribune theater critic Chris Jones argues that the Chicago art scene can help convince people in the suburbs that they should help fight violence in the city:

But there’s another common theme gaining steam this winter. Many of these artistic responses to violence are trying to impress upon people that geography does not inoculate a city — a region, a nation — from responsibility. Because the killings have, for the most part, been confined to certain neighborhoods, it has been possible for the rest of Chicago to live, work and go about its business mostly untouched. There is this crisis, a crisis of which Chicagoans increasingly are aware, yet still it often is not seen. Were this violence evenly spread throughout the city’s ZIP codes, then there certainly would not be business as usual. Of that there can be no question.

So in works like “Crime Scene: A Chicago Anthology,” staged by Collaboraction on Milwaukee Avenue and full of compelling insights, the point is made that the killings have been taking place very close to the actual artistic venue. Indeed, in art exhibits and performance lobbies across Chicago, you can often see so many maps and charts, it feels like you are in a police incident room. It’s not far from here, these pieces keep reminding us. You could ride a bike there in 20 minutes. If you’re driving home, you’re probably going farther. This is a crucial element of raising awareness.

Many of these works, such as “It Shoudda Been Me,” created for the eta Creative Arts Foundation by the University of Chicago’s Dr. Doriane Miller, one of the first in Chicago to understand that fictionalizing violent scenarios makes it easier for those who live them to talk about them, have been created to tour. Officials from the Chicago Park District were at Collaboraction on Monday, checking out the piece as possible programming for neighborhood parks. Clearly, there is a need for such programming in the neighborhoods where this level of violence is a daily reality. Especially this summer, when nerves will on edge all over Chicago, the amount of that programming will need to increase. It’s one way to keep kids off the streets.

But I kept wondering about the places beyond the boundaries of the Chicago Park District, beyond the hipster neighborhoods like Wicker Park. What about Wheaton or Winnetka? Are the stories behind the violence in Chicago understood there in the way that the city’s stunning cultural assets are understood?

This is a fascinating argument: can art bridge the gap between city violence and suburbanites who have the luxury of watching the problems of Chicago from a distance? Jones hints at the broad gulf between suburbs and city and even between the wealthier areas of Chicago and the areas experiencing more violence and difficulty. Urban sociologists have been discussing these for decades. The Chicago School classic The Gold Coast and the Slum noted the cultural gaps between the wealthy and poor on the near north side in the 1920s even though the two groups lived in close proximity. Work in the last 50 years has emphasized how suburban growth has contributed to the problems of the inner city by removing social capital, resources (in the form of jobs, money spent on highways rather than mass transit, tax revenues, etc.), and middle-class norms and values. People in the suburbs may lament the violence in Chicago but how willing are they to act against it or contribute to actions that might help or sacrifice some of their own life?

The trick seems to be to get the suburbanites not just to experience the art or the true stories of violence. Rather, Jones wants the suburbanites to act in response to what they see in art or the news. This is a much tougher nut to crack.

How can Lake County, Illinois be #9 on the list of “America’s Most Miserable Cities”?

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Forbes just put out their 2013 list of “America’s Most Miserable Cities.” Out of the top 20, there is one that is not like the others: Lake County, Illinois at #9. Here is the short description of why Lake County made the list:

The Chicago suburb is one of the richest counties in the U.S., as measured by per capita income. But home prices are down 29% over the past 5 years. Other drawbacks: long commutes and lousy weather.

There are numerous problems with this:

1. Calling an entire county a suburb is strange. Lake County is made up of dozens of suburbs which are quite varied. For example, look at quick overviews of Deerfield versus Grayslake versus Waukegan. Lumping them all together is silly and is one of the traps many people make when looking at the suburbs: they are not all the same kind of places.

2. How does a county end up on this list when the rest of the top 20 are cities? In terms of categories, a suburban county is not in the same category as a city. While there might be some identity in saying one is from “Lake County,” it is nowhere close to being a singular city.

3. Just glancing at this description and the top 20 cities on the list, I have to wonder how Lake County could even make the list. According to this list, Lake County is the 56th wealthiest county in the United States with a median household income of $74,266. Here is a bit more on the methodology:

We looked at the 200 largest metropolitan statistical areas and divisions in the U.S. to determine America’s Most Miserable Cities. The minimum population to be eligible was 259,000. We ranked each area on 9 factors, including average unemployment rate between 2010 and 2012; median commute times to work for 2011 based on U.S. Census data; violent crimes per capita from the FBI’s 2011 Uniform Crime Report.

We included three housing metrics: the change in median home prices between 2009 and 2012; foreclosure rates in 2012, as compiled by RealtyTrac; and property tax rates based on median real estate taxes paid and median home values in 2011 per the U.S. Census. We factored in income tax rates and the weather in each metro on factors relating to temperature, precipitation and humidity. The data metrics are weighted equally in the final scoring.

We tweaked the methodology in this year’s list in response to feedback from readers, dropping our rankings of both pro sports team success and political corruption, since both were based on regional, rather than city-specific data. We also added a new measure—net migration—which we see as a clear gauge of whether or not residents feel a community is worth living in.

If this methodology puts Lake County at #9, Forbes may want to revisit their criteria.

Argument: boost America’s foreign policy by promoting walkable communities at home

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Patrick Doherty argues that promoting and developing walkable urbanism at home can boost American foreign policy abroad:

This is the lesson, Doherty says, we should take from that era: “The real key to American strategic success in the 20th century – both during World War II and the Cold War – was not the military stuff. The key was that we understood how to let our economic engine do the heavy lifting.”

It’s clear today, though, that suburbia can no longer do this for us. The children of baby boomers are less interested in living their parents’ lifestyle. And baby boomers themselves are increasingly rejecting it, wary of a choice between isolated houses and nursing homes. If anything, the development model of suburbia now seems to be weakening our economy instead of propping it up. Without eternal new development, the infrastructure costs of existing subdivisions are becoming clearer. And as demand shifts back toward urban centers, we’re left with a dramatic oversupply of another era’s housing (which we continued to build long after the Cold War ended).

So what replaces suburbia as the engine of our economy?

“There’s no good growth story,” Doherty says. Or, at least, that’s how many investors and CFOs feel. But he believes an answer does exist among findings we’ve covered before from real estate theorist Christopher Leinberger: it’s in the rising demand for walkable urbanism.

The connection between foreign policy and suburban development is a fascinating one: economic strength, driven in the past by suburban growth and possibly in the future by walkable development, leads to a stronger foreign policy posture. But, this summary doesn’t connect the dots enough for me. Is there enough demand to make a big switch from suburbs to walkable urbanism? Where will the money come from – as the article notes, the suburbs were subsidized with federal dollars so will walkable urbanism receive similar funding? Given the demand and the money, would all of this be enough to drive the American economy in a new direction? It sounds like Doherty would argue walkable urbanism provides some bonuses compared to other kinds of development (can reduce dependence on oil, it is greener, etc.) but wouldn’t any big trend in development help the American economy and foreign policy?

I’m thinking this could also be an updated critique of the American suburbs: not only are they bad for residents but they hurt American foreign policy. Going further, if we continue with suburban development, America will decline relative to other countries.

Sunsets can beautify the suburbs and McMansions

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I was amused to run into this Flickr/Instagram photograph of a beautiful sunset over a subdivision of suburban McMansions. The tag on the photo: “Suburbia has awesome sunsets too | #shareyoursunset #sky #McMansions.”

This short commentary can be tied to how suburbs are often portrayed. The suburbs are often caricatured as bland or ordered in a mass-produced way or messy places but rarely as beautiful. Even though the suburbs were originally intended to be a way to combine nature and residences (particularly compared to the dirty cities of the Industrial Revolution), this idea has been lost today. The newest subdivisions tend to be flat places where the existing trees and topography have been leveled for human residences. (However, it is interesting to look at older subdivisions, say those built in the two decades after World War II, and see their more mature trees. Are these neighborhoods now more beautiful simply due to the passage of time?)

This also goes beyond nature. Think of popular culture depictions of suburbs that tend to have a similar storyline: “this suburban family/street/community looks put together but once you dig below the surface, you find all sorts of flaws.” (This is not just limited to suburban stories.) Outside of home interiors (often the focus of magazines and television shows), where is there beauty in suburbs?

Yet, the sky is not completely obscured by suburban subdivisions so perhaps for just a few moments, the suburbs too can be a place where natural beauty is revealed.

Space, the earth’s suburban office park

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Ian Bogost argues that space exploration has become dull, just like a suburban office park:

It’s not so much that the space program is broken in the sense of inoperative. Space is alive and well, for the wealthy at least, where it’s become like the air and the land and the sea: a substrate for commerce, for generating even more wealth. Instead, the space program is broken in the sense of tamed, domesticated, housebroken. It happens to all frontiers: they get settled. How many nights can one man dance the skies? Better to rent out laughter-silvered wings by the hour so you can focus on your asteroid mining startup.

In the 1960s we went to the moon not because it was easy but because it was hard. In the 1980s we went to low Earth orbit because, you know, somebody got a grant to study polymers in zero-gravity, or because a high-price pharmaceutical could be more readily synthesized, or because a communications satellite had to be deployed, or because a space telescope had to be repaired. The Space Shuttle program strove to make space exploration repeatable and predictable, and it succeeded. It turned space into an office park. Now the tenants are filing in. Space: Earth’s suburbs. Office space available.

I don’t think this is a new argument: others have argued we need a new vision for space travel that involves looking for new frontiers. But the comparison to the suburbs is intriguing. The suggestion is that suburbs are fairly dull places themselves generally populated by wealthier residents where stuff happens (indeed, a majority of Americans live there) but it is rather routine and is done more out of habit than pushing beyond existing boundaries. This is not an uncommon image of the suburbs and it dates back to the early days of mass produced suburbs when critics worried about conformity, homogeneity, and quiet desperation.

Yet, the suburbs have continued to grow and perhaps more interestingly, they have changed in a number of ways in recent decades: new groups have moved to the suburbs (including more immigrants, minorities, and lower-class Americans), a variety of suburbs have come to serve a variety of functions from bedroom communities to center for office and industrial parks to entertainment and cultural hubs, residents, developers, and business leaders have adapted to a changing landscape with some new innovations. Putting this back in space terms, even if we don’t get much further than the moon or Mars in the coming years, can’t we still discover new and important things? Can’t some good come out of just-out-of-Earth’s atmosphere office parks?

One note: I would be interested to hear from Bogost about how new space exploration could be financed. There could indeed be some issues if exploration is limited more and more to wealthy individuals and corporations but what governments have the money to pay for this out of public funds?

New art exhibit on suburban houses depicts suburban isolation

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A new art exhibit in Arlington, Virginia appears to trade in a common critique of American suburbs:

My House is not my House is an ongoing series of animations dealing with themes of isolation, suburbia, and Western culture. Nature tries to carve out an existence amongst these seemingly unoccupied homes while time passes and nothing seems to change. The animations not only speak about the relationships between humans and nature, but also about the way humans relate with each other. The series began as a pair of animated illustrations, expanding on Michael Salter’s work depicting life in America. In 2010, the animations were expanded and became a series of four high definition “digital paintings.” My House is not my House is a collaboration that is carried out over the internet, the narratives are generated together through email and digital storyboards. Illustrations are by Salter, animation and sound by Coleman.

Are there any serious artists, accepted by the critical art community, who paint positive scenes of suburbia?

“What is it like to live in a rich McMansion suburban neighbourhood?”

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A post on the site Quora asks this question: “What is it like to live in a rich McMansion suburban neighbourhood?”

Here is what critics might suggest:

1. The homeowners care much more about how their home looks or what it signifies about them rather than the quality of the home.

2. People have little social interaction as their well-appointed McMansions provide plenty of space for their entertainment and private needs.

3. Because the neighborhood is auto-dependent (this is true of many suburban neighborhoods, not just ones with McMansions), people rarely walk or could even walk anywhere interesting.

4. Residents have little interest in residential diversity as the relatively higher prices of McMansions price out a lot of potential residents.

5. Homeowners don’t care about environment as these homes waste energy, are unnecessary large, and are tied to sprawl.

Indeed, I wonder if there is anyone extolling the virtues of McMansion neighborhoods in books, movies, music, television, and art as I have discussed a number of examples of negative portrayals throughout the cultural sphere. I do doubt all children and adults in McMansion suburban neighborhoods are maladjusted sociopaths…

Portraying fear and multiculturalism in the Australian suburbs

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An Australian playwright talks about what he saw in the suburbs that prompted him to write his first play titled Little Borders:

Several years ago, my family home in Adelaide was knocked down and rebuilt. The suburb was once a new development, built onto what had originally been swampland. Over the years, the house had begun to sink; the kitchen was slightly lower than the adjacent rooms, and a crack ran through the length of the ceiling. Despite the suburb’s swampy foundations, our street was pristine. It was quiet, lined with trees, and curved alongside a man-made lake. People jogged. They walked their dogs. They smiled at strangers.

While our family home was being rebuilt, we moved to a rental property in a nearby suburb. The house was on a main road. We woke up at night to the sound of motorists loudly hammering their horns. My brother and I started walking to the corner store barefoot, in board shorts, to buy frozen peas and schnitzels.

We came home one day to find the house across the street sealed off by police tape, with hazmat-suited officers wandering in and out. The same prostitute kept making conversation with me at the bus stop. She was very friendly-and liked that I was half-Maltese, as she herself was born in Greece and was planning to return there later that year – but it was still a bizarre culture shock.

When we finally moved back to our rebuilt home, I remained fascinated with the idea of suburbs that are geographically close, but socioeconomically divided. I overheard our smiling, jogging, dog-walking neighbours talking in racially incensed language about the new residents of the housing commission homes down the road, reminding each other to lock their cars at night.

At the same time, both major political parties were battling it out over the issue of asylum seekers, with each leader attempting to court votes by promising a stronger brand of xenophobia than their opponent. From both sides, the message was clear: Boat People are approaching fast, they pose a threat to our national security, and the only rational response is mass panic.

I became interested in exploring how these notions of class difference and fear of outsiders clashed with the image of Australia as an egalitarian nation that celebrates its multiculturalism. At some point in my research, I struck upon the idea of setting the play in a gated community, which gave these issues potency, etching them into the physical world of the play. It was from this point that Little Borders really started to take shape.

This sounds like it could be an interesting play. I wonder how much it will be able to escape common cliches about suburban life that have been bandied about around in the United States since the 1950s.

The description of the suburbs quoted above does hint at the changes that American (and apparently Australian?) suburbs have experienced in recent years: they are becoming more diverse in terms of race and ethnicity as well as social class. Of course, there has been an uptick in gated communities as some suburban residents don’t look on these changes fondly and there are still profound divisions between certain suburbs.

A question: are there any plays that see suburbs as good places? For example, you could flip the above story a bit and suggest that suburbs that were once closed off to “others” are now slowly opening up which means new opportunities for some. The suburbs will likely never be ideal but there have been some notable changes in recent years.