The need to study language AND culture

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A literature professor argues that in order to truly learn and use a language, you must also learn about the culture in which the language is used:

I have been asked several times at my university in Oman to do a brief “cultural introduction” to native speakers of English from North America and Europe who have come to improve their Arabic. I start by mentioning that there is a large difference between learning how to speak a language and learning how to navigate a culture. Then I segue into a discussion of how to dress appropriately. My watchwords are: no knees or elbows on display in public. Usually, at this point, several of the listeners look angry, disbelieving and/or bored, especially the men wearing tight, casual T-shirts and women in spaghetti-strap underwear shirts…

My attempts to make Westerners understand that they will need to make adjustments to fit into Omani society have not gone well. The most common response is, “But I am me. They will just have to accept me as I am.” The problem with the “I need to be me” response is that most Westerners do not realize that the consequences of “being me” are not the same as in the West. Omanis rarely use direct confrontation and will simply avoid a person who they feel is violating cultural norms.

The trick is to find a balance between integration and self-integrity while learning not just the language but also how to use it in a culturally appropriate manner. For example, most Gulf Arabs use an indirect communication style. They will rarely make a negative comment in public and never convey negative information that they do not want to share. For example, if there is a specific need to convey a warning or bad news, Omanis will often recruit an intermediary to deliver it. That is why I, a non-Omani, have been asked to give the “dress and act politely” lecture to Western students…

The other answer I get when Westerners refuse to, say, comb their hair, smile when greeting an Omani, or stand up to shake hands, is that “I don’t need to talk to people—I just need the language.” As a literature professor, I find this bewildering. Imagine a person who visited Britain having read all major political-theory textbooks but never having seen Monty Python, read Wordsworth, tasted tea, or been to a soccer game. Could that person cope with references to the “Beeb,” “Oxbridge,” “Beckham,” “twee,” or “pillock”? Words such as “slamming,” “in the dumps,” “bummed,” or “shambolic” don’t show up in vocabulary lists. So much of daily language is slang and metaphors that if a person is not speaking often with native speakers, she or he will never be able to carry on a normal conversation in that country. The last response I often get from Arabic language learners, is “I don’t plan to live in this country, so I don’t need to fit in here.” While it is true that the people who say this may never live in Oman, if they have careers that involve familiarity with the Arabic language, literature, politics, or business, they will probably meet some Omanis down the line. Imagine the icebreaker or dealmaker comments that a person will have at hand if she or he can greet an Omani with a local expression or a local joke.

There is much more to language than just the words, grammar, and inflections: language is a window into much larger cultural frameworks that are full of complicated symbols, values, and meanings.

It sounds like the language learners described above want to learn the language but don’t want the language to affect them too much. In other words, they want the skill of being able to speak another language (and can be perceived as being really marketable) but they want to keep the language at arm’s length. To some degree, this sounds like modern day ethnocentrism: “I want to learn your language to be able to talk to you but I don’t want to have to learn about what makes you tick because that wouldn’t be worth my time.” Of course, it could very well be worth one’s time for business or political or social purposes as the examples at the end of the last quoted paragraph above illustrate.

But, it sounds like a larger issue here is explaining to students why one should learn a new language: is it about checking off a box on a list of high school or college requirements? Is it about being able to put this on a resume? Is it about becoming “smarter” or more “cosmopolitan”? Is it about learning how to authentically interact with cultures different from your own? This last reason fits with calls for students to learn cross-cultural skills as they will go on to navigate a world where more frequently cultures interact and sometimes clash.

Quick Review: Living in the Material World (film)

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I recently watched the Martin Scorsese film about George Harrison’s life titled Living in the Material World. Here are a few observations and thoughts about the roughly 3 hour documentary:

1. I think this would interest a lot of Beatles fans. Indeed, 1/3rd of the film is about the Beatles and the rest of the film has a lot of references to the group and other band members. I was actually surprised by the big emphasis on the group as well as the music of Lennon and McCartney. Both Paul McCartney and Ringo Starr gave recent interviews for the film.

2. The other 2/3rd of the film deals with Harrison’s career after the Beatles. The best sections include more rare concert and home movies footage to show George in his element. I wish the film used more of the home movies as they would help us get further insights beyond the rock star image.

2a. There is a lot in this section about Harrison’s spirituality. Beyond the music, I think this film wants us to know how important spirituality was to Harrison and how he tried to follow spiritual principles. This reminded me that both John Lennon and George Harrison were both openly spiritual seekers throughout their adult lives.  From what I’ve read and seen about both of them, I’m not sure either really found what they were looking for.

2b. Another big portion of the solo career section deals with the #1 album All Things Have To Pass Away. This makes some sense: this 1970 release showed that Harrison really was a songwriter and musician in his own right. While the Beatles were breaking apart in the late 1960s, Harrison was stockpiling songs. At the same time, the film downplays Harrison’s subsequent releases. They may not have been as good but Harrison made music for three more decades.

3. The music all sounds really good. While Harrison doesn’t have the big back catalog of music that other music legends have, many of his songs still sound fresh and relevant.

Overall, I’m not quite sure what to make of this film. One goal seems to be to try cement Harrison’s musical and spiritual legacy. However, the movie glosses over some rougher patches (such as Eric Clapton falling in love with Harrison’s then-wife) and doesn’t explicitly try to assess where Harrison fits within the field of rock music. Should we see Harrison more of a spiritual seeker than a true music legend? How much did Harrison really do on his own outside the Beatles? These questions aren’t fully answered but there is enough interesting footage here to keep fans interested.

(Of the 18 reviews counted by RottenTomatoes.com, 16 were positive. Another note: this site says the film is 1 hr, 34 minutes so I’m not quite sure what the critics saw.)

The increasing sadness in pop music songs

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A psychologist and sociologist looked at Billboard pop music hits since 1965 and found that the songs have become more sad:

“As the lyrics of popular music became more self-focused and negative over time, the music itself became sadder-sounding and more emotionally ambiguous,” according to psychologist E. Glenn Schellenberg and sociologist Christian von Scheve.

Analyzing Top 40 hits from the mid-1960s through the first decade of the 2000s, they find an increasing percentage of pop songs are written using minor modes, which most listeners—including children—associate with gloom and despair. In what may or may not be a coincidence, they also found the percentage of female artists at the top of the charts rose steadily through the 1990s before retreating a bit in the 2000s…

Strikingly, they found “the proportion of minor songs doubled over five decades.” In the second half of the 1960s, 85 percent of songs that made it to the top of the pop charts were written in a major mode. By the second half of the 2000s, that figure was down to 43.5 percent…

“The present findings have striking parallels to the evolution of classical music from 1600 to 1900,” Schellenberg and von Scheve write. “Throughout the 17th and 18th centuries …. Pieces tended to sound unambiguously happy or sad. By the 1800s, and the middle of the Romantic era, tempo and mode cues were more likely to conflict,” which allowed composers to express a wide range of emotions within a single piece.

I would be interested to hear how they relate these changes to larger social forces: does this line up with a greater sadness in society or perhaps the ability or proclivity to express negative emotions? I also wonder if the data is skewed at all by only looking at Top 40 songs – does all music reflect this or only the most popular songs (which then reflect the influence of musical gatekeepers such as radio stations, journalists, critics, and music labels)?

Also: could we have a period where we return to more major mode music? Can a musical genre, whether classical or pop music, recover from an extended period of “sadness”?

Study: American “multiethnic neighborhoods are populated mainly by Latino and Asian families,” not by Whites and Blacks

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A new study in American Sociological Review shows that residential segregation still endures as “multiethnic neighborhoods are populated mainly by Latino and Asian families”:

Researchers who analyzed the mobility trends of more than 100,000 families in metropolitan areas over nearly three decades found that the majority of blacks and whites continue to live in neighborhoods with high concentrations of residents of their own race…

Sixty percent of families leaving black neighborhoods moved to a similar community and nearly 75 percent of whites transitioned from a mostly white neighborhood to another white area.

Only about 19 percent of blacks and 2.4 percent of whites moved to a multiethnic neighborhood.

Both whites and blacks were more likely to move to diverse areas with new housing, while there was more of the churning effect in older neighborhoods.

While recent figures might suggest that residential segregation has decreased in recent years, there are still some stark differences. The three most interesting findings to me:

1. The long-standing black-white differences continue to matter but the positions of Latinos and Asians within American society are more fluid (partially due to more immigration in the last half-century).

2. The summary also suggested the study found that there is more diversity in neighborhoods with newer housing as compared to neighborhoods with older housing stock. A couple of things could be happening here: this could be referring to more suburban neighborhoods and it could also be the result of class differences (newer housing often being more expensive to purchase).

3. I like the emphasis in this study on tracking where people move from and move to. In other words, do people move to similar kinds of neighborhoods over time or do they move up some sort of socioeconomic ladder? It sounds like there isn’t as much movement as people might think.

Diamond grinding to reduce highway noise

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One Lake County community is paying out of its own pocket to reduce noise on I-294 by diamond grinding the road:

The village [of Green Oak] will pay nearly $338,000 for a process called diamond grinding to hopefully reduce the racket along that stretch of road.

“The idea here was to grind it and produce a quieter pavement and pavement noise in the lower frequency range so it wasn’t so obnoxious,” Village Engineer Bill Rickert said.

That sound also described as “singing” by Rickert spurred several complaints after the tollway widening was completed about three years ago, and sent village leaders on a quest for a solution…

In the simplest terms, the concrete road surface had been tined or grooved perpendicular to the road surface, he said. The diamond grinding changed the grooves to run parallel, evoking “more of a corduroy-type feel,” and theoretically producing lower noise levels in frequencies less noticeable to the human ear.

While diamond grinding emerged as the village’s proposed solution, it isn’t used by the tollway as a noise reducing technique.

It would be interesting to see how this solution compares with building sound barriers – is diamond grinding cheaper or more effective? If this is an effective technique and people agree about this, why doesn’t the Tollway use it?

I have had some more interest in this lately because our neighborhood borders a busy arterial road that is being expanded from 2 to 4 lanes. Because of this, sound barriers have been installed. I don’t think they look too bad with a sort of faux beige brick look. Granted, I don’t live in a house that backs up to these walls and I assume there is a price (in housing value) to pay for backing up to these walls. Going further, at night we can faintly hear the nearby highway that is 1.5 miles away – it is a sort of background noise. But having grown up close to a railroad track which produced more sporadic but louder noise, can’t you simply get used to these things? Perhaps the difference here is that people in these neighborhoods near the Tri-State haven’t had this level of noise until the highway was expanded.

Walmart increases nearby home values

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The Atlantic reports on a University of Chicago working paper (subscription req.) that having a Walmart nearby noticeably affects housing prices:

Home values within a half mile of a new store got a 2 and 3 percent boost. Within a mile, the store pushed up values 1 to 2 percent. That translated to a $7,000 average bump for nearby homes and $4,000 for houses a little further away.

Unfortunately, I don’t have a subscription and thus cannot look at the paper directly, but I have a few questions:

1.  Do other big-box retailers (e.g., Target) similarly boost nearby housing prices?
1a.  Is Walmart’s boost larger?

2.  Is there a corresponding drop in housing prices if/when a particular Walmart closes (often only to reopen at a new location a few miles away)?
2a.  If yes, is the drop greater than the boost?

Upcoming film about a unconstructed 90,000 square foot mansion

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I’ve seen several references to the film The Queen of Versailles which comes out later this summer. Here is what the movie is about:

A Florida real-estate tycoon and his appealing, immensely flawed wife try to build the country’s biggest McMansion in photographer-turned-filmmaker Lauren Greenfield’s documentary, which is stranger than any work of fiction. Surrounded by controversy since well before its Sundance premiere (when subject David Siegel tried to sue the festival), “Queen of Versailles” veers from profound human compassion to domestic horror as Siegel’s wife Jackie wanders through her enormous but trashed home scraping dog crap off the carpets. It’s like a Theodore Dreiser novel for our time, infused with the vivid, vulgar spirit of reality TV. (Opens in theaters July 20; VOD release is likely but has not been announced.)

There is one problem with this: the home at the center of this film is not just a regular American McMansion.

At 90,000 square feet, it will be America’s largest single residence, boasting ten kitchens, a private ice-skating rink, and enough tacky antiques to make Michael Jackson blush. It’s telling that while the couple’s dream house was inspired by the famed palace, it was most directly modeled on a Las Vegas theme-park imitation of French grandeur.

A home that is 90,000 square feet is far beyond a McMansion. There are not many homes in the United States that are 90,000 square feet so it is difficult to argue that this home is mass produced. The home is named “Versailles,” referring not to some builder’s model but rather the well-known French palace. The home may be tacky and not have a lot of architectural merit but this is home is way beyond the size of anything that can be reasonably called a McMansion.

In reading several early reviews of this film, it seems like critics think this film is about more than just the vanity of a few wealthy people: the uncompleted mansion serves as a metaphor for the excesses of the early 2000s.

Chicago region home prices back to April 2000 levels

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Data from the S&P/Case-Shiller suggest that Chicago area home prices have returned to levels from early 2000:

Home prices in the Chicago area hit a new post-housing crisis low in March, falling to levels not seen locally since April 2000, according to the widely watched S&P/Case-Shiller home price index, released Tuesday.

With the most recent decline, average  home prices in the Chicago area have fallen 39 percent since they peaked in September 2006, according to the index…

Much of the pricing pressure was on homes that sold for less than $139,182, as the average selling prices for those properties in March fell 3.4 percent from February and were down 9 percent from a year ago and reflects the impact of distressed homes on the market. That puts the pricing environment for lower-priced homes akin to where it was in April 1995…

“We’re beginning to see more stability in the overall numbers,” Blitzer said. “The housing situation in the United States, while certainly not booming, is seeing some stability and possibly some gains going forward. Prices will be the last thing to go up.”

As the article notes, economist Robert Shiller has expressed skepticism that housing prices will rise anytime soon.

While there may be a lot of worry about foreclosures (and Illinois ranks poorly here as well), the issue of depressed housing prices might linger even longer. The wealth that people expected to incur through their house has, on average, been reduced to 2000 levels. Another way to interpret the data above is that on average, people who have bought a home since April 2000 can’t expect to make any money on selling their home now. This could limit people’s abilities to move and purchase homes as well as change how they think about homebuying.

 Zillow just put together a new map of the United States based on what % of homeowners are underwater. The map has more people in the red than one might hope:

The real estate information website Zillow has compiled its data from the first quarter of 2012 to build this map, showing just how much negative equity there is among the homes in many counties. Deep red along the west coast, throughout Florida and in the Great Lakes region serve as a harsh reminder of the chronic troubles these areas are still struggling to control…

In the worst hit counties, more than half of the homes are underwater. Clark County, Nevada – home to Las Vegas – is among those in the unfortunate top 1 percent, with 71 percent of homes underwater. For the vast majority of homes here, the amount owed is more than 200 percent of the value. Clayton County, Georgia, part of metro Atlanta, has an astounding 85 percent of its homes underwater.

This article from 24/7 Wall St. breaks Zillow data down even further to name the ten cities with the highest rates of homes with negative equity. Las Vegas, Reno, and Bakersfield are the worst performing cities in the country, with rates above 60 percent.

While the situation is certainly bad in many, many parts of the country, four-fifths of all counties in America have fewer than 35 percent of their homes underwater, according to the map. But it’s still a widespread problem – and one that seems to be growing. More than 31 percent of all homes in the country are underwater, according to these first quarter 2012 numbers from Zillow, a jump from the 28 percent the company noted a year earlier and the 22 percent the year before that.

It could take a long time to reverse these trends.

TV programmer: Real Housewives series is “sociology of the rich”

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The programmer behind the Real Housewives shows suggests they might have some sociological value:

Andy Cohen should know as the programmer behind “Top Chef,” the various “Real Housewives” series and his own “Watch What Happens Live.” Cohen, a former producer at CBS News, weighed in on the Bravo success story in an interview with Howard Kurtz on CNN’s “Reliable Sources” Sunday morning.

In picking programs, Cohen said he looks for “something that hasn’t been done before” and a personality different from what viewers have seen…

“In the case of ‘The Housewives,’ I call the ‘Housewives’ sociology of the rich,” Cohen told Kurtz. “I think it’s just fun to watch. It’s guilt-free gossiping that you can have. It’s like the modern-day soap opera, in my mind.”

I would be interested to have a sociologist chime in about whether shows like these reflect an increased interest in the lives of the wealthy and famous say compared to thirty, fifty, or one hundred years ago. When sociological studies like The Gold Coast and the Slum were written in the late 1920s, lower- or working-class residents may have known about the rich or run into them occasionally (and part of the intrigue of this study is that the wealthiest and poorest residents of Chicago lived within blocks of each other) but did they have the kind of vicarious interest in the rich that TV shows today try to promote?

Also: I imagine there are plenty of wealthy people who would argue that these shows only display a small segment of the wealthy lifestyle. What about shows about the millionaires next door or about people who scrimp and save to get their money? These shows seem to encourage people to live a more “wealthy lifestyle,” combining spending (conspicuous consumption, anyone?) and celebrity status.

A second note: it is hard to argue that an edited show about the wealth, a modern-day soap opera, can impart a whole lot about reality or a sociological understanding of the world. It can tell you something…but perhaps more about what Americans like in entertainment than about how people really live.

Delta shows you how your airline luggage travels

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Delta Airlines put together an interesting 2:34 video about what happens to your luggage from check-in to coming off the luggage belt at your destination.

I know plenty of people have lost luggage (it has happened once to me as well, delivered by UPS two days later) but this video brought an idea to mind: large systems like this which require a large number of employees and machines across cities around the world might also be considered quite efficient and remarkable. Perhaps we could argue about what constitutes an acceptable rate of error or delivering luggage to your final destination and weigh this against alternative forms of delivery such as paying to ship the luggage by private companies. More broadly, we could ask whether it is fair or realistic to expect mechanized/large-scale systems of today to be perfect 100% of the time (or perhaps we don’t mind until it is our luggage that is lost). Indeed, the luggage delivery systems of today for the tens of millions of airline passengers might have been unimaginable even 60 years ago.

Could someone design a better and cheaper system?

Also: is an app for tracking your luggage simply a means to help reassure passengers and to show them that most of their luggage does indeed make it to the right place?