Japanese homes seek to optimize space – includes ninja approach

Here is a look at how some Japanese homes maximize their limited space:

Take for example, Tatsumi Terado and his wife Hanae who lives in a house with no interior walls, hardly any barriers and some ladders to get around. The young couple call their house the Ninja — because they need to be as nimble as one to go from one room to another…

Radical design is featuring more and more in Japan’s residential landscape and is a hit among the country’s young generation. It is as if the compact spaces the Japanese have to live in are pushing the architects, and their clients, to think out of the box and let their whimsical ideas take off…

“Houses depreciate in value over 15 years after being built,” says Tokyo-based architect Alastair Townsend, “and on average they are demolished after 25 or 30 years, so the owner of a house doesn’t need to consider what a future buyer might want.

“It gives them a lot of creative license to design a home that’s an expression of their own eccentricities or lifestyle.”

In addition to the limited amount of space, another factor appears important: houses aren’t expected to last that long. While McMansions are often criticized for a lack of quality construction and design, few people would suggest most would be demolished 25-30 years later. Think of some of the small and relatively bland houses built after World War II in places like Levittown that are still standing and have been tweaked quite a bit. Put these two combinations together, less space and less need to last long, and home designs could be more unique and customized.

It is hard to imagine circumstances under which Americans would have such short-lived homes. We have expectations that homes should last, should be places where memories can be made and sustained over decades. Builders construct edifices and neighborhoods that are meant to at least look permanent – thus the aping of older architectural traditions. Plus, there might be environmental concerns: you would have to design a house differently from the beginning for it to be disposed of not much later.

Review of the updated “A Field Guide to American Houses”

The 1984 version is a classic and there is now an updated version of A Field Guide to American Houses:

Architecture buffs, decorators, historians and anyone who studies the built environment will have Virginia Savage McAlester’s encyclopedic update of her 1984 book “A Field Guide to American Houses,” (Alfred A Knopf, 2013) on their wish lists.

For example: For those who think “prairie palace” and “McMansion” are merely envious epithets for “house bigger than mine,” the author explores the 1980s birth of the Millenium Mansion style and explores the reasons for the wide criticisms (“These complicated roofs can be thought of as crowns, or, more satirically, as the Future Roofers of America Relief Act.”)

For fans of modern ranches, Savage McAlester breaks them down into submovements with different roots. For lovers of historic homes, this is a rich trove of not just details, but reasons for them.

And for those seeking a homeplace that makes sense, the new chapter on neighborhoods is nothing less than essential.

It is hard to find another source that combines the technical features of different styles of American housing architecture as well as good summaries of each architectural movement.It can be hard to keep track of all the different exterior parts that are associated with different architectural styles – keeping your Italianate from your Georgian to your Colonial straight – and this book has helpful diagrams and descriptions.

I’m looking forward to seeing the section on McMansions. If I remember correctly, the 1984 version had a section on more postmodern or eclectic housing styles and McMansions would have likely fallen into that category. But, a reference book like this has the ability to shape understandings of McMansions for years to come.

Once residents become more “architecturally aware,” they won’t choose McMansions

An Australian architect says more residents in Perth would avoid McMansions once they become “architecturally aware”:

Designer homes are popping up across Perth as the city becomes more ‘architecturally’ conscious.

Aspects such as strong horizontal lines, cut outs and bold rectangular features are increasingly popular in new residential homes.

As Perth’s architectural style grows up, McMansions will be out and clean, simple modernist designs will be in, according to David Karotkin, the WA President of the Australian Institute of Architects…

“In more recent years there has been an increased awareness of architecture in Perth,” Mr Karotkin said…

“There’s awareness about the importance of the designs and the buildings we live in, work in and play in – it’s all architecture.”

There are several ways such statements might be interpreted:

1. Perth residents are finally becoming knowledgeable about architecture and are rejecting architecturally-deficient McMansions. There is an element of snobbery here: McMansions are for the less knowledgeable while the more educated pick homes designed by architects.

2. Perth is developing its own architectural style. Building styles might be drawn from other cities or countries but a new Perth School might be emerging. Having common design, particularly if it is recognized by outsiders, can become a mark of pride.

3. Architects are looking to increase the number of homes they design. In the United States, most homes are designed by builders and architects have just a small slice of the market. Educating people about the benefits of designed homes means more money.

I wonder what this architect would think if there are still some people who choose McMansions even with higher levels of education.

The features Americans want in their homes for 2014

Businessweek takes a look at what Americans want in their homes in the new year. Here are a few of the trends:

-Builders says closet sizes have more than doubled in some high-end models from a decade ago. And Pulte Homes notes that walk-in closets are becoming de rigueur for even guest bedrooms.

-Three-bedroom homes accounted for 46 percent of new builds in 2012, down from 53 percent in 2009. Four-bedroom houses have grabbed 41 percent of the newly constructed home market – providing more room for aging relatives or kids who move back.

-The size of U.S. homes is growing again after declining during the recession. The latest government data show the average, newly built U.S. single-family dwelling is 2,505 square feet. That’s within a hair of the 2,521-sq.ft. peak in 2007 at the height of the housing boom.

-About half the added square footage on homes built by Pulte in the past 10 years has gone to storage space. A sign of the times: what Pulte’s director of architecture, Scott Thomas, calls “the Costco room,” a closet near the entrance from the garage that can hold all those jumbo-size packages bought at warehouse stores.

One commentator says this is the “new normal” McMansion. As household sizes have declined and more Americans are living alone, homes aren’t necessarily shrinking (though this is likely skewed by those who have money to buy new homes while the lower end of the market languishes) and people are looking for plenty of storage for all the stuff they own and are buying. So, even if these McMansions might not be as big as some past McMansions or they might be designed better and grenner, it appears consumption is still the name of the game.

The opposite of a McMansion is a cabin in the woods

Looking to live in the opposite of a McMansion? That might lead you to a cabin in the woods, according to an architect called a “cabinologist” who defines cabins this way:

It has to be simple. There’s no place in a real cabin for a master suite or a formal entry, a formal dining room, an attached garage. I have changed my mind a bit on size, though.

Originally, I wrote that a cabin ought to have a 1,200-square-foot size limit. I do a fair number of cabins that are two bedrooms, with two baths, and maybe a sleeping loft, with a modest kitchen.

I’ve come around a little bit on size. I think the maximum number might be closer to 1,800 square feet. After that, it becomes a lodge or a lake home. It’s not a cabin anymore.

At that scale, the homes start to get too big, they start to have a different kind of feeling. At 2,000 square feet, there’s more of a houselike feeling. In those houses, you’re less likely to smell the coffee brewing when you wake up.

There appear to be several key features to being the anti-McMansion:

1. While McMansions are seen as ostentatious, cabins should be simple.

2. Cabins should be smaller than McMansions – which probably start somewhere around 2,500 to 3,000 square feet – but the cabinologist cited above thinks cabins don’t have to be small.

3. It is not explicitly discussed in this interview but the cabin should be more immersed in nature. Whereas McMansions are often associated with suburbia and some limited exposure to nature (there may be a lawn but the house may cover much of the lot, the neighborhoods are dependent on cars), cabins are supposed to be in the woods or on a lake or in the mountains.

Even with this argument about what a “true” cabin should be, I suspect there are plenty of getaway homes that approximate McMansions today with lots of space and expensive features.

Architectural sociology approach to why Las Vegas residents don’t know their neighbors

Sociologists looking at why Las Vegas residents don’t know their neighbors explain that the design of their newer subdivisions are partly to blame:

“So that means squeezing a lot of houses into small lots, and it also means an architectural design in many cases that doesn’t facilitate the flow of people,” UNLV sociology professor Robert Futrell said.In 2010, UNLV professors conducted a survey of neighborhoods and people living throughout the Valley. They found that communities built after the construction boom of the 1990s include narrow streets, concrete walls, short driveways and few front porches. All of these things impede social interaction.

“While many developers have tried to create these master-planned communities to be high-functioning, high-interacting neighborhoods, many of them are not working that way,” Batson said.

Professors point to neighborhoods with short driveways as an example. People drive up to their homes, open the garage and drive in without talking to anyone.

The article goes on to say that residents in these communities truly do want to interact with their neighbors. But, design holds them back.

Is it completely the fault of design? The beginning of the article also notes that Las Vegas has many transient residents. If it is truly the design, we should be able to look at neighborhoods with different designs and measure higher levels of social interaction. Is this what we actually find? New Urbanists argue it is all about designing neighborhoods in a traditional way but they don’t as often bring up the data that would show the neighborhoods do what they say they should do. Other might counter that even with some better home design, people are still distracted from social interaction because of cars, air conditioning, television, the Internet, and more.

Another thought: would the residents of these new neighborhoods be willing to trade the size of their homes or the interior features of their homes for some more neighborly features?

Ten enviable, but not necessarily realistic, TV homes

Take a closer look at the sometimes ridiculous dwelling places of ten well-known television shows.

There are few things quite as frustrating for those bunked away in crappy, overpriced rentals as watching sitcom characters putter around in homes that—in real life—would be astronomically expensive even with a steady income (which television characters often mysteriously lack.) Whether it be the NYC-based Friends apartment or the California-cool New Girl loft that’s causing a big dose of sitcom real estate envy, do have a look at some of television’s most enviable living situations—presented below in order of least to most realistic.

The Cosby Show and Big Bang Theory take the honors as the most realistic. Even as the average new American home has increased over the decades, might TV homes have increased even more?

As this is not the first article I have seen on this topic in recent months, I wonder what the outcomes of such analyses. One way to go would be to get into a discussion of how realistic TV shows should be. How much should television portray real circumstances of Americans who as a whole have a median household income around $50,000? In order to be good shows, do they have to present something close to reality? Or, do Americans prefer entertainment that is more aspirational? Perhaps there are audiences for both though the general trend seems to be that fans are not very worried about whether the homes are realistic.

A more interesting route would be to consider what effect these depictions of homes have on viewers. As sociologist Juliet Schor argues, does this give viewers a different reference group? Schor suggests when Americans see “normal” TV life – which, in reality, it typically upper class life even when the characters are supposed to be middle or working-class – they readjust their own consumption patterns to match those on TV. So, if viewers of Sex and the City see single women in New York enjoying rather large apartments, they then expect to find such places for themselves and might be beyond their means to make it happen.

The balloon-frame building invented in Chicago in 1833

The building technique that helped give rise to mass-produced suburbia was invented in Chicago in 1833:

But traditional building methods required hand-hewn beams, hand-wrought mortise and tenon joints, lapped half dovetails, and something more crucial — labor-intensive construction at a time when labor was spread too thin.

Then in Chicago, Augustine Taylor got credit for creating balloon-frame construction, a hammer-and-nails forerunner to the light-frame construction that still dominates U.S. housing…

Experienced builders supposedly derided Taylor’s St. Mary’s Church in Fort Dearborn as “balloon-framed” because it looked like a stiff breeze would blow it away. But many accounts suggest the name came from a similar French Missouri type of construction called maison en boulin

Chicago architect John M. Van Osdel attributed the invention to Chicago carpenter George W. Snow in 1832. The Chicago History Museum and other scholars point out that Virginia carpenters in the 17th century — facing similar pressures to build fast — employed similar techniques. But it wasn’t mass-produced like Chicago was prepared to do. Between 1866 and 1875, the Lyman Bridges Company of Chicago sold pre-fab balloon-frame structures to western settlers, one of several purveyors of so-called “sectionalized housing.”

This technique was perfectly suited for mass produced suburban housing in the post-World War II era as it could involve standardized parts, be constructed quickly, and be done cheaply. Builders like the Levitts could quickly construct the frame of a home (after a foundation was laid) and then have a series of other workers come through to complete the home. The majority of American homes rely on wood studs nailed together – not complicated but relatively sturdy.

It is interesting to see that this is the #5 innovation from Chicago’s history. Considering the work that went into some of the others (like #8 Reversing the Chicago River), the balloon-frame structure had an outsized impact on American life.

Possible reactions when your friend buys a McMansion

One post at DC Urban Moms and Dads provides a list of possible reactions when your friend buys a $2 million McMansion:

1.) I am very happy for the person.
2.) I hope they invite me back again because I LOVED the swimming pool or the sauna or the gym or the movie theatre or the gourmet kitchen etc. etc. And now I can enjoy it for free!
3.) How in the world did they afford this place? Are they smuggling drugs? Are they internet hackers? Something is fishy!
4.) This person is going through a midlife crisis. Even if I could afford this, I would never buy this ridiculous McMansion…
5.) This person is out of my league. I don’t want to come back.
6.) I can’t invite this person to my house because my house looks stupid by comparison.
7.) Act as if nothing has changed. As if they had the same $700,000 house they had before.

If you get invited for dinner, do you bring nothing (the person is too rich anyways), do you bring the usual stuff (average bottle of wine), do you bring the luxury goods because this is going to be an amazing dinner in an amazing place. Do you say: No Thanks, because you no longer wish to associate with this person.

Perhaps this is a hypothetical question for a certain demographic. Yet, there are some intriguing underlying issues here. How much do people judge their friends and others for the house that they purchase? Like people tend to do for other purchases and lifestyle choices(clothing, music choices, etc.), I suspect there is a lot of judging here. Notice that only 2 out of the 7 listed above are positive and 1 is neutral.

I wonder how often such an event might happen. Put another way, how often are Americans close friends with people in significantly different socioeconomic situations? McMansion owners probably tend to live near other McMansion owners but how much mixing do they do with different income/social class levels? Even if they do have friends across class levels, they might still see their neighbors or close co-workers as their primary reference group.

Big builders making custom houses

This might just be a trend: the Wall Street Journal reports on big builders offering custom big homes:

A number of big home builders are now getting into the custom-home game — an area that was once almost entirely the province of boutique builders. Companies such as John Laing Homes, Toll Brothers Inc. and K. Hovnanian Homes are all venturing into a field that takes more time, patience and hand-holding than production building.

The reason is simple: Custom-home building is more profitable for builders. And — in this tough market — it also carries less risk: Builders avoid the carrying costs of land, taxes and other monthly expenses that can come with speculative building. Because custom building caters to the upper end of the market, it’s doing better than production building right now, says Steve Melman, an economist with the National Association of Home Builders. Although home building of all types is stagnating, he says that the custom share of the market tends to go up during down times, while production building peaks during boom times. In 2007, the custom share of the market was 24%. In 2005, during the peak of the boom, the custom share was 19%.

The big attraction for home buyers is the price: Consumers usually pay less when they buy a home from a big builder than they do from a small one. Big builders benefit from economies of scale in buying materials and have developed efficient systems for negotiating with and scheduling contractors. So even though they charge more per square foot for a custom home than they do for a mass-produced one, big builders can usually undercut the price of their smaller competitors.

Custom homes come in two forms, though both are built on an owner’s lot rather than a builder’s. True custom homes are built to an owner’s specifications; so-called “semicustom” homes evolve from a builder’s predrawn plans. Though big builders have long built “semi-custom” homes on their own lots, most only recently began to seek out customers who want to build on lots they already own.

Three thoughts:

1. While these may be custom homes, can’t these run into the issue of still being viewed as mass-produced? Where is the line between economies of scale and something truly custom?

2. Money is a big factor here: the homeowner can get a cheaper custom house and the builder can make more money with less risk. What is there to lose (except perhaps #1)?

3. I bet architects would want in on this. Architects don’t design most new houses in the United States, but they might argue builders even at the custom level still can’t quite create interesting homes (meaning truly custom) or ones that are truly built around the interests of the homeowners.