Tag Archives: buildings

Sociology grad student taking photos of Chicago’s demolished buildings

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The Chicago Tribune has an interesting profile of a sociology graduate student who photographs buildings that the city of Chicago is about to demolish:

Since January, Schalliol, who is working on a sociology doctorate at the University of Chicago, has been documenting the city’s demolitions with photographs…

But even the worst houses, the ones that aren’t worth the work to keep, give Schalliol pause.

“There isn’t a time,” he said, “when I look at a building that I don’t think, gosh, this is a waste.”

He feels that most acutely in wealthy neighborhoods, such as Lincoln Park and Lakeview, where nice old homes that in a different place or era would be coveted as vintage jewels are routinely torn down merely to make space for mansions and big condo developments.

He photographs them all with equal care, with appreciation and attention to detail, the way you might dress a corpse for burial.

“I want to respect the people who made the building,” he said, “who maintained it, who lived in it. I want to see the building not just how it is, but how it was.”

I wonder what Schalliol will do with all of this, particularly if it is for more academic purposes. I think there is a lot of potential here: buildings are a kind of collective memory. Styles of architecture, the people who live, work, and meet in them, and the collection of buildings in a neighborhood constitute particular social worlds. When the buildings disappear because of old age or disrepair, that social world disappears as well. For example, the demolition of the public housing high-rises in Chicago and many other American cities may be beneficial in reducing concentrated poverty but it also helps remove the concepts of poverty, race, and related issues from the immediate reach. (To be clear, this is likely exactly what some wanted – get rid of the high rises so the problems aren’t so visible. Unfortunately, this doesn’t deal with the root issues.) It can be easy to simply build something new in place of something old but this does help cover up what came before.

At the same time, I also don’t believe that all buildings should simply be preserved because they are old. Should Brutalist buildings be preserved to remind us of a particular architectural moment? Deciding what buildings should stay and go is a complicated process but at the least, I approve of people at least recording by photograph what buildings used to stand in particular locations.

Architects and designers need to help create “more sustainable and inclusive cities”

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I’m often intrigued to read about how architects and planners talk about the social impact their work is intended to have. Along these lines, “the Smithsonian Cooper-Hewitt, National Design Museum’s Curator for Socially Responsible Design” talks about what she thinks are pressing issues:

AS: How did you get involved in humanitarian work?

Cynthia Smith: Because I’ve been working on civil and human rights issues most of my adult life and was trained as a designer, I was looking for a way to combine these worlds. I headed to the Kennedy School at Harvard where I met others like me from 44 different countries and every profession. Inspired by the stories and work taking place in the local universities and schools, I returned to New York and began to gather socially responsible design projects from around the world to include in Cooper-Hewitt’s first exhibition dedicated to this type of design work, Design for the Other 90%, mounted in 2007.

AS: What’s the most pressing issue that architects and designers should be addressing?

CS: Today, for the first time in history, more of us are living in cities than ever before. It is critical we create more sustainable and inclusive cities. We can look to emerging and developing economies on how to create innovative solutions from limited resources and challenging environmental requirements. Whether you are a designer, architect, or planner working in your own city or on an international level, engaging and listening to members of a community about what they need is one of the most effective ways to improve urban regions.

There is potential in architecture, design, and planning to create positive social environments, places that give or encourage life versus making like more dreary. However, this can be difficult to bring to fruition and not all designs live up to these standards. Does New Urbanism provide a better way of life? An IKEA house? Concrete modernist buildings (work by Bertrand Goldberg)? The “not-so-big house“? Neighborhoods like those advocated by Jane Jacobs and others? The “High Line” in New York City?

I like the emphasis at the end of the last paragraph quoted above: the process requires interacting with the people who will utilize the structures. Often, architecture seems to be imposed from above, built more around aesthetic or or ideological perspectives than on what people want. This doesn’t necessarily mean that all buildings need to be pragmatic or that strip malls should automatically be built if people like strip malls but there has to be a balance of design expertise and community input.

The shopping available inside the Pentagon

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The Pentagon has more than just military related offices and facilities within its 6.5 million square feet: it also has shopping.

The Pentagon is one of the largest office buildings in the world. But you are never more than a stone’s throw away from fast food. McDonald’s. Popeye’s. Burger King. There’s a Baskin Robbins barely 50 yards from the press pen, which is just cruel. The Taco Bell is more of a hike, but military life rewards the bold…

Imagine if Thomas Kinkade had served in uniform. That’s what you’ll get at the Pentagon’s paintings shop — gauzy, unsubtle oil-on-canvas depictions (and tasteful reproductions!) of military scenes. Why someone would want portraiture of being wounded in battle is a separate question…

Military life means changing addresses — a lot. To cope with the dreaded PCSing (that is, the verbed version of the acronym Permanent Change of Station; what we civilians call “moving”) there’s a luggage store a few corridors down from the office, and it sells the finest in leather goods. Especially if you like marked-down Louis Vuitton…

Bored by the endless PowerPoints that a day in the Pentagon promises? Sneak out to the Best Buy to figure out how you can finance an iPad on a bureaucrat’s salary. Or linger in front of the big flatscreens and get caught up in a Lost episode. The store has saved many a beat journalist whose voice recorder ate it right before a budget briefing.

It seems like you have quite a large captive set of consumers though it would be interesting to know how many employees visit these retailers. What kind of bidding takes place to get your business in the Pentagon?

This does make me wonder how much designers/architects of big office buildings design things so that workers will stay within the building to spend money at chain retailers. At some point, having a large enough building likely justifies placing a number of service businesses within the building itself. Are there any civilian structures that rival the selection of the Pentagon?

Designing and building a temple for atheists in London

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An author has plans to construct an atheist temple in London:

Author Alain de Botton has announced a bold new plan for a series of Temples for Atheists to be built around the UK.

‘Why should religious people have the most beautiful buildings in the land?’ he asks. ‘It’s time atheists had their own versions of the great churches and cathedrals’…

De Botton has begun working on the first Temple for Atheists. Designed by Tom Greenall Architects, this will be a huge black tower nestled among the office buildings in the City of London. Measuring 46 meters in all, the tower represents the age of the earth, with each centimetre equating to 1 million years and with, at the tower’s base, a tiny band of gold a mere millimetre thick standing for mankind’s time on earth. The Temple is dedicated to the idea of perspective, which is something we’re prone to lose in the midst of our busy modern lives.

De Botton suggests that atheists like Richard Dawkins won’t ever convince people that atheism is an attractive way of looking at life until they provide them with the sort of rituals, buildings, communities and works of art and architecture that religions have always used.

It will be very interesting to see if this idea catches on. It isn’t cheap to design and build such structures and I wonder if the funding will primarily come from wealthy individuals or atheist organizations.

Two other things are very interesting:

1. The argument that having a building for your cause is noteworthy. A building implies permanence and stability. If a group has enough money or followers, a building is a testament to that. Also, the specific design of a building can represent an idea or cause. In this case, the building is intended to help people think about perspective. In the end, a building is not simply a functional place but has a lot symbolic value.

2. More from a sociological point of view, it is interesting to hear De Botton argue that the mechanics of religion are successful even if its content is untrue. In other words, religious practices and behaviors are attractive to plenty of people and atheists need to find their equivalent. Religion’s power, then, is not just in a belief in or experience with the supernatural but is also a social phenomenon that successfully brings people together.

Why preservation laws will help save Brutalist structures and other “ugly” buildings

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You may not like to look at Brutalist buildings but the way preservation law is set up may just ensure the preservation of “ugly” buildings for posterity:

These behemoth structures of Béton brut, most built in the 1960s and ‘70s, are slowly crumbling from wear and disrepair, ignored by communities that no longer want the burden of upkeep of a giant, lifeless rock. But even horrendously ugly and soulless abominations are part of our architectural heritage and need to be preserved for future generations.

Technically, many of them have to be. Their place in history and uniqueness as architectural oddities warrant their preservation from a legal perspective. They satisfy Criteria C for the National Register as having “distinctive design/construction techniques.” They are the pinnacle of High Modernism: the architectural trend that started in the early 20th century with minimalism, Bauhaus, van Der Rohe, on down to Le Corbusier. Defined by sleek lines, little embellishment, and grandiose structure, High Modernism captured the attention of the architectural world at a time when it was eager to embrace something new…

That standard of irreplaceability is a common element for a majority of historic preservation law. Buildings aren’t preserved based on relative maintenance costs or aesthetics but on the merits of originality and historic interest. Whether it be a pre-historic pueblo, Colonial-era slave quarters, World War II Quonset hut, or a Brutalist tower is irrelevant, as long as it fits the designation of being unique and historically relevant. Many iconic, retro-futurist Googie structures have been lost because the streamlined style was representative of lowbrow, vulgar highway culture. In a similar vein, various Classic Revival and Art Nouveau movie theaters were demolished in the years when the ornate flourish of their decaying interiors was simply dismissed as antiquated, gaudy decadence in the post-Depression age…

But preservation law grounded in a sense of historic import and architectural singularity also means that more and more “horrendous” structures will be preserved, that future generations could be punished by the mistakes of the past, possibly as a warning to future architects about the impact of their decisions. The tragic irony being that preservation law, which wasn’t enacted in time to save so many irreplaceable buildings of the past, is now in place to save the least loved outputs of High Modernism and urban renewal.

I don’t know much about the particulars of preservation law but if this is indeed correct, I imagine some people might want to change the law.

I wonder, however, how much of the preservation of a building depends on a critical mass of people wanting to save it. Let’s say preservation law technically says “distinctive” buildings should be preserved but no one speaks up to save Brutalist buildings. Would anyone argue that the law wasn’t followed? Perhaps there are just enough contrarian people or others who appreciate the place of Brutalism in history that this wouldn’t be allowed to happen.

“Anti-obesity housing”

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The design of housing units is rarely meant to just be functional. But here is design that I have not heard about before: a new “Bronx co-op apartment building” that is meant to reduce levels of obesity:

The building, called the Melody, has a backyard with brightly colored exercise equipment for adults, and climbing equipment for children. It also has both indoor and outdoor fitness centers.

City officials say it’s the first in New York to be built with design elements aimed at countering obesity.

Two flights of stairs feature silhouettes of dancing women and jazz playing through speakers and motivational signs posted throughout the building tout the benefits of exercise.

A sign posted between the elevator and stairs, for example, notes that stairs are a healthy choice.

This description doesn’t sound like much has changed: couldn’t a lot of housing units be enhanced with playground/exercise equipment and signs/images that promote exercise?

The New York Times has more on why this building has the specific design elements that it does:

Near him hung a sign, between the building’s sole elevator and a staircase door, reading, “A person’s health can be judged by which they take two of at a time, pills or stairs.”

In 2010, the city released a 135-page guide called Active Design Guidelines, on the construction of buildings that would encourage exercise and mobility; it was compiled by city agencies in collaboration with health experts and architects. City officials said that while the Melody was the first to incorporate its suggestions, other projects were being developed.

Builders do not receive tax credits or compensation for following the rules in the guide, but doing so can earn them points in a rating system administered by the United States Green Building Council called LEED, for Leadership in Energy and Environmental Design.

The city’s guidelines are more detailed and specific than LEED rules, which reward builders who, for example, use less toxic paints or locate their buildings near subway stops. The city’s guide encourages windows in gyms, bicycle storage areas and stairways that are bright, centrally located and attractive.

This is interesting. Of course, we will have to wait and see whether these design elements actually do increase levels of exercise and activity and decrease obesity levels.

When I think about other designs that promote exercise, New Urbanism springs to mind though I’m not sure I have seen them use exercise as a selling point. Since their developments are intended to be walkable or bike-friendly, this pitch could be made but what they often highlight is the community that is fostered by denser space and the environment-friendly design.

At some point, I may just have to dig into the “Active Design Guidelines” although you have to register online to download a copy or purchase a copy.

Niche market: images of people for architectural drawings

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I often enjoy looking at architectural drawings and imagining the possibilities. But perhaps I should have been asking, “where do they get the people in their sketches?” The New York Times takes a quick look at this particular industry:

There is a small people-texture industry. Realworld Imagery sells CDs containing, for instance, 104 “Business People,” for insertion into renderings, for about $150 a disc. A site in Britain, Falling Pixel, offers, among others, “120 Casual People” (which sounds like a passable indie movie) for about $70. Marlin Studios, in Arlington, Tex., also sells textures, and its founder, Tom Marlin, explained the business to me…

…soon Marlin plans to release three-dimensional figures who walk or gesticulate in repetitive loops. Many of the people textures he sells were created in long, single sessions in which scores of individuals in neutral day-to-day costumes (a blazer and tie; jeans and T-shirt) are photographed against a green screen and sign an all-purpose image waiver. While a certain amount of variety matters — scalies can be young or old and come from diverse ethnic backgrounds — the most important factor is making sure any individual isn’t so remarkable as to distract from the scene as a whole (or dressed in outfits that will quickly look dated). The idea is to sell the same scalies over and over.

Marlin’s biggest rival is most likely the architect who simply creates his own populating images, maybe grabbing pictures off the Web and altering them.

This is not something I had considered but it makes sense: adding humans to the drawings humanizes the designs and helps people imagine what the completed scene might look like. This could be similar to staging furniture and furnishing in a home that one is trying to sell: one could just let the potential buyer look at the home and its design but adding a few normal elements aids the imagination.

But at the same time, people in these drawings are doing relatively boring things. After all, the added people are not there “to depict a reality; it’s to persuade viewers…” So even though a human element is needed to help sell sketches, it’s only a small part of human activity and definitely not the kind that could distract from the beauty or functionality or design of the building. Would it be more helpful in the long run to have humans in the pictures who would be doing what people do around buildings rather than serving as anonymous figures? Perhaps – but we might guess that the architects ultimately want the attention to remain on their design work and not necessarily on its use.

It would also be interesting to have a historical perspective. When did these “scalies” start being added to sketches? And why were they needed: were sketches or designs getting to the point where people looking at them couldn’t easily determine their scale or did buildings at some point need more humanizing?

Skyscrapers matter for both the past and future of cities

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An argument for why cities are both built around skyscrapers and also need them for a better future. Also, find three quick suggestions for changes to “zoning boards and preservation committees.”

Clearing snow from one of Chicago’s enduring design features: the alleys

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Crews around here are still working on clearing snow. Even this morning, several days after the major snowfall, some roads have impassable lanes. But Chicago faces an additional challenge: clearing snow from the alleys of residential neighborhoods:

But snowplows won’t be moving down alleys, arteries that are no less important to city dwellers. Streets and Sanitation Commissioner Thomas Byrne says plows might do more harm than good, pushing snow up against garage doors. Garbage trucks, however, will try force their way down alleys to make tracks for cars, he said…

Indeed, while alleys are the last to see city snowplows, they’re first in the hearts of many Chicagoans.

If the Champs-Elysees epitomizes Paris and Unter den Linden boulevard is symbolic of Berlin, the alleys that bisect Chicago’s blocks are emblematic of Chicago, no less than touristy Michigan Avenue…

Other cities, like New York, lack alleys, which means trash has to be put out on streets for pickup. Chicago’s alleys are lined with garbage cans, yet also are the ultimate urban playground.

Years ago, alley games contributed to local patois. “No dibs on broken windows!” was the starting signal for softball games, an announcement that only the batter would be responsible for smashing a ball through a window. The alley version of hide-and-seek was kick-the-can, accompanied by the cry “Olly olly oxen free!”

Alleys were also traditional avenues of neighborhood commerce. Today’s alley vendors, primarily scavengers, prowl the backyard byways by truck. Their predecessors drove wagons pulled by horses.

In the midst of a story about plowing, the reader receives a short education on the importance of alleys for Chicago culture. It would also be interesting to hear about alleys as a planning feature: does it enhance or detract from life on the streets? Does it allow for greater traffic flows on roads when garages and garbage cans are pushed behind buildings? How often do alleys become more of problems than assets (like in situations like this)?

This reminds me of the prominence of alleys in the designs of New Urbanists. Their neighborhoods often place garages in the backyards of homes and buildings so that cars are not such a prominent feature in front of structures. This is intended to enhance life on front porches and front sidewalks as homes can then be closer to the public areas. But this article from Chicago suggests that the alleys can also become important areas for social interaction, interaction that is not taking place on the front stoop or in more visible, public areas. If the goal of New Urbanist design is to enhance community life and interaction, does it matter if this takes place in front or behind a home?

Considering what the “green Loop” might look like

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Amidst talk of eco-cities, a Chicago architectural firm has put together a plan to reduce carbon emissions by 80 percent within Chicago’s Loop. How to accomplish this: retrofit older buildings rather than building a lot of new, green buildings.

The architects break what they call the Central Loop into four types of buildings: heritage buildings (1880-1945), which are clad in heat-absorbing masonry and have operable windows; midcentury modern buildings (1945-75), which hog energy due to their vast expanses of glass and heavy reliance on air conditioning; post-energy-crisis buildings (1975-2000), which show greater energy-efficiency but are burdened by an unanticipated rise in computer use; and energy-conscious buildings (2000-present), which continue to improve efficiency but are in relatively short supply.

That brings us to the heart of the matter: The key to cutting pollution isn’t building new green buildings. There simply aren’t enough of them to make a difference. The only way to lower our carbon footprint is to make the buildings we already have more energy-efficient.

That’s possible, as evidenced by the recent transformation of the Merchandise Mart, the massive yet graceful Art Deco commercial and trade show building along the Chicago River. At 4.2 million gross square feet, it’s one of the world’s largest buildings. By taking a variety of steps — from installing energy-saving water pumps to promoting eco-friendly products to the building’s tenants — the Mart cut its overall energy consumption by 21 percent from 2006 to 2010, executives there say.

I wonder how this plan would be received by businesses and building owners. While they suggest energy costs will decrease in the long run and rents may increase, such retrofitting could be costly in the short-term and there could be some anxiety about doing these things in the middle of a tough real estate and business market.

And how much would the City of Chicago really get behind this? Mayor Daley has drawn plaudits in the past for promoting ideas like rooftop gardens but these are limited in number. The City itself faces significant financial troubles in the coming years and I imagine issues like jobs, pensions, crime and the number of police in the streets, will dominate conversations for a while.

I would enjoy seeing their charts or models to see which particular buildings in the Loop use more or less energy. The picture that leads this report on the plan probably shows carbon emissions or energy use by building.