Monthly Archives: September 2010

Prescient EW bullseye quote: “My generation…would never watch a show called My Generation.”

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I’ve wondered who is the target demographic for ABC’s new show My Generation. Will the generation who the show depicts (people around 28 years old who graduated from high school in 2000) actually watch or is this show made by and made for the over 40 or 50 crowd who are curious about these kids are up to?

I’ll be curious to know how realistic this show is or whether it is just full of the typical high school archetypes (the geeks, jocks, cheerleaders types). Unfortunately, the trailer suggests it is full of these archetypes: “the over achiever,” “the nerd,” “the rock star,” and so on.

Kennedy/Nixon debate fanfare overblown?

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Fifty years ago yesterday, John F. Kennedy and Richard M. Nixon faced off in the first televised presidential debate. The debate supposedly “changed the world” and the narrative of the Kennedy win has long been part of history:

It’s now common knowledge that without the nation’s first televised debate – fifty years ago Sunday – Kennedy would never have been president. But beyond securing his presidential career, the 60-minute duel between the handsome Irish-American senator and Vice President Richard Nixon fundamentally altered political campaigns, television media and America’s political history. “It’s one of those unusual points on the timeline of history where you can say things changed very dramatically – in this case, in a single night,” says Alan Schroeder, a media historian and associate professor at Northeastern University, who authored the book, Presidential Debates: Forty Years of High-Risk TV.

But after reading and reviewing the book Getting It Wrong, I’m a little more skeptical of these claims. So let me be the contrarian for a moment and suggest why this media moment from 1960 is overhyped:

1. It is part of the lore of JFK. It was in this moment that the country saw his youthful charm and in contrast, Nixon’s shadiness. JFK’s image fit television perfectly and the media has since played up the Kennedy family as American political royalty. Of course, JFK’s charm was likely evident elsewhere and Nixon was still elected president twice (after having served as vice-president under Eisenhower).

2. It suggests televised debates, in general, are critically important for elections. I’m not sure about this – I think the media thinks they are more important than they are. By always looking for a “winner” and “loser,” candidates are set up to succeed or fail. Television doesn’t lend itself to nuanced debates about critical issues; it is perfect for sound-bites and unflappable dispositions. If the voters care about debates, it is because they have been told that such debates matter.

3. Overall, it suggests TV can be an important contributor to democracy rather than just the source of junk television shows. This is debatable.

Freight trains vs. high-speed rail

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The proposals for high-speed rail in the United States include running most high-speed trains on tracks owned by freight train companies. These companies are not thrilled about this arrangement:

But Norfolk Southern Corp., Union Pacific Corp. and other railroad companies are balking at sharing their tracks or rights-of-way with trains that would run between 90 and 200-plus miles an hour. They argue that mixing high-speed passenger trains with slower freight trains would create safety risks, prevent future expansion and cause congestion.

Cargo would be pushed to their competitors—trucking firms—the railroads argue, just as freight loads are picking up after the recession. Weekly average carloads in August were the highest since November 2008, according to the Association of American Railroads, the industry’s main trade group.

My first two thoughts:

1. Is this safety claim legitimate or just a smoke-screen? A lot of arguments about “what the public needs” are often couched in terms of safety to make the argument more appealing.

2. It sounds like the freight companies are protecting their business interests. How does high-speed passenger rail help them? Since they control the necessary infrastructure (the railroad tracks), they have some leverage at this point. Perhaps the two best weapons the federal government has to fight back: public pressure (if the freight companies are seen to be holding this up and this is what the public and/or lots of politicians want, then they will look bad) or perhaps financial incentives (tax breaks?).

Gender bias in the application of the death penalty?

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The Atlantic provides a round-up of opinions about gender bias and the death penalty. The collection of stories is prompted by recent events in Virginia:

On Thursday night, Virginia executed 41-year-old Teresa Lewis. It was the first time a woman was executed in the state since 1912 and the first time any woman was executed in the U.S. in five years.

Overall, the death penalty issue seems to be low on the list of priorities these days. How many politicians this election season will be running on platforms based on crime and law and order issues?

Maps of race in American cities

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The Daily Mail has some maps based on the new 2010 Census data that shows where people of different races live in some of the largest American cities. The article emphasizes the easy-to-see racial divides.

Quick Review: That Thing You Do

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I’ve always liked this 1996 film that follows a one-hit band from Erie, Pennsylvania to the top of the record charts and then back down again as they fall apart. A few thoughts on re-watching the extended cut of the movie:

1. The movie has an innocence about it: small-town kids make it big. The characters have a wide-eyed wonder for much of the movie until they become disillusioned. Perhaps this is still the American dream for many bands: hope to get discovered by a local agent and then hit the big-time with all its benefits (fame, money, women, TV).

2. Though he is the last member to join, the drummer, Guy Patterson, is the main character who speeds up the tempo of the band’s hit song when it is still in its embryonic stages and tries to hold the band together as the pieces fall apart. Guy is likable. The extended cut includes move of Guy’s initial back story before he joined the band.

2a. The lead singer, Jimmy, on the other hand, is the brooding genius who can’t handle the demands of the road and just wants to record his next hit record.

2b. Faye, Jimmy’s girlfriend, is played by Liv Tyler and is a lovely girl caught in the band’s crossfire. (This is the only movie where I liked Liv Tyler’s acting.)

3. I like the music. Though it was written in the 1990s, it does sound like music from the 1960s. The title track, “That Thing You Do!”, is catchy and usually stays in my head for a few days after hearing it. Some of the other songs on the soundtrack are also good.

(According to Wikipedia, the title track was good enough in 1996 to merit airplay: “Written and composed for the film by Adam Schlesinger, bassist for Fountains of Wayne and Ivy, and released on the film’s soundtrack, the song became a genuine hit for The Wonders in 1996 (the song peaked at #41 on the Billboard Hot 100, #22 on the Adult Contemporary charts, #18 on the Adult Top 40, and #24 on the Top 40 Mainstream charts).”)

4. I don’t think the extended cut scenes add much. While it adds more nuance to some characters, particularly Guy, the in-theater version was snappier.

5. There are a lot of allusions/homages to the mid 1960s music scene. The Beatles are referred to often and a scene where the Wonders bike/run/skip on a map of the United States is very similar scene from A Hard Day’s Night.

6. I’ve been trying to think about the main point of the film. It could be viewed as sort of a slice-of-life retrospective about the heady days of rock in the mid 1960s but there are a couple of themes that run throughout the story that suggest there is something deeper:

a. The power of relationships over music and fame. While the band hits it big, it’s not the band that endures – it is the relationship between Guy and Faye.

b. The permanence/creativity of jazz compared to rock music. Guy is more interested in jazz when he initially joins the group to help them survive the injury of their original drummer. By the end of the film, he is still more interested in jazz. Compared to the fickle nature of rock (from nobodies to stars to nobodies all within a year), jazz is portrayed as having staying power.

c. The cycle of one-hit wonders that makes the music world go around. Toward the end of the film, their manager (played by Tom Hanks), suggests that this tale is a common one. The music machine takes innocent kids with hit songs, uses them for what they are worth, and then doesn’t care too much if they disappear. As long as there is another chart-topper in the works, that is all that matters.

After another re-watching, my liking of the film is confirmed: the catchy music plus the joy of seeing a small-town band hit it big plus the reality of what often happens when fame comes between people makes for an enjoyable two hour concoction.

An innovative revenue stream for suburbs: exclusive advertisements on city property

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Naperville, Illinois is considering a new tactic to provide for funds for the city’s coffers as there is nearly a $5 million budget shortfall projected for next year:

Naperville is considering an unusual option for long-term revenue: giving corporations exclusive rights to advertise on city property.

In a memo to the City Council this month, finance director Karen DeAngelis cited several examples of how this could work, including a program in which KFC pays for pothole repairs in cash-strapped cities in exchange for stamping the fresh asphalt with the chicken chain’s logo.

Naperville also could sell the naming rights of buildings or allow companies to advertise their products as “the official drink” or “the official burger” of the suburb for a fee, DeAngelis said.

“It’s not something we’ve done before, so we would be on the leading edge and we would need to be careful,” she said in an interview.

This might lead to some very interesting scenes – “Naperville City Hall, brought to you by Geico.” I imagine such ads might be attractive to businesses for the amount of people who might see them, particularly in a vibrant downtown Naperville.

Would a majority of suburban residents go for this? As one expert suggests in the story, this could lead to some negative repercussions and a process of “NASCAR-ization.”

If the city of Naperville couldn’t raise a significant amount of money with a program like this, would it be worth doing it on a small scale or would it just lead to more trouble than its worth?

Rigging the accuracy of video games

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As video game consoles and controllers become more accurate in interpreting human movement, the designers must wrestle with a question: do they really want the machines to be 100% accurate? A Sony executive discusses why the accuracy is compromised in order to create a better gaming experience:

Wired.com: Move is much more accurate than the Wii remote, so it can be used to create much more complex games. But will those be attractive to a general audience?

Shuhei Yoshida: We never intended to use the accuracy as-is, because that makes games totally unplayable…. But people love one-to-one, they really enjoy seeing on the screen what you are doing, actually tracked. Our teams have devised a way to make you feel that everything you do is accurately tracked….

It’s taking the intent of the player by looking exactly at what he or she is doing, but assisting, filtering it a little bit, and still giving a little bit of what he or she has done. You feel like, “This is what I intended.” It makes you feel like a good player, but still allows people to progress from entry level to advanced.

You remove the assistance bit by bit. Games become more challenging, but at the same time you understand completely that if you fail it’s your fault, and if you succeed it’s your achievement.

I think that’s a new requirement for designing games using accurate motion tracking. But unless you have accurate motion tracking, you cannot create that depth of gameplay.

I’m not sure I buy into this reasoning. So playing ping-pong on the PS3 is a game because the machine assists/interprets your actions if you are really bad. Becoming “good” at the game comes with machine assistance. Playing ping-pong in real life is something different because you can fail. This is something I’ve never understood about Guitar Hero or Rock Band: wouldn’t you rather learn to play the real instrument? Perhaps the game is more “fun” and easier to learn if you can’t fail but it ultimately doesn’t translate into any useful skills.

I suppose manufacturers must do this so gamers don’t become frustrated but it seems like the easy way out. With the new Playstation Move, is there a way to turn off this assist feature?