Monthly Archives: February 2011

Musical innovation

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As I noted in passing a few days ago when discussing the Brittney Spears’ dispute with the Bellamy Brothers, pop songs are pretty much all alike.

The same goes for music labels’ business models.  Commenting on a recent Financial Times article, paidContent suggests that “new” music services reportedly in development by Apple and Google — allowing individuals to store music on a “hard drive in the sky” — seem to be less “innovation” than “more of the same”:

The idea sticks closely to today’s à la carte, per-track model of buying individual tracks, which itself replicates yesteryear’s model in which music was packaged up in to individual plastic units of consumer product.Growth in this method of buying digital music has basically peaked in the U.S.. Will a hard drive in the sky give it a lift? Unlikely. Some now think that illegal music consumption is so tempting that the industry should effectively mimic this “music like water” approach legally.

Of course, Rhapsody has an all-you-can-eat model, has been available in the U.S. for years, and is a bit player.  Maybe it’s time to start coming up with some actually new ideas…

In review of Triumph of the City, summary of how city dwellers view the suburbs

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As he reviews the new book Triumph of the City, a reviewer summarizes how city dwellers view the suburbs:

But look past the rhetorical flourishes, and you see an ambivalent verdict on post-1960s urban policy: It is often the actors most philosophically “urbanist” in intent that are the most deleteriously anti-city in effect. Mr. Glaeser brings us, in striking detail, a gated subdivision in the Houston outskirts called “The Woodlands.” The city dweller’s inborn cultural revulsion to the place is the stuff of any number of Sundance dramas: the sterility of the McMansions, the moral vacuity of the micropolitics, the ecological nihilism of the SUVs. But the appeal of such prefab townlets—one million people have moved to the Houston area since 2000—has little to do with culture; the Sun Belt beckons because urban California and the Northeast have radically distorted the market for any city’s most crucial commodity: property.

These complaints about suburbia do seem to be commonly found in Sundance-type dramas, books, and music. This is practically its own genre: the “average person” (often middle to upper class whites) finds emptiness in sparkling (but shallow) suburbia yet comes alive when encountering something different than white, crass, depressing suburbia. But as the reviewer notes, there are reasons that people move to places like Houston.

(A condensed version of this book’s argument, particularly about how skyscrapers will help the city thrive,  can be found here.)

A call for copyright reform

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Kudos to David Freddoso of the Washington Examiner, who yesterday called for copyright reform:

[P]art of the problem is that current copyright law is ambiguous about what constitutes “fair use.” Congress could put an end to this gaming of the legal system by rectifying this. It’s something that House Judiciary Chairman Lamar Smith, R-Tex., should seriously consider.

In justifying his call to action, David cites activities by Righthaven, highlighting the chilling effect copyright trolls have even on established media players like the Examiner:

Throughout the Reid-Angle Senate race in Nevada, we were scared to death to quote or link to anything at the Las Vegas Review Journal (dare I even post something with their name in it?) because they have farmed out copyright infringement to a serial lawsuit abuser.

When a conservative-leaning newspaper with a subscription to the Associated Press is afraid “to quote or link” to another U.S. newspaper for fear of a copyright infringement lawsuit, you know that the current system isn’t working.

Update: Bloggers are pretty scared of Righthaven too.  That’s why the Media Bloggers Association (official website) has filed an amicus brief on behalf of a hapless Righthaven defendant.  (Thanks to TechDirt for the doc and further analysis.)

The ubiquity of the standing ovation

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My wife and I recently had the chance to see Les Misérables in Chicago. At the end of the show, the crowd gave a standing ovation. It seems that this is no longer unusual: whether it is a high school play, an orchestra concert, or a big-time musical, the crowd gives a standing ovation. Is this a new social norm?

According to the Oxford English Dictionary, here is the definition of a standing ovation: “a rousing ovation conferred by an audience standing as a mark of enthusiastic approval, esp. after a speech.” But I have always thought that a standing ovation is not just given when the crowd enthusiastically approves; rather, it is reserved for special occasions, when the performance or speaker has done a tremendous job. This more restrictive definition is supported by Wikipedia: “A standing ovation is a form of applause where members of a seated audience stand up while applauding. This is done on special occasions by an audience to show their approval and is done after extraordinary performances of particularly high acclaim…Standing ovations are considered to be a special honor.” If this is the social norm, how can every performance be worthy of a standing ovation?

So why might crowds be more willing to give more frequent standing ovations? A few thoughts:

1. It has lost its status as something done for a special or noteworthy performance. It is now perfunctory. Crowds think they are supposed to give a standing ovation no matter what.

2. A more nuanced explanation: in the case of something like Les Misérables, the average attendee does not know whether the actors have given a good performance or not. This is a world-renowned musical, the attendees have paid a lot of money to attend, and so it must have been good and deserving of a standing ovation. The key here is that the average person can’t easily distinguish the quality of many performances and is left to judge the performance by other factors, such as its status. Since the theater or going to the orchestra is a rare event for many and it is accompanied by ideas about high culture and fancier dress, the standing ovation may just seem like the right thing to do.

(This is supported by an incident after the musical: a teenage couple was walking out and one said, “Epinone was just terrible.” The other said, “Yeah, her singing was bad.” A few of us who overheard this just smiled and looked at each other. How were we to know whether this was true or not? Presumably, one would have had to see this musical multiple times or listened to the music many times before a judgment could be made.)

If the standing ovation is now normal, what can a crowd do to show extreme enthusiasm or to mark an excellent performance? A few options: a prolonged applause or loud whistling or yelling along with the clapping.

Graphic comparing US to other developed nations on nine measures

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This particular graphic provides a look at how the United States stacks up against other developed nations on nine key measures, such as a Gini index, Gallup’s global wellbeing index, and life expectancy at birth.

As a graphic, this is both interesting and confusing. It is interesting in that one can take a quick glance at all of these measures at once and the color shading helps mark the higher and lower values. This is the goal of graphics or charts: condense a lot of information into an engaging format. However, there are a few problems: there is a lot of information to look at, it is unclear why the countries are listed in the order they are, and it takes some work to compare the countries marked with the different colors because they may be at the top or bottom of the list.

(By the way, the United States doesn’t compare well to some of the other countries on this list. Are there other overall measures in which the United States would compare more favorably?)

Suburban mayors look for Mayor Emanuel’s help

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There is often a tension between a big city and suburbs: these communities have different goals and access to resources. With a new mayor in Chicago, suburban leaders say they are looking to work with Rahm Emanuel:

But suburban leaders said Wednesday that they expect Chicago Mayor-elect Rahm Emanuel to recognize that the city he will soon lead and the surrounding communities are better off working together instead of fighting each other.

“I think, with his extensive government experience, he understands that we’re all in this together,” said Elmwood Park Village President Peter Silvestri, whose town is in Illinois’ 5th Congressional District, a seat once held by Emanuel.

Silvestri was among several leaders who also said they were hopeful that Emanuel, who has a reputation as a bare-knuckled political operative, will follow Mayor Richard Daley’s collaborative lead…

Among them is Elk Grove Village Mayor Craig Johnson, who fought bitterly with Daley over the expansion of O’Hare. He said he hoped Emanuel “will respect the concerns of his neighbor and work regionally.”

Emanuel supports  a Chicago casino, an idea that hasn’t gone over well in Des Plaines, which will soon open a casino of its own…

Naperville Mayor George Pradel was another suburban leader who said he hoped Emanuel would maintain a strong relationship with his suburban counterparts.

The Chicago mayor has influence on several issues that concern Naperville, including ongoing plans to build a western bypass around O’Hare and rates for Lake Michigan water, Pradel said. Naperville is the largest suburban user of water from the lake.

As a congressman, Emanuel supported an airport in south suburban Peotone and he has voiced support for extending the CTA’s Red Line to 130th Street — two important issues in the south suburbs.

Perhaps these suburban leaders do want to work with Emanuel but to me, it sounds like they are more interested in getting Emanuel’s support for their interests and projects. Perhaps Emanuel could ask these suburban leaders: and if I help you, how does your suburb plan to help the City of Chicago or the larger Chicago region?

This may be a cynical interpretation but this is the long-running history of suburban communities: many are not interested in regional or metropolitan issues except when they might threaten the quality of life in their immediate community. Going back to the 1890s and 1900s, suburbs stopped wanting to be annexed into the big city as they could provide their own basic services (water, sewers, electricity, etc.) and didn’t want to associate with cities which were seen as dirty and crime-ridden. Today, suburbs thrive on this idea of local rule: local taxes should go into local services, such as public school districts and basic local services such as police and fire. Local or regional projects are often judged on how particular suburban communities will benefit, particularly as it pertains to their tax base and property values.

In the long run, how many of these suburban communities are willing to help Mayor Emanuel?

In defense of an (un)original aesthetic

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My Modern Met has posted a hauntingly beautiful gallery of photos that manages to tease striking originality out of a tired world of copies:

Switzerland-based Corinne Vionnet is our guide to the world’s most famous landmarks, monuments millions have visited before. Her art is created not by acrylic, oil, or watercolor, each piece is made by combining hundreds of tourist photos into one. After conducting an online keyword search and sifting through photo sharing sites, this Swiss/French artist carefully layers 200 to 300 photos on top of one another until she gets her desired result.

You really need to click over to My Modern Met to see this stuff for yourself.  Words alone doesn’t do it justice.  (Vionnet’s own website is here, if you want to look further into her work.)

I first became interested in intellectual property law as a part-time photographer.  I was intrigued by the legal implications of photographing the world around me, including the ever-encroaching restrictions that narrow the subjects “safe” from litigation threats.  Not surprisingly, then, I get pretty excited when the fields of copyright and photography intersect as explicitly as they do in Vionnet’s work.

Vionnet’s pieces — beautiful in their own right — serve as a meditation on the artist within the collective and the unique within the copies.  Her works have an ethereal and timeless aesthetic because they are composed of photos taken by hundreds of people over many years (they are literally ethereal and timeless).  The “originals” (taken by tourists) are simply copies of what everyone else takes, but her “copies” (clearly lovingly composed by Vionnet) are truly original takes on these famous landmarks.  Brilliant.

The article quotes Vionnet’s own summation of this series:

“Why do we always take the same picture, if not to interact with what already exists?,” Vionnet asks. “The photograph proves our presence. And to be true, the picture will be perfectly consistent with the pictures in our collective memory.”

Well said, Vionnet.  This is why our shared, cultural commons is so important.  Artists always have to “take the same picture” in order to “interact with what already exists”.  It is what artists do with their picture that makes them unique, not in some divine ex nihilo sense, but as mirror-holders who call our attention to a part of the larger whole and allow us to see one bit of reality in a new way.

However, artists do not “own” reality any more than their creative fore-bearers — or any of us.  In the slow passage of time, we all receive, create, and relinquish back.  Hopefully, in the words of John Locke, we relinquish “as good as” what we have ourselves received.

To be sure, copyright law is needed to allow Vionnet to enjoy the full fruits of her creative labor.  Nonetheless, take care to remember that, in a very real sense, she does not “own” her works any more than she took the underlying photographs — or than those tourists built the towers, mountains, and waterfalls they themselves copied with their cameras.  Vionnet’s pieces are “out there” now, part of our collective memory.  We can discuss them, critique them, applaud them, reject them, or even build on them.  However brilliant, Vionnet doesn’t “own” them in an absolute metaphysical sense, and she shouldn’t “own” them in an absolute legal sense.

Given the genesis of her work, I doubt that Vionnet would be overassertive with her copy-rights.  (Though one never knows.)  Unfortunately, lots of other people routinely assert “their” divine rights in “their” intellectual property.  As sad as this state of affairs is, one has to laugh a bit.  Just because they have a mirror doesn’t mean that they made the sun.

Discussing the mortgage interest deduction and how pricy (and large) a McMansion is

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One common use of the term McMansion is simply a large home. In this blog post about the mortgage interest deduction, the writer contrasts the price of McMansions to more normal-sized homes:

That means average homeowners with modest Capes and fixer-uppers are helping subsidize others stretching to keep up with the Jones and their million-dollar McMansions.

The measuring stick of a McMansion in this post is how large the mortgage is:

A close look at the interest rate deduction reveals much of its benefits go to homeowners with mortgages far larger than most in the middle of the housing pack. Check out this Forbes piece, which nicely lays out the argument for taking away this perk from the homeowners with outsized mortgages – incredibly the limit is currently $1 million…

The president’s deficit commission recommended capping the deduction’s use at $500,000 in mortgage debt, down from $1 million now, while nixing its use for vacation homes and converting what’s left to a 12.5 percent tax credit.

OK, I vote for keeping it simple and just lowering the mortgage cap to $500,000 or $600,000, while making second homes ineligible as well.

So a McMansion here would start with homes that cost $500,000 to $600,000. In most suburban communities, this buys a large home. In denser areas, not necessarily. What about older homes that cost this much – are these McMansions? It wouldn’t take too much searching online of real estate listings to translate these prices into square footage in particular areas.

Overall, this use of the term McMansion seems to refer to any large house beyond “modest Capes and fixer-uppers.” This use of the term seems quite vague: a McMansion is any (presumably larger) house above a certain price point.

Edge city Schaumburg sees growing minority population, declining white population

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The Chicago suburb of Schaumburg has attracted attention in recent decades for being an edge city. The community, full of office parks as well as Woodfield Mall, was mentioned six times in the book that defined edge cities. New 2010 Census figures suggest Schaumburg reflects larger population trends in the suburbs:

U.S. Census figures for 2010 showed that while the overall population of Schaumburg dipped 1.5 percent in the last decade to 74,227, most minority groups grew and the white population decreased by nearly 12 percent.

“It’s good to have that kind of mix as far as population is concerned,” said Village President Al Larson. “That says that Schaumburg is a very attractive place to come to.”

The largest minority group is Asians that number 14,731, according to the census. That’s about 38 percent more than 10 years ago…

Schaumburg’s changes are happening elsewhere,  said Mike Maly, who chairs the Sociology Department at Roosevelt University. He’s studied census numbers and the changing demographics of the Chicago area.

“What’s happening in Schaumburg is part of a larger trend in suburban Cook County,” Maly said. Minority groups are moving out of the city, and into the suburbs. At the same time, the white population seems to be moving to the outskirts of the suburban area, he said.

So like many suburbs, Schaumburg is experiencing growth in the minority population. But it is also interesting to note that the Schaumburg’s total population declined and the white population dropped by over 11 percent. Some questions should emerge out of this:

1. What is the long-term future of Schaumburg? Declining population in a suburb is not particularly a good sign.

2. Where exactly is the white population going in the Chicago suburbs? If you look at the interactive map here, one might guess that the whites are moving to the outer edges of the Chicago region.

3. On one hand, it sounds good that more minorities are moving to the suburbs, particularly communities like Schaumburg. But if white residents are moving out of these places where minorities are moving, are the same issues of residential segregation simply going to be reproduced in the suburban landscape?

City locations straddling the fine line between acceptable and edgy

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Certain urban neighborhoods draw attention because they are “edgy” and offer something different than mainstream American locations. What happens when these “edgy” areas start to disappear or start to become established, mainstream places? Here is a look at this process in New York City:

Around countless corners, the weird, unexpected, edgy, grimy New York — the town that so many looked to for so long as a relief from cookie-cutter America — has evolved into something else entirely: tamed, prepackaged, even predictable.

“What draws people to New York is its uniqueness. So when something goes, people feel sad about it,” says Suzanne Wasserman, director of the Gotham Center for New York City History at the City University of New York…

If there’s one thing that doesn’t change in New York City, it’s nostalgia. Consider Mayor Fiorello La Guardia. After his election in 1934, he worked to remove the pushcart peddlers clogging the streets of the Lower East Side, viewed by many as a problem.

Once they were gone, people missed them.

A couple of thoughts about this article:

1. Cities thrive on these edgy or odd locations. The whole city doesn’t have to be different but young people (and perhaps even the Creative Class) tend to like these edgier locations. When it becomes too mainstream, people move on to the next novelty. But the character of a city is expected to be more unique and odd than a typical suburban setting.

2. The article highlights how people generally don’t like change, even if it is dealing with issues they once thought were problems.

3. I wonder how much money this has been worth to New York City. For example, what kind of taxes did the seedy Times Square bring in compared to the sanitized and Disneyfied version of Times Square? Certainly, some of these areas are now more palatable to suburban residents and families, broadening the group of people who might visit a location.

4. This is a reminder that what is now “edgy” or “cool” likely won’t stay that way for long. Cities, in particular, change fairly rapidly as new residents and businesses move in and out. I’m sure more edgy places will pop up in New York City.

4a. Could a city develop a “historical preservation district” (or something like it) to protect an edgy establishment or block? By making it official, does the site automatically lose some of its edgy status?