Another excerpt from Richard Florida’s new book suggests there are race and gender divides in the creative class:
A number of commentators have argued that women are better suited to the kinds of work demanded by the knowledge economy. Indeed, it is true that women make up the slight majority of the creative class, accounting for 52 percent of its members. It’s also true that a greater fraction of employed women hold creative class jobs (37.1 percent) than employed men (32.6 percent).
But Mellander and I found that creative class men earn about 40 percent more than creative class women—$82,009 versus $48,077—a gap of nearly $35,000. Some of this can be explained by differences in work experience, skills, education, and longer work hours. But even when we control for these factors, creative class men still outearn creative class women by a substantial $23,700—nearly 50 percent of the average salary for creative class women…
Race is the source of substantial divides within the creative class. More than eight in ten (80.9 percent) of creative class jobs are held by whites, who make up just 74 percent of the nation’s population. The rest are more or less evenly split among the three remaining racial groups—African Americans (6.8 percent), Hispanics (6.2 percent), and Asians (6.1 percent).
There is an interesting racial division of labor, so to speak, within the three great socioeconomic classes. Asian-Americans are by far the most heavily represented in creative class work. Nearly one-half (47 percent) of them work in creative class jobs, compared to roughly one-third (34 percent) of whites, 24 percent of African-Americans, and 18 percent of Hispanics.
Do I have to buy/read the book to get Florida’s solutions to this issue?