In a comic strip he’s authored for Metropolis magazine since the late 1990s and in several compilation books, Katchor looks at design and at the development of homes and neighborhoods. His strips are usually one page long and place characters at the helm of strange or unsettling experiences.
During a recent phone interview, Katchor, a winner of the MacArthur Genius Grant and professor at Parsons, described his work as a part of the “American, Yiddish, socialist” tradition and “a form of social activism. You could blow things up too,” he said, referring to the radical arms of environmental groups, “but I don’t really relish the thought of being in prison. I’d rather make comic strips.”…
Katchor leads his readers from simple to complex ideas in the space of one page. For example, in “A River View,” two contractors try to profit on a large set of glass windows that have been recently replaced in a high-rise: the removed windows have the imprint of the skyline that has been baked into the glass over time. By the time they find the recycling yard where the windows have been taken, they’re told that, “a European art dealer took the whole lot sight unseen.” The final frame of the strip shows a group of people overseas looking at one pane when it is displayed like a work of fine art. Everyone involved is looking to profit.
From Katchor’s perspective, profit motivates much of recent development. Though he doesn’t believe new design is worse compared to earlier periods, mentioning that there were dull buildings in the past, he thinks today’s wealth replicates itself, with a push to “maximize profits” in many fields. Like the panes in “A River View,” Katchor sees replication: “Rather than spinning off the money into other things, giving it to other people,” design suffers from the “failure of imagination of corporate interests.”
The sample strips here are pretty interesting. A few thoughts:
1. Providing commentary through comic strips has a good history. Yet, I don’t think I’ve ever seen it applied to urban development. Perhaps it is too abstract an idea (beyond the immediate experiences of characters) for most strips to address?
2. The argument that profits drive developments sounds like the political economy view in urban sociology which emphasizes the actions of powerful people, politicians or business leaders, to make money.
3. I wonder if such humor really has a market these days. These comic strips are relatively long, have lots of text, and address complex topics that go beyond one-liners.