If baseball teams from two cities square off, why not use it as an opportunity to compare the architecture of the two locations? “Chicago vs. Los Angeles: Which city has the better architecture, public art, and parks?” Here are the comparisons in the iconic skyscraper and landmark categories:
During much of the twentieth century, Chicago was a merchant city and the biggest name in the business was Sears. In the late ‘60s, the company decided to build a new headquarters and tapped Skidmore, Owings & Merrill to design what would become the tallest building in the world. Designed by Bruce Graham and Fazlur Rahman Khan, the building’s “bundled tube” design not only allowed it to reach new heights, but to also make a grand gesture in the Chicago skyline. With an official height of 1,450 feet (1,729 feet if you include its antennas), the tower held the world’s tallest title until 1998 when the Petronas Towers in Malaysia were completed.
US Bank Tower
The tallest building on the West Coast—until about six weeks ago, anyway—is strong and mighty—it was built to withstand an 8.3 magnitude earthquake. But that hasn’t mattered much to filmmakers. It’s such a standout building that director Roland Emmerich targeted it in no less than three of his blockbuster disaster films; Aliens destroyed it in Independence Day, Tornadoes swept through it in The Day After Tomorrow, and it was felled by an earthquake (presumably above 8.3) in 2012. Completed in 1989, it was designed by architect Henry N. Cobb, who outfitted the structure with its signature crown. This year, the tower unveiled a terrifying glass slide that suspends riders above the street 1,000 feet below. (Even the engineer admitted it’d be “scary as hell” to ride in an earthquake)…
Chicago Water Tower
The Chicago Water Tower in many ways is a reminder of Chicago’s ability to endure through difficult times. The 154-foot tall limestone structure is a physical connection to the city’s early days as it is one of the rare buildings that survived the Great Chicago Fire of 1871 which wiped out most the city’s downtown. Today, it is surrounded by towering skyscrapers but remains a popular tourist destination and symbol of Chicago’s strength and determination.
Perhaps the most recognizable landmark this side of the Pyramids at Giza, the Hollywood Sign has come to stand in for so much—show business, fame, excess—but is locally a symbol of the city’s complicated relationship with growth and change. The sign originally read “Hollywoodland” and was merely an ostentatious billboard advertising a new subdivision during a 1920s development boom. Later, when it had become a recognizable local landmark, preservationists sought to restore and preserve the sign. And now, with tourists from around the world flocking to Beachwood Canyon to get a closer look at those giant letters, it’s apparently become the bane of local residents’ existence—some of whom have proposed dismantling the sign entirely.
If we are comparing the most iconic representatives of each categories, the cities may be closer than many realize. Chicago is widely recognized as a capital of architecture yet Los Angeles has a good number of interesting and well-known buildings and designs. Additionally, the “feeling” of each place – spatially, culturally – is quite different so it could be hard to make direct comparisons. Yet, I would guess that if we went with quantity as well as history, Chicago would be a more clear cut winner.
I would be interested to see how many architects worked in both cities. In other words, were they separate architectural worlds or was there a lot of back and forth? Given that the two cities are so different, I wonder how much overlap is possible and then how much either the cities or architects would want to broadcast such overlap.