Category Archives: Entertainment

Quick Review: The Hunger Games series

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The Hunger Games trilogy by author Suzanne Collins is popular. Hollywood is currently searching for a starlet to play the main character, Katniss Everdeen. And I too have recently read these books and have some thoughts:

1. I like the premise of the Hunger Games. The story is set in a dystopian world where the Capitol controls all 13 surrounding districts. As part of the control, each year the districts submit two teenagers, one male and one female, to compete in a reality TV contest where the winner must be the last one alive. Katniss is selected to compete in the Hunger Games and that is where the fun begins.

2. If I had to sum up the tone of the books in one phrase: this is like the young adult fiction version of a Jerry Bruckheimer film. Lots of action, little else. The characters have little emotional depth and don’t spend much time dwelling on what is happening. The real story is the action which includes two sets of Hunger Games and a war. Reading scenes where Katniss is in pain or disoriented is like watching jittery hand-held movie scenes.

3. I did not find the main character, Katniss, to be likable. Granted, she has had a difficult life but she is often caustic and unpleasant. She has good reason to be irritated – she ends up being a pawn for more powerful people throughout much of the three books – but I would think it is difficult for readers to make a connection with her. If there any connection to be made, it would be with her action-hero side as she shows determination and courage.

4. While it isn’t really explored in the books, this could be a devastating critique of reality television. Throughout the three books, Katniss is on display, first for entertainment and then later for propaganda. She chafes at this role but in this future version of society, people seem to be easily manipulated by what they see on their television screens. The power struggle in the books is often about who gets to control the overall narrative in the land.

5. Who is on the side of good or evil is muddied in the final book. While much of the action is taken against the oppressive Capitol, Katniss struggles with the idea that the rebels may be just as bad. This is not a typical good vs. evil outcome – the main outcome centers on the consequences of Katniss’ final actions.

Overall, I rated this series 2.5 out of 5 stars. The premise was interesting but I wasn’t fond of the execution or the outcome. This trilogy fits in with the dystopian turn in young adult fiction and will likely be a movie hit in the near future.

Considering the effects of darker fiction on younger brains

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An academic conference this past weekend considered how fiction, particularly the darker fiction of recent years, might affect the brains of teenagers and children. Here is a quick overview of what was being discussed:

The trend for darkness and dystopia in children’s literature reflects concerns in the wider, adult world, Nikolajeva [the conference organizer] said. A hundred years ago, books for kids were dominated with stories about boys having adventures and girls finding husbands; then, from the 1950s to the 1970s, the themes were emerging sexuality and parental conflict.

Inside the teenage brain, synapses are breaking and reforming, and the chemistry keeps changing. Teenagers can’t make decisions in the same way adults can, Nikolajeva said, and she noted that authors, filmmakers and game developers have a moral obligation to make sure that their works contain some positive ethic.

As the Post writer notes, this sounds like an interesting conference. In general, narratives can have a powerful effect. If children’s literature has indeed turned darker, this could have implications for future adults.

And I’d be curious to know how people at the conference defined the “positive ethic” that Nikolajeva suggests should be included in children’s literature.

Seeing TV tropes as a kind of programming language

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A new season of television is nearly upon us. Some of the new shows will survive, many will not. Most of the shows will draw upon established television tropes. (How many procedural shows do we need??)

In the midst of these tropes, Scott Brown of Wired suggests we shouldn’t expect novelty but instead should look for something else:

But here’s an original thought. Let’s embrace the standard semantics of tropery—let’s stop seeing a welter of clichés and instead call it what it is: a programming language. The site [tvtropes.org] was launched by a computer programmer, and the coder’s ethos comes through: Seeing all of TV (and film and literature and theater and manga) history written in Trope, you begin to understand how these story widgets—standard, reusable parts like phonemes or Legos or the basic codons of DNA—can be arranged and rearranged to create something unique.

This is an interesting perspective – instead of focusing on what is being repeated, viewers should examine how writers and producers use their creativity to rearrange the existing pieces of the existing television corpus.

This article reminds me of some other recent news, particularly that about college students and plagiarism. What some research has found is that some students have difficulty accepting the argument for intellectual property; they see content as sharable and open. What matters more then is taking existing content and putting it together in new ways.

Brown suggests “originality is dead.” I hope not. But perhaps taking his advice will make watching similar-but-slightly-different television shows more palatable.

A new kind of TV heroine

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The Wall Street Journal reports that television executives are moving ahead with shows that feature a new kind of heroine:

The show reflects new thinking among television network executives: Their core audience—female viewers—want to see a woman take down the enemy, preferably with a little bloodshed along the way. The approach overturns years of belief that violent shows turn off women who prefer to watch earnest nurses, headstrong housewives or quirky career women.

Viewers who grew up with video games and Angelina Jolie action movies are driving the types of shows networks will debut this month and redefining how the classic TV heroine is portrayed.

The market research behind this also found that women tend to think men have gotten wimpier on TV and in movies. Therefore, female characters need to come in and take control.

This article also hints at a question about causation: it is media that drives these images (as the article suggests, through Angelina Jolie action movies) or is it that the culture’s image of women has changed to the point where media now needs to reflect it? It probably works both ways but television and movie executives want portrayals of women that are going to make money.

Quick Review: Once

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Once is a 2006 film/musical featuring Glen Hansard of the Irish musical group The Frames. I had heard good things about this film and so I decided to watch it. Here are some quick thoughts:

1. I liked much of the music in the film. Since it is a musical, this is good. Hansard and his co-star Marketa Irglova sing and perform a number of indie type songs: lots of emotions, soft guitar, some strings. The main song throughout the film, “Falling Slowly,” is catchy and wistful. If I had to compare the music to other music I know, it is comparable in tone (though with some big differences) to Damien Rice.

2. Outside of the music, I don’t think the plot has much promise. Hansard (playing “Guy) and Irglova’s characters (she plays “Girl”) meet early on the in film while Guy is playing on the streets. They get to know each other, play and create music together, and ultimately consider a romantic relationship. Perhaps this is a problem common to many musicals: the plot seems to be a device to just help the characters get to another song.

3. The film has that indie-film feel due to hand-held cameras. This seemed to add to the intimacy of watching two struggling people try to build a relationship.

Final thought: I should admit that I am not a huge fan of musicals. While I liked the music (and would like to hear more of The Frames), I couldn’t get into the plot.

(This film was loved by critics: it is 97% fresh, 147 fresh out of 152 total reviews, at RottenTomatoes.com.)

Album sales on continued decline

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I still buy a decent amount of music albums in CD form. But apparently I am part of a dwindling crowd: NPR reports that album sales are at a record low (even when accounting for digital tracks), 12% down compared to last year, and way off the peak in 2000.

So what’s the next plan for the music industry?

Reviving an old debate: who is the best Beatle?

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Rolling Stone has released a special issue featuring the 100 Greatest Beatles Songs. Paul Grein of Yahoo! Music argues the list revives the question of who was the greatest Beatle:

Of the 100 songs, which were ranked by the editors of Rolling Stone, 40 were written by Lennon, 35 by McCartney, 17 by the two men working together and eight by George Harrison, who came into his own as a songwriter on the Beatles’ final albums.

So it’s fairly close, but Lennon was the key Beatle? Not so fast. In the high-rent district, McCartney leads. McCartney has three songs in the top 10 (“Yesterday” at #4, “Hey Jude” at #7 and “Let It Be” at #8), to just two for Lennon (“Strawberry Fields Forever” at #3 and “Come Together” at #9). Three songs in the top 10 are Lennon/McCartney collaborations: “A Day In The Life” at #1, “I Want To Hold Your Hand” at #2 and “In My Life” at #5. Harrison wrote the two remaining songs in the top 10 (“Something” at #6 and “While My Guitar Gently Weeps” at #10).

Grein concludes that Lennon was favored in the list:

Why do critics tend to favor Lennon? There are two main reasons. Lennon was edgier and more envelope-pushing, and rock critics tend to favor those qualities over McCartney’s more tradition-bound, pop-minded virtues. Also, Lennon died at 40, shot to death outside of his apartment.

I’ll add my own two cents: Lennon said the kinds of things, particularly politically and culturally, that people who write and read Rolling Stone like. But I’m not convinced he was so “edgy” – after reading several books about his life, particularly post-Beatles, he sounds like a man who was often lost. While he often sounded like a man who knew what he thought, his personal actions indicated something else.

As for who is the best Beatle: I can’t say I really have a favorite. What continually impresses me is the whole they made out of four different parts. The solo work of all four members is an indication that something special happened between the members to create such enduring music.

Quick Review: The Diary of a Wimpy Kid

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Two reasons I watched this movie: I’ve read the books the movie is based on and it was free at the library. Two quick thoughts on the film:

1. The books are much better. There was a clever character to the books whereas the movie was just another fairly formulaic kids movie. The books often made me laugh out loud while the movie did not.

2. There is a genre of high school movies – this could be considered “high school movie lite.” It had similar themes including what it means to be cool and dealing with family members and featured plenty of pop/rock music. There were typical characters including the overly-machismo gym teacher and the older goons. If you have seen an average middle school movie, you’ll feel like you’ve seen most of this movie before. It just so happened that the main characters were younger.

Overall: read the books for the real Greg Heffley.

(The film got mixed reviews from critics: it is 53% fresh, 40 fresh out of 75 reviews, at RottenTomatoes.com.)

The demise of Barnes & Noble

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Bookseller Barnes & Noble (B&N) is in bad financial shape. According to a commentator in the Wall Street Journal, B&N fell prey to the Internet though they made some missteps on their own.

I, for one, will be sad if bookstores such as B&N and Borders go completely out of business. B&N came to the Chicago area in the 1990s and I shopped at some of the early locations. They were like a new world compared to the bookstores that existed then: relatively large, nice decor, with a varied selection. (I know some would argue this could be found at independent booksellers but I haven’t ever had much experience with these in my suburban life.) As both B&N and Borders expanded into music (a section I spent a lot of time in) and coffee, I found them even more likable locations. I still occasionally am very happy to spend an evening in one of these stores, browsing through magazines, music, and all sorts of books.

Shopping for these things on the Internet has some advantages, including the big factor of pricing. But browsing Amazon.com is still a qualitatively different experience than browsing a large bookstore.

Behind the curtain of the Bozo show

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The Bozo show was a long-time institution on Chicago television. The clown, televised on WGN, started on the air in 1960 and spread to stations around the country.

A new book commemorates the 50th anniversary of the show’s beginning. Among the stories in the book:

The Chicago show was so popular, Susan Harmon confirmed, that mothers would sign up for tickets the day their child was born, so six or seven years later, or even longer (at one time, there was a 10-year wait), their kid could attend the show.

Now that good evidence about the local impact of the show.

I attended the show when I was younger after seeing it for years on TV. (I have photographic evidence that I will not share here.) I’m pretty sure my mom got tickets from someone at work. I don’t remember much about the experience…but it was probably fun.