A new kind of TV heroine

The Wall Street Journal reports that television executives are moving ahead with shows that feature a new kind of heroine:

The show reflects new thinking among television network executives: Their core audience—female viewers—want to see a woman take down the enemy, preferably with a little bloodshed along the way. The approach overturns years of belief that violent shows turn off women who prefer to watch earnest nurses, headstrong housewives or quirky career women.

Viewers who grew up with video games and Angelina Jolie action movies are driving the types of shows networks will debut this month and redefining how the classic TV heroine is portrayed.

The market research behind this also found that women tend to think men have gotten wimpier on TV and in movies. Therefore, female characters need to come in and take control.

This article also hints at a question about causation: it is media that drives these images (as the article suggests, through Angelina Jolie action movies) or is it that the culture’s image of women has changed to the point where media now needs to reflect it? It probably works both ways but television and movie executives want portrayals of women that are going to make money.

Quick Review: Once

Once is a 2006 film/musical featuring Glen Hansard of the Irish musical group The Frames. I had heard good things about this film and so I decided to watch it. Here are some quick thoughts:

1. I liked much of the music in the film. Since it is a musical, this is good. Hansard and his co-star Marketa Irglova sing and perform a number of indie type songs: lots of emotions, soft guitar, some strings. The main song throughout the film, “Falling Slowly,” is catchy and wistful. If I had to compare the music to other music I know, it is comparable in tone (though with some big differences) to Damien Rice.

2. Outside of the music, I don’t think the plot has much promise. Hansard (playing “Guy) and Irglova’s characters (she plays “Girl”) meet early on the in film while Guy is playing on the streets. They get to know each other, play and create music together, and ultimately consider a romantic relationship. Perhaps this is a problem common to many musicals: the plot seems to be a device to just help the characters get to another song.

3. The film has that indie-film feel due to hand-held cameras. This seemed to add to the intimacy of watching two struggling people try to build a relationship.

Final thought: I should admit that I am not a huge fan of musicals. While I liked the music (and would like to hear more of The Frames), I couldn’t get into the plot.

(This film was loved by critics: it is 97% fresh, 147 fresh out of 152 total reviews, at RottenTomatoes.com.)

Album sales on continued decline

I still buy a decent amount of music albums in CD form. But apparently I am part of a dwindling crowd: NPR reports that album sales are at a record low (even when accounting for digital tracks), 12% down compared to last year, and way off the peak in 2000.

So what’s the next plan for the music industry?

Reviving an old debate: who is the best Beatle?

Rolling Stone has released a special issue featuring the 100 Greatest Beatles Songs. Paul Grein of Yahoo! Music argues the list revives the question of who was the greatest Beatle:

Of the 100 songs, which were ranked by the editors of Rolling Stone, 40 were written by Lennon, 35 by McCartney, 17 by the two men working together and eight by George Harrison, who came into his own as a songwriter on the Beatles’ final albums.

So it’s fairly close, but Lennon was the key Beatle? Not so fast. In the high-rent district, McCartney leads. McCartney has three songs in the top 10 (“Yesterday” at #4, “Hey Jude” at #7 and “Let It Be” at #8), to just two for Lennon (“Strawberry Fields Forever” at #3 and “Come Together” at #9). Three songs in the top 10 are Lennon/McCartney collaborations: “A Day In The Life” at #1, “I Want To Hold Your Hand” at #2 and “In My Life” at #5. Harrison wrote the two remaining songs in the top 10 (“Something” at #6 and “While My Guitar Gently Weeps” at #10).

Grein concludes that Lennon was favored in the list:

Why do critics tend to favor Lennon? There are two main reasons. Lennon was edgier and more envelope-pushing, and rock critics tend to favor those qualities over McCartney’s more tradition-bound, pop-minded virtues. Also, Lennon died at 40, shot to death outside of his apartment.

I’ll add my own two cents: Lennon said the kinds of things, particularly politically and culturally, that people who write and read Rolling Stone like. But I’m not convinced he was so “edgy” – after reading several books about his life, particularly post-Beatles, he sounds like a man who was often lost. While he often sounded like a man who knew what he thought, his personal actions indicated something else.

As for who is the best Beatle: I can’t say I really have a favorite. What continually impresses me is the whole they made out of four different parts. The solo work of all four members is an indication that something special happened between the members to create such enduring music.

Quick Review: The Diary of a Wimpy Kid

Two reasons I watched this movie: I’ve read the books the movie is based on and it was free at the library. Two quick thoughts on the film:

1. The books are much better. There was a clever character to the books whereas the movie was just another fairly formulaic kids movie. The books often made me laugh out loud while the movie did not.

2. There is a genre of high school movies – this could be considered “high school movie lite.” It had similar themes including what it means to be cool and dealing with family members and featured plenty of pop/rock music. There were typical characters including the overly-machismo gym teacher and the older goons. If you have seen an average middle school movie, you’ll feel like you’ve seen most of this movie before. It just so happened that the main characters were younger.

Overall: read the books for the real Greg Heffley.

(The film got mixed reviews from critics: it is 53% fresh, 40 fresh out of 75 reviews, at RottenTomatoes.com.)

The demise of Barnes & Noble

Bookseller Barnes & Noble (B&N) is in bad financial shape. According to a commentator in the Wall Street Journal, B&N fell prey to the Internet though they made some missteps on their own.

I, for one, will be sad if bookstores such as B&N and Borders go completely out of business. B&N came to the Chicago area in the 1990s and I shopped at some of the early locations. They were like a new world compared to the bookstores that existed then: relatively large, nice decor, with a varied selection. (I know some would argue this could be found at independent booksellers but I haven’t ever had much experience with these in my suburban life.) As both B&N and Borders expanded into music (a section I spent a lot of time in) and coffee, I found them even more likable locations. I still occasionally am very happy to spend an evening in one of these stores, browsing through magazines, music, and all sorts of books.

Shopping for these things on the Internet has some advantages, including the big factor of pricing. But browsing Amazon.com is still a qualitatively different experience than browsing a large bookstore.

Behind the curtain of the Bozo show

The Bozo show was a long-time institution on Chicago television. The clown, televised on WGN, started on the air in 1960 and spread to stations around the country.

A new book commemorates the 50th anniversary of the show’s beginning. Among the stories in the book:

The Chicago show was so popular, Susan Harmon confirmed, that mothers would sign up for tickets the day their child was born, so six or seven years later, or even longer (at one time, there was a 10-year wait), their kid could attend the show.

Now that good evidence about the local impact of the show.

I attended the show when I was younger after seeing it for years on TV. (I have photographic evidence that I will not share here.) I’m pretty sure my mom got tickets from someone at work. I don’t remember much about the experience…but it was probably fun.

Quick Review: Despicable Me

I recently saw Despicable Me – I know I’m a little late to the game as this movie was released over a month ago. But I had read some good reviews and was interested in seeing it for myself. Some quick thoughts:

1. I don’t think the film will stick in my memory for long. A lot of it felt like an extended cartoon one might see on TV. Some of the characters, like Gru and Vector, are over the top. The three children alternate between being interesting and mawkish. It was somewhat entertaining but ultimately forgettable.

2. I know there are some funny scenes but I hardly laughed during the movie. Perhaps I wasn’t in a laughing mood…or perhaps the movie isn’t really that funny. Also, we were in a theater with about 10 other people so any semblance of group laughter was missing.

3. The small minions became tiresome. Sure, they may look cute but they started wearing on me after a while. I feel like if movies have to resort to characters like this to keep people interested, the story probably isn’t that great.

4. The music in the film is interesting, alternating between orchestral music and quirky modern numbers. Pharrell Williams of The Neptunes was involved and helped the score develop into something much more varied than a typical animated film.

On the whole, I was not impressed. Not terrible and not great with what seemed like too many switches between styles and ideas, this film settles into the land of average animated films.

(Overall, the movie was well-received by critics: it is 79% fresh (112 fresh out of 142 total reviews) at RottenTomatoes.com.)

Cathy coming to an end

Cathy, the long-running comic strip, is coming to end in early October, as its creator, Cathy Guisewite wants to spend more time with her family. I’ll admit to often skipping this comic as I read the comic page in the Chicago Tribune – it often seemed too whiny and stereotypically feminine with a lot of talk about food, weight, and swimsuits.

But as I read the story about the close of the comic strip, I was reminded that Cathy is still a relative oddity on the comics page. There are still very few comics about female characters or strips drawn by females. While I would read these two strips, “For Better or For Worse” is retired and “Sally Forth” is not terribly popular (and not carried by the Tribune). Broom-Hilda doesn’t cut it (not really any content here) nor does Brenda Starr (a serialized strip that features an attractive star). ”

Cathy at least has a perspective about women that seems more real:

Critics have called “Cathy” anti-feminist, and while Guisewite didn’t reject that claim, she said certain stereotypes about women are the most fun to write about.

“The subjects like weight and style and look are these microcosms of all the extra expectations that are placed on women,” Guisewite said. “As women have become more powerful and stronger, it has become a lot more complicated for women to feel good about themselves. I like to think that ‘Cathy’ is the voice for women who can’t say, ‘I feel stupid about something silly, but it still really ruined my day.'”

Another commentator added:

Said John Glynn, 42, vice president of rights and acquisitions at Universal Uclick: “Cathy really broke a lot of ground in the ’70s. … She was talking about what a real woman goes through and the real-life concerns of women, and that I think was something very different for the comics section.”

So where are the comic strips by women or about women? A Zits-type strip about a teenage girl would have a lot of material to mine. Another comic strip about an adult woman, married or unmarried, could cover a lot of ground. Or are typical comic readers not interested in female leads?

Quick Review: Inception

I recently saw Inception starring Leonardo DiCaprio and directed by Christopher Nolan. Some thoughts about this movie about dreams which has done well in theaters (according to Box Office Mojo, #6 this year in earnings):

1. I would call it a “science fiction thriller.” Compared to some science fiction films (like Minority Report), this has a much more innovative story line. Within a story line that involves different times happening at the same time, it has some typical thriller scenes including car chases and lots of shooting. It brings together some of the best of both types of movies.

2. Even though the story is confusing in the end, it was remarkably easy to keep track of the various time levels. More and more movies try to play around with the timeline and not all succeed at keeping the audience along for the ride – this one does.

3. The movie has a lot going on but doesn’t provide a lot of explanation or backstory. How did it start that people could get into other people’s dreams? How is being in someone’s mind linked to their memories? How exactly do all these levels of dreams work together? At the same time, the movie doesn’t wallow in explanations at any point – it is briskly paced and the action quickly engages you even if you have questions.

4. Two quick comments on film-making. First, everything seemed very vivid. Movies today really do draw viewers right into the action. Second, I was reminded in this movie that modern films include never-ending music. Every scene seemed to have some music in the background – this is too much.

Overall, an exciting and engaging film. I’m not sure what I’m supposed to think of the twist at the end but I can definitely say I enjoyed the experience.

(The film has been well-received by critics: it was 87% fresh, 220 fresh out of 254 reviews, at RottenTomatoes.com.)