Lawmakers don’t like cameras in their face

Interesting look at how many federal legislators don’t like having cameras stuck in their face. Doing this often prompts angry reactions – that are then spread across the Internet and media and may require apologies from the legislators.

A response that one lawmaker has found useful – simply film them back:

“Rep. John Culberson (R-Texas) said he has the answer to aggressive guerilla-style video crews, and he’s shared it with his colleagues. He films them right back using his iPhone’s Qik program, which uploads the video directly to his website.

“I’ve lost count of how many times I’ve had bloggers approach me on the street to interview me and my response is I’m always happy to visit with them; however, I always pull out my Qik camera, and I film them filming me,” he said.

“And then I notice the tone changes of the person filming me — they become much less aggressive and more polite and conversational. I’ve actually had bloggers with cameras turn 180 degrees away and leave. I used to have it on my hip, and say, ‘C’mon, it’s OK, c’mon. I’m a Texan.’ ”

Toy Story 3: 111 Fresh, 0 Rotten

In what has been a slow summer movie season thus far, Toy Story 3 looks like it is ready to break out. According to Rotten Tomatoes, 111 reviews have been counted so far – and all are positive. How does Pixar do it?

What happens when, perhaps if, Pixar ever releases a clunker?

In my mind, Cars was the worst Pixar film: too sentimental (regret over the loss of small-town life), dull characters.

The best? Wall-E had both strong characters and interesting commentary on the future. Up had a stunning opening sequence but got bogged down in the second half. The Incredibles was entertaining.

Blues Brothers 30th Anniversary

The 30th anniversary of the Blues Brothers is coming up – and tributes are being written.

From the Chicago Tribune: Apparently John Belushi had to go to the mayor, Jane Byrne, to ask that the movie could be shot in Chicago.

“I know how Chicago feels about movies,” the comedian said to the mayor. Byrne nodded. Belushi said the studio would like to donate some money to Chicago orphanages in lieu of throwing a big, expensive premiere. “How much money?” she asked. He said, “$200,000.” She nodded again.

“And so he kept talking,” Byrne recalled. “Finally, I just said, ‘Fine.’ But he kept going. So again I said, ‘Look, I said fine.’ He said, ‘Wait. We also want to drive a car through the lobby of Daley Plaza. Right though the window.’ I remember what was in my mind as he said it. I had the whole 11th Ward against me anyway, and most of Daley’s people against me. They owned this city for years, so when Belushi asked me to drive a car through Daley Plaza, the only thing I could say was, ‘Be my guest!’ He said, ‘We’ll have it like new by the morning.’ I said, ‘Look, I told you yes.’ And that’s how they got my blessing.”

And that, more or less, is how Chicago became a regular location for movie production.”

Reuters reporting from the Vatican: “On the 30th anniversary of the film’s release, “L’Osservatore Romano,” the Vatican’s official newspaper, called the film a “Catholic classic” and said it should be recommended viewing for Catholics everywhere.”