Showing a McMansion while saying, “I love all the brick. I love all the character.”

In a recent HGTV episode intro, the host is driving through a Chicago suburb. He says, “I love all the brick. I love all the character.” And this is the home we see as he says this:

HGTVMcMansionMidwestCharacter.jpg

This is a McMansion due to at least four features:

1. The two story entryway.

2. The multi-dimensional roofline.

3. The three car garage and large driveway.

4. The lighter brick and other style choices that date the home as roughly a 1990s build.

(For aesthetic purposes, the dangling power lines in the front do not help.)

This home may have plenty of brick but critics of McMansions might argue the brick is deployed poorly. This home may have character – but of the negative kind rather than the charming variety.

Looking for the HGTV show that prioritizes fit and well-being, not budget and square footage

Reflecting on yesterday’s post on the dissonance of watching Marie Kondo in a McMansion, I wondered: where are the television shows that prioritize finding a home based on the social and psychological needs of the owners and their long-term health rather than emphasizing running up against the budget and maximizing the size of the home?

The easy answer is that these are not the homes or stories that Americans want to see. People want to get as much as they can within their budget. The overall price of the home and the size makes for interesting viewing across different locales.

Yet, I imagine there is some sort of viewership market for those who would rather emphasize how a home would fit their lifestyle. This occasionally comes through on HGTV but tends to be subsumed under concerns about budget and the size. Where are the people buying smaller homes and or cheaper homes because they appreciate the aesthetics of a particular home or because a smaller home is easier to clean and maintain or that cheaper and smaller home is near friends and family which are more important than their private home? Or, perhaps there could be a show about how relatively normal people purchase homes and then tweak them to fit their particular needs or interests.

If more homeowners are truly interested in long-term well-being, evidenced by interest in decluttering or options like the Not So Big House, it may be a while before they see this reflected on TV. Too many current shows are limited by budget and square feet to truly consider the well-being of the owners.

Can you tidy up with Marie Kondo in a McMansion?

A review of the new show Tidying Up with Marie Kondo contrasts organizing with purchasing a McMansion:

Stylistically, Tidying Up is gentle. Marie Kondo is a soothing presence—never soporific, somehow, but always engaging. She is twee, almost unbearably so, which is an affect not really seen in American television personalities. About 15 minutes into every episode, Kondo takes a moment to commune with the house, selecting a spot in the residence and kneeling in silent reverence. This goes on for longer than feels comfortable; sometimes the subjects join her, and sometimes they seem like they’re enjoying it. Conflict, when it happens, feels softer than it would on House Hunters, where couples routinely argue with increasing venom over the necessity of a mudroom in the home of their dreams.

The beauty of Marie Kondo’s world is that tidying is not punishment. She subverts the chore of cleaning by imbuing it with a radical sense of self-improvement. Unlike the underlying economic status anxiety that colors all of HGTV’s offerings, Tidying Up is more self-help than self-defeat. The home improvements, and by extension, life improvements, come not from buying a McMansion in Indiana, but from clearing life’s detritus out of your home to make way for something else.

The end of the review posits a dichotomous choice: either buying a McMansion to assuage status anxiety or tidying up to feel better.

But, I imagine many Americans would want to try to do both: purchase the McMansion or a large home and find a way to organize and declutter that home so that they feel better. Yet, this path seems to go against the path Kondo and others would prefer where Americans can’t have it all and have to make choices about their lives to prioritize well-being. Having a large home helps people feel like they can purchase and acquire more stuff. Having a bigger home is part of a consumer culture where buying bigger and more is a good thing.

One important step to the Kondo life would then be to not purchase the biggest home possible. How many Americans would be willing to do that or is it simply easier to buy into a tidying strategy that could be utilized in any home?

Popular HGTV show leads to local tourism boost – but what are the lasting effects?

Many HGTV shows are tenuously connected to actual communities – the focus is on the homes and personalities, not the neighborhoods and community. Fixer Upper and the efforts of the Gaines family in Waco, Texas may then be quite unique:

In 2015, they opened Magnolia Market, a home goods store that sells Mrs. Gaines’s mass-produced collections of bohemian farmhouse décor, and quickly followed with a bakery, garden shop and a turf-lawn park built near two old silos that had been constructed in 1950 by the Brazos Valley Cotton Oil Company. They also opened a nearby restaurant, Magnolia Table, in the former Elite Café, a longtime favorite that closed in 2016 after several different owners and renovations. When the Gaineses took it over, they installed subway tile along the walls, exposed the wood beams in the ceiling and stuck an ever-changing marquee sign out front. Naturally, the renovation was featured on their show.

No one’s complaining. The number of tourists to Waco has tripled in the four years since “Fixer Upper” first aired, with some 1.7 million people visiting in the first seven months of 2018 alone, and other local businesses have flourished with the influx. Carla Pendergraft, director of marketing for the Waco Convention and Visitors Bureau, said the appeal of the “Fixer Upper” brand has had a profound impact on the city.

Several quick thoughts::

1. The article touts increased tourism and a few local businesses that have benefited from the popularity of the show. Lacking are numbers about increased jobs and increased tax revenues.

2. The biggest bonus to Waco seems to be less about economics and more about status: the Gaines have helped make the city cool.

3. How long will this effect last? When Fixer Upper is done, will the family still exert the same pull on people? And if this trend dies down, how will the community of Waco respond? My guess would be that this uptick in tourism and interest will fade away if the Gaines are not as visible.

4. The concept of TV driven tourism is an intriguing one. People want to visit popular TV sites, like the Brady Bunch house for the Soprano’s home. Should more cities take advantage of shows that have strong connections to certain locations? Imagine Chicago building a full campaign around the Chicago Fire, Chicago P.D., and Chicago Med galaxy.

HGTV cashes in on the popularity of the suburban Brady Bunch home

The iconic home of the Brady family on The Brady Bunch may have a number of confusing features but it is still popular: HGTV is working on a show about the renovation of the home.

The Studio City, Calif., residence was pictured in each episode before the camera took viewers inside the family’s abode. Those scenes, which featured, for example, the kitchen where housekeeper Alice (the late Ann B. Davis) dished out jokes or the girls’ bedroom, where Marcia Brady brushed her hair, were shot on a soundstage.

The house changed hands over the summer, when the network snapped up the property for an unknown price. (Former ‘N Sync member and Brady Bunch die-hard fan Lance Bass narrowly missed out on the place in a bidding war.)

HGTV revealed in August that it had placed the winning bid and would restore the home “to its 1970s glory” as part of a new show.

On Thursday, the network announced that A Very Brady Renovation is set to premiere in September 2019. Home renovation pros from HGTV will “reimagine the popular show’s interior set design, working to ensure that the final renovation results stay true to the spirit of the Brady Bunch family home that everyone loves and remembers,” according to a press release. In other words, the iconic staircase and the retro hues used in the home will remain.

Perhaps this is what nostalgia about postwar suburban life looks like: it is filtered through television. Instead of having a show about updating postwar suburban homes (imagine an HGTV show solely devoted to the iconic Levittown and other mass produced suburbs), a network banks on a fictional suburban home. If this Brady Bunch renovation show works, I imagine more shows featuring famous TV homes could occur.

This whole concept makes some sense. Television emerged at the same time as the suburbs. Certain shows, including the Brady Bunch, became associated with suburban America. Some have argued the depictions of suburbs on television helped encourage suburban development – I’m not sure there is much evidence for that. Still, the suburban TV show following the exploits of a nuclear family and kids developed in this time and is still a genre today.

But, I could also imagine some alternative ways that a home like that of the Brady Bunch could enter the realm of nostalgia:

  1. Becoming a museum. Imagine either someone purchasing the property and turning it into a museum or a local government acquiring the property. Put a little money into the home to set up some displays, charge a manageable entrance fee, and the facility is up and running.
  2. Since the first option might cause some zoning issues, move the whole home to a place – museum, theme park, TV studio – better suited to host visitors to the home. What if there was a theme park built around TV buildings or even just around depicted suburban homes?

 

Turning “Property Brothers” into a sitcom

The rise of Jonathan and Drew Scott may be both improbable and humorous enough for a sitcom:

The series is titled “It Takes Two,” based on the Scott brothers’ memoir of the same name. The show follows two entrepreneurial twin brothers who decide to join forces in the real estate business when they realize they are stronger together than apart. Fox has given the project a script commitment with a penalty attached.

The Scotts rose to fame with their hit TV series “Property Brothers,” which is broadcast on HGTV in the U.S. The show proved so successful that it inspired multiple spinoffs, including “Brother vs. Brother” and “Property Brothers: At Home.”

Brothers Jon and Josh Silberman will write and executive produce the series. The duo’s previous TV credits include “Living Biblically” and “It’s Always Sunny in Philadelphia.” They are also writing the screenplay for the upcoming Wile E. Coyote movie.

Given the popularity of the HGTV show with its combination of real estate and renovation plus friendly zaniness, this could easily lead to the land of TV sitcoms.

At the same time, it would be very interesting to see how different the sitcom is from the scripted reality presented on Property Brothers. What details about the Scott’s will be shared on the sitcom? Will the sitcom maintain the general positivity and wholesomeness that marks HGTV shows? Will the sitcom parody what happens on HGTV or will those be the serious moments on the show?

I suspect the sitcom will tread lightly on what actually happens on HGTV or in revealing the “dark sides” of the brothers. This may not be the case if the brothers are hoping to go a new direction or if their HGTV contracts are coming due soon. But, could the Scott’s reinvent themselves with this sitcom or is it another avenue for burnishing their brand and bringing in revenue?

(Final note: if this is successful, how far away is HGTV from running its own sitcoms or dramas? Given the heavy editing and scripting already, perhaps the network is not that far off.)

Seeing residential segregation in House Hunters

In showing buyers of different races and ethnicities as well as different priced homes in different locations, House Hunters helps reveal residential segregation in America:

I really notice this whenever Chicago is featured on “House Hunters.” My city is hyper-segregated and diverse, with a vast number of housing and neighborhood choices for aspiring homebuyers. I quickly noticed a pattern: Chicago-set episodes usually show couples on the hunt in white North Side neighborhoods or gentrifying Latino neighborhoods. They skip over the biggest geographic part of the city—the South Side. And their budgets are $400,000 and up. One agent said that price is typical for a first-time homebuyer. (According to Zillow, the actual median home price in Chicago is about $225,000.) People shell out double that for small condos in expensive neighborhoods, or they look to the Latino communities where whites continue to move in, driving up prices and igniting racial tensions.

Aspiring buyers never explicitly say they want to live in a white neighborhood: They rattle off amenities and architectural styles, and then they choose the whitest segregated neighborhoods in Chicago. Their money would go further if they shopped on the South Side, where I live. But few seem to venture there. I recall an interracial couple—wife black, husband white—who bought in a historic black neighborhood. She pushed the fact that the house was large and under budget. He complained it was too far to bike to work.

Chicago is vast—there’s plenty of housing choice here, but that concept has been muddied by the racially restrictive housing policies that the city fine-tuned in the 20th century; banks, income inequality, legacy wealth, and discrimination have all played a factor. The redlining and racial covenants are gone, but, as “House Hunters” shows us every week, their legacy remains.

The show’s white couples might not agree on much, but they do all seem to want the same thing in a neighborhood. In the new book Cycle of Segregation: Social Processes and Residential Stratification, authors Maria Krysan and Kyle Crowder provide some insight into why. They posit a different spin on why housing segregation remains 50 years after the Fair Housing Act. Housing segregation is self-perpetuating, they say: Segregation persists because it already exists. “[R]esidential moves are structurally sorted along racial lines, which individuals’ perceptions and knowledge of residential options shaped by lived experiences and social interactions within a racially segregated social system,” they write. If you grew up in white segregation, that’s what you know and the social networks, neighborhood experiences, and daily activities reflect that reality.

I might even go a bit further: the show suggests white buyers do not typically have to consider non-white neighborhoods in which to purchase homes. Because of the resources they tend to have, white buyers are mostly purchasing in middle-class or higher neighborhoods that are often mostly white.

Additionally, House Hunters International occasionally features families explaining that the reason they desire to live in a foreign country is to experience some cultural diversity. However, they often end up living in relatively well-off neighborhoods that are often white (even if they are not full of Americans). And the families could have found more diversity in the United States if they were willing to expand their options of where to live.

On the whole, House Hunters does very little with the neighborhood in which dwellings are located or even the block. Outside of very general descriptions, homes are treated as physical objects that could exist anywhere. This makes some sense given the way that Americans emphasize homes as private spaces. Of course, homes cannot be separated by their surroundings and certain aspects of neighborhoods matter a lot for buyers.