Fighting over McMansions in Mission Hills

In the wealth Kansas City suburb of Mission Hills (named earlier this year one of “America’s Most Affluent Neighborhoods“), residents have been fighting over whether McMansions should be allowed:

“There’s a group that wants to build whatever the hell they want,” says lawyer Ann Alexander, a Mission Hills resident who in 2009 sued a neighbor over lot setbacks, “and there’s a group that wants renovation and vibrancy, but who want to do that in the context of the community.”

Think of it as the property-rights set versus the Mission Hills traditionalists…

But what is Mission Hills? After failing to define that with regulations and zoning laws, the city last spring hired a Los Angeles planning consultant named David Sargent to define it.

The hope is that Sargent could help end the squabbling by coming up with a set of design guidelines that would allow for housing upgrades — both teardowns and add-ons — but preserve, as he puts it, “the pastoral, garden character of the community.”

Sargent’s first draft came out this month, and now some are waiting to see whether the recommendations, when they’re in final form next year, will bring peace and understanding in the extraordinary city.

Sounds like a typical standoff: residents who want to protect the historical character of the community versus those who want to live in a well-known location but in a new big house with all the modern amenities.

This planning consultant has his work cut out for him. However, many other communities have adopted guidelines or planbooks that at least offer some guidance to what new houses might look like. Without declaring neighborhoods historic districts (which are often the strictest option – see an example here), guidelines can help opponents and proponents of teardowns work with a common set of expectations as they try to decide what their neighborhood should look like in the future.

Thinking further about this, I wonder if anyone has done research on what suburban residents expect their neighborhood to be like in the future. I don’t think I’d be alone in expecting that many residents would want the neighborhood to stay about the same as when they moved in. I recently heard someone cite Mark Twain saying, “Everyone likes progress, but no one likes change.” Are things that could be changed in a neighborhood that a majority of residents would see as positive?

The still somewhat large and pricey “Not So Big” house in the Chicago suburbs

Architect Sarah Susanka has become well-known for her idea of the “Not So Big House.” One of her homes has just been built in the Chicago suburb of Libertyville:

The showcase home, located at the 26-site SchoolStreet Homes development under construction a block east of downtown, is open for weekend tours until May 20. It and the rest of the homes, which are not open to the public, are Susanka’s and developer John McLinden’s take on new urbanism: smaller homes close together, with front porches, a sense of community and walking distance to shops, restaurants and services.

Don’t be fooled, though. When Susanka says not so big, she doesn’t mean small or cheap. The Libertyville home, at 2,450 square feet, won’t be priced until next year when it is put on the market, but other non-Susanka single-family homes on the block start at more than $500,000.

“A lot of builders are building smaller but cheaper,” Susanka said, standing in the furnished home just before it was opened to the public this month. “I believe people are ready for something that is smaller but better.”…

McLinden read Susanka’s books when they were first published and originally invited her to work on one of the houses as a marketing strategy to draw attention to the project. Now they are planning additional collaborations and have been contacted by three other communities about doing similar projects.

In an era where the McMansion is said to be dead and “tiny houses” are growing in popularity, Susanka’s houses stand out for two reasons I’ve noticed before and are also cited in this article. First, these houses are not small. On the spectrum between mansions and tiny houses, Susanka’s houses are very near the national average for the square footage of a new home. As she has said before, the article cites Susanka as saying the homes aren’t small but the space is used well and not wasted. Second, such homes may not be cheap. Perhaps the prices in this story are primarily being driven by being in Libertyville (with a median household income just over $100,000) but then again, Not So Big houses are likely to be built in communities like these.

The emphasis in Susanka’s homes are on two things beyond size and price: quality and fit with the homeowners. Neither of these things are cheap as the homes are not meant to be mass-produced (then they might fall perilously close to tract home or McMansion territory) and the features are customized to the activities and tastes of those who live there. Apparently, there is a market for this.

This could lead to an interesting question: are these primarily homes for educated, wealthy people who appreciate the design features and can afford the prices? Perhaps this shouldn’t be surprising as architects do need to make money and wealthier clients (and higher-end builders) could certainly help. Could Susanka help market her homes even further if she could create and market a smaller version that could be affordable (or in terms more palatable for many suburban communities, “workforce”) housing? Would she want to produce a lot of these homes or would these reduce the appeal of status of these architect-designed homes?

Buried McMansions as art in New York City

A new art installation in New York City buries McMansions:

McMansions are being buried in Midtown! (People never really like Suburbia anyway.) The Art Production Fund and artist David Brooks are currently installing “Desert Rooftops” at The Last Lot project space, on 46th Street and 8th Avenue. The 5,000-square-foot sculpture is meant to recall suburban developments, and it’s further explained by APF:

“The piece examines issues of the natural and built landscape by comparing the monoculture that arises from unchecked suburban and urban sprawl with that of an over-cultivated landscape—creating a work that is “picturesque, familiar and simultaneously foreboding.” Brooks’ sculptural approach gives a nod to Robert Smithson’s earthworks and Gordon Matta-Clark’s building cuts while offering a much needed sense of humor to help digest today’s somber environmental issues. As housing communities devour more and more land and resources each year the outcome is equivalent to the very process of desertification.”We were just sent this latest shot of the project going up, and you can expect the installation to be finished up sometime today; after that, it will be on view through February 5th. Photos of the entire construction process can be seen here.

While the pictures are quite interesting, here are some more details about the project:

Desert Rooftops is a 5,000-square-foot sculpture that is an undulating configuration of multiple asphalt-shingled rooftops similar to those on suburban developments, McMansions and strip malls conjoined to resemble a rolling, dune-like landscape.

This sounds like much of the commentary about McMansions and puts it into literal form: bury the McMansions! I don’t know how humorous it looks but it is a pretty interesting juxtaposition with the New York City streetscape. Also, is the title, “Desert Rooftops,” a reference to particular locations for McMansions (like Las Vegas or Phoenix) or a shot at the cultural desert McMansions contribute to? Could the display also work with the title “New Jersey rooftops”?

Note: I’ve tracked several instances of McMansion art in this blog space. See examples here, here, and here from earlier this year.

An argument for historic districts: repel McMansions!

A common argument for historic districts is that they limit the destruction of older homes and the construction of McMansions. Here is an example of this argument in Fort Lauderdale:

However, if communities wait around for that history to age, new development might wipe it out before it has a chance to be saved.

That fear has residents of Fort Lauderdale’s Colee Hammock neighborhood thinking about seeking historic district designation for their community.

“We’re constantly inundated with development issues, people wanting to come in and build too much, too high, too big,” said Jackie Scott, president of Colee Hammock’s neighborhood association. “It gets to a point where you’re sick and tired of always having to come out and fight for your neighborhood. It’s not an enjoyable way to live.”…

“We have some beautiful homes that have been built and are new construction. They fit perfectly with the neighborhood,” Scott said. [A historic district] prevents people that want to come into an area like this to start ripping things down and creating McMansions.”

While McMansions are often tied to sprawl and new subdivisions, teardowns are also a common scene for debates over the merits of McMansions. In this particular example, a McMansion is contrasted with new homes that “fit perfectly with the neighborhood.” Many American communities have created some guidelines so that teardowns can’t be anything a homeowner might desire but there is a spectrum between more permissive and less permissive communities. The advantage of declaring a historic district is that the community has more control over what can be demolished and built within the district. At the same time, some consider historic districts to be quite restrictive.

I would be interested to hear what resources those pushing for the historic district have utilized from outside groups. For example, the National Trust for Historic Preservation even has a page titled “Teardowns and McMansions.” Here is the lead paragraph:

Across the nation a teardown epidemic is wiping out historic neighborhoods one house at a time. As older homes are demolished and replaced with dramatically larger, out-of-scale new structures, the historic character of the existing neighborhood is changed forever. Neighborhood livability is diminished as trees are removed, backyards are eliminated, and sunlight is blocked by towering new structures built up to the property lines. Community economic and social diversity is reduced as new mansions replace affordable homes. House by house, neighborhoods are losing a part of their historic fabric and much of their character.

With such resources available, I wonder if local groups are now more effective in adopting historic districts.

“Big-Box Houses” the successors to McMansions?

Builder has an article about a new kind of home: “big-box houses.”

Even as average new-home sizes have fallen slightly across the country, builders in some markets are finding a profitable and underserved niche of buyers who need or want a house as big as a mansion with the price tag of a cottage. While some buyers are in true need of the space, others, awed by the per-square-foot value of so much elbow room that cheap land and efficient box-like floor plans make possible, can’t resist the buy…

Lennar, for example, recently rolled out its 4,054-square-foot Himalayan model in the Tampa, Fla., market for $270,990. D.R. Horton has The Surrey, a 4,600-square-foot home in Lakeland, Fla., starting at $223,990. M/I Homes is selling the 5,249-square-foot Gran Vista in Orlando starting at $336,460. And KB Home has a 5,211-square-foot model it is selling in Austin, Texas, for $422,950…

Another housing executive says the big-box home trend was born as a way to compete with resales because it is rare to find large homes among resales and foreclosures, making their plus-size a product differentiator. Also, the larger homes can often pass muster with appraisers more easily, because the bigger the house, the smaller the square-foot price, and the higher-priced portions of the home, kitchens and bathrooms, are amortized over a larger number of square feet. The lower price per square foot helps the homes compete with the lower per-square-foot cost of distressed home sales.

Still, the formula of building such homes at a profit is tricky. It requires that land in the right neighborhoods be bought at fire-sale prices and that the home itself be value-engineered for cost efficiencies as well. The box on top of a box model is a less expensive way to build than a single-level house or one with more complicated shapes and roof pitches.

Quick summary: there is still a part of the housing market for big, cheap homes, particularly among those with larger families.

My question would be how these homes differ from McMansions. It seems to be that the big-box homes are budget big homes with no frills. McMansions came to be known for their luxuriousness, whether this was reflected in the large windows in the front, the stone mailbox or wrought iron fence, the stainless steel appliances and granite countertops, or the voluminous great room. These big-box homes are big because their owners want to use all the space, not because they want to impress people. I wonder what this means for the quality of the construction: McMansions were often regarded as being shoddy and the builders quoted in this story admit that these homes have thin profit margins.

Also: the name is intriguing. McMansion came to be a generally negative term. “Big box” is usually used derisively to refer to retailers like Walmart or Home Depot who have huge stores and low prices. Additionally, there are a lot of connotations about big parking lots, environmental concerns, and sprawl. If I were a builder, I wouldn’t want my homes to be known by this term. If this term sticks, will these homes become reviled in the same way as McMansions?

College students rent cheap but luxurious McMansions

Here is another use for McMansions (and much better than one California option from last week): rent them to college students.

While students at other colleges cram into shoebox-size dorm rooms, Ms. Alarab, a management major, and Ms. Foster, who is studying applied math, come home from midterms to chill out under the stars in a curvaceous swimming pool and an adjoining Jacuzzi behind the rapidly depreciating McMansion that they have rented for a song.

Here in Merced, a city in the heart of the San Joaquin Valley and one of the country’s hardest hit by home foreclosures, the downturn in the real estate market has presented an unusual housing opportunity for thousands of college students. Facing a shortage of dorm space, they are moving into hundreds of luxurious homes in overbuilt planned communities.

Forget the off-to-college checklist of yesteryear (bedside lamp, laundry bag, under-the-bed storage trays). This is “Animal House” 2011.

Double-height Great Room? Check.

Five bedrooms? Check.

Chandeliers? Check.

Then there are the three-car garages, wall-to-wall carpeting, whirlpool baths, granite kitchen countertops, walk-in closets and inviting gas fireplaces.

This article provides an overview of an interesting situation but asking a few more questions would reveal a lot more:

1. If students live in such nice homes during college, what does this do to their expectations when they return home or after they graduate? If you are used to living in a nice McMansion, how do you move up after that?

2. In what condition do these students leave these McMansions?

3. The story paints these students as helping desperate homeowners. At the same time, homeowners in nice suburban subdivisions may not always look favorably at college students who can tend to be loud and unruly. Are all the town and gown relationships here all good as the story suggests?

4. Might some of these students stick around in these neighborhoods after college? If so, how would this change the neighborhoods?

To sum up, is this a long-term solution or a temporary solution to issues in one of the foreclosure capitals of the United States?

A much less constructive use of McMansions: using them to grow “McPot”

While some have suggested taking abandoned or foreclosed McMansions and putting them to constructive uses (see an example here and here), there are also less constructive uses:

Manteca Police filled a huge dumpster to the brim with some $2 million worth of marijuana plants after executing a search warrant at a home midway between Woodward Park and South Main Street

Sgt. Chris Mraz, heading up the four-member Street Crimes Unit (SCU), said the search of the 4,000-square-foot, two-story rental home in the 1800 block of Arlington Court contained the largest marijuana grow he has ever seen within the city of Manteca.

Elaborate marijuana growing operations have been found in other Manteca neighborhoods in the so-called McMansions due to their massive square footage. The last such large operation was found off Pestana Avenue near Joshua Cowell School…

The in-house nursery was highly sophisticated with growing operations underway in every room of the house, Mraz said, except for one bedroom that was used by one of the two men in a caretaker role. He noted that the plants found in the grow operation went from seedlings to fully mature plants. The Street Crimes Unit lead detective said the grow made the one found last year in a vacant building in the Manteca Industrial Park look insignificant in comparison.

This sounds like a plot of a typical movie depicting the suburbs: who knows what your suburban neighbors are really doing next door.

Just how many McMansions are home to such plots?

At the same time, the amount of water and electricity needed for this operation would fit the stereotype that McMansions are not green at all.

In discussion of Occupy Wall Street, McMansions seen as part of the culture war

As part of a larger fascinating discussion about who the members of Occupy Wall Street actually are (the almost-elite versus the elite?), Megan McArdle suggests McMansions are part of the larger culture war in the United States:

Orwell goes on to point out that it is the anxious lower-upper-middle-class who have the most venom towards those below them–precisely because to preserve their status, they have to keep themselves sharply apart from the workers and tradesmen. And I think that that does apply here as well, at least to some extent. One of the interesting things about going back to my business school reunion earlier in the month was simply the absence of the sort of cutting remarks about flyover country that I have grown used to hearing in any large gathering of people. I didn’t notice it until after the events were over, because it was a slow accumulation of all the jokes and rants I hadn’t heard about NASCAR, McMansions, megachurches, reality television, and all the other cultural signifiers that make up a small but steady undercurrent of my current social milieu, the way Polish jokes did when I was in sixth grade.

Some of my former classmates now live in flyover country, of course, but mostly, I think, they just didn’t care. No one seemed very interested in the culture war.

So why does that same culture war seem so important to so many of the people that I know in New York and DC? (“The intellectuals”, as one of my classmates laughingly called us, when I started dropping statistics in the middle of cocktail chitchat, and then lamely explained that this is kind of what passes for fascinating small talk in DC.)

It’s not entirely crazy to suspect, as Orwell did, that this has something to do with money. Specifically, you sneer at the customs of the people you might be mistaken for. For aside from a few very stuffy conservatives, no white people I know sneer at hip-hop music, telenovelas, Tyler Perry films, or any of the other things often consumed by people of modest incomes who don’t look like them. They save it for Thomas Kinkade paintings, “Cozy cottage” style home decoration, collectibles, child beauty pageants, large pickup trucks***, and so forth.

It is fascinating to think about the comments that McArdle describes: in some circles, there is a different set of profane objects while such objects barely rate as topics among “average” people in middle America. Being in academia also leads to hearing more of such comments. I would add Walmart in as another significant “cultural signifier” in these conversations.

McMansions is an interesting addition to this group. There is often quite a bit of scorn intended when using this term. Of course, most people in flyover country don’t own McMansions (though perhaps they aspire to own them) but many communities allow them. I have found that the use of the term McMansion is often tied to sprawl, another issue that can separate the big cities from flyover country. McMansions are often seen as a part of the larger package of sprawl which includes an emphasis on cars, big houses, a waste of natural resources, and a lack of beauty and quality.

I don’t know if she knows it but it sounds like McArdle is making Bourdieu’s argument: those with more education look at aesthetics and a deeper understanding of objects while those with more money purchase for functionality. Take a McMansion: someone with more education might note its lack of quality, its contribution to sprawl, and wish for an architect-designed home. Someone with more money might note that you can have eight family members easily fit in the home and each can have their own bedroom, bathroom space, and play space.

A side note: I did have to laugh when McArdle suggests that dropping statistics into conversation is also a signifier. If so, I am guilty…

(A caveat: these sorts of flyover country/big city or red vs. blue state dichotomies are always more complex than they are commonly presented in public discourse. But just because they are broad terms describes tens of millions of people doesn’t mean that there isn’t necessarily some truth to them.)

A shift from the size of the McMansion to the quality of the large house

The Tennessean takes a look at a trend I have been hinting at for a while: people may willingly buy smaller homes but they also want an increase in quality.

After a slowdown caused by the recession, neighborhoods of million-dollar houses are being developed in Davidson County again. But please don’t call them McMansions.

Not long ago, homes in the million-dollar range were easy to spot because of their size, typically 6,000 square feet or more. Today, the average size has shrunk to between 3,500 and 5,000 square feet of space, according to developers.

That’s the size of many less expensive houses, but homes with seven-figure price tags have individual architectural designs and other features that won’t be found in a typical subdivision house, says Alan Looney, president of Castle Homes…

Buyers are interested in quality of construction, not quantity of square feet, says Eric Bentley, construction consultant for home builder Carbine & Associates.

Is this an improvement for those who decry the architecture or design of McMansions or the environmental impact of these larger houses? The improved quality of these large homes may just fit Bourdieu’s ideas that quality and aesthetics are more important to the educated classes rather than the size and functionality that those with money might go after. At the same time, this is taking place during an economic downturn and we don’t know the profiles of these buyers – are these people who had also had plenty of money before the recession and are only now buying houses because they desire quality and not size? Or is the downtown leading a whole bunch of people to reconsider their priorities when money is more scarce?

Tying purchases of larger fast food items to McMansions and status seeking

A forthcoming study from researchers from Paris and Northwestern University shows that powerless people make larger fast food purchases in order to show their status:

Consumers who feel powerless reach for extra-large portions of food in an effort to increase their social standing in the eyes of others, a new study suggests.

“An ongoing trend in food consumption is consumers’ tendency to eat more and more,” the researchers wrote in the study to be published in the April 2012 print edition of the Journal of Consumer Research. “The increase in food consumption is particularly prevalent among vulnerable populations, such as lower socioeconomic status consumers.”…

The study authors noted that cultural norms associate some larger items, such as houses, vehicles or flatscreen TVs, with wealth, success and high social status. If consumers feel unhappy with their status, they may take this belief and apply it to food, the researchers suggested.

These consumers may attempt to compensate for their perceived lower status by showing others that they can afford to buy the larger sizes, but instead of a Mcmansion they buy larger portion sizes, according to the researchers. In one of the experiments, the participants perceived that consumers who bought a large coffee at a cafe had a higher status than those who chose medium or small — even when the price of all sizes was the same.

It seems that the key here is that these are the decisions made by powerless people, people who have limited, more legitimate ways to show off their status. So do the authors suggest that people with more power don’t buy items to simply show status? This is an argument typically made about McMansions and SUVs: certain people with money feel the need to show off their wealth with these more ostentatious, larger purchases. On the other hand, the implication is that people with more education or taste would consume other sorts of items, not seeking status. Really? A designer larger, green home isn’t also somewhat about status? Going smaller is necessarily less about status?

I would love to see results of similar experiments done with different groups regarding some of the other consumer items mentioned in this report. I suspect we might find that status seeking purchases look different across different socioeconomic statuses, echoing Bourdieu’s distinctions between those who little capital (in this fast food study) versus more capital and also between those with more education and more money.