Tag Archives: media

What journalists should know about religion

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In the last week, several journalists have addressed the issue of how journalists should talk with politicians about religion. Ross Douthat followed up on his August 29th column with a blog post providing examples of what he is trying to address. And last Friday, Amy Sullivan provided a number of steps journalists could take in order to write intelligently about the religious beliefs of politicians.

This brings several thoughts to mind:
1. What happened to religion writers among major newspapers or magazines? I think most of them have disappeared, even respected ones like Catherine Falsani who used to write for the Chicago Sun-Times. At a time when religion is alive and influential around the world, media sources don’t have dedicated people who can comment on these particular issues. Asking political writers to write about topics they don’t regularly cover seems like a problem. I know media outlets have had to make major cutbacks in certain areas but there are repercussions for this.
2. The burden seems to be on politicians who have “non-mainstream” religious beliefs to explain how they are not dangers to society. Perhaps this is due to the fact that Americans have more unfavorable feelings toward minority religions like Mormons, Muslims, Buddhists, and atheists/non-religious (not quite a minority “religion”). Of course, much of this debate could really be about whether evangelicals are mainstream or not. Their size would suggest they are mainstream as would their political influence since the late 1970s.

The Guardian starts a series about London riots written by sociologists who have talked with those involved

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Now that some time has passed since the London riots (earlier posts here, here, and here), The Guardian is beginning a series consisting of sociologists talking about what they have learned about the riots from talking with those who were involved. The series starts here:

Many interviewees identified deprivation and inequality as root issues. Some spoke about the lack of work opportunities and access to education, as well as the EMA cuts. Some believed that getting an education was the key to the golden gate, but a year after graduation they were still struggling to find work. For others, also out of work, a university degree had never been on the cards.

But much of the anger was directed at the police. Young people spoke of incessant stop-and-search accompanied by rudeness, arrogance and racism. Some young people talked of Duggan’s death not as a unique injustice, but as yet another example of police murder. Young people spoke of the riots as a means of “sticking two fingers up” at the authorities, and for a couple of nights relishing having the upper-hand…

Finally, many young people talked about the riots as a consequence of the anger and frustration felt at not seeing a future. Unable to see education, jobs and pensions on their horizon, some explained how they sought pleasure in consumerism. But while those they looked up to accessed and displayed these objects freely, for young people they were often out of reach. As consumers first and foremost, the inability to shop made them feel unfulfilled and lacking in self respect. In some places the signs of these divides were part of the architecture around them – the upward mobility of the cityscapes of global capitalism looked increasingly remote.

Some young people hoped the government would hear the riots as a call to close the gap between the haves and the have-nots. But they didn’t think this likely.

I’ll be interested to read the subsequent pieces in this series. While the riots were often narrated by outsiders (particularly here in the United States),

interviews with those involved could reveal the internal motivations that led to actions that outsiders would see as out of line. Such broad and faraway views can be interpreted in different ways as Darnell Hunt illustrated how race influenced how people viewed news coverage of the Los Angeles riots of 1992. I hope we can soon to get to a point where we have some harder data, beyond even the vague statements from interviews offered in this opening piece. While the public may not want to hear the motivations of those who participated (particularly since it may be interpreted as justifying their actions), this is needed information in order to alter structural conditions and help prevent and/or predict future riots.

Indeed, a criminologist also thinks we need more “credible research” regarding the riots. (A side note: I use Newburn’s 2001 piece on evaluation research in my research methods class.)

Why we need “duh science”

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There are a lot of studies that are completed every year. The results of some seem quite obvious than others, what this article calls “duh research.” Here is why experts say these studies are still necessary:

But there’s more to duh research than meets the eye. Experts say they have to prove the obvious — and prove it again and again — to influence perceptions and policy.

“Think about the number of studies that had to be published for people to realize smoking is bad for you,” said Ronald J. Iannotti, a psychologist at the National Institutes of Health. “There are some subjects where it seems you can never publish enough.”…

There’s another reason why studies tend to confirm notions that are already widely held, said Daniele Fanelli, an expert on bias at the University of Edinburgh in Scotland. Instead of trying to find something new, “people want to draw attention to problems,” especially when policy decisions hang in the balance, he said.

Kyle Stanford, a professor of the philosophy of science at UC Irvine, thinks the professionalization of science has led researchers — who must win grants to pay their bills — to ask timid questions. Research that hews to established theories is more likely to be funded, even if it contributes little to knowledge.

Here we get three possible answers as to why “duh research” takes place:

1. It takes time for studies to draw attention and become part of cultural “common sense.” One example cited in this article is cigarette smoking. One study wasn’t enough to show a relationship between smoking and negative health outcomes. Rather, it took a number of studies until there was a critical mass that the public accepted. While the suggestion here is that this is mainly about convincing the public, this also makes me think of the general process of science where numerous studies find the same thing and knowledge becomes accepted.

2. These studies could be about social problems. There are many social ills that could be deserving of attention and funding and one way to get attention is to publish more studies. The findings might already be widely accepted but the studies help keep the issue in the public view.

3. It is about the structure of science/the academy where researchers are rewarded for publications and perhaps not so much for advancing particular fields of study. “Easy” findings help scientists and researchers keep their careers moving forward. These structures could be altered to promote more innovative research.

All three of these explanations make some sense to me. I wonder how much the media plays a role in this; why do media sources cite so much “duh research” where there are other kinds of research going on as well? Could these be “easy” journalistic stories that fit particular established narratives or causes? Do universities/research labs tend to promote these studies more?

Of course, the article also notes that some of these studies can also turn out unexpected results. I would guess that there are quite a few important findings that came out of research that someone at the beginning could have easily predicted a well-established answer.

(It would be interesting to think more about the relationship between sociology and “duh research.” One frequent knock against sociology is that it is all “common sense.” Aren’t we aware of our interactions with others as well as how our culture operates? But we often don’t have time for analysis and understanding in our everyday activities and we often simply go along with prevailing norms and behaviors. It all may seem obvious until we are put in situations that challenge our understandings, like stepping into new situations or different cultures.

Additionally, sociology goes beyond the individual, anecdotal level at which many of us operate. We can often create a whole understanding of the world based on our personal experiences and what we have heard from others. Sociology looks at the structural level and works with data, looking to draw broad conclusions about human interaction.)

Numbers to back claims about “SEAL-mania”?

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I am often on the look-out for news stories that relate to data analysis and interpretation that I can then use in my Statistics and Social Research classes. Here is an example of the AP reporting on “SEAL-mania”:

Stumpf is one of a growing number of Americans putting themselves through grueling fitness programs modeled after Navy SEAL workouts as interest in the elite military unit has soared since one of its teams killed Osama bin Laden. Everyone these days seems to be dreaming of what it’s like to be a SEAL, know a SEAL or at least look like one.

Book publishers say they cannot order the printings of the memoirs of former SEALs fast enough, while people are dialing 1-800-Hooyah! like mad to get their hands on T-shirts emblazoned with the SEAL insignia and sayings like: “When it absolutely, positively must be destroyed overnight! Call in the US Navy SEALs.”

Awe over the covert operation is even putting the city of Fort Pierce, Fla., on the map for vacation destinations. The city’s National Navy UDT-SEAL Museum — the only museum dedicated to the secretive SEALs — has been flooded with calls from people planning to visit.

But nothing short of joining the SEALs offers a more true-to-life taste of their toughness than the workout places run by ex-Navy commandos.

There may actually be an uptick in interest in Navy SEALS (apparently Disney and others are interested) but the story gives us little actual data to support this. We are told about some books, t-shirts, calls to a museum, and an increase in interest in workouts but no hard numbers to go by. In fact, the story seems to revolve around this tentative sentence: “Everyone these days seems to be dreaming of what it’s like to be a SEAL, know a SEAL or at least look like one.” I am skeptical about claims about “everyone.” The story could at least cite Google trend data (a big spike occurs in early May when searching for “SEALs”) or Twitter trend data (another big spike). These may not be ideal data sources but at least they provide some data beyond broad claims. If a media source wants to make a causal claim (Navy SEALs participation in the Bin Laden raid has led to “SEAL-mania” among Americans), then they should provide some better evidence to back up their argument.

(Another odd thing about this story is that the rest of it is about SEALs workouts. It almost seems as if there was some copy about these workouts waiting to be attached to a larger story and this raid presented itself as an opportunity.)

Students suffer withdrawal in a one day media blackout

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Professors and teachers can often provide anecdotal evidence of how students react when told that smartphones (and other devices like laptops) are not to be used in the classroom. A new study suggests that the problem isn’t really the classroom: simply not having these devices at all could the issue.

Researchers found that 79 per cent of students subjected to a complete media blackout for just one day reported adverse reactions ranging from distress to confusion and isolation.

In vivid accounts, they told of overwhelming cravings, with one saying they were ‘itching like a crackhead [crack cocaine addict]’.

The study focused on people aged between 17 and 23 in ten countries, including the UK, where about 150 students at Bournemouth University spent 24 hours banned from using phones, social networking sites, the internet and TV.

They were allowed to use landline phones or read books and were asked to keep a diary.

One in five reported feelings of withdrawal akin to an addiction while 11 per cent said they were confused or felt like a failure.

Nearly one in five (19 per cent) reported feelings of distress and 11 per cent felt isolated. Just 21 per cent said they could feel the benefits of being unplugged.

Some students took their mobile phone with them just to touch them.

While some of these symptoms don’t seem as bad as others, it is interesting that only 21% “could feel the benefits” of being “unplugged.” These devices and SNS tools really have become necessities in a short amount of time.

In reactions to this study, it would be interesting to see whether people advocate a complete move away from such technology because of these possible dangerous side effects or if people suggest more moderate usage. But if usage is really is an addiction, then moderate usage could still be an issue. I would like to see a follow-up to this study that examines a longer-term media blackout – how long does it take for students to readjust to life without all this media and then what would be their thoughts about what they might be missing (or gaining)?

Sociologist suggests Twitter offers more immediacy than broadcast news on war

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A sociologist challenges the idea that Twitter is a space for “slacktivists” by arguing that it offers space for emotions and humanity in a way that traditional broadcast news does not.

Sociologist says Oprah has been in front of media trends

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Oprah has been moving her operations to her own television network, OWN (the Oprah Winfrey Network). A sociologist discusses this move:

I see OWN as a smart move for two reasons. First, Oprah is only one person. She has been working nonstop in front of the camera for nearly 30 years. It may be time to think about how to develop her brand in a way that is not completely dependent on her as a frontwoman. Second, the move to cable may be a good choice in a media context where the center of gravity is shifting away from network television premised on the existence of large mass audiences.

In further comments, it is suggested that Oprah’s popularity is partly due to her positioning within the media landscape:

Oprah is an icon for many reasons, but surely one is that her career trajectory has closely mapped changes in the larger media landscape. Beginning in the daytime television talk show format, pioneered by Phil Donahue, Oprah fully realized the potential of the genre as she leveraged her fame on multiple media platforms including, radio, television, film, Broadway, books, magazines, and the Internet. In addition to her work in daytime talk, some of her most recognizable products are her highly successful lifestyle magazine O, her roles in high-end dramatic works for film and stage, like The Color Purple and Beloved, and her ill-conceived philanthropic project for girls in South Africa (also a documentary). Although these projects did not all succeed equally well, they have cemented Oprah’s cultural prominence and sheer ubiquity. They also demonstrate Oprah’s ability to take risks.

I would also note that Oprah is a global media phenomenon. Unlike other big celebrities in the United States, Oprah has taken advantage of the increasingly expansive syndication of the digital era to build a mass international audience.

This sort of perspective is a broader one, moving beyond Oprah’s personality or the atmosphere of her show and emphasizing how Winfrey has been very effective at working at the forefront of the changing media. Particularly in expanding to newer platforms, Winfrey has built her brand beyond just a talk-show.

I wonder how much of this is post-hoc analysis. When Oprah was building her show and audience, just how risky was she? Looking back, we can see that she has been successful. But there must have been other personalities and celebrities that attempted to follow similar paths. How exactly did Oprah get ahead or leverage these particular technologies? How risky were her decisions compared to others? Was she a first-adopter or just in the opening waves of certain changes?

New ABC pilot: Suburgatory

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Here is a short description of Suburgatory, a new comedy pilot for ABC:

Suburgatory has been dubbed a satirical look at life in the suburbs that centers on a New York City woman who moves to a cookie-cutter community only to realize that life there is much more frightening.

Hasn’t this “satirical look at life in the suburbs” been done a number of times before? From The Stepford Wives (review of the original and the remake) to Desperate Housewives, this seems like well-traveled territory. What will set this show apart and how frightening can the suburbs get? This could be just another piece in the suburban genre.

The premise of the show seems to go against what most Americans have sought in suburbia. For many, the city is the frightening place and the suburbs represent safety, good schools, and more space. This is not to say that the suburbs don’t have their problems; they certainly do. But to go so far as to say that life is “more frightening” in the suburbs seems strange.

And if the suburbs are a place like purgatory, where exactly would a show like this (and other stories like it) say heaven and hell are located?

Australian commentator: movies don’t depict the suburbs

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A writer in The Daily Telegraph suggests that Australian films have not told the stories of typical, suburban life:

Yet it’s not the working class who are neglected.

In fact, according to our films, these are the only people who inhabit Australia.

For all the frustration that exists among moviegoers as to an over-representation of bleak morality tales, it’s this unspoken class warfare that goes unchecked.

From salt-of-the-earth drovers to down-on-their-luck-gangsters, we’re traditionally very fond of our battlers. It’s the prospect of venturing near a McMansion, 4WD or flat-screen TV that seems to paralyse our finest scriptwriters.

The aspirations of families in tree-lined suburbia all too rarely catch the eye of local filmmakers. Perhaps it’s all a bit common.

We pride ourselves on telling real tales, but we don’t want to get too real…

We have been too busy wallowing in the down-and-out to delve into where and how most of us actually live.

An interesting take. I have had the impression that Australia is more suburban than other industrialized nations but it is difficult to find data to back this up. (I spent about 25 minutes searching the Australian Bureau of Statistics website and it appears that at least part of the issue is how the Bureau defines suburbs. While the American Census Bureau essentially says suburbs are the spaces between central cities and rural areas, it appears that Australia tends not to make these clear distinctions. There may be Inner Sydney and North Sydney and Outer South Western Sydney but they are all part of Sydney.) We do know that in late 2009, the average new Australian home was bigger than the average new American home.

More broadly, this doesn’t seem to have been a problem in American media and entertainment. Whether we look at novels or TV shows or movies, the suburbs are a common setting. We could argue about whether these depictions of suburban life are accurate. There is a long history of suburban stories serving as suburban critique: the characters are often portrayed as being unfulfilled, shallow, and unsophisticated. Additionally,  the “typical” TV sitcom or movie family tends not to be that typical: their homes are fairly large, money or subsistence issues rarely come up, and the family always end up in wacky situations.

Licensing theater

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Stanford’s Center for Internet and Society pointed me to a comprehensive study by the Social Science Research Council (SSRC) (Wikipedia backgrounder) on the effects of media piracy in emerging markets:

Based on three years of work by some thirty-five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.

“The choice,” said Joe Karaganis, director of the project, “isn’t between high piracy and low piracy in most media markets. The choice, rather, is between high-piracy, high-price markets and high-piracy, low price markets. Our work shows that media businesses can survive in both environments, and that developing countries have a strong interest in promoting the latter. This problem has little to do with enforcement and a lot to do with fostering competition.”

I’m looking forward to perusing the report, but there’s a threshold issue that I want to address:  SSRC has released the report itself subject to a “Consumer’s Dilemma” license:

[T]he CD license creates different paths to acquiring the report: first, we have an IP address geolocator that sends visitors from high income countries toward an $8 paywall when they download the report;  all other resolvable IP addresses get free access.  Second, and separately available, a ‘commercial reader’ license that costs $2000.

Why did SSRC set things up this way?  Licensing theater:

Maybe some clarification is in order here. If you are residing in one of the listed high-income countries, want to read the report, but think that $8 is an unreasonable price, you can acquire it for free through other means.  In fact, we have made it exceedingly easy to do so. If you fall under the terms of the commercial reader license but think that $2000 is unreasonable, you have the same options (plus the $8 option).  In both cases, the reader is faced with a dilemma: pay the legal price (roughly mapping ability to pay to a determination about whether the price is fair), acquire it through pirate channels, or don’t bother with it.  In most of the countries we’ve studied in this report, the results of this calculation with respect to DVDs, music, and software are strikingly consistent.  Media goods are highly desired, exorbitantly priced with respect to local incomes, and freely available through pirate channels.   High rates of piracy and tiny legal markets are the result. We’ve written 400+ pages about this dysfunctional form of globalization and its causes.

The resulting consumer dilemma is a ubiquitous experience in medium and low-income countries but one that confronts the American or European reader (or the media company employee conjured up by the commercial reader license) much less frequently and with much less intensity.  The global market is made for those consumers.  It is priced and distributed for them.  They are rarely faced with what they experience as ridiculous pricing for a DVD or book–or seriously disadvantaged by differential pricing.  The Consumer’s Dilemma license is a way of reversing that equation and, in the most minor ways,  requiring an explicit engagement with it.  Among the surreal aspects, that simple choice can subject you to crushing civil and criminal penalties, but you can rest easy knowing that only very rare, arbitrary examples will be made (and none in our case).  Now that’s theater.  Our license has a theatrical side, to be sure, but it also stays true to the experiences  documented in the report.

Well done, SSRC.  Now I’m really curious to read the report…

Update: TechDirt has posted an initial analysis of the report here.