Tag Archives: media

New ABC pilot: Suburgatory

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Here is a short description of Suburgatory, a new comedy pilot for ABC:

Suburgatory has been dubbed a satirical look at life in the suburbs that centers on a New York City woman who moves to a cookie-cutter community only to realize that life there is much more frightening.

Hasn’t this “satirical look at life in the suburbs” been done a number of times before? From The Stepford Wives (review of the original and the remake) to Desperate Housewives, this seems like well-traveled territory. What will set this show apart and how frightening can the suburbs get? This could be just another piece in the suburban genre.

The premise of the show seems to go against what most Americans have sought in suburbia. For many, the city is the frightening place and the suburbs represent safety, good schools, and more space. This is not to say that the suburbs don’t have their problems; they certainly do. But to go so far as to say that life is “more frightening” in the suburbs seems strange.

And if the suburbs are a place like purgatory, where exactly would a show like this (and other stories like it) say heaven and hell are located?

Australian commentator: movies don’t depict the suburbs

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A writer in The Daily Telegraph suggests that Australian films have not told the stories of typical, suburban life:

Yet it’s not the working class who are neglected.

In fact, according to our films, these are the only people who inhabit Australia.

For all the frustration that exists among moviegoers as to an over-representation of bleak morality tales, it’s this unspoken class warfare that goes unchecked.

From salt-of-the-earth drovers to down-on-their-luck-gangsters, we’re traditionally very fond of our battlers. It’s the prospect of venturing near a McMansion, 4WD or flat-screen TV that seems to paralyse our finest scriptwriters.

The aspirations of families in tree-lined suburbia all too rarely catch the eye of local filmmakers. Perhaps it’s all a bit common.

We pride ourselves on telling real tales, but we don’t want to get too real…

We have been too busy wallowing in the down-and-out to delve into where and how most of us actually live.

An interesting take. I have had the impression that Australia is more suburban than other industrialized nations but it is difficult to find data to back this up. (I spent about 25 minutes searching the Australian Bureau of Statistics website and it appears that at least part of the issue is how the Bureau defines suburbs. While the American Census Bureau essentially says suburbs are the spaces between central cities and rural areas, it appears that Australia tends not to make these clear distinctions. There may be Inner Sydney and North Sydney and Outer South Western Sydney but they are all part of Sydney.) We do know that in late 2009, the average new Australian home was bigger than the average new American home.

More broadly, this doesn’t seem to have been a problem in American media and entertainment. Whether we look at novels or TV shows or movies, the suburbs are a common setting. We could argue about whether these depictions of suburban life are accurate. There is a long history of suburban stories serving as suburban critique: the characters are often portrayed as being unfulfilled, shallow, and unsophisticated. Additionally,  the “typical” TV sitcom or movie family tends not to be that typical: their homes are fairly large, money or subsistence issues rarely come up, and the family always end up in wacky situations.

Licensing theater

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Stanford’s Center for Internet and Society pointed me to a comprehensive study by the Social Science Research Council (SSRC) (Wikipedia backgrounder) on the effects of media piracy in emerging markets:

Based on three years of work by some thirty-five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.

“The choice,” said Joe Karaganis, director of the project, “isn’t between high piracy and low piracy in most media markets. The choice, rather, is between high-piracy, high-price markets and high-piracy, low price markets. Our work shows that media businesses can survive in both environments, and that developing countries have a strong interest in promoting the latter. This problem has little to do with enforcement and a lot to do with fostering competition.”

I’m looking forward to perusing the report, but there’s a threshold issue that I want to address:  SSRC has released the report itself subject to a “Consumer’s Dilemma” license:

[T]he CD license creates different paths to acquiring the report: first, we have an IP address geolocator that sends visitors from high income countries toward an $8 paywall when they download the report;  all other resolvable IP addresses get free access.  Second, and separately available, a ‘commercial reader’ license that costs $2000.

Why did SSRC set things up this way?  Licensing theater:

Maybe some clarification is in order here. If you are residing in one of the listed high-income countries, want to read the report, but think that $8 is an unreasonable price, you can acquire it for free through other means.  In fact, we have made it exceedingly easy to do so. If you fall under the terms of the commercial reader license but think that $2000 is unreasonable, you have the same options (plus the $8 option).  In both cases, the reader is faced with a dilemma: pay the legal price (roughly mapping ability to pay to a determination about whether the price is fair), acquire it through pirate channels, or don’t bother with it.  In most of the countries we’ve studied in this report, the results of this calculation with respect to DVDs, music, and software are strikingly consistent.  Media goods are highly desired, exorbitantly priced with respect to local incomes, and freely available through pirate channels.   High rates of piracy and tiny legal markets are the result. We’ve written 400+ pages about this dysfunctional form of globalization and its causes.

The resulting consumer dilemma is a ubiquitous experience in medium and low-income countries but one that confronts the American or European reader (or the media company employee conjured up by the commercial reader license) much less frequently and with much less intensity.  The global market is made for those consumers.  It is priced and distributed for them.  They are rarely faced with what they experience as ridiculous pricing for a DVD or book–or seriously disadvantaged by differential pricing.  The Consumer’s Dilemma license is a way of reversing that equation and, in the most minor ways,  requiring an explicit engagement with it.  Among the surreal aspects, that simple choice can subject you to crushing civil and criminal penalties, but you can rest easy knowing that only very rare, arbitrary examples will be made (and none in our case).  Now that’s theater.  Our license has a theatrical side, to be sure, but it also stays true to the experiences  documented in the report.

Well done, SSRC.  Now I’m really curious to read the report…

Update: TechDirt has posted an initial analysis of the report here.

From PhD doctor to “love doctor”

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Earning a PhD gives one the title of “Doctor.” When using this title, one occasionally has to differentiate between academic doctor and medical doctor. But one sociologist is both an academic doctor and a “love doctor”:

Terri Orbuch, a University of Michigan research scientist, studies romance, marriage, divorce and relationship patterns. She gets her “doctor” title because of her sociology Ph.D. and her work at U of M’s Institute for Social Research and Oakland University.

Which title would an academic prefer more: doctor or “love doctor”? It looks like the “love doctor” title doesn’t hurt as Orbuch was quoted in a New York Times story about love a few days before Valentine’s Day.

Digging a little further into this nickname, one can find that Orbuch maintains a blog for Psychology Today. According to the brief profile at the top of the blog, “Dr. Orbuch also is known as “The Love Doctor®” on radio, TV and in magazines/newspapers across the country.” And a profile from her own website says, “One of Michigan’s most trusted relationship experts, Dr. Terri Orbuch has published over 40 articles; been quoted in such national publications as USA Today, The New York Times, The Boston Globe, Reader’s Digest; and authored five books.” I would be curious to know how one goes from studying relationships for years to hosting a local show in Detroit and advising people about relationships.

Are there other areas where someone can become a “doctor”? How about those Dr. Pepper commercials where all sorts of celebrities claim to be doctors? I also vaguely remember Frasier Crane claiming to a be a love doctor…

Trying to count the people on the streets in Cairo

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This is a problem that occasionally pops up in American marches or rallies: how exactly should one estimate the number of people in the crowd? This has actually been quite controversial at points as certain organizers of rallies have produced larger figures than official government or media estimates. And with the ongoing protests taking place in Cairo, the same question has arisen: just how many Egyptians have taken to the streets in Cairo? There is a more scientific process to this beyond a journalist simply making a guess:

To fact-check varying claims of Cairo crowd sizes, Clark McPhail, a sociologist at the University of Illinois and a veteran crowd counter, started by figuring out the area of Tahrir Square. McPhail used Google Earth’s satellite imagery, taken before the protest, and came up with a maximum area of 380,000 square feet that could hold protesters. He used a technique of area and density pioneered in the 1960s by Herbert A. Jacobs, a former newspaper reporter who later in his career lectured at the University of California, Berkeley, as chronicled in a Time Magazine article noting that “If the crowd is largely coeducational, he adds, it is conceivable that people might press closer together just for the fun of it.”

Such calculations of capacity say more about the size of potential gathering places than they do about the intensity of the political movements giving rise to the rallies. A government that wants to limit reported crowd sizes could cut off access to its cities’ biggest open areas.

From what I have read in the past on this topic, this is the common approach: calculate how much space is available to protesters or marchers, calculate how much space an individual needs, and then look at photos to see how much of that total space is used. The estimates can then vary quite a bit depending on how much space it is estimated each person wants or needs. These days, the quest to count is aided by better photographs and satellite images:

That is because to ensure an accurate count, some computerized systems require multiple cameras, to get high-resolution images of many parts of the crowd, in case density varies. “I don’t know of real technological solutions for this problem,” said Nuno Vasconcelos, associate professor of electrical and computer engineering at the University of California, San Diego. “You will have to go with the ‘photograph and ruler’ gurus right now. Interestingly, this stuff seems to be mostly of interest to journalists. The funding agencies for example, don’t seem to think that this problem is very important. For example, our project is more or less on stand-by right now, for lack of funding.”

Without any such camera setup, many have turned to some of the companies that collect terrestrial images using satellites, but these companies have collected images mostly before and after the peak of protests this week. “GeoEye and its regional affiliate e-GEOS tasked its GeoEye-1 satellite on Jan. 29, 2011 to collect half-meter resolution imagery showing central Cairo, Egypt,” GeoEye’s senior vice president of marketing, Tony Frazier, said in a written statement. “We provided the imagery to several customers, including Google Earth. GeoEye normally relies on our partners to provide their expert analysis of our imagery, such as counting the number of people in these protests.” This image was taken before the big midweek protests. DigitalGlobe, another satellite-imagery company, also didn’t capture images of the protests, according to a spokeswoman, but did take images later in the week.

Because these images are difficult to come by in Egypt, it is then difficult to make an estimate. As the article notes, this is why you will get vague estimates for crowd sizes in news stories like “thousands” or “tens of thousands.”

Since this is a problem that does come up now and then, can’t someone put together a better method for making crowd estimates? If certain kinds of images could be obtained, it seems like an algorithm could be developed that would scan the image and somehow differentiate between people.

“The Wire” creator defends depiction of Baltimore

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In response to comments from the Baltimore Police Commissioner that the television show The Wire is going to harm  the city, creator David Simon defended the show:

Others might reasonably argue, however that it is not sixty hours of The Wire that will require decades for our city to overcome, as the commissioner claims. A more lingering problem might be two decades of bad performance by a police agency more obsessed with statistics than substance, with appeasing political leadership rather than seriously addressing the roots of city violence, with shifting blame rather than taking responsibility.  That is the police department we depicted in The Wire, give or take our depiction of some conscientious officers and supervisors. And that is an accurate depiction of the Baltimore department for much of the last twenty years, from the late 1980s, when cocaine hit and the drug corners blossomed, until recently, when Mr. O’Malley became governor and the pressure to clear those corners without regard to legality and to make crime disappear on paper finally gave way to some normalcy and, perhaps, some police work.  Commissioner Bealefeld, who was present for much of that history, knows it as well as anyone associated with The Wire.
We made things up, true.  We have never claimed otherwise.  But respectfully, with regard to our critique, we have slandered no one.  And to the extent you can stand behind a fictional tale, we stand by ours – and more importantly, our purpose in telling that tale.

It would be interesting to consider whether television shows and movies and other fictional works can have a significant impact on what people think about locations (and even further, whether it influences people’s decisions to move to certain places). The Wire was a critically acclaimed show but one with relatively low rating and even with more widespread DVD availability, it is still not a mainstream show.

There certainly is some link. Depictions of the inner city have impacted decades of suburban residents. I’m reminded of the Japanese businessmen who my father worked with when I was younger who knew two things about Chicago: it was the home of Michael Jordan and it was home to gangsters immortalized in film.

Now whether these depictions should reflect reality or some idealized or stereotyped view is another question. Simon defends The Wire on the grounds that the show was intended to showcase a different set of priorities:

But publicly, let me state that The Wire owes no apologies — at least not for its depiction of those portions of Baltimore where we set our story, for its address of economic and political priorities and urban poverty, for its discussion of the drug war and the damage done from that misguided prohibition, or for its attention to the cover-your-ass institutional dynamic that leads, say, big-city police commissioners to perceive a fictional narrative, rather than actual, complex urban problems as a cause for righteous concern. As citizens using a fictional narrative as a means of arguing different priorities or policies, those who created and worked on The Wire have dissented.

And this is a perspective or story that is rarely discussed in much depth.

I would be curious to hear how Simon would want people to view Baltimore after watching the show. Should they identify with the residents? Should they dislike the institutions? And ultimately, what should or could the viewers do to help change the situation?

A sociologist offers a short history of dieting

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If you partake of any advertisements in any media form, you will inevitably hear pitches for different kinds of diets. Eat less carbs! Count your points! Take this pill! Get this exercise machine! These sorts of diet pitches are not just a recent phenomenon; a sociologist suggests our ideas about dieting stretch back several hundred years.

Thin has been in much longer than most of us realize, says Ellen Granberg, an assistant professor of sociology at Clemson who studies the history of weight loss…

Moderating the experts will be David Kirchhoff, president and CEO of Weight Watchers International. His organization is just about 50 years old, but Granberg says the very first documented “weight watcher” was an Italian guy in the early 17th century who took notes about his caloric intake and weighed himself daily on a crude scale.

Diet and exercise really took off in the mid-19th century in Europe and migrated over to the U.S. by the 1890s. Why then? Granberg suspects it has to do with the introduction of commercially developed food. And early health gurus, including Sylvester Graham (of eponymous cracker fame), were worried from the get-go about adulterated products.

What Granberg finds most surprising is that modern diets look a lot like the first ones. People were eating low-carb in the 19th century, way before Atkins came along. Sweets were shunned. Just about the only slimming method you won’t hear about today is the suggestion that you smoke cigarettes.

To Granberg, this history proves weight loss has never been easy — and it may never be. “The idea that there is a single, perfect plan is a very old idea. People were thinking about this in the 1600s,” she says. “But it’s always difficult and frustrating. It’s not the fault of the individuals struggling.”

It is interesting to note that the rise of diets in the 1800s seems linked to particular products, such as Graham crackers or corn flakes, that their makers deemed healthy. I wonder if this sociologist could comment on  how much ideas about dieting are tied to capitalism and making money.

And for those who dieted in past histories, which segments of the population were interested in this? Was it a widespread movement or did this come later with the rise of mass media?

Study from sociologist helps prompt creation of espnW

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ESPN’s coverage of sports is dominated by male sports. But a study released this summer, co-authored by a sociologist at USC, has prompted ESPN to start moving toward a new sports channel devoted to women’s sports:

In June, Messner co-authored a study for the Center for Feminist Research at USC that revealed how media giants, especially ESPN, were starving women’s sports coverage. As a result, ESPN is launching a brand-new channel, called espnW, that is marketed specifically toward women. The channel will launch online this fall, with the possibility of becoming a television channel in the spring.

Messner’s study found that ESPN’s flagship program SportsCenter devoted only 1.4 percent of its coverage to women’s sports last year, as opposed to 2.1 percent in 2004. It also found 96.3 percent of the lead stories on SportsCenter and on KNBC’s, KCBS’ and KABC’s sports news segments came from men’s sports.

Messner is not necessarily thrilled with this outcome as she thinks that it might mean that ESPN will never cover women’s sports on its main networks.

What kind of ratings would a channel like this receive? Even though women make a good percentage of fans for the major sports (“44 perfect for the NFL fans, 36 percent for the NBA and 45 percent for the MLB”), women’s sports have had difficulty drawing substantial television ratings. The article suggests the channel is intended to cultivate a broader female sports audience for the future.

The miners are rescued – now the true stories can come out

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It appears the Chilean miners agreed to a pact that they would not tell the worst things that happened between them while trapped underground. But a few members of the group have suggested that they may break the pact in order to cash in.

Much of the media coverage up to this point has been positive: this is a remarkable story of how these men were able to stay alive, stay sane, and wait to be rescued. And yet, it couldn’t have been easy and there must have been some difficult moments. Which narrative will win out in the end: the composed miners who maintained a sense of civility and dignity while trapped in a terrible situation or the miners who barely were able to keep it together as they lost hope? Apparently there is a lot of money to be had if some of the miners tell of the darker side of their ordeal. How long until we get the first TV movie on the subject?

Overall, we should expect that there are both good and bad sides to this story. We are not served well by an overall story that only focuses on the heroic. This is human nature: being cooped up with anyone for that long, let alone at the bottom of a mine shaft, is bound to lead to some antagonism and strife. What might make the story even more remarkable is knowing that they were able to overcome difficulties and issues and still be rescued. How exactly did they band together? What kept their hope alive?

(This reminds me of Lost and the agreement made by the Oceanic Six to tell a certain story after they had been rescued. Who will be the first to crack and provide the “true” story?)

Comparing greatness of players past and present an enjoyable part of sports fandom

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As the NBA season approaches, discussion this week has centered on the relative status of several players: Kobe Bryant, Kevin Durant, LeBron James, and Michael Jordan. While the first three players in this list were involved in a question about who is the best current player and potential MVP, Jordan also has been inserted in the discussion due to his starring role in NBA2K11 and comments he made about the number of points he could score if he played today when more fouls are called.

Several quick thoughts come to mind:

1. The new era of statistics in sports offers more opportunities to make comparisons of players across different eras, particularly if you can control for certain features of the game at each time period (like the average pace in basketball).

2. I wonder how much current players think about issues like these. Fans seems to like these discussions. It allows the average guy sitting on the couch to say, “my guy, whoever that may be, can match up or beat your guy.”

3. Jordan, like some other old players, still likes to be part of these discussions.

4. All of these discussions are magnified by the non-stop media attention for sports these days. I can hear it on local sports talk radio which all sound like the CNN of the radio airwaves; stories are repeated all day long with slightly different interpretations.