More discussion about teaching “The Wire” at Harvard

The class revolving around the television show The Wire in the Harvard Sociology Department continues to draw attention. Here is a quick summary of the some of the public discussion:

In a Boston Globe editorial, Eugene and Jacqueline Rivers, co-founder of the Boston Ten-Point Coalition and Harvard University doctoral student, respectively, wrote in support of the class:

One of the most difficult challenges confronting intellectuals is how to discuss the relationship between race and poverty in Obama’s “post-racial” America…”The Wire” can usefully serve as a non-partisan political resource for engaging the issues of race and poverty.’

The two add that the show is smart and creative, and that it can lead to discussion about programmatic responses to systematic inequality in the inner city.

On the opposite end of the spectrum stands Ishmael Reed, a professor at University of California-Berkeley who also contributed an op-ed on the subject to the Globe.

Reed believes that professors like Wilson are more concerned with using “hot courses built around sensational popular culture like hip-hop and crime shows as a way of filling seats in their classroom,” than with seriously examining race and class relations. Reed contends that the show is riddled with stereotypes, and should not be utilized in a university setting.

I would be curious to hear about the outcomes of the course, both for students and faculty.

What these comments about this particular class are hinting at is that there is disagreement about how to best teach courses about race, poverty, and social class. There are numerous resources professors can draw upon, including a wealth of ethnographic work from the last twenty years.

Job outlook: either high-paying or low-paying, few in between

Perhaps adding to the bleak economic outlook, some economists are suggesting that future jobs will fall into two categories: high-paying or low-paying with few jobs in the middle.

This would have implications for the size of different classes within the United States. To have a high-paying job, employees will generally need higher-education or specialized degrees. Having a service job means struggling to make ends meet. In this scenario, what kinds of industries or sectors might provide more middle-class jobs?

Conspicuous consumption during a recession

Trying to make sense of how recent events like the lavish wedding of Chelsea Clinton, the furor over Michelle Obama’s trip to Spain, and other similar events, can take place during this recession, Bella English of the Boston Globe turns to the concept of conspicuous consumption.

Sociologist Juliet Schor comments:

“It’s adding insult to injury at a time like this when so many Americans are suffering such extreme economic pain,’’ says Juliet Schor, a sociology professor at Boston College and author of “Plenitude: The New Economics of True Wealth.’’ “Those kinds of conspicuous displays of wealth undermine everyone else. They make us feel poorer and less satisfied with what we have.’’

Thorstein Veblen coined the term conspicuous consumption. According to Veblen, consumption is not just about buying necessities; it is about projecting an image and establishing status. The wealthy intentionally are wasteful in their consumption in order to show that they can afford to be wasteful.

Schor is expressing what the people toward the bottom of the economic ladder feel when the rich show off their riches. Should the rich cut down on their spending in times like these? Or perhaps they could draw less attention to themselves? My guess is that if one has the money, one is going to spend it whether it is a boom time or a down time. The only barrier to this may be a popular backlash – if the consumption actually leads to decreased status (rather than increased status), it may not be worth it.

Deciding who is really rich

As the American government considers changes to the tax brackets, James Surowiecki of the New Yorker says this involves an important question: how much money does one have to make to be rich?

While the administration has suggested being rich starts at $200,000 income per year, Surowiecki describes why it is not so simple:

Judging from surveys of how Americans describe themselves, most of the privileged don’t feel all that privileged. Why is that? One reason is the American mythology of middle-classness. Another is geography: in a place like Manhattan, where the average apartment sells for nine hundred thousand dollars, your money doesn’t go as far. And then there’s a larger truth about how wealth is getting concentrated in this country. As the economists Thomas Piketty and Emmanuel Saez have documented, people who earn a few hundred thousand dollars a year have done much worse than people at the very top of the ladder.

Indeed, wealth and income is often relative: if you made $150,000 a year but lived in a neighborhood and mainly associated with people who made around $1,000,000 a year, you might feel poor. The same concept is used to describe various levels of poverty: the relative poverty of the United States versus the absolute poverty experienced in Third World nations. Americans are notorious for feeling like they are middle-class, even if they clearly are not.

At the same time, I find it slightly difficult to believe that $200,000 doesn’t make one rich. Of course, one has choices about how to spend that money. Making $200,000 in Manhattan is not the same as the making that money in Nebraska. However, it should cover all of one’s expenses. Those making over $200,000 are still part of a small and elite group: according to the Census Bureau, in 2006 3.5% of American households made over $200,000 a year.

Surowiecki suggests the solution is to create separate tax brackets for the rich and “super-rich.” If the tax rates are changed, this seems reasonable to me – though it complicates the tax code.

Page: Policies based on social class, not just race

Columnist Clarence Page writes today on comments made last week by Virginia Democratic Senator James Webb. While writing in the Wall Street Journal, Webb “called for an end to government diversity programs.” Page’s conclusion on Webb’s (in Page’s opinion: sometimes muddled) thoughts: “Our colleges and workplaces could benefit from diversity by social and economic class, too, and not just by race.”

This reminds me of William Julius Wilson’s suggestion that Americans don’t like social policies that benefit one group over others. Instead, Wilson suggested we need programs that benefit people from many or all groups in order for such programs to draw widespread support. Webb’s and Page’s suggestions about providing help by social class across races would seem to fit this idea.

Show about upper income workers draws upper income watchers

Season Four of Mad Men kicked off this past weekend. Ratings were good (2.92 million viewers) and the show attracted a large proportion of wealthy viewers. Mediaweek reports:

If Mad Men’s numbers can’t compete with high performing cable fare like TNT’s The Closer and Rizzoli & Isles––both of which are averaging around 7.4 million viewers through two episodes each––or USA’s Burn Notice (5.67 million) and Royal Pains (5.46 million), the show does attract a disproportionate spread of high-income supporters. Per Nielsen, approximately 48 percent of Mad Men’s audience is comprised of people who boast annual household income of $100,000 or more.

While it’s not a perfect comparison, USA’s entire suite of original series draws nearly a third (32 percent) of its deliveries from viewers in the 18-49 demo with annual incomes of $100,000 and up.

After seeing this report, I would be curious to see the income figures for other popular television shows. Compared to many television dramas and comedies which seem to aim for a broader audience and so often include more average families and workplaces, Mad Men presents a more upper-class setting. I would assume there are splits between social classes in regards to what television shows are popular.

Even if Mad Men does present compelling and worthy story lines examining the complicated world of the 1960s (and critics do seem to like it), is it just making a presentation for mainly upper class viewers? At the same time, the show also presents an image of “the good life” (and the downsides of it) which could appeal to many.

I’m guessing these income figures appeal to advertisers.

(Full disclosure: I have only seen a few minutes of the show though I have read several appraisals by critics.)