Tight American rental market

Even though the housing market may be showing some good signs, the rental market is still tight:

Reis’ fourth-quarter data showed that apartment vacancies around the country continue to tighten. They’re at 4.1 percent. For renters, it’s only getting tougher and tougher…

New Haven, Conn., moved into the No. 1 spot with the lowest vacancy rate, 2.2 percent. It was followed by San Diego, San Jose, New York City and Buffalo, all of which had vacancy rates of 2.7 percent or tighter.

Elsewhere around the country, the middle of the pack still had tight markets: Chicago (ranked 30th) and Baltimore (33rd) were among those that had 3.7 percent vacancies; Los Angeles (18th) had 3.1 percent; Dallas and Orlando (58th and 60th, respectively) had 4.9 percent vacancies.

Shouldn’t this lead to the construction of more units?

Though we’re at a 4 percent vacancy rate — incredibly low, by historical standards — construction is just at its historical average.

But we’re just now seeing an increasing ramp-up of construction activity. In the third quarter, we saw about 42,000 units completed, the most that we’ve seen on a quarterly basis since 2003.

Rental demand may be high – and some are predicting long terms upticks in renting due to this economic crisis which will scare people away from owning – but it sounds like the economy is still not strong enough to support a lot of new construction. What will it take to start providing significantly more rental units?

In the movie Her, futuristic Los Angeles looks like Shanghai

In recently watching the movie Her, I was intrigued to see the futuristic Los Angeles. What exactly does it look like? Shanghai, as the film was filmed in LA and there. Here is what I noticed in the film:

1. There are a number of portrayals of Los Angeles. For example, the Walt Disney Concert Hall is featured in several scenes. One time the main character walks past the Hall and another scene takes places on an outside terrace with a lotus flower fountain on an upper level of the hall. Here is what the fountain looks like:

WaltDisneyConcertHallFountain

See an exterior shot of the building in an earlier post. This building fits well with a futuristic image with its metal panel exterior and unusual lines.

2. There are a number of shots of a city skyline, particularly from the main character’s apartment. However, this view usually has a lot more tall buildings than Los Angeles actually has. While Los Angeles has a downtown as well as an outcropping of taller buildings by Beverly Hills, there were clearly too many to be LA. At the same time, there were also shots featuring the One Wilshire building. So the film plays loose with the skyline shots but they are often Shanghai.

3. There are a number of scenes in public spaces, particularly nice plazas and walkways that connect large buildings. I haven’t explored all of LA but I know these are limited in the downtown so there seemed to be too many.

4. There is a scene early in the movie featuring a subway/train map in the background and while the base map is of Los Angeles, it clearly has too many mass transit routes to match today’s LA.

5. Others images of mass transit don’t look like LA including a bullet train and elevated mass transit lines.

6. Some of the shots from apartments or the tops of buildings show more boulevards than streets or highways.

7. Some of the outdoor scenes have street signs that look more Asian in design as well as more Asian pedestrians (though LA has a large Asian population).

Los Angeles was once viewed as the future of American cities: sprawling, encompassing a broad range of terrains from beaches to hills, and glamorous locations. However, American filmmakers may now be looking to rapidly growing Chinese cities for what the future holds.

Good question: “What Will Happen to Public Transit in a World Full of Autonomous Cars?”

The fate of mass transit is unclear in a world of all autonomous cars:

The question of what they’ll mean for transit was actually on the program this year at the Transportation Research Board annual meeting in Washington, where several thousand transportation officials and researchers met to talk about state-of-the-art asphalts, biker behavior, and the infrastructure of the future. In one packed session, I heard Jerome Lutin, a retired longtime New Jersey Transit planner, say something that sounded almost like blasphemy.

“We’re just wringing our hands, and we’re going to object to this,” he warned the room. “But the transit industry needs to promote shared-use autonomous cars as a replacement for transit on many bus routes and for service to persons with disabilities.”…

The implication in this raises (at least) two more questions: Exactly where (and when) will it make sense for people to use buses or rail instead of autonomous cars? And if autonomous cars come to supplement these services, should transit agencies get into the business of operating them? In my initial daydream – where shared self-driving cars are whisking us all about – it’s unclear exactly who owns and manages them.

Lutin sounds skeptical that transit agencies will be able to move into this space. “They don’t adapt well to change,” he says. They’re also governed by rigid mandates that limit what they can do. A mass transit agency can’t overnight start operating something that looks like a taxi service. Public agencies also must contend with labor unions, and labor unions likely won’t like the idea of replacing bus routes with autonomous cars.

This does seem to trade a public good – mass transit paid for by taxpayers and users – for private goods, autonomous cars owned by individual users. While we haven’t seen prices for driverless cars yet, I can’t imagine they are going to be too cheap at the beginning. Even a less appointed driverless car, say a Chevrolet Aveo, is going to need more complicated gadgetry to be autonomy. But, as this planner notes, Americans do tend to like more private transit options if they can afford it.

Questioning the open kitchen

Lots of newer homes have kitchens open to great rooms or other gathering spaces. However, there are a few people questioning the trend:

J. Bryan Lowder, an assistant editor at Slate, recently slammed the open concept in a widely read article called “Close Your Open-Concept Kitchen.” He called the trend a “baneful scourge” that has spread through American homes like “black mold through a flooded basement.”

Lowder’s point, and one echoed through the anti-open-kitchen movement, is that we have walls and doors for a reason. While open-kitchen lovers champion the ease of multitasking cooking and entertainment and appreciate how the cook can keep an eye on the kids (or an eye on a favorite TV show), the haters reply that open kitchens do neither effectively. Instead, the detractors say, open kitchens leave guests with an eyeful of kitchen mess, distract cooks, and leave Mom and Dad with no place to hide from their noisy brood.

And apparently defenders of the open kitchen are quite vocal:

Roxanne, who blogs at Just Me With … under her first name only (and chose not to reveal her last name in this article for fear of backlash from open-kitchen devotees), ranted against the concept on her blog. For Roxanne, the open kitchen destroys coveted privacy.

Who knew this topic was so controversial. And how did we move from older homes with kitchens at the back of the house to the open kitchen of today?

Design psychologist Toby Israel, author of “Some Place Like Home: Using Design Psychology to Create Ideal Places,” said open kitchens have gained such momentum because the kitchen is often the heart of family existence and a central gathering point.

All interesting. But, another issue with this article: the headline suggests there is a backlash against this design but presents limited evidence of this. Sure, it quotes a few people who don’t like the open kitchen. And there is a citation of an odd statistic that just over 75% of home remodelers are knocking down walls. All of this indicates more of a discussion about open kitchens, rather than a big trend.

This is a common tactic today from journalists and others online: suggest there may be a trend, present limited evidence, and then leave it to readers to sort out at the end whether a big trend really exists. There are several ways around this. First, present more data. A few articles that start heated online discussions do not tell us much. In this case, tell us what builders are actually doing or what homes people are buying. Second, wait it out a bit. Having more time tends to reveal whether there is really a trend or just a minor blip. While this doesn’t help meet regular deadlines, it does mean that we can be more certain that there is a discernible pattern.

Cross-section of Hong Kong’s 50,000 residents in 290,000 square feet

Here is a detailed cross-section of Hong Kong’s Kowloon Walled City which had some unbelievable population densities:

Though it was demolished over two decades ago, Hong Kong’s Kowloon Walled City is still emblematic of the kind of intense overcrowding usually seen in dystopian science fiction, so much so that to this day it inspires post-mortem maps, renderings in Lego, even Japanese arcades. At the height of its growth, the largely unsupervised encampment that the South China Morning Post once called “a lawless vacuum” where brothels and gambling hubs “operated with impunity” once crammed some 50,000 residents—all of them essentially squatters—into an area of about 290,000 square feet. Just before the complex was razed, a Japanese team created an amazingly detailed cross-section, recently turned up by Architizer and pictured in full below…

The complex comprised some 500 buildings, affording an average of about 40 square feet per person. In the center bloc pictured above, a resident tears down an interior wall with a pickaxe, while some kind of industrial kitchen operates in a room below…

Trash collects in-between buildings and electrical wiring snakes down the sides. In an alleyway, a man uses an umbrella to shield himself from a dripping water pipe…

The government managed to evict the residents of the Walled City in 1992, and it was leveled in 1993. The spot where it used to stand, not too far from Zaha Hadid’s Innovation Tower, has been turned into a park. Above, construction begins on the rooftop, in the middle of a panoply of T.V. antennae.

A reminder of some of the conditions people in expanding big cities face around the world due to a lack of resources and space. And still these cities continue to grow as there is a lack of opportunities elsewhere…

Cell phones are not an impediment to public social interaction

Recent research from a sociologist analyzing video footage of public spaces shows cell phones don’t limit public interaction:

Between 2008 and 2010, his team accrued enough footage to begin a comparison with the P.P.S. films — together the two collections totaled more than 38 hours. “Films were sampled at 15-second intervals for a total of 9,173 observation periods,” he writes in his article, which reads like a study in scholarly masochism. Hampton and a team of 11 graduate and undergraduate students from Penn spent a total of 2,000 hours looking at the films, coding the individuals they observed for four characteristics: sex, group size, “loitering” and phone use…

First off, mobile-phone use, which Hampton defined to include texting and using apps, was much lower than he expected. On the steps of the Met, only 3 percent of adults captured in all the samples were on their phones. It was highest at the northwest corner of Bryant Park, where the figure was 10 percent. More important, according to Hampton, was the fact that mobile-phone users tended to be alone, not in groups. People on the phone were not ignoring lunch partners or interrupting strolls with their lovers; rather, phone use seemed to be a way to pass the time while waiting to meet up with someone, or unwinding during a solo lunch break. Of course, there’s still the psychic toll, which we all know, of feeling tethered to your phone — even while relaxing at the park. But that’s a personal cost. From what Hampton could tell, the phones weren’t nearly as hard on our relationships as many suspect…

According to Hampton, our tendency to interact with others in public has, if anything, improved since the ‘70s. The P.P.S. films showed that in 1979 about 32 percent of those visited the steps of the Met were alone; in 2010, only 24 percent were alone in the same spot. When I mentioned these results to Sherry Turkle, she said that Hampton could be right about these specific public spaces, but that technology may still have corrosive effects in the home: what it does to families at the dinner table, or in the den. Rich Ling, a mobile-phone researcher in Denmark, also noted the limitations of Hampton’s sample. “He was capturing the middle of the business day,” said Ling, who generally admires Hampton’s work. For businesspeople, “there might be a quick check, do I have an email or a text message, then get on with life.” Fourteen-year-olds might be an entirely different story…

In fact, this was Hampton’s most surprising finding: Today there are just a lot more women in public, proportional to men. It’s not just on Chestnut Street in Philadelphia. On the steps of the Met, the proportion of women increased by 33 percent, and in Bryant Park by 18 percent. The only place women decreased proportionally was in Boston’s Downtown Crossing — a major shopping area. “The decline of women within this setting could be interpreted as a shift in gender roles,” Hampton writes. Men seem to be “taking on an activity that was traditionally regarded as feminine.”

Perhaps there is such a reaction to people using phones in public because (1) they are a new technology and people still aren’t used to them – smartphones are only less than a decade old and/or (2) phones are less noticeable or personally intrusive in wide open settings like the steps of the Met but very noticeable in more confined settings where conversations can be heard.

I think there is also a lot sociologists could build on here with Hampton’s methodology. Video may seem archaic when you can utilize big data but it can still provide unique insights into social behavior. While the coding of the video was rather simple (they looked at four categories: “sex, group size, “loitering” and phone use”), it took a lot of time to go through the video and compare it to Whyte’s earlier film. This comparative element is also quite useful: we can then compare patterns over time. All together, think how much video footage is collected in public these days and how it might lend itself to research…

Driverless cars might lead to the safest roads ever seen and highways that actually work

Google’s Sebastian Thrun discusses the safety advantages of driverless cars as well as effective highways in this video. Two quick thoughts:

1. Autonomous vehicles can help stop the wave or accordion pattern of driving where someone slowing down at the front of a line of cars backs everyone up. Thrun talks about a a much more closely coordinated zipper kind of merging where cars going basically bumper to bumper can accept new vehicles with little change.

2. Even with a dip in recent years, more than 30,000 Americans die each year in vehicles. Strun says most of this is due to driver error, which can basically be eliminated when humans no longer control the car.

All of this sounds good…

Argument: you can’t hide the size of McMansions, regardless of the design

A local debate over McMansions draws this claim about whether the size of the homes can be overlooked:

However, I do feel that we need to bring the elephant in the room out into the open so everyone can appreciate it properly. If you strip away all of the polite planning jargon about massing, square footage, curb cuts, along with most everything else gets said in those circles, and then boil it all down to its core essence, the view becomes much clearer. What we are talking about here are some very large and quite ostentatiously designed houses.

I call it Adele Chang’s Dilemma. How do you build McMansions that don’t look like McMansions? You can’t. No matter what the design style, or where you place the garage, or how you reconfigure the roof, or bedeck the place with curlicues and cornices, or shuffle the massing, or even bring in a small gaggle of winged gargoyles and lawn gnomes, the result is still going to be one heck of a big barn.

In other words, some will argue that McMansions are just too big, even if are designed well or maybe even fit local architectural traditions. Underneath those design elements will always be too many square feet. And why is this square footage so important?

We are talking about a clash between two differing cultures here. On the one hand you have the traditional version of Sierra Madre. A place where people are comfortable with what they have today and don’t view house size as a measure of their personal or spiritual worth.

The culture Adele Chang and her CETT bosses cater to, on the other hand, is a nouveau riche arriviste’ sort crowd who somehow believe that building a vanity castle on the side of an open hillside will be recognized by all of those living below as a sign of an innate personal superiority. It is a form of unchecked clodhopper consumerism that most people living here today do not respect or care to live beside.

The size matters because it (1) suggests something vain about the owner and (2) is resented by others because it is a blatant status symbol. A big new home in a community that does not want it is tied to an owner who is seen as a jerk.

More movies have Oscar appeal than can be nominated so many don’t get the Oscar money boost

A forthcoming study in a premier sociology journal looks at the formula for Oscar nominees and how it affects the money they make:

So is it a good idea for movie makers to pursue Oscar nominations? Rossman and Schilke’s research suggests that it probably is not. Rossman and Schilke use data from the Internet Movie Database to identify the themes of a very large set of movies. They then look to see how well each movie’s themes match the themes of Oscar nominees in the five years before the movie was released, to figure out how well the movie matches the “Oscar formula,” while also accounting for other factors (e.g. the studio that released the movie) which could affect the movie’s Oscar chances. This allows them to figure out the ‘Oscar appeal’ of each movie in their dataset. On Rossman and Schilke’s measure, movies like The Hottie and the Nottie have very low Oscar appeal, while movies like Out of Africa have high appeal.

The problem is that there are lots of movies with Oscar appeal, but far fewer movies that get nominated. Because the Oscar nominee list imposes a sharp cutoff (movies either get nominated or they don’t), movies that just failed to make the Oscar nomination cut are likely to do far worse than movies that just about got on the list, even if the two are of more or less equal quality. The financial losses of the failures counterbalance the success of the nominees.

As Rossman and Schilke conclude:

..net of achieving Oscar nominations, Oscar appeal has a negative effect on financial returns. In essence, there are two types of high Oscar appeal movies—those that do not receive nominations (and tend to lose money) and those that do receive nominations (and tend to make money)—but taken together these two types of movies are no more nor less profitable than movies with low Oscar appeal.

This seems to fit other evidence that it is very difficult to predict which mass culture products will be successful – whether movies, music, or books – and the more successful ones can make enough to offset the losses from producing all the rest.

American economic recovery varys widely by county

A recent analysis of county-level data regarding recovering from the economic crisis shows winners and losers:

About half of the nation’s 3,069 county economies are still short of their prerecession economic output, reflecting the uneven economic recovery, according to a new report from the National Association of Counties…

The report, released Monday, examined four economic indicators: GDP, total number of jobs, unemployment rates and home prices. It found wide variations.

Almost 400 counties saw no decline in GDP from their prerecession levels. Large counties were hit hard by the recession, but have recovered relatively strongly.

The roughly 800 counties boasting prerecession employment levels by 2013 are mostly in the Midwest and South. And just 54 had achieved their prerecession level of unemployment last year, the report said.

In other words, the overall figures suggest some counties have done well while others continue to struggle. Just curious: what can be done at the county level in many of these places? Counties are one level of local government but they are more influential in some places that others.