Category Archives: Places

Arguments for and against bus rapid transit in Nashville

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Here is an overview of arguments for and against plans to introduce mass transit in the form of rapid bus service to Nashville:

The Amp, a referential name in Music City, is the $174 million bus-rapid transit project proposed to link the western stretches of the city to East Nashville over a 7.1-mile span. It’s the first in-earnest attempt at reliable mass transit in Tennessee, and it has been pitched as a way to keep pace with peer cities like Austin and Charlotte. Nashville is poised to add a million more residents in the next two decades, further snarling already-jammed travels along the busiest corridors. The hope is that the Amp, running in a bus-only lane and with priority at traffic signals, will, over time, help unclog commutes and improve quality of life…

Detractors include residents from North Nashville, a mostly lower-income African-American neighborhood, who feel like they’re being left out and would prefer to see increased regular bus service in their community. (One state representative even threatened to sue city officials if North Nashville is not more integral to the project.) Fiscal conservatives, of which Nashville has plenty, say the project is an example of government largess. And then there are the residents in and around the mayor’s neighborhood, whose traffic and parking concerns have been rolled into an increasingly fraught class war.

Back when public debate over the BRT first started heating up in fall of 2012, a West End resident actually told a transit planner at a public hearing that “we don’t want the riffraff from East Nashville in our neighborhood.” Another homeowner said an influx of “burger-flippers” into the western precincts was a worry, prompting one East Nashville merchant to propose a T-shirt idea: “Burger flippers for the Amp.”…

Malcolm Getz, an economist at Vanderbilt University and a lightning rod of the opposition, has tried to make the case that the Amp’s route, which starts in a gentrified East Nashville neighborhood, crossing the Cumberland River before coursing its way up the densely developed West End Avenue, was chosen to benefit landowners, who are banking on increased land values and more development.

But Jason Holleman, a city councilman who supports public transportation but whose western district includes some of the loudest naysayers, counters that in reality, the route was chosen to serve areas with the highest commercial density, including the city’s two largest employers, HCA and Vanderbilt University…

Opinion polls on the Amp have offered mixed results. One survey, funded by a Rockefeller Foundation grant aimed at boosting transit support, found that around 77 percent supported the Amp after surveying 500 registered voters. In another survey conducted by the Nashville Business Journal in which 2,200 participated, the results yielded an almost 50-50 split. Anecdotally, support appears to be tied to where residents reside, with the East-West divide coming up again and again.

Common themes that come up with major projects: who exactly is the mass transit going to serve? Do the costs lead to increased business and revenues down the road? Who benefits from all of this? Aren’t buses for lower-class residents? It is interesting that Nashville feels like it should catch up with other cities it competes with; bus rapid transit as an exciting amenity for visitors and tourists! And, as is noted in the final paragraph, a single bus corridor may not be able to do much for a big city built around cars but it could be part of a larger package that eventually effectively utilizes mass transit (though this may be a long time off).

All of this reminds me that it is often easier to have mass transit or major infrastructure from the past to add to rather than trying to create something new in today’s world where there are so many competing interests and costs seem so high. Of course, older projects had their own problems. For example, a lot of major post-World War II projects involved more liberal use of slum clearance with little regard to the people who lived there. (I’m thinking of the construction of interstates through Chicago as well as the University of Illinois-Chicago campus.)

Does Chicago gain anything by Jimmy Fallon taking a polar plunge in Lake Michigan?

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New Tonight Show host Jimmy Fallon was in Chicago this past weekend participating in a polar plunge. Does Chicago gain anything by this?

Fallon detailed his experience at Chicago’s Polar Plunge during Monday night’s show, a day after he dipped into icy Lake Michigan.

“I’m never doing that again,” Fallon said.

Fallon said Chicago “didn’t let me fool around” when it came to taking up Mayor Rahm Emanuel’s challenge to take the plunge, which benefits Special Olympics Chicago. The event drew a record number of people.

“I go in, and I hear you’re only supposed to go up to your knees,” he said, recalling running into the lake. “I just plunged back, I went under and a couple bubbles came out and I froze. I just stand up and I took my hat off and my hair turned to icicles, and I heard bagpipes. This is how I went. I thought this was it, I thought it was the end.”

Fallon also shared a gift he received from Emanuel, which declares March 2014 “The Tonight Show Starring Jimmy Fallon Month” in Chicago.

The biggest winner here appears to be the Special Olympics since people donate to participate. Plus, Rahm Emanuel participated because kids read over 2 million books for a Chicago Public Library summer program – reading is good.

But, wasn’t this primarily a publicity stunt for Emanuel as well as Fallon? Emanuel wins by being an active mayor. As Fallon notes in his retelling and shows in a picture, Rahm looks pretty good coming out of the water. Events like this burnish his image as a mayor who gets things done (past Chicago mayors have made similar claims). He helps kids read and cares about others. It doesn’t hurt that a new CNN show “Chicagoland” features him as mayor. Fallon is a new host, replacing Jay Leno. While he takes time out of his schedule to come to Chicago, it is good publicity as he is involved with a charitable cause and is getting out of the New York/Los Angeles bubble that all late night TV shows live in. Maybe the clincher here is Emanuel giving Fallon a resolution saying March is “The Tonight Show Starring Jimmy Fallon Month in Chicago.” Does this mean much of anything?

I’m not sure this all contributes much to Chicago. It suggests some people are willing to donate to Special Olympics – they had over 3,200 participants this year, no doubt boosted by Emanuel and Fallon’s presence. Chicago is a charitable city or a star-struck city? The polar plunge highlights the weather in Chicago, particularly in a season nearing record ice cover on Lake Michigan. On the whole, Chicagoans like to put on an exterior of tough people who can survive the weather, particularly when interacting with people from other places, but there is plenty of grumbling. But, is a polar plunge likely to bring in new tourists or help companies decide to move to Chicago?

(I realize this might be a grumpy take on a lighthearted event with some human interest appeal. However, this event got a lot of attention beforehand and afterwards and I wanted to think about how Chicago makes out in the whole situation.)

100 years of Carl Sandburg’s Chicago poem

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One hundred years ago, Carl Sandburg published a famous poem about Chicago:

For its issue of March 1914, Harriet Monroe’s Poetry magazine accepted Carl Sandburg’s “Chicago” and seven of his other poems about the city…

And a city — in the first five lines of the work of an obscure socialist poet in a 2-year-old magazine founded by a Chicago Tribune art critic — had found its enduring descriptors…

“The poem was absolutely revolutionary when it first came out,” says Bill Savage, who teaches the poem as a distinguished senior lecturer in English at Northwestern University…

“They have a kind of omnipresence that makes it a little bit difficult for us to think and feel our way back to how original and daring this was,” Polito says. “You show something like ‘Citizen Kane’ to a group of young students. The techniques of that film have been imitated so many times, they don’t see what was startling about it. That’s a little bit true here. It’s a little bit hard for us a hundred years later to recapture. It’s almost as if it’s a combination of the Book of Genesis and the national anthem for Chicago. It’s the founding myth and the celebratory lyric.”

Reading this, it strikes me that this poem is really well-known in the Chicago area because residents feel like like it embraces all the contradictions that they enjoy (or at least acknowledge) about the city. But, is this poem well-known elsewhere? The article suggests academics elsewhere often didn’t think highly of Sandburg’s work. Is their a poetic equivalent for New York (perhaps the recent Jay-Z and Alicia Keys hit “Empire State” might be a modern version?) or Los Angeles? If so, perhaps I wouldn’t know as I’ve only really heard of Sandburg’s poem…

Photographing the class divide on LA mass transit

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A photographer considers what is revealed at the bus stops of Los Angeles buses during late night hours:

J. Wesley Brown’s vivid nighttime portraits of bus riders are a refreshing look at a rarely seen side of Los Angeles. The city’s freeway interchanges are iconic, but for many Angelinos, these bus stop dwellers represent an even more authentic feeling of home.

Brown, 34, spent two and a half years roaming the city to shoot Riders, a series of fascinating portraits of ordinary people doing ordinary things. That might seem like a mundane topic, but Riders offers a commentary on the societal strata of Los Angeles.

“Riding a bus in L.A. is the most outwardly visible sign of class divide,” says Brown.

In shooting Riders, Brown found the movie posters in bus stop advertising sometimes offered a commentary on the scenes framed by the bus shelters. And his exploration of the city noted that poorer neighborhoods that don’t attract advertising dollars often don’t have bus shelters at all.

Los Angeles is known for its cars, highways, and driving. Yet, owning a vehicle is expensive and mass transit is a necessary part of life for those with fewer resources. The current LA Metro might not be as expansive as the once-extensive streetcar systems but a major city today can’t function well or serve its full population without at least some mass transit.

It sounds like the pictures also highlight one of the odd features of car ownership in the United States: outside of a few places, like Manhattan, many Americans would choose to purchase a car when they have the economic means. Whether this is because a car offers more independence or is a symbol of having reached a certain social status or mass transit is viewed as more lower class or a combination of these, attaining car ownership is an important part of American life.

San Francisco street character, Bushman, dies

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For years, Bushman could be found “interacting with” tourists in San Francisco:

For 30 years Gregory Jacobs spent his days at Fisherman’s Wharf hiding behind branches, often up against a trash can, silently waiting for unsuspecting tourists to come by.

When they did, and when they least expected it, he would push those branches towards them, often giving them a little growl. Almost always, without fail, they would jump scream and run.

It is one of those iconic San Francisco experiences. Few people can forget a run-in with the bushman.

But Jacobs hadn’t been in his usual spot lately. He’s been in and out the hospital with heart problems. Last Sunday, his family told KTVU, his heart finally gave out and Jacobs passed away.

The article goes on to note that there are actually two Bushmen so there will still be one at these tourist sites.

Bushman might be considered one of Jane Jacob’s “public characters.” Sociologist Mitchell Duneier discusses this idea in the introduction to his classic ethnography Sidewalk.

Not long after we met, I asked Hakim how he saw his role.

“I’m a public character,” he told me.

“A what?” I asked.

“Have you ever read Jane Jacobs’s The Death and Life of Great American Cities?” he asked. “You’ll find it in there.”

I considered myself quite familiar with the book, a classic study of modern urban life published in 1961, and grounded in the author’s observations of her own neighborhood, Greenwich Village. But I didn’t recall the discussion of public characters. Nor did I realize that Hakim’s insight would figure in a central way in the manner in which I would come to see the sidewalk life of this neighborhood. When I got home, I looked it up:

The social structure of sidewalk life hangs partly on what can be called self-appointed public characters. A public character is anyone who is in frequent contact with a wide circle of people and who is sufficiently interested to make himself a public character. A public character need have no special talents or wisdom to fulfill his function—although he often does. He just needs to be present, and there need to be enough of his counterparts. His main qualification is that he is public, that he talks to lots of different people. In this way, news travels that is of sidewalk interest.

Jacobs had modeled her idea of the public character after the local shopkeepers with whom she and her Greenwich Village neighbors would leave their spare keys. These figures could be counted on to let her know if her children were getting out of hand on the street, or to call the police if a strange-looking person was hanging around for too long: “Storekeepers and other small businessmen are typically strong proponents of peace and order,” Jacobs explained. “They hate broken windows and holdups.” She also modeled the public character after persons like herself, who distributed petitions on local political issues to neighborhood stores, spreading local news in the process.

While Bushman didn’t necessarily provide needed services for local residents, being a fixture for so long and interacting with the tourists in a unique way helped make him a feature of Fisherman’s Wharf. I remember seeing him in action multiple times. The first time was surprising and yet it seemed to be the sort of thing that one could only find in a big city: a local man popping out of one of the more natural features along this stretch of the Embarcadero (yes, tearing the Embarcadero Freeway down was helpful but a lot of this road is still fairly ugly) and poking fun at the many tourists who bring lots of money into the city. This is quite different from other odd characters in American cities like the Naked Cowboy in Times Square or the various gold or silver-covered street performers on Michigan Avenue and elsewhere who perform and then ask for money. The key difference is that Bushman had a direct confrontation with tourists who were often quite frightened – until they realized that people were watching them and this was all “normal.”

The negative space, inverted skyline of New York City

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A photographer decided to look not at the buildings in New York City but rather at the negative space between the buildings:

Wegner is referring to a city made of sky. In the space between the iconic buildings we pass everyday is another type of structure, one that’s totally made of blue and clouds. In his Buildings Made of Sky series, Wegner transforms a city’s negative space into ephemeral structures that look like inverted skyscrapers…

Looking at one of Wegner’s photographs is like looking at a mirage; you’re not sure if what you’re seeing actually exists. In fact, even he wasn’t sure of what he was seeing when he first began noticing inverted buildings suspended between steel and glass. “It was a serial epiphany,” he recalls. “I kept seeing it, but I almost didn’t register what I was looking at.”

To get his shots, Wegner stands in the middle of the street, focuses on the infinity and snaps the picture. “I just look all the way to the horizon, and the streets have conveniently arranged themselves to give you this image,” he says. “People will sometimes stop me and ask what I’m taking a picture of, and I tell them, ‘nothing.’” It takes little doctoring to get the desired effect: “It’s just a matter of flipping the image upside down,” he explains.

Of course, you can’t just stroll around Manhattan or any other big city and assume you’ll bump into a photo-worthy building made of sky. There are factors to be considered, like time of day (he likes early morning and evening because of the glow) location (Midtown’s gridded streets are optimal) and weather (blue skies are better than grey). Still, Wegner says, there’s an element of exploration that is central to his process. “I wander around in fugue state and hope I don’t get hit by a truck,” he says. “I’ve had more conversations with irate cabbies than you can imagine.”

Interesting flip of the script. He manages to take spaces that are not always revered – think of the references to the concrete canyons of New York City – and notes something worthwhile. Plus, this might get people to think about spaces between buildings differently. While some of this happens when people in current buildings complain about new buildings blocking their sunlight or views, large buildings are partly what they are because of their surroundings.

Exploring the meanings of Chicago’s underground Pedway

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A Chicago artist and teacher has spent years exploring and analyzing Chicago’s large underground Pedway:

You want to know the best thing about the Chicago Pedway? It’s not that, despite this Polar Vortex winter, you can cover almost 40 city blocks on the Pedway without ever stepping foot outside. It’s not that the Pedway began modestly in 1951 and now stretches through the North Loop, jogs beneath Millennium Park and ventures as far east as the mouth of the Chicago River. It’s not that the Pedway could be regarded as a kind of yardstick of municipal progress, always seeming as though it might extend just a little bit longer someday. It’s not even that the Pedway’s generally mundane, charm-free hallways offer little to see — look, another “For Rent” sign! — and therefore it works perfectly as a daily treadmill for ambulatory meditation…

Where you see putty-colored corridors leading to a job in a cubicle farm, she sees dreams of the American frontier. You pass convenience stores selling gum; Tsen, 38, a native of Cambridge, Mass., passes through a long, winding metaphor for a Chicago never realized — “the by-product of projected futures,” she writes in “The Pedway of Today,” her new, perversely compelling guidebook/consideration of the Pedway’s cultural meanings.

Indeed, Tsen, a graduate of the School of the Art Institute of Chicago and photography/video teacher at Wilbur Wright College on the Northwest Side, has come to see the longtime walkway as her canvas. About four years ago, the Chicago artist — and former Wendella Boat tour guide, who says travel and The Path Not Taken have become the preoccupations of her art — began offering tours of the Pedway (she has since stopped). But she never charged her audiences, she said, because the tours would also quietly double as performance art, as free-associative strolling lectures in which your guide (Tsen) would dole out not dates or landmarks but thoughts on Jules Verne, revolving doors and how the Pedway is like Florence…

Eventually she stumbled across an entrance to the Pedway in the back of the Renaissance lobby, the path itself so low-key that you can see it every day without quite recognizing it. “The Pedway struck me not as the frontier that I had been looking for but a reminder of the glamour of early cities and a promise of future frontiers.” At this point in her guide Tsen asks readers to imagine that it’s 1893 and — though the Renaissance was built a century later — they are relaxing in the lobby before returning home from the World’s Fair, where they “attended Frederick Jackson Turner’s fabled lecture ‘The Significance of the Frontier in American History’ … still pondering his words: ‘The frontier has gone, and with its going has closed the first period of American History.”

Sounds like a very interesting and interpretive tour. All sorts of large infrastructure and urban projects would benefit from people who know them well enough and are enthusiastic about what they offer to share it with others.

If Chicago tried to advertise the Pedway more, would regular users complain that too many tourists are clogging the passages a la New Yorkers and the subway?

Chicago’s race and class differences on display in fight over Obama Library

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Six groups are vying for the Barack Obama Presidential Library in Chicago:

The library is “such a prize that nobody is going to yield power to anybody else,” veteran Chicago political analyst Don Rose said.The squabble also puts Mayor Rahm Emanuel, Obama’s former chief of staff, in the difficult position of trying to present a single, unified bid, lest the feuding weaken the city’s odds against rival campaigns to put the library in New York or Hawaii…

The main point of tension is between the University of Chicago, where Obama spent 12 years as a constitutional law professor until his 2004 election to the U.S. Senate, and a group advocating for Bronzeville, the city’s historic center of black culture, business and politics.

“They think that they can get whatever they want,” Bronzeville organizer Harold Lucas said of the university. “If you compare the cranes in the sky and that opulent growth of this university to the surrounding, predominantly African-American community, it’s a travesty. It’s a clear tale of two cities.”…

There are also two potential bids on the Far South Side, one led by Chicago State University and the other by a group promoting the historic Pullman neighborhood. It was in those areas that Obama established his earliest roots in the city as a community organizer in the mid-1980s, setting up job training programs and defending the rights of public housing tenants.

The University of Illinois at Chicago, on the Near West Side, is also taking a shot, as is a real estate developer pushing the former U.S. Steel Corp. site on the southeast lakefront.

Lots of interested actors and a number of them could make a good case that the library would help economic development – even the University of Chicago says their plan would be to build the library off-campus so it would help a neighborhood. This seems like a classic situation for some backroom deals and a growth machine perspective where those with more political and business power will end up calling the shots.

Is this a true test of Mayor Rahm Emanuel’s abilities as a mayor? It will be interesting to see how he moves among all of these options.

Beijing air pollution said to be “barely suitable for life”

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Bad pollution in Beijing is nothing new but a new report sounds a dire note:

Severe pollution in Beijing has made the Chinese capital “barely suitable” for living, according to an official Chinese report, as the world’s second-largest economy tries to reduce often hazardous levels of smog caused by decades of rapid growth…

The report, by the Beijing-based Social Science Academic Press and the Shanghai Academy of Social Sciences, ranked the Chinese capital second worst out of 40 global cities for its environmental conditions, official media reported on Thursday.

China’s smog has brought some Chinese cities to a near standstill, caused flight delays and forced schools to shut.

Beijing was hit by severe levels of pollution at least once every week, according to the 2012 Blue Paper for World Cities report. That was on top of a significant level of air pollution covering the capital for 189 days in 2013, according to city’s Environmental Protection Bureau.

While U.S. readers might marvel at this, it wasn’t too long ago that some American cities had a similar problem. Check out some of the pictures of 1940s Pittsburgh or read about the Donora Smog incident near Pittsburgh that killed 22 in 1948. Some of these issues persist today: Los Angeles, and other cities in California, still have persistent smog and particulate issues.

Los Angeles, the nation’s second-largest city, again topped the charts for ozone pollution, and finished fourth for particulate pollution such as dust and soot, in the American Lung Association’s annual national air quality report card, released on Wednesday…

In terms of air quality, California as a whole dominated the list of the most polluted U.S. cities, accounting for seven of the top 10 for ozone and eight of the top 10 for annual levels of particulate pollution, the American Lung Association said.

Nearly 90 percent of Californians, or 33.5 million people, live in areas plagued by unhealthy air, especially in Los Angeles, the so-called Inland Empire region east of the city, the state capital of Sacramento, and the agricultural heartland of the San Joaquin Valley, the group’s study found…

However, many California cities have shown steady progress on improving air quality, particularly the Los Angeles region, whose ozone levels have fallen by 36 percent since the organization’s first State of the Air report card in 2000.

See some pictures of smog in Los Angeles over the years here.

The dystopias right in front of us: “Sochi is Pure Dystopian Reality”

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Much has been written about Sochi and its varying degrees of glitz and cover-up. This piece considers the dystopian aspects of Sochi and how it compares to recent fictional dystopias.

But here’s the best-worst part: no matter how many articles use the word “dystopia,” Sochi doesn’t just look like a hellish future straight off the NYT bestseller list. It’s a complete and active masterpiece—because despite all the plot markers, despite all the freaky realities that scream something is really wrong here, we still tune in. Just like the Hunger Games‘ Capitol citizens, Western audiences eat up happy-faced Olympic broadcasts as readily as we have since the games were first televised on a closed circuit in Berlin in 1936. We’ll read all the coverage as entertainment, make Twitter jokes about stray dogs, and laugh about it over drinks (even if it’s to keep from crying). Six thousand athletes will compete just as they did in London in 2012, even if tourists don’t quite make it out. The Olympics are the Olympics, after all. Sochi is the Dystopian Singularity because we accept it as reality—and thus are complicit in its success…

If this is really happening, though, at least we have a few protagonists. Members of the radical-feminist punk performance art collective Pussy Riot have been active, powerful critics of President Putin’s regime—which is exactly how they came to the West’s attention at all. After several members’ arrest and political imprisonment for hooliganism (after they performed a radical protest song in Moscow’s biggest cathedral), Maria “Masha” Alyokhina and Nadezhda “Nadya” Tolokonnikova were released in December just months before their two-year sentence was up. (They maintain that their release was a Putin PR stunt.) While the pair have since split from Pussy Riot proper to pursue their own activism for prisoners’ rights, their association with the group and the media tour they’ve taken in the past few months has made many aware of the dire sociopolitical circumstances in Russia. Last week they appeared on The Colbert Report and at an Amnesty International benefit concert, where they urged people to boycott or protest the Games and the leaders overseeing them. There’s no quantitative way to measure Nadya and Masha’s success—and it’s likely that some might miss the point—but it’s a good bet that their story (and Pussy Riot’s message) has resonated with audiences even if it doesn’t affect their willingness to add to the ratings.

There are quieter acts of solidarity, as well, scripted straight from Katniss’s victory tour: Russian snowboarder Alexey Sobolev appeared to display a Pussy Riot member on the bottom of his board when he took to the slopes on Thursday; the same day, Google unleashed a pro-LGBT Doodle. One could even argue that Jonny Weir’s fashion statements are marks of resistance. But these won’t change the fact that things will probably worsen in Russia after the Games end and the world stops watching; the Olympics are notorious for draining economies dry and Sochi is the most expensive Games ever assembled.

Certainly, Sochi isn’t single-handedly decimating the dystopia YA marketplace, but it’s nonetheless a perfect example of why the genre is failing. It’s not because a shallow fad has run its course; it’s because the fantasies and the facts have become nearly identical. And that’s the problem — Entertainment is meant to be an escape, fantasy and science-fiction in particular; movies about poverty don’t do well during a recession because no one in the midst of turmoil likes seeing their suffering splashed onto the silver screen. And it’s not just in Sochi, either; from Snowden, to the American wealth gap, to the (thankfully canceled) prospect of DMX cage-fighting George Zimmerman on pay-per-view, to the world’s premier newspaper printing an accused pedophile’s “response” to his child victim’s account, there are countless examples of our satirical imagination matching the real world right at our front door. (And we wonder why people still get fooled by Onion articles.) The fact is, when the allegory starts looking like the reality, it’s time for the allegory to evolve.

Perhaps we should then ask what the average viewer/consumer is supposed to do in this situation. Ignore the Olympics? Engage in a more real world right in front of them? Insist the Olympics avoid countries with lots of inequality (Russia might seem like an obvious choice but others might argue this could rule out the United States)?

This also hints that the really important dystopias are not ones we imagine but rather ones that are right in front of us that we don’t notice. This might be like the tourist experience: we are often like visitors who hope to see the popular sights and are distracted by what is new and exciting. How closely do we look behind the scenes? (This is starting to sound like a pitch I would make in an Introduction to Sociology course.) A number of sociologists have voiced their concerns about “fake” places, often invoking Disney World or Las Vegas or Times Square, that tend to hide the real world behind consumerism and private spaces.