Tag Archives: architecture

Selecting the right McMansion for Gone Girl

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Following up on a post from two days ago, here is how the production designer described finding Nick and Amy’s McMansion in Gone Girl:

HOW DID YOU FIND NICK AND AMY’S HOUSE? WHY WAS THAT ONE PERFECT?
It’s hard to explain without being insulting (laughs). Those neighborhoods, with that style of housing— and without finding any other better way of describing it, sort of that “mcmansion” — they aren’t very attractive. You go, oh geeze do we have to really film this, you know? We found this simple one, and it had all the attributes of that type of house without being too obscene. It felt like it could be traditional, but it was a modern take on traditional. Just the fact that it was on the corner, it gave us good angles for a lot of the scenes with the driving and the staging of the news vans.

DID YOU SHOOT THE INTERIOR SHOTS AT THAT HOUSE, TOO?
We built the entire interior on a stage in Los Angeles. We took the floor plan of the house that we shot on location, and we started adjusting it for our own story and our own camera angles. It was important for me, especially, not to do something where you’d look at the exterior and then you go inside and you’re like wait a second, how could this interior even fit with that exterior? I didn’t want to do that. David [Fincher, the director] and I had long conversations about it. We cheated a few things, we stretched the interior.

HOW WOULD YOU DESCRIBE THE INTERIOR YOU CREATED FOR NICK AND AMY’S MISSOURI HOUSE?
You know those homes are they’re done with traditional elements but in a modern style? They have the built-in cabinets and they have the wooden molding, but there’s something askew about it. The way the moldings are done, they are made out of mdf instead of real wood. It’s that modern construction where they use traditional, classical elements— they put medallions on the ceilings and they have recessed lighting in drywall ceilings instead of real plaster. The spiral staircase isn’t really spiral. It’s curved, and it looks elegant but when you stand there and take it in, you realize there’s something skewed about it.

WHY WAS THAT PERFECT FOR THIS STORY?
It works in the sense that Nick is trying to give Amy the perfect home in the perfect place. It’s sort of like, why wouldn’t you like this? Why wouldn’t you feel comfortable in this large house? There’s remnants of the New York feel, but it’s a little bit offbeat from that.

A few thoughts, question by question:

1. The dislike for McMansions is clear. But, then he notes that the house wasn’t too bad in its attempt to replicate a traditional style. What then marks it as a McMansion? Subdivision. Multiple gables. Square footage. Tall entryway.

2. Even with a home that is already large, they stretched the interior. Does this mean that the home scorned for its size was depicted as even larger on the screen?

3. Commentary on the quality of construction. The style may fit from a distance but someone who knows the older style can spot the problems quickly.

4. Conjecture about what such homes are supposed to symbolize: the perfect house. Looks new, nice landscaping, quiet neighborhood…how did all that violence and coldness end up there again?

Even with all that explaining about the negatives of such homes, it is amusing to see the comments below the story from people who want to replicate the look.

Making a concrete McMansion with a 3D printer

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A Chinese firm can put together a McMansion with a 3D printer:

WinSun Decoration Design Engineering Co., a Chinese architectural materials company with more than 70 patents to its name, has now come up with a way to construct a 12,000 square-foot home – a kind of McMansion – out of 3D printed blocks.

A special technique has resulted in a concrete building that, while requiring paint to be attractive, still manages to be perfectly functional.

The printer that created these buildings is 105 feet long, 33 feet wide, and 21 feet tall, larger than most rooms, but it works on basically the same principles as one of MakerBot’s printers. It uses a nozzle to pump a mix of concrete, sand and fiberglass (which are recycled; the company’s name seems to translate to ‘Surplus’) onto a flat substrate, slowly accumulating into a tough material that can be buffed to create a smoother edge and/or overlaid with various traditional-looking decorative elements. A zigzag design inside the pieces helps reinforce them, similar to corrugated cardboard.

It takes about a day to print all the components. The prefab blocks are then trucked to the construction site, where it takes just five days to put them all together. The final height of the building is 20 feet by 4,000 feet wide, and the total cost to build it was just $161,000. This method saves between 30 and 60 percent of construction waste, cuts down on time by 50-70 percent, and cuts labor costs from 50-80 percent.

While the cost seems attractive, I can only imagine what McMansion critics would say if some of these started showing up in American neighborhoods. Want mass produced? Want concrete as your primary material? Of course, this all may get refined over time but there is some work to do before this would meet single-family home standards in the United States.

Plug and play 10 square feet Cubitat on display

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Toronto’s Interior Design Show featured a 10×10 square foot Cubitat living unit:

Cubitat is a 10-by-10-by-10-foot cube that houses a kitchen, bathroom, bed, laundry, and storage.

Once plumbing and electric are hooked up, the structure can theoretically turn any dwelling into what the developers are calling a “plug and play” living space that looks something like a giant’s Rubik’s cube and seems to beg to be painted in Mondrian colors…

The concept is appealing but problematic: For the moment, Cubitat comes assembled in one giant piece. So although it looked great in the large, light-filled exhibition space at the Toronto show, figuring out how to get this giant module through the doors of most existing structures is an obvious obstacle (unless you’re lowering it into a roofless barn or sliding it into a converted double garage).

The pictures are really interesting and hint at the creative possibilities of mass-produced small housing units. Yet, the biggest problem seems to be ignored: since a number of the features open outward (the bed, the kitchen, etc.), this unit is only as good as the larger space in which it sits. If you had a big loft – particularly with taller ceilings – you could plop a Cubitat or two right in the middle. But, what other spaces offer such options and provide another set of exterior walls?

Can townhouses look like McMansions?

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One resident claims units in a proposed townhouse development “look like a bit like the stereotypical “McMansions.” Here is a description of the proposed units as well as an artistic rendering:

“The idea is to capture the transient market of people coming from urban areas to work at the colleges,” Buhl said.  “They would ultimately buy a house, but don’t know where to locate.  We’re looking for young, two-worker families.  It’s an in-between type of rental of higher-end people that we’re looking for.”

Cayuga Farms has gone through several changes over the past recent years.  Originally it was conceived as a 144 unit townhouse condominium community.  Today it is being packaged as a 102 rental two and three bedroom townhouses with one or two-car garages in a total of 21 buildings.  Buhl characterized it as a high-end development targeted at young families who may have moved to town to work here, renting for a while before purchasing a house.  He said rents will range between about $1,800 and 2,200 per month…

cayugafarms elevation
An artist’s elevation of the proposed design for the townhouse buildings

These do seem to be aimed at a wealthier renter. So, could these be McMansions? These townhouses do appear to have some of the features tied to McMansions. A multi-gabled roof. Big emphasis on garages. A mish-mash of styles on the facade. Possibly two-story entryways (the windows right above the door do suggest this). Odd dormers on the third story. Windows of all sorts of sizes. Porticos at the front door. Height and width that seems to dwarf the green space between the driveways.

Yet, I think not being single-family homes is a big barrier as McMansions are viewed by critics as cartoonish versions of the single-family house. The design of townhouses seems not to be as much of an issue. Perhaps this is because there are fewer design options for townhouses or because they tend to be located within their own developments (avoids teardown situations) or density is a bigger issue for opponents compared to design.

My verdict: these look like McMansions but can’t quite be labeled McMansions.

“America’s Ugly Mansions”

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As this Forbes piece notes, “Money, after all, doesn’t buy taste.” See some of America’s ugliest mansions here:

“Everyone has opinions on other people’s houses,” says Sarah A. Leavitt, a curator with the National Building Museum in Washington, D.C., which recently unveiled the exhibition House and Home, surveying how the American hearth, from two story colonials to row houses, has changed over the last 200 years. For some, their nightmarish take on someone else’s dream home may be “because they would have done it differently.” For others, the critique may be “because they can’t afford it.”

Most homes, after all–colonials, capes, ranches and splits, follow the same boxy patterns. Developers “have to appeal to the common denominator,” Leavitt says, leaving only those with deep pockets to tailor their own palaces.

One thing seems to unite these ugly homes: they have features or portions that are out of proportion with the rest of the house or with what people typically expect in homes. Take the Gas Station home. A portico is not necessarily a problem but one that extends over the driveway at a two-story height looks cartoonish. Or the Concrete Blocks house. Concrete can be effectively used in modern architecture but an elongated concrete garage looks like too much. Thus, if you have money and want a big house, try to have a design that has some moderation.

If you want to vote for which home you think if the worst, go here.

Creating the “mobile-ghetto” in major cities

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Affordable housing is scarce in many major global cities so one architect has a design for the “mobile-ghetto”:

So as Malka sees it, Parisians need a way to “reclaim” the city. His idea is a modular micro-city consisting of rooms that attach to scaffolding built around existing infrastructure, like barnacles clinging to a ship. He calls it the P9 Mobile-Ghetto, and has imagined them here hanging off the side of the Pont Neuf bridge in Paris.

“In a time when we are getting more and more mobile, not only regarding our phone and laptop devices, but also…the increasing number of freelancers or homeworkers, mobile-cities would totally change the uses and the morphology of the city,” Malka says. In practice, this means that the idea of a third space—in which city dwellers inhabit coffee shops and parks the way others gather in their living rooms, or regard shared bicycle programs as their own bikes—extends to include a smattering of rooms or event spaces created for the public, and run by the public. The bridge can become your meditation center; an out-of-use monument could become an art gallery.

Obvious complications with zoning and historical preservationists aside, Malka says the Voluntary Ghetto is technically plausible, and would just require using scaffolding to support shipping container-sized rooms. That said, this (conceptual) new layer of infrastructure says more about urban lifestyles than it does about feats of architecture. Would Parisians (or New Yorkers, or Londoners, or any city residents) delight in finding more intimate, indoor, spaces, or would it feel like a brash paint job on a historic city? “If there is an utopia in this project,” Malka says, “it’s more in its social dimension than its architectural aspect.”

Two quick thoughts:

1. Shipping container type structures are popular these days since they are relatively available and have a standard size. Yet, I wonder how communities would respond to the architecture that is often made with them. For lack of a better descriptor, it is boxy. It is one thing to supply affordable housing; it is another to put these sorts of designs on the Pont Neuf. Add that to the barnacle type image and it doesn’t necessarily look pretty.

2. A design like this or other recent innovations like tiny houses really can be limited by zoning laws. Major cities are often mazes of zoning regulations. While these zones exist for a reason, they can often make true innovation quite difficult. How much would cities be willing to revisit their zoning laws to allow spaces for these sorts of designs that are smaller and more flexible? I’m not imagine an overlay district – that is simply putting a temporary or permanent zoning change or exception over existing zones – but rather revisiting the whole thing to adapt to buildings and spaces in the 2010s.

What are the “dead giveaways” in landscaping outside a McMansion?

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One forum generates ideas about what kind of landscaping clearly marks a McMansion:

Most mcmansions in this area (mind you that’s only upper-middle class, not very upper class) have one tortured looking weeping nootka falsecypress, one fat albert spruce, a weeping mulberry and/or a callery pear…

MULCH. Large expanses of mulch dotted with discrete plants. Screams modern, if not commercial…

I think black mulch is the 2014 version of red mulch. Any dyed mulch screems Mc mansion to me. Undyed mulch used for function is ok but any munch used as decoration looks unnaturally trendy to me…

Faux “outcroppings” of rock are another big millennial landscaping conceit to avoid. I am not aware of many spontaneous outcroppings of rocks and plants with a waterfall springing out of it in the middle of Indiana. The ones that are there are probably planted. Just say “no”…

Too many hydrangeas. But ultimately, I think the “McMansion” look is one that is too manicured, too perfect and planned out…

Basically, 98% of American McMansions (or even what pass for mansions these days) are ridiculously over landscaped, at least compared to the European manors and stately homes they are claiming as inspiration. Just as the building architecture itself is often a bad, ham-fisted copy, the “design on the land” descends into contrivance and excess. I’ve heard of more than one case now of a 10-20 year old planting of “foundation shrubs” being ripped out because it had become unmaintainable and was overpowering the facade of the house. I suspect we are at a tipping point where there is soon going to be an article about it and partial backlash.

 

Some interesting ideas throughout this long thread. McMansions tend to try to impress observers with their features – whether that includes turrets, big entrances and foyers, multi-gabled roofs, stonework (or fake stones), numerous windows, mish-mash of weighty older styles – but the landscaping may not get as much attention. One factor common across these comments is that McMansion landscaping doesn’t account much for long-term appearance and care of plants. In other words, the landscaping is also meant to impress or get the job done but may not serve the home and the owners well 10-20 years down the road. If this is true, then the McMansions are what critics suggest: homes with limited staying power once you get past the facade (or landscaping).

Why are The Property Brothers renovating a Las Vegas McMansion?

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The Property Brothers at Home recently started on HGTV and it involves renovating a large home outside Las Vegas. Though they don’t call it this, here is why the home is a McMansion:

1. It is about 5,000 square feet. Plenty of space inside, particularly with the cavernous living room.

2. It is on a quiet residential street about 11 miles outside of Las Vegas. Classic suburban setting.

3. It is a relatively new build. It does beg the question of why a relatively new house needs so many new design ideas.

4. The home has a Mediterranean exterior which is not exactly “native” to Las Vegas (though defining “native” Las Vegas architecture could be interesting).

5. It was purchased as a foreclosure. Las Vegas was one of the foreclosure centers in recent years.

There are a few factors going against the McMansion trend: the home does not necessarily seem poorly built (often a critique of mass-produced homes) and it is on a decent size lot.

Why would the Scott brothers want to be associated with such a home? I understand that they are putting their own personal touch on it but many critics would argue they are starting from a bad place: garish home in a lonely suburban neighborhood in the metropolitan region that exemplifies suburban and consumerist excess.

Frank Gehry answers critics of the Lucas Art Museum design

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Architect Frank Gehry suggests Chicagoans will come to accept his proposed design for the Lucas Art Museum:

Chicago is a great city for architecture and has historically supported innovative, forward-looking work. There is a natural impulse to deride a project in the early stages of design, particularly one that has a new shape or expression.

This is not a new concept.

The Guggenheim Museum in Bilbao, Spain, the Eiffel Tower in Paris and even the Monadnock Building in Chicago had many early critics. In my own experience, the Walt Disney Concert Hall in Los Angeles was called broken crockery when I first went public with it, and that was the nicest thing that got said. In Bilbao, the newspapers had an article asking for the architect of the museum to be killed — that was me! All of these projects have gone on to be great assets to their mutual cities, and I think the same will be true of the Lucas Museum of Narrative Art and Chicago.

The work presented for the Lucas Museum has precedent. It’s not just out of the blue; it is something that has been in the air for many years. The use of rooftops as public space has precedent in the Malmo Concert Hall in Sweden by Snohetta. It is one of the first great examples, and I think it has proved very successful. Zaha Hadid has used flowing forms in many of her projects to great effect. If we go even further back, Eric Mendelsohn was using organic forms to create his masterpieces such as the Einstein Tower in Germany…

Please do not dismiss it because it doesn’t look like something you’ve never seen before.

An interesting plea from the starchitect. Chicago is indeed an important city in architecture, particularly with the rise of the International Style in the post-war era. Yet, Chicago doesn’t have too many whimsical or rounded designs as its larger buildings tend to stick with older Green styles (think the Museum Campus), modernism (International Style of glass-walled skyscrapers), and the occasional postmodern touch in a high-rise or tall office building.

If Gehry is right that cities tend to accept his work down the road, does his line of reasoning cut off any potential criticism from the start? Gehry suggests new designs may be unusual but they tend to be liked down the road. But, there are buildings that are constructed and people never quite take a liking to them. As another example, Gehry’s design for the Eisenhower Memorial in Washington D.C. has prompted a lot of debate. How would we know if the Lucas Art Museum is one of those cases that is not popular years later? The location near Lake Michigan and the public interest in such land is not likely to do the building’s design any favors.

“Milan’s ‘Vertical Forest’ Declared 2014’s Coolest High-Rise”

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The winner of an international high-rise award is a “vertical forest” in Milan:

Milan’s “vertical forest” has been named the winner of the 2014 International Highrise Award. Rising above a shortlist of towers by Rem Koolhass, Jean Nouvel, and Steven Holl, Boeri Studio’s Bosco Verticale was selected for being an “expression of the human need for contact with nature.”

“It is a radical and daring idea for the cities of tomorrow, and without a doubt represents a model for the development of densely populated urban areas in other European countries,” continued jury president Christoph Ingenhoven. It’s got like 900 trees on it.

Not exactly pristine nature here but an innovative way to include a lot of trees. Here is more on the benefits of the trees:

Said Boeri Studio in a statement, “this is a kind of biological architecture that refuses to adopt a strictly technological and mechanical approach to environmental sustainability.” Along with the saplings, some 5,000 shrubs and 11,000 floral plants are planted on the balcony of each apartment, with the aim of creating a microclimate of sorts able to filter out pollutants and oxygenate the area, fed only with the tower’s wastewater.

What if these trees were fruit trees or other kinds of plants? I suppose this could cause problems with falling objects but they could also provide food in addition to providing more nature.