Tag Archives: design

A video tutorial on how to build a McMansion in The Sims

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Two players put together a McMansion in The Sims and you can see the process here.

A few thoughts:

1. If I heard correctly on the video, this originally took 3 hours to build.

2. The builders note that this is a modern home yet the headline says it is a McMansion. While it is a large home and clearly has some wealth (located on a canal), the design does not necessarily make it s stereotypically American McMansion.

3. This has over 21,000 views in 2+ days.

4. The designers intended to have a fountain outside the house but alas, it was never constructed. That fountain would have contributed to a McMansion style.

5. Interesting that this features two Aussies. If there is one country in the world that can rival the United States in McMansions, Australia is it.

6. I get the impulse to design things in games like this. While I have never done much with The Sims, I’ve spent a lot of time doing similar things with urban planning in SimCity. Yet, I’m curious to know how much homes like these enhance the gameplay. How much better is it to have a family of Sims living in a custom-designed home like this compared to the average home?

Wherever you go, you just can’t escape those pesky McMansions…

Noted architects often have uninspiring graves

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A new book suggests while noted architects may have designed important buildings, their gravesites don’t often reflect their skills:

I was inspired to visit Graceland, located at 4001 N. Clark St. and home to the graves of many other notable Chicagoans, by the new book, “Their Final Place: A Guide to the Graves of Notable American Architects.” This slim, self-published volume is no masterwork, but it raises an intriguing question: How, if at all, do architects, who spend their working lives creating monuments for clients, choose to memorialize themselves?…

What Kuehn discovered is surprising: The aforementioned memorials at Graceland, which distill the essence of their subjects’ architectural style and achievements, are the exception, not the rule. Many architects are buried beneath simple headstones. Some look as if they were ordered from a catalog.

“It seems strange that these great architects, who created landmark structures during their lives, put so little thought into how they themselves would be memorialized for time eternal,” Kuehn writes. “Apparently most of these architectural giants, like most of us ordinary people, either did not feel like dealing with death or felt that a lasting memorial for them was not important.”…

Yet he notes a countertrend: Many architects have had their ashes scattered on bodies of water, on landscapes or in buildings that have special meaning. There’s no memorial to Chicago architect Harry Weese at Graceland; Weese, a sailor, wanted his ashes scattered on Lake Michigan. In another interesting tidbit, Kuehn reports that the ashes of Paul Rudolph, a former dean of Yale’s architecture school, were distributed in several places, including the ventilating system of the Rudolph-designed Yale Art and Architecture Building (now called Rudolph Hall).

Perhaps these architects put all they have into “living” buildings or the scale of a memorial is simply too small? The flipside of an analysis like this would be to then look at the people who do make elaborate plans for their graves and death. If they aren’t architects, are there patterns to those who do prepare?

I do wonder how more elaborate memorials might be received. I’ve seen a few articles over the years criticizing larger gravestones or mausoleums, tying the excessive size and cost to McMansions. The key here might be to create tasteful, innovative, and relatively small graves.

Question: “Are MOST homes built in the 80s or later ‘McMansion’ style?”

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One post at city-data.com asks whether McMansions have dominated housing since the 1980s:

Are MOST homes built in the 80s or later “McMansion” style?

Would you say the majority of homes built in the past 35 years in America have that ugly vinyl siding and are made of cheap materials?
The discussion thread goes in some different directions. Most of the responses have to do with the particular traits of McMansions and whether vinyl siding and cheap materials is enough of a definition. As noted, homes of a variety of sizes could have these features. The stereotypical features of McMansions often include lots of square feet, two story foyers, impressive fronts yet a neglected back and sides, multi-gabled roof, and an imposing garage.
But, the direct answer to the question regarding the number of McMansions is a clear “no.” Even at their peak, McMansions – defined by square feet – were never even a significant percentage of the market. Here is an update on this data from the Washington Post:
In 1973, the median newly-completed single-family house was 1,525 square feet; forty years later, in 2013, it was 2,384 square feet. That is a record high.
That’s just the median, of course. But the share of newly built homes that are at least 4,000 square feet is now at 10 percent, equaling the series’s peak in 2008, after having dipped slightly immediately after the crash. The share of homes that have at least four bedrooms is also at a historical high, at 44 percent. That’s almost twice the share in 1973.
At the same time, McMansions became quite a popular topic, whether viewed as emblematic of poor architectural quality, teardowns, excessive consumption, or suburbia or tied McMansions to the housing bubble of the mid-2000s. From some of the reports, you might think there are a lot of these homes built each year but this is not the case. Just to repeat: most Americans do not live in McMansions, even in the suburbs or more conservative areas.

Thinking about “The Language of Houses”

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A review of the new book The Language of Houses summarizes what American houses have to say:

Lurie serves as able guide on an opening overview of basic architectural themes: style, scale, materials. Concepts such as formal and informal, open and shut, darkness and light, as well as the influences of foreign and regional idioms, become the building blocks on which she proceeds into her discussion of dwellings. We learn that the simple, unadorned, home intended to convey “green” values, often uses “old bricks and boards that in fact cost more than new ones,” while a suburban McMansion’s pricey entrance is coupled with cheap siding and exposed ductwork out back. She chronicles the evolution of the Colonial meeting house into Gothic worship sites that are mini-theaters with their raised altars, lavish pipe organs, and stage lighting. Gender differences abound: In homes and offices, men prefer what she calls “prospects”; women, “refuge.”

Lurie’s most interesting material limns trends and their policy implications. “The average new home size in the United States was 2,673 square feet in 2011, up from 1,400 square feet in 1970 and a mere 983 square feet in 1950,” she writes. “Meanwhile, though the average size of the American family has been shrinking, the size of individuals has increased.” Has modern architecture contributed to obesity with its elevators and elevated temperatures, she asks? Or this: Second homes often depart in style, décor, and locale from first homes, suggesting an inner void in our everyday lives for which we seek restitution on the weekends.

“[U]nattractive, cheap, badly designed buildings appear to have a negative effect on both mood and morals,” Lurie writes. Rundown and crowded dwellings communicate danger and neglect. Despite these seemingly obvious truths, Lurie informs us, many public buildings are designed intentionally to resist what one sociologist calls “human imprint.” These — prisons, public housing projects, factories and some offices — have few windows or doors, uniform design, and high security. To the list one might add: big-box stores, public schools, fast-food chain restaurants, airports, and low-budget subway stations. As a category, these instances of “hard architecture” occasion “anxiety, irritation and the (sometimes unconscious) wish to leave. Eventually, those who cannot get out will become restless and angry, or passive, withdrawn, and numb.”

Lurie maintains a light touch with such damning observations. But if we take them seriously, it would seem that the funding and design awards for spaces where large percentages of the population spend most of their waking hours demand greater vigilance on the part of urban planners.

Sounds like it has potential: built environments have the ability to influence social behavior. At the same time, the review suggests there isn’t much data to back up these observations and linking the direct effects of environments to behaviors is more difficult.

Perhaps the bigger issue overall is an American culture that tends to privilege efficiency, leading to clunky houses and buildings that function just fine but don’t offer as much in the way of customization and beauty. If the goal is to get a house that offers value and more space for the money, then considerations like quality materials and creating a good fit between the owners and the house matter less.

McMansions show disconnect between “worker[s] and automated tool[s]”

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A new book suggests McMansions are the result of automated home design:

The author of the new Building a Timeless House in an Instant Age is well-qualified to criticize. He’s a nationally recognized authority on historic design, and architecturally correct moldings and millwork. From 1991-93, he attended North Bennett Street School in Boston, the nation’s oldest trade school – one that’s evolved into jewelry making, bookbinding and museum-quality historic preservation…

“If you look at the Pyramids, you understand the Egyptians by what they were building,” he says. “McMansions are not really what we want to say about ourselves.”

They are the products of a mechanized disconnect between worker and automated tool, even between architect and computer. “Most architects draw by hand and then enter the drawing into AutoCAD, and there’s a separation between the hand and the head,” he says. “It’s the same thing with craftsmen looking at their computer while a router cuts the wood.”

What’s lost is the classical sense of scale and proportion – and a cultural heritage.

“There’s a separation that’s taking place that’s not good for us – we’re falsely assuming that were improving as we go to AutoCAD,” he says. “The beauty is in the human quality of the hand-cut piece, but a machine puts an impersonal imprint on that.”

It sounds like this is less about McMansions and more of a critique of automation and mass production. McMansions may be the symptom of mass produced homes but they weren’t the first. Similar complaints were leveled against the Levittowns and early mass suburbs which were viewed as too uniform. Those early mass homes were partly the result of changing technology: earlier American homes were built with beams, requiring heavier pieces of wood, and constructed mostly by small-scale builders or the homeowners themselves. The balloon-frame home opened things up to mass production since it relies on uniform pieces of wood.

At the same time, balloon-frame homes don’t necessarily have to be built to look like or to be the size of McMansions…

Architecture students also required to take sociology

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If pre-med students have to take a sociology course, why not architecture students?

FOA principal Jagbir Singh told TOI that the need for study of sociology was felt to inculcate sensitivity among students to better understand needs of the society.

“Students should not merely understand the needs of the client but also be sensitive towards the latter. The psychological aspect should also be covered while talking to the client,” said Singh.

The 50-mark paper is divided into two equal parts comprising session and main examination. The course will carry two credits. The objective is to familiarise students with basic concepts, theories and issues of sociology and its relevance to architecture. The course curriculum will have six modules covering the basic concepts and teaching students about the social aspects.

Architecture is more than just creating a beautiful space or a functional design. Real people use buildings and spaces so considering their beliefs and behaviors a bit more could lead to designs that work better for people’s lives.

It would be interesting to then see how architecture students use the sociological information in their architecture studies and in their careers. What exactly do they retain and put into practice? It would also be interesting to compare buildings and spaces constructed with explicitly sociological ideas versus those motivated by different ideas.

Renovating a McMansion: “Help! I want Country Understated Natural and it screams Mcmansion”

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One McMansion owner is looking for help in redesigning their home:

I did not build the house and I want it to be lodgy, understated country? It is Tony Soprano in its bones…If I changed the siding to the cedar color– would it be too monotone? I would like to use that grey cedar for the door. What can I do about the square panel details which have the red rosettes? I thought a trellis/lattice design there could work there but…not really. The hardware should be copper for the door handles and the light fixtures-any suggestions for the exact kind/type or go with vintage or gas lantern look-but which one and how large? Any suggestions overall, any advice…APPRECIATED!

The subsequent suggestions range from from changing the exterior color to a different kind of siding and roof to changing windows.

But, this brings up an interesting question: how much can and should homeowners remodel McMansions? Critics would argue that the homes shouldn’t have been built or purchased in the first place but plenty exist. The same critics may go on to note that renovation projects might be difficult and expensive with McMansions because of inferior build quality or a lack of design. However, it is likely that many McMansions would undergo significant changes over the decades. This is what happens to single-family homes – just look at some of the original Levittown homes and how they have been altered. There may be a huge potential market for firms to offer McMansion renovation services, to come in and spruce up the dated portions and/or overhaul the more garish features (two-story entryways, large great rooms, many gabled roof, etc.).

Can a former McMansion be converted into a non-McMansion with a reasonable amount of money and time?

Fight McMansions with Modernist homes

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You don’t need a tiny house to fight McMansions – Modernist homes can also fit the bill.

The reaction is much the same as the humdrum McMansions along Mr. Farrow’s Oakville street tick past the car window in a blur of beige.

Halfway down the long avenue, a first-time visitor to the Farrow Residence gasps at the sight of the sleek, low-slung Modernist abode.

Designed in 1962 and completed in September 1963, the Breuer-esque home hasn’t changed much since Mr. Farrow completed the last addition in 1973, when a summer porch and pool were added to the back. Before that, in 1970, when the couple’s two young boys were closing in on their teen years and needed more space, the original carport morphed into a bedroom wing, and a garage was tacked onto the other side. Not that you can tell: An architect rarely uses a heavy hand when rejigging his own vision and, in this case, it’s the same “old Dutch” bricks, same window configurations, same massing…

Peppered throughout the 3,000-square-foot home are Mr. Farrow’s intricate and amazing carved birds, a hobby that has kept the 1958 University of Toronto graduate “out of trouble” and “away from the television” (and perhaps out of wife Diane’s hair?) – when he wasn’t designing hundreds of hospitals, schools and churches.

There are numerous lines of attacks on McMansions but this one is a good example of solely criticizing the architecture. This Modernist home is not small (3,000 square feet) and not necessarily cheap (though the construction cost or the current value are not noted). Its key advantage over the McMansion is that is was carefully designed by an architect. Because of this, it is not like the “humdrum McMansions” and it has remained stylistically consistent even with additions and modifications over the years. Whether the architecture is enticing to many is not the issue – the article mentions one women who wondered why the home had no windows on the front – but rather than it is architecturally coherent.

That McMansions are dull and repetitive is a continuation of the long-running critique of suburbs that suggested similar houses (see the limited Levittown models) leads to boring people and neighborhoods. I haven’t seen any study that confirms this but rows of similar-looking houses can present quite a contrast to vibrant urban neighborhoods with a mix of buildings. Of course, you can also find repetitive urban neighborhoods like the new rows of apartments going up in Chinese cities or modernist housing projects built in the mid-1900s that didn’t turn out too well…

Plans for a temperature controlled, 48 million square foot indoors “city” in Dubai

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The building boom in Dubai continues with plans to build a massive indoor city:

united arab emirates’ vice president and prime minister, sheikh mohammed bin rashid has announced the world’s first temperature controlled city to be constructed in dubai. the vast 48 million square foot project, entitled ‘mall of the world’, will contain the planet’s largest shopping mall and an indoor theme park covered by a retractable glass dome that opens during winter months…

envisioned as an integrated pedestrian city, seven kilometer promenades connect the design, bringing together a wide variety of leisure, retail and hospitality options under one roof. a cultural district forms the hub of the site, with a dedicated theater quarter comprising a host of venues. the ‘celebration walk’ modeled on barcelona’s las ramblas will connect the district with the surrounding mall containing a range of conference, wedding and celebration halls.

The pictures are quite interesting. The scope of the project raises several questions:

1. At what point does an indoor space transition from being a mall to being a city? Others have proposed towns or cities within buildings (even immortalized in arcologies in SimCity). But, this development is clearly within Dubai and the comments from officials indicate it is closely tied to tourism. So, it doesn’t quite sound like a city unless you want to make it sound more impressive.

2. With the emphasis on tourism, just how authentic will this space really be? If this is just for tourists, that is a lot of space to maintain and make exciting. If it is more mixed-use and include residential units, then some genuine street life could develop. Put differently, is this a Dubai version of the Las Vegas strip or something different?

Regardless, if this all is completed, it would be a sight to behold.

Quick Review: Cubed

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The book Cubedtackles what has become a ubiquitous space in today’s America: the white-collar office. Here are some thoughts about the book:

1. While the book might appear at first glance to be about office spaces, it is largely about the development and evolution of white-collar workers in the United States. This shift from farming and manufacturing in the late 1800s to office and clerical work was a profound shift in American society that affected everything from women in the workplace to educational aspirations to what it means to be middle class to what urban downtowns look like. It isn’t just about cubicles or desk chairs; it is about a shift toward knowledge workers increasingly laboring for big corporate America. It may seem normal now, but it is a remarkable shift over roughly 100 years.

2. While this shouldn’t be surprising given the field of architecture and design, it is still remarkable how much of office design was about trendy ideas and theories than on-the-ground information about what makes offices work. Thus, a history of American offices includes Taylorism, Le Corbusier, and Peter Drucker. Have a new idea about the intersection of work spaces and human interaction? If it is popular enough, it is likely going to going to be translated into office designs. Unfortunately, some of this theorizing comes at the expense of workers who were guinea pigs.

3. The book does well to include plenty of sociology, particularly picking up after World War II as sociologists like C. Wright Mills noticed the big shifts in society. At the same time, it strikes me that there isn’t enough well-known sociology about office life and American businesses more broadly. This may change in the near future with more economic and organizational sociology but it seems like a missed opportunity in the past from a field that focused on other topics.

4. This is the sort of book that would benefit from more pictures and architectural plans. There are some scattered throughout the book but I could easily imagine a coffee table companion book with rich photos and designs of iconic office arrangements. It can be hard at times to visualize the major patterns.

All in all, the book is a nice overview of American offices in the last 100+ years. There are numerous places where this book could have ballooned to many more pages but it doesn’t feel like the author is painting with too broad of strokes. Indeed, if we want to understand America in 2014, perhaps we should look less to Washington, glittering skylines, and the entertainment industry but rather examine what millions of Americans experience regularly in their offices.