More movies have Oscar appeal than can be nominated so many don’t get the Oscar money boost

A forthcoming study in a premier sociology journal looks at the formula for Oscar nominees and how it affects the money they make:

So is it a good idea for movie makers to pursue Oscar nominations? Rossman and Schilke’s research suggests that it probably is not. Rossman and Schilke use data from the Internet Movie Database to identify the themes of a very large set of movies. They then look to see how well each movie’s themes match the themes of Oscar nominees in the five years before the movie was released, to figure out how well the movie matches the “Oscar formula,” while also accounting for other factors (e.g. the studio that released the movie) which could affect the movie’s Oscar chances. This allows them to figure out the ‘Oscar appeal’ of each movie in their dataset. On Rossman and Schilke’s measure, movies like The Hottie and the Nottie have very low Oscar appeal, while movies like Out of Africa have high appeal.

The problem is that there are lots of movies with Oscar appeal, but far fewer movies that get nominated. Because the Oscar nominee list imposes a sharp cutoff (movies either get nominated or they don’t), movies that just failed to make the Oscar nomination cut are likely to do far worse than movies that just about got on the list, even if the two are of more or less equal quality. The financial losses of the failures counterbalance the success of the nominees.

As Rossman and Schilke conclude: of achieving Oscar nominations, Oscar appeal has a negative effect on financial returns. In essence, there are two types of high Oscar appeal movies—those that do not receive nominations (and tend to lose money) and those that do receive nominations (and tend to make money)—but taken together these two types of movies are no more nor less profitable than movies with low Oscar appeal.

This seems to fit other evidence that it is very difficult to predict which mass culture products will be successful – whether movies, music, or books – and the more successful ones can make enough to offset the losses from producing all the rest.

Quick Review: The King’s Speech

The upcoming Oscars seem to be a battle between two films: The Social Network (see my earlier review here and sagescape’s here) and The King’s Speech. I just had a chance to see the second film and have some thoughts about this Best Picture contender.

1. Since this is a historical drama, I expected this film to be somewhat bland and formulaic. It was neither.

2. There is a little bit of a storyline about the gap between British royalty and the common people. In the film, this gap is between King George VI and his speech therapist, an untrained but effective practitioner. The question arises: how can someone rule a country (and empire) if either side has little idea of how the other lives? We could probably ask similar questions today about many of the people at the top of our social hierarchy.

3. The film had more humor, albeit fairly dry, than I was expecting. I don’t know that I would think of Colin Firth as a comic actor but he has some good lines spoken by a struggling character.

4. The context of the film is engaging as Europe inches toward World War II. Even if the timeline in the movie doesn’t quite match the historical record, the struggles of King George VI are heightened by the gathering storm.

5. The peak of the film is a speech by King George VI. Even though it is an important speech delivered at a key historical moment, I appreciated that the musical score and the editing was understated and intimate. Too often, I think films use music and editing as a crutch to cover up less-than-exciting climaxes. Good plots don’t need to be oversold.

6. I thought The Social Network was interesting but not great. In comparison, The King’s Speech is weightier, has better acting, and doesn’t have to rely on edgy dialogue or a current storyline. My vote for the Best Picture (between these two and the other nominees I’ve seen including True Grit, Toy Story 3, and Inception): The King’s Speech.

(Critics also like this film: says the film is 94% fresh with 188 positive reviews out of 199 total reviews.)