I argued earlier this week James Bond is an international figure who doesn’t fit the sentimental idea of home. But here is a look at the homes of the actors who have played James Bond – and they seem to be more of the conventional movie star type of home. In other words, big Hollywood mansions. So it appears the actors who play Bond tend to have the kinds of homes that Bond himself would not want to be tied down to as he worked missions around the globe.
Tag Archives: single-family homes
Can you imagine James Bond living in a McMansion?
Here is an interesting thought: could James Bond live in a McMansion?
When I first heard that “American Beauty” director Sam Mendes had been tapped to make the newest James Bond film, I wondered how the choice might transform the series. Would we find Bond sitting in a McMansion wearing a cardigan and brooding over a failed marriage? Would his spy gadgetry be disguised as high-end kitchen appliances that symbolize the emptiness of American life? Would we discover in the end that the true enemy was, in fact, the inescapable horror of suburban ennui? Would he switch his drink order to white wine?
Fortunately the answer on all counts is a firm no. With “Skyfall,” the 23rd entry in the Bond franchise, Mr. Mendes has not altered Bond so much as found the character’s core and polished it up for a modern age. He has made a Bond film that is different from its predecessors, but almost entirely in ways that are improvements. It is the most beautiful Bond film. It is the darkest Bond film. It is the most psychologically revealing Bond film. And for these reasons, it may also be the best.
The easy answer is that James Bond is too suave to ever live in a mass-produced, garish McMansion. Plus, McMansions are a little too much new-American for Bond.
But, then I started thinking about the homes in which James Bond might live. I haven’t seen many of the movies but I have read some of the books and I don’t remember too many instances of James Bond even being at home. Bond is not the sort of character who is tied down to a sentimental, comfortable home. The concept of home is related to being tied down and having roots. While the quirky Sherlock Holmes is commonly found in his home and office, Bond doesn’t fit into a domestic scene. Rather, Bond is a world-traveler who can look cool in all situations. He doesn’t need a home much.
In the end, how much of Bond’s appeal is tied to being anti-domestic?
Solar panels are not just only for McMansions
It’s solar Friday around these parts (job growth! innovation! sabotage!), with the news getting more and more awesome. Solar isn’t just for the rich, and it doesn’t only belong on skyscrapers and McMansions, but also on homes for families who qualify for Habitat for Humanity.
PG&E has donated about $1.7 million in the form of solar panels for 64 Habitat homes in the Bay Area. The solar paneled homes generate about 300 kilowatt hours a month and cause a yearly reduction in utility bills of about $500.
Overall, Habitat for Humanity is no environmental slouch these days, recently registering its 100th LEED certified home in Michigan.
I don’t know if this was the intention of the article but this seems to be highlighting the relatively high price of solar panels. The suggestion at the beginning is that one can only find solar panels on wealthy houses, like McMansions. (There might also be room here to debate whether McMansions could truly be green, even with plenty of solar panels.) Thus, we need to look at the example of Habitat for Humanity where they have found ways to be green even while providing cheaper new house for those who need it. If Habitat for Humanity can make this happen, can other builders?
I wouldn’t be surprised if solar panels become very common on new houses in the next few decades. Not only are they green, it could help homes become more self-sufficient, something I think plenty of homeowners would like in the wake of disasters like Hurricane Sandy. Yet, we have been hearing for years how solar panels are supposed to become cheaper and thus more accessible to more Americans but it hasn’t happened yet…
Key to promoting small houses: it needs to be cool
A columnist discusses small houses and how the houses need to be “cool”:
How the poor fit their families into these tiny spaces has become the stuff of wonder for the urban young seeking to do likewise in expensive cities — but with considerably fewer people and more polished style. This month’s Dwell magazine, the hipster bible, shows how these clever people can turn a two-room third-floor walkup into a stylish and low-maintenance place. The “Small World” issue features houses that are 235 square feet, 900 square feet and 2,000 square feet (that’s cheating, IMHO)…
What makes small living spaces cool — in addition to their historic environs — is the thinking that’s involved, the sort of thinking you need heavy black-rim glasses for. You have to “curate,” a favorite hipster word. That is, you pick the one or five things you really want to keep and get rid of the rest. This can be a brutal task.
Minimalism is an attractive ethic in moderation. (Bare concrete walls don’t do much for me.) But it remains my dream. The iPad, though I love it, hasn’t replaced my affection for books. Where do you put the books in 500 square feet? You don’t. You store them in your parents’ basement or a rented storage unit — a minimalist cop-out, but one I understand…
Once the thinking is done, though, you can ponder higher things, like writing a symphony, inventing a new app or what’s for supper. That’s because the stuff you got rid of doesn’t have to be moved around, polished or updated. And money is time. You save hours not shopping for more stuff. The smaller spaces cost less to buy, heat and electrify. Fixing one leaky toilet is cheaper than fixing four. All this adds up to less time spent in unpleasant day jobs trying to pay for consumption. Less of the material also creates less distraction. There’s a reason why holy men choose small, bare rooms for meditation.
The columnist puts the tradeoff this way: you can either choose to store all your stuff (perhaps left over from all of those trips to Costco) or live in a a more minimalist, sleek, and cool setting. This is getting at a larger issue: for people to move into smaller homes, there has to be a positive image associated with them. This image would be the opposite of the use of the term McMansion which is generally meant to be derisive and criticize people who chose size and impressiveness over quality and fit. Small and well-designed could indeed be considered cool if it is branded (associated with certain lifestyles, symbols, and values), marketed through the appropriate channels (like Design magazine), gets the right endorsements (what if a bunch of Hollywood celebrities moved this direction?), and other social forces, like a down housing industry and economy, push people in that direction.
Is a McMansion truly a better scary movie setting than a smaller, older house?
In the last few days, I’ve seen a few stories about horror movies that take place in McMansions (see here and here). Are McMansions inherently scarier than smaller and older houses? I’ll offer a few arguments for each.
On the side of McMansions:
1. Bigger houses allow more room for weird things to happen and more space for bad creatures to pop out of. The victims have room to run away and utilize rooms they may not have entered in weeks (because the house is just that big!).
2. Perhaps residents of McMansions and all of their faux wealth (according to critics) are more deserving of bad things happening to them or are more naive and innocent. Either way, there is something about McMansion owners that makes them better targets for these films.
3. It is really about a commentary on the foolishness of buying and living in McMansions. Perhaps the horror is the inevitable result of American individualism and consumerism.
On the side of smaller and older homes:
1. They are more claustrophobic. There is nowhere else to go.
2. They are older so there is more potential for odd backstories (think of all of those old owners) or odd places (unused cellars, crawlspaces, attics, etc.).
3. The homeowners may be of a different demographic – they don’t have the wealth to live in McMansions or new homes – so there is potential for different kinds of story lines beyond wealthy and pampered teenagers or young couples who have “made it.”
I think McMansions are an easy target for horror movies and other cultural critics. Most Americans don’t live in them but they symbolize the kind of well-off life that contrasts with darker stories. Of course, dark things can happen in all kinds of houses…
Failed interactive graphic comparing American houses to homes around the world
I was hoping for more when I saw this interactive graphic about homes around the world. Alas, this offers more style than substance. When you click on a country, you see a picture of one house, the average family income, the average household size, and an “odd” fact about the country. Indeed, I suspect this is more of a marketing ploy by the company sponsoring the graphic than anything else…
Here is what I would want to see if I could have my way:
1. Pictures of multiple “average” houses.
2. The average square footage of homes. Compared to other statistics available about countries around the world, it can be quite difficult to find good information on the average square footage of existing or new homes.
3. The average amenities of homes. Even if houses look different or are different sizes, this might be more interesting to a lot of people.
4. The average cost of homes or some measure of how much people in different countries pay for housing.
These four pieces of information would provide a lot better comparison to American homes.
Defending new large homes by arguing the new homes are certainly not McMansions
Here is an example of how to defend the construction of large, new homes: argue that they are certainly not McMansions.
When the Anderson home on Ridge Road in Rumson was demolished to the dismay of many, Rumson Historic Commission President Jim Fitzmaurice defended new construction, saying the work of most of the area builders was not tantamount to that of a cheap, McMansion-type reputation, but high end and diverse.
“The term McMansion is often used as a term of derision to describe new large homes,” Fitzmaurice said in a blog on Patch. “I believe the term is inappropriately applied to most of the new construction in Rumson [and the surrounding area]. The term should be reserved for cheesy false front monstrosities, clad in vinyl siding on the sides and back. The homes being built by most of the high class builders in our area are nothing of the sort and will someday be the focus of another Historic Commission in the future.”
Fitzmaurice had said in an interview that he knew of some high quality new construction and revamping of smaller homes in the area as well.
When asked if the trend was one that, as it was followed, ended up pushing out diversity more and making the borough one that could only be afforded by purchasers of larger homes with bigger families, Lucarelli said that while that was not the intent, the need for larger homes and proximity to good schools is one that continues to be satiated by builders in the borough.
Don’t confuse those high-end new homes with McMansions! Fitzmaurice seems to be primarily working with one dimension of McMansions: poor/”cheesy” architectural quality evidenced by impressive fronts but siding on the side and back plus not looking “high-class.”
I’ve encountered a similar situation before where people (metaphorically) almost fell over themselves to declare they personally did not live in a McMansion but they knew nearby people who did. I’ve wondered about that situation: how guilty did these people feel that their home might be labeled a McMansion?
Fitzmaurice also suggests these new large homes may be preserved years from now by Historic Commissions. I’ve never seen anyone estimate this before but I am curious: what percentage of current large homes will survive 50+ years and/or be recognized as places worth preserving?
Looking for the future of housing at the Solar Decathlon in Madried
Check out three designs from an international housing competition in Madrid: a “Heliomet SunBloc” house, the Bee House, and a house made out of recycled wood and mushroom spores:
London Metropolitan University’s “Heliomet SunBloc” European Solar Decathlon house combines novel construction methods with unusual materials. The house is designed so that it can be placed on the rooftops of existing buildings or other disused areas, answering a difficult question about future suburban growth. Allied with a PV-T (PhotoVoltaic-Thermal) array, the design would help supply electricity and hot water not only to its own structure, but to the host building as well.
The primary material consists of relatively low-cost and lightweight EPS foam that allows unique interior and exterior designs to be created. …
The Bee House … makes extensive use of living walls and green roofs planted with bee-friendly vegetation. This built-in beekeeping system, completed by a backyard hive, serves to pollinate the home’s surrounding garden areas, which keep the homestead stocked with homegrown veggies as well as honey. The Bee House includes a work area and boutique shop where honey and beeswax-based soaps and candles can be sold to the public, perfect for the urban farmer with an entrepreneurial bent…
To say that this house is aspirational is putting (it) lightly, as the structure can’t currently be built as designed — largely because it’s constructed around a wall system based on recycled wood that has been colonized by mushroom spores. The myco-treatment, so to speak, creates a fire- and mold-resistant, highly insulating building block ideal for green building. Oh, and it produces two edible mushroom crops in the process. (Call it the 100 Mile House meets the 100 Mile Diet.)
We are probably a long ways from seeing any of these three designs in practice. However, they do hint at some possible trends:
1. Greener houses. I think the question is how far builders and buyers are willing to go. Far enough to save a little money? Enough to significantly increase the price/value of the home?
2. Trying to utilize and connect to nature. Many single-family houses are sort of sealed off from nature even if they are in more suburban, idyllic settings. This could include everything from an uptick in gardens and compost piles, using green roofs, providing more rooms that don’t feel so sealed off from the outside, or just harnessing nature for energy purposes (solar plus geothermal and other options).
3. Looking for ways to build homes in denser settings. One assumption made by a number of thinkers is that future homes and suburbs will be more dense due to rising energy costs (particularly an increasing cost in driving due to higher gas prices and possibly higher gas taxes to keep up with better fuel efficiency) and young adults and retiring adults who want walkable communities as well as places that offer mixed-uses and more of a neighborhood feel.
Modernist homes doomed by being too small?
Here is an interesting suggestion regarding modernist homes like those found in New Canaan, Connecticut: the homes were just too small to compete with McMansions.
Among the houses that Philip Johnson designed in New Canaan, Conn., the suburban enclave that became a laboratory for postwar Modernist design, the Robert C. Wiley house, completed in 1953, remains one of his most elegant. It is a strikingly simple composition of two rectangular boxes: one, a glass and wood pavilion with a single, 15-foot-tall living, dining and kitchen space, is cantilevered over the other, a stone and concrete base that contains, among other things, four small bedrooms, bathrooms and a sitting room. The 3,000-square-foot house typifies Modernism’s insistence on efficient use of space, but by the advent of the McMansion era, despite its architectural pedigree, it merely seemed quaintly, and unsalably, tiny.
The house had been on the market for some time when an enlightened buyer — Frank Gallipoli, the president of Freepoint Commodities, an energy trading firm — bought it in 1994. “I wasn’t looking for a Philip Johnson house,” he recalled, but given the price of land in New Canaan, the building, along with the six acres on which it sits, offered good value. “It had the utility of a house,” Gallipoli said, “but I was getting an art object.” And art is a subject close to Gallipoli’s heart: he owns an extensive collection that includes works by contemporary British artists like Damien Hirst, Tracey Emin, Gary Hume, Jenny Saville and Marc Quinn. Many of these pieces are too big to show in a domestic setting, so Gallipoli began to think about converting a barn on the property (it also served as a garage) into a private gallery. About 10 years ago, he asked Johnson himself to come up with a design, but the architect’s idea for a series of domed structures was never built. Ultimately, Gallipoli commissioned Roger Ferris, of the Connecticut firm Roger Ferris + Partners, to design the barn, along with a pool house, a new garage and a substantial restoration of the existing house. (Ferris also did some work on Gallipoli’s Manhattan house and designed a “surf shack” for him in the Hamptons, which includes a pink Corian aboveground lap pool.)
I know the point of piece is to discuss the intriguing rebuild of this home but I find the suggestion at the end of the first paragraph fascinating. The tone of the piece is that people should recognize the beauty of the home and it took an “enlightened” buyer with a true interest in art to see it for what it could be. But, alas, Americans got bogged down with buying humongous homes like McMansions and lost interest in homes with “architectural pedigree.”
I’ve suggested this before: if given a choice, I don’t think most Americans would select a modernist home. I’m not sure square footage is the only reason for this. Critics and architects may not like these choices but it also doesn’t necessarily mean Americans only go for the largest space, the best bang for the buck, the kitschiest house, or the most impressive space. Perhaps many Americans imply aren’t trained to know what critically praised architecture looks like or to appreciate it. Indeed, where is this training supposed to take place and when should it occur? (I don’t think it happens much in the curriculum from kindergarten through college.) Or perhaps it has to do with how Americans view social class and the suspicion Americans tend to have toward educated opinions and movements. Additionally, hiring an architect to design a home requires money that is likely out the reach of many Americans.
McMansions come to Levittown
Levittowns are well known for its mass-produced homes but plenty of change has come to these homes and communities in recent decades. There are now even McMansions:
Take a ride down any Levittown street, and you will see the changes. I suppose, after 60 years, some change is to be expected. Apparently, even a complete tear down and re-build. That’s what happened over in Levittown’s Kenwood section.
This super-sized,’McMansion’, juxtaposed next to an asbestos-sided Jubilee, is the talk of Kentucky Lane. To my knowledge, there was no camera crew or shouts of ‘move that bus!” for this renovation. This prominent 3-story home is a sore thumb on a quiet street of neatly lined Levitt built 2-story specials. It’s a monster of a house, complete with 5- bedrooms and 4-bathrooms. And? It is for sale. The asking price? Over 600-grand.
In.
Levittown.
Who will buy this house?
I posed this question to local realtor, Jen Mandell-Sommerer, of RE/MAX Advantage. She shared, “It’s not going to help the sales in Kenwood, nor do I think it is going to really hurt the sales in Levittown. The home just does not fit the area. I feel if a buyer has $650,000 they are not going to look in the Levittown area, especially in Bristol Township for that price range. Our houses are selling just in the $200,000 range.”
The listing for the house, which is down to $495,000, is here. Looks like a possibility for a McMansion: 3265 square feet, some odd architecture in the front, and a teardown that dwarfs original (yet altered) Levittown homes. The red sports car in the front driveway (both uncovered and covered) is an interesting touch, there is an interesting walk-through shower, and an extra-wide (leather?) chair next to a jacuzzi tub.
Legally Sociable 