21st century problem: “Who inherits your iTunes library?”

If you have made a will, don’t forget to include your digital music and ebooks:

Someone who owned 10,000 hardcover books and the same number of vinyl records could bequeath them to descendants, but legal experts say passing on iTunes and Kindle libraries would be much more complicated.

And one’s heirs stand to lose huge sums of money. “I find it hard to imagine a situation where a family would be OK with losing a collection of 10,000 books and songs,” says Evan Carroll, co-author of “Your Digital Afterlife.” “Legally dividing one account among several heirs would also be extremely difficult.”

Part of the problem is that with digital content, one doesn’t have the same rights as with print books and CDs. Customers own a license to use the digital files—but they don’t actually own them…

Most digital content exists in a legal black hole. “The law is light years away from catching up with the types of assets we have in the 21st Century,” says Wheatley-Liss. In recent years, Connecticut, Rhode Island, Indiana, Oklahoma and Idaho passed laws to allow executors and relatives access to email and social networking accounts of those who’ve died, but the regulations don’t cover digital files purchased.

Another reason to buy the physical version if you really like the music or book.

Thinking more broadly, this extends to a whole host of digital content. What happens to your Facebook information if you die? Your Dropbox account? Accessing your email? Stories about these circumstances tend to stress the lack of formal legal or corporate agreement of what should be done. How about a “dead digital user bill or rights”?

Evidence: TV shows can lower fertility rates

An article about the cultural power of television discusses several studies that show TV programs can lower fertility rates:

Several years ago, a trio of researchers working for the Inter-American Development Bank set out to help solve a sociological mystery. Brazil had, over the course of four decades, experienced one of the largest drops in average family size in the world, from 6.3 children per woman in 1960 to 2.3 children in 2000. What made the drop so curious is that, unlike the Draconian one-child policy in China, the Brazilian government had in place no policy to limit family size. (It was actually illegal at some point to advertise contraceptives in the overwhelmingly Catholic country.) What could explain such a steep drop? The researchers zeroed in on one factor: television.

Television spread through Brazil in the mid-sixties. But it didn’t arrive everywhere at once in the sprawling country. Brazil’s main station, Globo, expanded slowly and unevenly. The researchers found that areas that gained access to Globo saw larger drops in fertility than those that didn’t (controlling, of course, for other factors that could affect fertility). It was not any kind of news or educational programming that caused this fertility drop but exposure to the massively popular soap operas, or novelas, that most Brazilians watch every night. The paper also found that areas with exposure to television were dramatically more likely to give their children names shared by novela characters.

Novelas almost always center around four or five families, each of which is usually small, so as to limit the number of characters the audience must track. Nearly three quarters of the main female characters of childbearing age in the prime-time novelas had no children, and a fifth had one child. Exposure to this glamorized and unusual (especially by Brazilian standards) family arrangement “led to significantly lower fertility”—an effect equal in impact to adding two years of schooling.

In a 2009 study, economists Robert Jensen and Emily Oster detected a similar pattern in India. A decade ago, cable television started to expand rapidly into the Indian countryside, where deeply patriarchal views had long prevailed. But not all villages got cable television at once, and its random spread created another natural experiment. This one yielded extraordinary results. Not only did women in villages with cable television begin bearing fewer children, as in Brazil, but they were also more able to leave their home without their husbands’ permission and more likely to disapprove of husbands abusing their wives, and the traditional preference for male children declined. The changes happened rapidly, and the magnitude was “quite large”—the gap in gender attitudes separating villages introduced to cable television from urban areas shrunk by between 45 and 70 percent. Television, with its more progressive social model, had changed everything.

Four quick thoughts:

1. Such shows (TV and radio) have been used deliberately by public health organizations to fight AIDS. It is one thing to hold training sessions and open and maintain clinics but it is another to have successful soap operas that promote certain behaviors.

2. These situations provided some fascinating natural experiments. I occasionally ask students this very question: how might you set up a natural experiment to test the effects of television? In the United States, outside of some ultra-controlled environment a la The Truman Show, it is difficult to quickly answer this question.

3. Sociologist Juliet Schor nicely explains the mechanism behind this in The Overspent American. Mass media presents average residents a new, commonly known reference group to which they can compare themselves. Instead of primarily comparing themselves to neighbors or acquaintances, viewers started seeing what “middle-class” or “normal” look like on television and then work to emulate that.

4. Media output is not simply entertainment – something is being promoted. Being able to watch and experience this critically is crucial in a world awash with media and information.

Board games that teach about housing discrimination

Americans may like the real estate game Monopoly but it lacks one real-life phenomenon that a few games over the years have included: housing discrimination.

The Pop-Up City blog drew our attention last week to a great project from Toronto artist Flavio Trevisan, who has created a board-game-as-artwork enticingly titled The Game of Urban Renewal (OK, this is enticing to us, at least). The project reminded us that there is something of a history to board games dramatizing low-income and discriminatory housing policy. An earlier such game – one that looks like an antecedent to Trevisan’s, although he had not heard of it – makes a brief cameo in the House & Home exhibit currently showing at the National Building Museum.

That 1970 predecessor, called Blacks & Whites, was produced by the magazine Psychology Today, and was created to teach white players about what life was like for blacks in an era when all the housing rules were stacked against them. Not surprisingly, Blacks & Whites never went mass market (it doesn’t even appear to have gotten enough traction to have widely offended racists of the era)…

If you visit the exhibit, the game garners only a brief mention (and scanned image). But the most telling details are on the board itself and in the instructions. Blacks & Whites is organized like a Monopoly board, with properties increasing in value as you move around it. The property clusters have fantastically blunt names: the “inner ghetto,” the “outer ghetto,” “lower integrated” and “upper integrated” neighborhoods, “lesser suburbia,” “greater suburbia,” “newer estates” and, lastly, “older estates” (namely, Bethesda and Georgetown!). The board mimics the concentric housing rings of many cities as you move out toward the suburbs, from the all-black “inner ghetto” to the all-white “older estates.”

According to the instructions, the game tries to emphasize “the absurdities of living in different worlds while playing on the same board.” “White” players get a million dollars from the treasury to start the game; blacks get $10,000, and they’re restricted in where they can buy properties. Blacks and whites also draw from separate opportunity card decks.

You mean Americans don’t want to be reminded about social ills when playing their board games? At the same time, I bet it could be done if the game properly balanced between playability and concept. Pedagogically, games can be a great way to teach. By putting players into new situations and showing them what it takes to win and lose, certain values can be imparted. This reminds me of George Herbert Mead discussing how children learn about social interaction and adult life through playing and creating games and debating rules. These games also sound similar to social simulations that are occasionally used in classrooms or by some groups. Think of Monopoly: it is a game yet it also could be viewed as expressing some of the basic values of capitalism. In contrast, more recent Euro style games are built around different concepts. Perhaps some enterprising sociologist can properly achieve the gamification of an important social issue.

Now that I think about it, imagine what Simcity could be like if it had a more complex societal element. The biggest social issues that come up in Simcity are crime, education, traffic, and pollution yet there is little about social class (though one can build low, medium, and high rent residential, commercial, and industrial properties), race, immigration, discrimination, and religion/ideological differences. Similar to Monopoly, the game is geared toward accumulating higher levels of money and land values. Perhaps all of these real-life issues would be difficult to model but I bet it could be incorporated into the gameplay.

Sociological study: NYT obituaries have more celebrity deaths over the decades

Here is a unique place to look for American’s obsession with celebrities: examine the “Notable Deaths” section of the New York Times since 1900.

Sociology researchers at the University of South Carolina analyzed obituaries in the New York Times from the same 20 randomly selected days in 1900, 1925, 1950, 1975 and 2000. From this sample, they ranked how much attention was given to the deaths of people in certain occupations in each year. They found that obituaries of entertainers and athletes marched steadily to the top in rank — from seventh in 1900, to fifth in 1925, to third in 1950 and first in 1975 and 2000; in 2000, celeb athletes and entertainers accounted for 28 percent of obituaries in the newspaper, the researchers said.

Meanwhile, the researchers said the number of obituaries for public figures in manufacturing and business halved over the century. Similarly, religious obituaries fell from fourth place in mid-century to last in rank, and the researchers said they did not find a single notable death article for a religious figure in their sample for the year 2000.

“Most striking are the simultaneous increases in celebrity obituaries and declines in religious obituaries,” lead researcher Patrick Nolan said in a statement from the University of South Carolina. “They document the increasing secularization and hedonism of American culture at a time when personal income was rising and public concern was shifting away from the basic issues of survival,” added Nolan, who details the research in the journal Sociation Today.

So have celebrities replaced some of religion?

It would also be interesting to see whether the New York Times did this consciously and if so, how exactly this conversation went. Did readers actually suggest they wanted to see more celebrity news in the deaths section?

Argument: New England neighborhoods attract movies because they have character and don’t have McMansions

A columnist in Swampscott, Massachusetts argues New England neighborhoods have a sense of place, don’t have many McMansions, and therefore attract filmmakers:

If you’ve ever traveled outside New England, you begin to notice that most of the rest of the country looks a lot alike. Rapid development on a budget lends itself to a landscape of boxy stores in strip malls and cookie cutter homes. Some of these cookie cutter homes are “McMansions,” and very nice to live in, but even so their exteriors are unmemorable, duplicated a million times over.

New England—Swampscott—looks different.  Neighborhoods have personalities. The roads curve in unpredictable ways.  Houses don’t all look alike. I happen to like the intricate purple paint on a certain home on Paradise Road, but we all have our favorites…

Yet there is true value in this difference.  Part of the reason that Massachusetts has attracted so many movies is because of our location—place matters.  Grown-Ups 2 is here because Swampscott looks like a typical New England town, and New England is a good brand, a marketable brand.

And crucial to the New England brand is a community’s willingness to embrace its historic past, to pay attention to its older buildings, and to, in short, care about the way something looks. A quick drive through the Olmstead District will remind all of us how lucky we are that the Mudges had the foresight to hire someone so talented to lay it out, that the town pays to upkeep the greens, and that the homeowners in the area now take such pride in their property.

New England does indeed have its own style and character though plenty of other places in the United States have historic preservation districts that are intended to save older buildings.

There is an interesting implication here that McMansions developed in places with less character. This would be intriguing to track: did the term first arise in Sunbelt locations or in more historic communities that felt threatened by new, big, mass produced homes?

I also wonder how many movies actually do film in New England compared to other locations. According to the Massachusetts Film Office, five films are in production or have recently finished filming. Like many other places, Massachusetts offers incentives for filmmakers:

Massachusetts provides filmmakers with a highly competitive package of tax incentives: a 25% production credit, a 25% payroll credit, and a sales tax exemption.

Any project that spends more than $50,000 in Massachusetts qualifies for the payroll credit and sales tax exemption. Spending more than 50% of total budget or filming at least 50% of the principal photography days in Massachusetts makes the project eligible for the production credit.

Quick Review: the Sherlock Holmes stories

One of my reading projects this summer was to read all of the Sherlock Holmes short stories (56) and novels (4). I enjoyed reading these classics and here are a few thoughts about the well-known detective and his sidekick Watson:

1. I don’t read a lot of mysteries but I can see that more recent detectives (books, TV, movies) have hints of Holmes. Holmes is the classic scientific detective, reasoning his way through tough cases. There has to be a line from Holmes to Hercule Poirot to Adrian Monk. Of course, Holmes’ emphasis on science also emerges as the larger society moves more toward a belief of science and progress.

2. I’m not sure that I like Sherlock Holmes in the end and I’m not sure Doyle wanted people to like him but rather wanted people to be impressed by him. Holmes certainly has a sharp mind but he is given to mood swings, using opium, and rarely shows a non-scientific side. For example, there are a few points in the later stories where Watson seems thrilled that Holmes reveals some warm feelings for his companion. Holmes is a sort of modern renaissance man but is a limited person.

3. Even with the presence of Professor Moriarty, there was one big difference with recent stories: there is a lack of a major villain. Indeed, Holmes does a lot of one-off cases and there are a few recurring characters.

4. After reading all of these stories, I’m not sure I could remember the details of many of them. I liked the four novels the most as there was room to develop the cases and have more twists and turns.

5. I had the opportunity to read most of these stories in the Oxford annotated editions (see an example here). At first, I thought this would be a hindrance (that long introduction, the extensive footnotes) but I really grew to enjoy this. This particularly came in handy with the novels The Gang of Four and A Study in Scarlet as the footnotes described how Doyle built the stories around interesting true events. I didn’t read all of the footnotes (and they truly seemed to be extensive – and occasionally esoteric) but the introductions were helpful.

6. I wish I had read these all in chronological order.

7. I suspect it would have been very different to read these all in the serial form in which they were released.

The extra-real sound of the Olympics

For those interested in sounds, this is a fascinating read about how the sound from the Olympics sounds so (hyper)real:

For the London Olympics, Baxter will deploy 350 mixers, 600 sound technicians, and 4,000 microphones at the London Olympics. Using all the modern sound technology they can get their hands on, they’ll shape your experience to sound like a lucid dream, a movie, of the real thing.

Let’s take archery. “After hearing the coverage in Barcelona at the ’92 Olympics, there were things that were missing. The easy things were there. The thud and the impact of the target — that’s a no brainer — and a little bit of the athlete as they’re getting ready,” Baxter says.

“But, it probably goes back to the movie Robin Hood, I have a memory of the sound and I have an expectation. So I was going, ‘What would be really really cool in archery to take it up a notch?’ And the obvious thing was the sound of the arrow going through the air to the target. The pfft-pfft-pfft type of sound. So we looked at this little thing, a boundary microphone, that would lay flat, it was flatter than a pack of cigarettes, and I put a little windshield on it, and I put it on the ground between the athlete and the target and it completely opened up the sound to something completely different.”

Just to walk through the logic: based on the sound of arrows in a fictional Kevin Costner movie, Baxter created the sonic experience of sitting between the archer and the target, something no live spectator could do.

Television is supposed be able to bring you live events (I know this doesn’t necessarily qualify for the Olympics) – I know I don’t think much about what technology this requires. But this article suggests the sound is even better than real: there is no one at the Olympic archery range who is even hearing what televisions viewers can hear.

Does this make watching all of those Olympics commercials a little more bearable?

Harry Potter conference in Ireland cosponsored by sociology department

The University of Limerick in Ireland this week hosted a Harry Potter conference. Interestingly, this conference was co-sponsored by the sociology department.

An International Academic Conference exploring the cultural influence of the Harry Potter books and films entitled ‘Magic is Might 2012’ took place at the University of Limerick this week.

The two-day event, which concluded on Wednesday, featured 20 presentations on papers showcasing international research on multiple aspects of the impact of the Harry Potter series from literature, to education, law to digital media. Speakers from over 10 countries presented their work on Harry Potter and the conference also included the live trial of controversial character Dolores Umbridge in the University of Limerick Moot Court exploring her crimes and debating the severity of her punishment…

“The characters’ relationships, the political and social systems, and cultural commentaries woven into Rowling’s writing are just some examples of what makes the Harry Potter series an exciting framework for academic discourse in a number of areas.  We will encourage intensive and lively discussion and debate around the papers. We are delighted that Wizards, muggles, established academics and postgraduate students have submitted papers, and we will put the collection of papers together into an e-book after the conference. We are also very excited to host the first Harry Potter conference to take place in Ireland” she continued…

The Conference was hosted by UL’s Department of Sociology in collaboration with UL’s Interaction Design Centre and the Department of Computer Science and Information Systems.

I’m sure this is not the first or last Harry Potter conference. Yet, I wonder why the sociology department was behind this. I know I don’t read or see all that sociologists publish but I haven’t yet run across any sociological works on Harry Potter. A few ideas why a sociology department might sponsor such a conference:

1. Harry Potter is a cultural phenomenon and this is what sociologists study.

2. The sociology department liked the idea of being tied to an international phenomenon. In other words, this is good marketing.

3. The series itself has a number of sociological themes (though the same could be said about other media).

I’d be interested to hear more about the consequences for the sociology department…

“The Queen of Versailles” is not about a McMansion

More reviews are coming out of the new documentary The Queen of Versailles (and critics are liking it according to RottenTomatoes.com) but I would still argue with some of the depictions of the 90,000 square foot house at the center of the film. Here is an example: the Jewish Daily Forward has a headline titled “The Biggest McMansion of Them All.” I’ve argued this before: a 90,000 square foot home is far, far beyond McMansion territory. This is the land of the ultra-rich. Take this information from the same Jewish Daily Forward story:

David Siegel, 76, is the billionaire founder of Westgate Resorts, which he claims is “the largest privately owned time-share company in the world.” Jackie, 31 years his junior, is David’s surgically enhanced wife, and mother to seven of his 13 children. They live in a 26,000-square-foot home in Orlando, Fla., with a household staff of 19. They believe the house is too small…

All went well until the credit crunch of 2008. The Siegels’ problems weren’t caused by the house — though it did become a burden. Rather, David’s company ran into trouble as lending dried up. Typically, Westgate customers borrowed money from the company to pay for their vacation time-shares. The company, in turn, borrowed from the banks at lower interest rates. When the banks stopped lending, the bottom fell out.

Added to that difficulty was the burden of the PH Towers Westgate, a new 52-story high-rise luxury resort in Las Vegas, which drained Siegel’s corporate resources as well as $400 million of his own money. Finally, in November of 2011, Siegel was forced to sell…

Originally, the project was going to be a look at how the wealthy live and, of course, at the Siegel’s house-in-progress. It was very much in line with Greenfield’s previous work as a documentarian and photographer.

I’m looking forward to seeing this film at some point but it is difficult to draw conclusions about McMansions and American excess from one ultra-wealthy couple. Thus far, it sounds like reviewers and others see this film as a metaphor for the American economic crisis of the last five years or so and I’m not sure you can stretch it that far. As a view into the life of the elite, it may be fascinating but it would be difficult to describe this as a “typical” experience that explains the logic behind all McMansions and excessive consumption.

New movie to feature “nonviolent conflict resolution specialist teaching sociology”

It is relatively rare to find television shows or movies that feature sociologists. Here is a new one: the upcoming movie Hit & Run features one of the lead characters as a sociology instructor.

Charlie Bronson (Dax Shepard) is trying to live a quiet, respectable life in a small California town in Hit & Run. He’s doing right by his girlfriend (Kristen Bell), a nonviolent conflict resolution specialist teaching sociology at a local college, sharing a tender moment in bed as the film opens. But, things go south really quickly.

You see, Charlie’s actually in the witness protection program for testifying about a botched robbery turned homicide he witnessed in Los Angeles. Now his girlfriend’s been offered the opportunity of a lifetime in LA and, rather than lose her, Charlie decides to risk everything to get her there. The couple quickly picks up a few tails in pursuit, including Charlie’s assigned marshal (Tom Arnold), Bell’s jealous ex (Michael Rosenbaum), the cons Charlie ratted out (Bradley Cooper, Ryan Hansen and Joy Bryant), and a pair of local law enforcement caught up in the swing of it.

I wonder how much the film plays up the irony of a “nonviolent conflict resolution specialist” teaching sociology getting involved in exciting car chases…