Now, the celebrities are among the 20,000 residents in the Las Virgenes Municipal Water District – that holds jurisdiction in the cities of Agoura Hills, Calabasas, Hidden Hills, and Westlake Village – forced to abide by water restrictions with the installation of restrictive devices that will reduce the amount of water used during showers and for sprinklers.
Amid the relentless drought, the water district moved to ‘Stage 3’ restrictions on June 1 to reduce water consumption by at least 50 percent, according to the Los Angeles Times.
Kim Kardashian is one of the A-list celebrities that has received notice to limit the water usage at her Hidden Hills home and her fixer-upper property she purchased next store – after she exceeded water use by about 232,000 gallons in June…
Rocky Balboa actor Stallone and his model wife, Jennifer Flavin, reportedly went over their water budget at their Hidden Hills home by about 533 percent, or 230,000 gallons, in June. The couple used 195,000 gallons of excess water in May…
Meanwhile, NBA star Wade also received a notice that he exceeded his water limit by 90,000 gallons or 1,400 percent in June. While Wade’s water usage is an improvement since May, it’s still more than most users.
While more than just celebrities have received these notices, the water figures here are staggering. To keep a large house and property going, they have exceeded their allotted use by a lot of water. If this does not contribute to the idea that a lush green lawn and landscape is a status symbol, I do not know what does.
On the flip side, imagine a major celebrity eschewing the green lawn and garden-filled property for a property with a lot fewer water needs. Could images of a celebrity yard of drought resistant and native plants help turn the tide against this kind of water usage? Or, a major social media influencer? Overcoming decades of the association between homeownership and status with a green lawn is going to be hard to overcome.
After buying his Byron Bay family home for $7million back in 2014, Chris, 37, transformed the sprawling property into a compound that has been valued at between $30million and $60million.
The actor carried out extensive renovations on the six-bedroom home, and it now boasts a steam room, gym, media room and games room.
There’s also a stunning outdoor living area, play areas for his three young kids and a 50-metre rooftop infinity pool, which overlooks the ocean…
Angry neighbours were quick to say the rebuild reminded them of a suburban shopping centre, a refurbished RSL club or a regional airport terminal.
Others compared the home, which sits on 4.2 hectares, to a multi-storey car park and a ‘McMansion’.
While there is no mention of the square footage of the home, this description suggests this home is a mansion. Here are several reasons why: it likely has more space that a spacious McMansion (imagine 3,000-6,000 square feet there); it is not a mass-produced, cookie cutter home; it has numerous luxury features; it is not owned or renovated by a regular wealthy person but rather a global film star.
So why would a neighbor call it a McMansion instead of a mansion? I would guess that this was done to link the home to a pejorative term and to critique the architectural style of the home. A “mansion” could still be critiqued but the negative connotations are implied in McMansion. The other descriptions by neighbors have to do with the architectural style of the home, whether they are viewed as ugly or not consistent with the surroundings.
Is there a lesson in this? Here is one option: to fight the big home in the neighborhood, call it a McMansion. Label it a mansion and it might just justify the size, features, and architecture.
Now his McMansion, replete with dedicated “Simmo the Savage” room, has popped up on the market for five big ones. It’s almost too perfect to believe.
Is his suburban home a McMansion? Here are more details about the house from the first two paragraphs of the story:
9 Miller Court, Moorestown, New Jersey. Five beds, six baths. 10,477 square feet of high-end appliances, Cambria quartz countertops, and floor-to-ceiling wine walls blooming from an awe-inspiring grand foyer with a spiral staircase climbing up from its center. All of this and more could be yours for just $4,999,999.
Now at this point, you may find yourself wondering: What sort of small-time CEO or TV actor would occupy such an extravagant abode in southwest New Jersey?
I have seen similar stories before: any big recently-built house of a wealthy person could be labeled a McMansion. And this one is owned by a star in the news! But, some of the details above do not line up with the idea of a McMansion:
The price. This is a $5 million home. This is out of the reach of even many wealthy people.
The architecture is a bit strange – the facade mixes styles, features a two story entry, and has modern windows – but the interior finishes seem high-end, not necessarily mass-produced. The home overall does not appear gaudy.
While the home may not look like a traditional mansion or one associated with old money, I would argue it is not a McMansion. This is a big expensive home with a lot of finishes that puts it beyond the typical suburban McMansion.
A planned 30,000-square-foot home off Lake Norman would take an estimated 10,000 gallons of water per minute and dozens of firefighters on the scene if it were to go up in flames…
Modern homes of all sizes offer new threats now that open floor plans are more desirable to compartmentalized rooms, which would keep the fire more contained in years past, said Charlotte Fire Department Deputy Fire Marshal Jonathan Leonard of Davidson. What once could have stayed in the kitchen, now quickly passes through much of the first floor before moving upstairs if there is nothing to stop it.
Furniture, once only constructed of cotton, wood and metal, is now plastic, vinyl and foam that is more flammable, burning hotter and faster. Those two elements cut the estimated time for a home’s flashover point to occur from the 18 minutes firefighters had 20 years ago, to just over four, Leonard said.
That’s four minutes for families to have a smoke detector go off, call 911 and get out…
A simple solution that would be a safety net for both residents and firefighters is a sprinkler system.
I wonder if some communities would tell owners of extra-large homes that they would do all that they could to put out a fire but the municipality wouldn’t incur extra costs to adjust just for these extra-large houses. How much should a fire department adjust for a few homes? While this article suggests McMansions have these fire problems, a 30,000 square foot home is way out of McMansion league and probably does require its own planning. At 30,000 square feet, sprinklers sound like a good option.
Now that I’ve seen a few articles about this issue, I wonder if this comes up in the planning and zoning process in communities. While building homes may seem like a source of revenue for communities, they also require services including water, sewer, roads, fire and police, and schools. Could you add a special fire tax that only hits huge homes?
You of course remember the head of the Westgate Resorts timeshare billionaire whose efforts to build the largest home in the U.S. were the subject of the documentary “The Queen of Versailles.”
When last we heard from him, he prophesied that the election of Barack Obama would lead to economic ruin. He sent an email to his employees saying that the election of Obama will “threaten your job” and mean “less benefits and certainly less opportunity for everyone.”
It turns out his crystal ball was clouded. In a company-wide email to employees announcing that he was raising minimum wage to $10 an hour, he noted: “We’re experiencing the best year in our history.” It is not clear what he was paying them or how many of his employees will be impacted, but a company spokesman said it numbers in the thousands.
As I’ve argued before, Siegel is building much much more than a McMansion: a 90,000 square foot home is super mansion territory and is unlikely to show up anywhere near a typical suburban subdivision. (Perhaps this is illustrated best by the years it has taken Siegel to build his gargantuan home.) Thus, I don’t think he qualifies.
Lauren Greenfield received a best director nod at the 2012 Sundance Film Festival for her documentary, “The Queen of Versailles.” Now, two years later, she has another victory to her credit, which may ultimately prove more important to her career.
An arbitrator at the Independent Film and Television Alliance ruled that her movie about David and Jackie Siegel was not defamatory. This seems to end Siegel’s effort to punish Greenfield for her film, which centered in large measure on the family’s profligate ways — building a 90,000 square-foot mansion (to replace the 26,000 square-foot home they lived in); spending $1 million a year on clothing, and having a household staff of 19…
Siegel charged the film defamed him and his company. His claims were dismissed by a federal court judge, which is how the case ended up in arbitration.
“Having viewed the supposedly egregious portions of the Motion Picture numerous times, [the Arbitrator] simply does not find that any of the content of the Motion Picture was false,” the arbitrator, Roy Rifkin, ruled.
An unflattering but true story can still be told. But, if the story was not going to be positive, why participate in the first place or go through the whole process after things had turned sour? As I note in my quick review of the film, the story is less about the big house and more about what happens when someone loses lots of money and disconnects from his family. Also see a September 2013 update on the fate of the home.
David and Jackie Siegel, last seen in the Documentary “The Queen of Versailles,” are the first guests in a new CNBC program, “Secret Lives of the Super Rich,” premiering September 25 at 9 p.m.
Even in a show dedicated to conspicuous consumption, the Siegels are special. When last seen, the Siegel empire was in disarray and their Orlando-area mansion — designed to resemble Versailles — was in foreclosure.
But at least the Siegel economy has rebounded. David Siegel’s Westgate Resorts time share company is recording record profits, he says. Now he’s repurchased the manse from the bank and has resumed construction.
How big is the place? It has 13 bedrooms, 30 bathrooms, 11 kitchens and a 20-car garage. It is so big that at one point in the tour, Jackie Siegel gets lost and doesn’t know what room she’s in.
It will be interesting to get an update on the state of the home. Though it is quite unnecessary, it is quite a building.
My biggest complaint about this article: the title suggests the home is a McMansion. It may share some features such as harkening back to older architectural styles and owners who seem interested in space as well as impressing people. But, this is way beyond a McMansion in terms of size and even way beyond a “normal” mansion. There is a reason a documentary was made about the house: it is one of the largest houses in the United States. This house cannot be mass produced nor is it within buying range of the middle-class or upper middle-class.
I’ve worked on defining a McMansion before but after seeing a recent story about a new house listing few times, I stumbled into a new definitional issue: is there a price point where a home can no longer be considered a McMansion?
Location: Los Angeles, Calif. Price: $10,000,000 The Skinny: Just weeks after closing on a 9,000-square-foot McMansion in Bel Air and reported plans for a gut renovation, hip-hop star Kanye West and reality TV regular Kim Kardashian have decided to cohabitate elsewhere. According to recent reports, the duo have flipped the property for around a million more than they paid. Redfin lists the previous sale price at $9M, so it seems Kim and Kanye have unloaded the place for somewhere around $10M. The mansion, completed in 2010 on less than an acre in the Holmby Hills neighborhood, features five bedrooms and seven bathrooms, but that wasn’t enough for the celeb couple, who were planning to gut the place and expand to 14,000 square feet.
Several features of this home would seem to put it in McMansion territory: it is 9,000 square feet (though this is getting close to regular “mansion” status), it is on a fairly small lot for a house its size, and it may be located in a neighborhood with a number of similar homes.
Yet, the price for this home may be way beyond the typical McMansion at $10 million. This is not just a mass produced home for the American masses; it is a home that from the beginning was only available to the wealthiest in global society. In this case, two of the biggest entertainment stars were able to flip the house. Because of this, I argue this home isn’t really a McMansion at all even though it might exhibit some McMansion traits. It should fall more in the mansion category because its price makes it quite inaccessible.
I recently watched the 2012 documentary The Queen of Versailles which details the quest of David and Jacqueline Siegel to built the largest house in the United States. My thoughts on the film:
1. I’ll be honest: I’m disappointed more of the movie isn’t about the house. And, I hope the house is completed just to see what an 85,000 square foot house looks like.
2. The film ends up being a lot more about what happens when a wealthy person/family suddenly sees that money disappears. This is an interesting story in itself. How do they adjust? How much of their behavior really changes? Even if they say they can readjust to a lower income, which is closer to what they grew up with, it appears this is is a really hard process. This reminds me of recent research suggesting people feel losses more strongly compared to equal gains.
3. Jackie is a somewhat sympathetic character but David Siegel is the one to watch here. His mood gets darker and darker as his financial prospects dim. I felt sorry for him; he freely admits at several points that he can’t separate his family and work and it shows in how he lives. Is this what trying to hold on to money looks like? If so, it doesn’t look attractive at all.
4. The film does address at various points who is responsible for the situation the Siegels are in: banks who made money easily available or people who got addicted to this easy money? But, the film doesn’t go far enough in trying to resolve this. It would be interesting to see banks or financial institutions interviewed on this particular case, or even more broadly, to get their side. We see the personal fallout of the problem as the Siegel family tries to recover but the film only hints at the bigger picture.
While this is an interesting story, I wonder: if the outlandishly large house was not involved, how different is this from a number of reality shows or films about wealthy people? In the end, I do think the family is pretty honest about the changes they are experiencing and perhaps it is this authenticity that sets this documentary apart.
(Note: critics like the film. On RottenTomatoes, 98 out of 103 reviews were fresh.)
David Siegel, 76, is the billionaire founder of Westgate Resorts, which he claims is “the largest privately owned time-share company in the world.” Jackie, 31 years his junior, is David’s surgically enhanced wife, and mother to seven of his 13 children. They live in a 26,000-square-foot home in Orlando, Fla., with a household staff of 19. They believe the house is too small…
All went well until the credit crunch of 2008. The Siegels’ problems weren’t caused by the house — though it did become a burden. Rather, David’s company ran into trouble as lending dried up. Typically, Westgate customers borrowed money from the company to pay for their vacation time-shares. The company, in turn, borrowed from the banks at lower interest rates. When the banks stopped lending, the bottom fell out.
Added to that difficulty was the burden of the PH Towers Westgate, a new 52-story high-rise luxury resort in Las Vegas, which drained Siegel’s corporate resources as well as $400 million of his own money. Finally, in November of 2011, Siegel was forced to sell…
Originally, the project was going to be a look at how the wealthy live and, of course, at the Siegel’s house-in-progress. It was very much in line with Greenfield’s previous work as a documentarian and photographer.
I’m looking forward to seeing this film at some point but it is difficult to draw conclusions about McMansions and American excess from one ultra-wealthy couple. Thus far, it sounds like reviewers and others see this film as a metaphor for the American economic crisis of the last five years or so and I’m not sure you can stretch it that far. As a view into the life of the elite, it may be fascinating but it would be difficult to describe this as a “typical” experience that explains the logic behind all McMansions and excessive consumption.