Tag Archives: biographies

Quick Review: Tune In: The Beatles, All These Years, Vol 1

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Beatles historian Mark Lewisohn has released the first in a Beatles trilogy titled Tune In. While plenty of books and authors have covered the Beatles (and I’ve read quite a few treatment), this book does a number of things well as it covers the band’s career through the end of 1962:

1. Lewisohn does a nice job discussing the more mundane aspects of their early life such as the home life of each band member. They came from a range of working to middle-class families with several from the Liverpool suburbs. Additionally, until 1962, several Beatles had to have regular jobs because the music business wasn’t yet working out. If I remember correctly, both Ringo and George worked as apprentices in certain trades while Paul worked in various delivery and clerk jobs. It is hard to imagine the Beatles in these roles but they had to balance a normal life path (as some of their family members reminded them) versus trying to succeed in music.

2. Like others, Lewisohn highlights the importance of the band’s early stints in Hamburg. However, he clearly drives home the point that this is where the true Beatles emerged. Not only did the band have a lot of time to play and hone their craft, they also took advantage of this: they knew they had to become serious about their music in order to get ahead. In other words, they went to Hamburg as just another band from Liverpool and came back and blew everyone away with their music, image (black leather), and confidence.

3. There is a lot of emphasis in the book on the larger music scene in England – which was fairly nonexistent regarding rock and roll. The Beatles were quite good at tracking down American music and they were heavily influenced by black artists like Little Richard, white artists who played black music like Elvis, and musicians who emphasized the band like Buddy Holly and the Crickets. The Beatles liked a broad range of music, which helped give them plenty of music for their long sessions on stage in Hamburg but also set them apart from other Liverpool bands who stuck to more tried and true songs. When the Beatles were in position to record auditions, the music labels weren’t really looking for full bands like them that sang in harmony, emphasized the group rather than the lead singer, and wrote some of their own songs. It is interesting that they ended up with a fruitful working relationship with George Martin at Parlophone as Martin had an eclectic career himself producing a wide range of albums and having difficulty getting a #1.

4. From the beginning, the Beatles wanted to be rich and famous. Perhaps it was simply the brashness of youth. Perhaps they wanted to escape humdrum Liverpool. It is not necessarily clear that the natural talent was there early on to back these ideas up: the Lennon-McCartney classics didn’t really start flowing until 1962 (plus bands didn’t a whole lot of this themselves at this point), John was creative but not always pleasant or focused, they weren’t the greatest musicians early on (especially with Paul learning the bass – though he became good quickly), couldn’t settle on a good drummer until Ringo was asked to join, and some of their early shows/auditions were marked by nervousness. But, it eventually came together in a product that was quite different from other music options and that propelled them ahead of other bands that were once their peers.

This book is full of details in its 800+ pages such that even as it covers similar ground as other biographies, it helps show how the mundane became extraordinary by the end of 1962. I’m looking forward to the next two books which should help reveal how the band that led to Beatlemania entered their most creative period of songwriting, transforming the music and recording industry, and maturing.

Starting to publish the Richard M. Daley mayoral legacy in biography

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According to one reviewer, the first biography of Richard M. Daley’s time as mayor of Chicago misses the downsides of his time in office:

For a full generation, like his father before him, Richard M. Daley was Chicago. His reign has long inspired debate: In order to improve the city’s international standing and stop the flight of the middle class, was he right to focus on rebuilding downtown? Or did that amount to pulling the plug on the city’s poor and working-class neighborhoods, leaving behind a bill that’s yet to be paid?The answer is arguably both. Yet a new biography of Daley portrays him as the figure who made Chicago a center of international commerce and culture, but largely bypasses the communities and people he ruled over with unchecked power.

“His legacy would not only include finishing the unfinished business of the Daley family—improving race relations, public schools, and public housing—but also the transformation of Chicago into a global city,” Keith Koeneman writes in First Son.

Koeneman is a first-time author who writes about politics for the Huffington Post. He deserves credit for making the first attempt to chronicle Daley’s career and its lasting meaning, and First Son is a well-researched and readable work. But Koeneman’s assessment is flawed.

There is plenty of time for Daley’s legacy to develop and be debated. But, Daley himself will have some role in this. In his talk at Wheaton College in 2011 (follow-up here and here), he was clearly focused on the same kind of good things as mentioned in this biography and didn’t want to address the tougher issues. Will we see an autobiography soon? How will he use his current ties to the University of Chicago to advance his interests?

But, I remember clearly learning about political biographies and memoirs in a class I took in grad school titled Historical and Comparative Sociology. On one hand, these sorts of books claim to offer inside information on what motivated politicians. On the other hand, they are uniquely suited as devices to further a politician’s legacy. These genres can be more objective but they are often written with a particular point of view that then can taint the historical record.

To return to my first point, it will take some time to sort out Daley’s record. He will likely be remembered for being mayor as became known as a rare “comeback city” in the Rustbelt even as his legacy will also include issues with public housing, race and poverty, crime, Meigs Field, and other areas of the city that did not receive much attention.

Argument: the movie “42” ignores Jackie Robinson’s role in the larger Civil Rights Movement

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Peter Drier argues that the new movie 42 fails to properly put Jackie Robinson in a larger context: as part of a larger social movement.

The film portrays baseball’s integration as the tale of two trailblazers—Robinson, the combative athlete and Rickey, the shrewd strategist—battling baseball’s, and society’s, bigotry. But the truth is that it was a political victory brought about by a social protest movement. As an activist himself, Robinson would likely have been disappointed by a film that ignored the centrality of the broader civil rights struggle…

42 is the fourth Hollywood film about Robinson. All of them suffer from what might be called movement myopia. We may prefer our heroes to be rugged individualists, but the reality doesn’t conform to the myth embedded in Hollywood’s version of the Robinson story…

Starting in the 1930s, reporters for African-American papers (especially Wendell Smith of the Pittsburgh Courier, Fay Young of the Chicago Defender, Joe Bostic of the People’s Voice in New York, and Sam Lacy of the Baltimore Afro-American), and Lester Rodney, sports editor of the Communist paper, the Daily Worker, took the lead in pushing baseball’s establishment to hire black players. They published open letters to owners, polled white managers and players (some of whom were threatened by the prospect of losing their jobs to blacks, but most of whom said that they had no objections to playing with African Americans), brought black players to unscheduled tryouts at spring training centers, and kept the issue before the public. Several white journalists for mainstream papers joined the chorus for baseball integration.

Progressive unions and civil rights groups picketed outside Yankee Stadium the Polo Grounds, and Ebbets Field in New York City, and Comiskey Park and Wrigley Field in Chicago. They gathered more than a million signatures on petitions, demanding that baseball tear down the color barrier erected by team owners and Commissioner Kennesaw Mountain Landis. In July 1940, the Trade Union Athletic Association held an “End Jim Crow in Baseball” demonstration at the New York World’s Fair. The next year, liberal unions sent a delegation to meet with Landis to demand that major league baseball recruit black players. In December 1943, Paul Robeson, the prominent black actor, singer, and activist, addressed baseball’s owners at their annual winter meeting in New York, urging them to integrate their teams. Under orders from Landis, they ignored Robeson and didn’t ask him a single question…

Robinson recognized that the dismantling of baseball’s color line was a triumph of both a man and a movement. During and after his playing days, he joined the civil rights crusade, speaking out—in speeches, interviews, and his column—against racial injustice. In 1949, testifying before Congress, he said: “I’m not fooled because I’ve had a chance open to very few Negro Americans.”

Fascinating. Robinson can be applauded for his individual efforts and we can also recognize that he was part of a larger movement – it doesn’t have to be one or the other. But, our narratives, now prominently told in biopic movies, love to emphasize the individual. This is part of a larger American issue regarding an inability to recognize and discuss larger social structures, forces, and movements.

Many Americans might assume the Civil Rights Movement begins in the mid-1950s with Brown vs. Board of Education or the actions of Rosa Parks (this is where the Wikipedia article on the subject starts) but things were stirring in Robinson’s day. While baseball was America’s sport (pro football didn’t start its meteoric rise until a decade or so later) and Robinson’s play was influential, there were other efforts going on. In 1948 the military was integrated via an order from President Truman. After World War II, blacks tried to move into better housing, often found in white neighborhoods, but faced serious (sometimes violent) opposition in a number of locations.

I’ve been conflicted about whether I should see this movie as a big baseball fans. Sports movies are a little too mawkish for me and don’t ever really reflect how the game is played. This argument is not helping the movie’s cause…