Category Archives: Entertainment

Suburban fiction and the unhappy white suburban families of Jonathan Franzen

Posted on by

There exists a common fictional narrative involving the American suburbs: the white nuclear family that looks successful from the outside – home, children who achieve, high-status communities, good jobs, well-educated, etc. – is internally falling apart. The suburban veneer is thin; when it is scratched away or falls off, the white suburban family is hurting. Such a story has been told in various forms for decades.

Photo by Kindel Media on Pexels.com

I have recently read several of the big novels of Jonathan Franzen. In both The Corrections and Freedom, the various members of white suburban families are not doing well and neither is the family as a whole. He switches perspectives from different family members (and some connected characters) who are experiencing both their own personal struggles and ones connected to their upbringing and those ongoing ties. The suburban homes are not happy ones; they are settings for unresolved conflicts, anger, and a sense that life should have turned out better.

Is this the same kind of suburban fiction that has been tread many times before? The settings have changed a bit – the suburbs of the 2000s are not exactly the same as the new mass produced suburbs of the 1950s, there is new technology available, etc. – and Franzen has a particular style. However, the stories felt similar to others in key ways.

(Disclaimer: I have not read all of Franzen’s work or his most recent novel set in the Chicago suburbs.)

Set up the millennials in a McMansion for a horror film

Posted on by

The recently released film Bodies Bodies Bodies takes place in a McMansion:

Photo by Elu012bna Aru0101ja on Pexels.com

What happens to a group of vapid, bored, rich gen Z-ers/millennials holed up in a McMansion during hurricane season when the wi-fi goes out?

If the film Bodies Bodies Bodies is anything to go by, they’ll probably end up killing each other — unless someone else does it first.

While some might say the McMansion itself is a horror, McMansions are no stranger to horror stories. How exactly might a horror film involve a McMansion? A few ideas:

-This particular film follows 7 friends. This means plenty of space for people to sleep, live, and interact. A McMansion provides plenty of space.

-The tackiness or gaudiness or lack of authenticity of a McMansion can provide a creepy or unsettling backdrop.

-The McMansion falls apart at a key moment or the limited architectural quality lets the characters down.

-The extra interior square footage a McMansion offers provides more space for nefarious actors to operate.

-The McMansion could be set in a neighborhood of McMansions, perhaps unfinished, that are all creepy and ominous.

–A horror film set in suburbia can play off a common idea that suburban life is not as happy or successful as it seems. How much more so could this be true in a McMansion, a home that tries to broadcast its success in obvious ways.

Combine a horror film with the negative traits of a McMansion and there are plenty of options!

Geotagging music to specific places

Posted on by

How much is the experience of music connected to specific locations? One band’s efforts offer a way to link music and places:

Photo by John-Mark Smith on Pexels.com

When it came time to launch “Rand McNally,” the band decided to celebrate its long live history by launching Death Cab for Cutie Map, which directed people to go on a scavenger hunt to find the track. All they had to do was go to one of more than 800 places Death Cab has played, whether the venues were still standing or not. Once there, fans could use their phones to access a geotag that would unlock the track, making the launch a little more fun and experiential than your typical song drop…

Speaking of history, Harmer dreams of a world where this kind of geotagging is available for all of his favorite bands. “It would be cool to be able to go on Apple Maps and search for the old tour routes and histories of The Who or The Beatles,” he says. “Just from a historical perspective, I’d love to be able to see where and when they played. I learned only recently that Led Zeppelin played a concert at Green Lake Park in Seattle. There used to be this little outside amphitheater, and I’d never heard of a show being played there ever, much less a Zeppelin concert. As we start to really explore all the data that’s available to us, that kind of map would be a cool thing to have access to.”

A concert experience is a unique one. It is affected by the venue, the sound system, the audience, and the band or musical act. It is certainly different than listening to music through a radio or a phone or stereo speakers or headphones. Being in a crowd focused on live music can lead to collective effervescence.

My guess is that such geotagging will be most enjoyable for those who attended specific concerts in the past. Going back to the venue and getting a new song combines both reliving the concert experience and building on that with new music. It helps add music and sounds to our full-sensory understanding of places.

I could also imagine a future where playing a specific track could pull up a virtual reality experience of being in the crowd where the artist is performing the particular piece.

When the music swells…

Posted on by

I recently encountered two examples where an increase in volume of music portends something important is happening:

Photo by Pixabay on Pexels.com

-In watching The Truman Show for the umpteenth time, I noticed at one point director Cristof points to the live pianist to increase the music. The musician obliges and the melancholy music swells. (Bonus: you can see composer Phillip Glass playing piano in this scene as Truman sleeps.)

-In a chapel service, the organist played a quiet piece underneath a prayer, but as soon as the prayer ended, the volume and activity increased as the congregation moved to singing together.

This musical signaling is common in live events, religious services, television and film, and elsewhere. When the music increases in volume and/or activity, something important is happening. It is a cue to the events unfolding in front of the participant or the viewer.

Is it emotional manipulation? Can we be pushed in directions we may not even be aware of just by the musical vibrations around us? Perhaps. Yet, humans have done this for centuries and millennium as music has a long and rich history not just as an individual activity but a collective tissue and performance where tone, volume, timbre, and more contribute to life together.

Encyclopedia Brown’s Idaville sure has a lot of crime

Posted on by

The kid’s book series involving boy detective Encyclopedia Brown includes this description of the town of Idaville, the setting for the stories and home to Leroy Brown and his family:

Photo by kat wilcox on Pexels.com

Idaville was like most seaside towns. It had lovely beaches, three movie theaters, and two delicatessens. It had churches, a synagogue, and four banks

But, read enough of these cases and it all adds up to something: Idaville is not like most seaside towns as it has a lot of crime. Enough crime to fill 29 books with numerous cases in each. Crimes ranging from small violations to larger issues. Lots of different kinds of criminals.

This is not an unusual perspective on crime. Television shows often have a similar message, particularly if they are long-running: crime is happening all of the time. This has the potential to change how viewers understand crime and locations. If you see a particular place associated with criminal activity over and over, how much of an impact does this have?

Some of the other phrases in the intro to the cases provide further clues at how crime is perceived in Idaville and in these cases: “the forces of law and order were in control” and “the town’s war on crime.” Is this the normal experience of small towns or just how we often present mysteries and the work of police?

The problem of summer (and many other) days: too many fun things to do

Posted on by

As summer winds down and school starts up again, I am reminded of something I experience every summer and throughout much of the year: there are more fun things to do each day than I am able to do. Here is an incomplete list of activities I want more time for each day:

Photo by Tran on Pexels.com

-Reading

-Watching interesting TV shows and movies

-Seeing more of family and friends

-Playing board games

-Enjoying the outdoors

-Playing and listening to music

-Advancing writing/research projects

I do not often feel bad about not being able to do all this. Rather, I am excited to get to the next day(s) and to continue these activities. I cannot keep up with everything I want to do but with steady progress there is much to enjoy.

(As a side note, the conversations in recent years about a glut of content in television and online hint at a bigger glut: life offers a lot of possible experiences. For example, I read regularly but there is not enough time to get to everything I want to read, should read, and need to read to keep up with my field and interests.)

The bland interiors that pushes viewers to choose gaudy McMansions instead

Posted on by

A review of a renovation TV show suggests it is more fun to see McMansion than bland interiors:

Photo by Rachel Claire on Pexels.com

But like any good home design show, the real main character is not the couple doing the renovations, but the end results. For the two years that I’ve watched this program, I’ve tried to dial down what one might call this aesthetic, which is both specific and generic—like every other high-end Airbnb listing on the market, or an antiseptic boutique hotel that prides itself on design. But it wasn’t until halfway through this season when one of the McGee’s clients hit the nail on the head. “It’s upscale-looking,” a woman says of her newly-renovated basement, which is divided into three clear “zones” meant to delineate what kinds of leisure activities should occur there and why. It’s not quite upscale, but suggestive of it instead, a different kind of new money aesthetic. But if given the choice between Studio McGee’s all-white fantasia and a giant McMansion fit for a Real Housewife of New Jersey, I’d take gold restroom fixtures and Travertine tile any day. At the very least, it’s fun.

What is the look inferior to glitzy McMansions?

What this translates to is large architectural gestures that convey wealth—vaulted ceilings in the kitchen and the living room, a “wine room” with built-in bookshelves that meet the ceiling, and other flourishes that speak to the vast amounts of money this couple must have to maintain their bonus home. It’s not that any of these design choices are anywhere close to hideous, per se—Studio McGee’s signature look is quieter than the Property Brothers, but more sophisticated that Chip and Joanna Gaines’s farmhouse chic. Staged as they are, though, the spaces designed by Studio McGee lack any discernible personality. Children get giant bedrooms with queen-size beds; every kitchen has an enormous island, whether or not the space actually needs it. (While most kitchens could use an island, not every space needs one. Understanding this difference is crucial.)

Is the primary offense that the bland yet wealthy interiors required a lot of money to implement but have no personality? McMansions are often criticized for their blandness; they are big boxes with large rooms that people can fill in many different ways.

It could be that the “fun” of the loud McMansion is that it shows up better on TV and with its particular cast of characters. The show under review is meant to show off a particular aesthetic of its designers while the Real Housewives of New Jersey has a different purpose. The loud McMansion on TV might be fun in the way that McMansion Hell is fun: you make fun of the McMansion and its dwellers. Which home viewers might want to live in might be a different story.

A positive on-screen depiction of New Jersey

Posted on by

In contrast to the typical depiction of New Jersey on TV and movies, one writer suggests a new show portrays a positive vision of the state:

Photo by Noriely Fernandez on Pexels.com

I don’t want this attention. Jersey’s bad reputation for being America’s garbage dump has done a great job of keeping people out and our blocks relatively affordable. For years, Jersey City was protected by a forcefield of bad representation. Jersey is by far America’s favorite punchline of a state. Futurama imagined America’s founding fathers dubbing New Jersey “our nation’s official joke state.” Movie after movie refers to Jersey as “the armpit of America.” Even in Marvel’s What If…?, Harold “Happy” Hogan laments the only escape from a zombie apocalypse: “Just when you thought things couldn’t get any worse, we gotta go to Jersey.” MTV’s Jersey Shore continues to do a fantastic job of finding the best cast to represent the state and all it has to offer folks on the outside. Snookie and J-Wow knew exactly how to lay out the red carpet. The Sopranos also knew exactly how to showcase Jersey’s finest hospitality. Come for the bar fights, stay for the gabagool.

I would argue few places are depicted well on television or in films where the emphasis is usually on character and plots rather than on places, neighborhoods, and communities.

At the same time, certain locations can acquire a particular character through the way they are depicted over the years. Viewers might see only a particular perspective on or a portion of a place.

What would the average American think New Jersey is like based on what they have seen on screen?

If every life event was sponsored, baseball edition

Posted on by

I enjoy listening to baseball games on the radio. The pace of the game, the voices of the announcers, and the ability to do other things while listening add up to an enjoyable experience.

Photo by Anthony on Pexels.com

Except for one growing trend: the number of commercial reads throughout the game. At this point, it seems like almost every baseball event has a sponsor. Strikeouts, walks, doubles, home runs, the fifth inning, the seventh inning…you get the idea. Baseball has a lot of small events and apparently they can be attached to an advertiser for the right price.

I am aware of multiple factors behind this. Radio is a dying business. Live sports is one of the few shining spots where there are certain to be listeners (or viewers). Commercialization is alive and well. There is money to be made here.

But, I can only imagine how this might spread to all areas of life. Go beyond the Internet and social media ads tied to your browsing and shopping habits. You tie your shoes; brought to you by [blank]. You run the dishwasher; brought to you by [blank]. You read a book; brought to you by [blank].

At this point, there do not seem to be any officials guardrails against more and more of this happening. People can push back but this has consequences. If I do not like the baseball ads, I can stop listening. But, if we move to more immersive devices – Google Glass, virtual reality headsets, a house full of Internet equipped objects – this will be very hard to push against or escape.

Kanye West does not like McMansions

Posted on by

I missed this information from two years ago; here is what Kanye West thinks about McMansions.

Photo by Thirdman on Pexels.com

The “YZY SHLRS” are not West’s first try at real estate development. Together with his wife Kim Kardashian West, the rapper transformed a McMansion in suburban Los Angeles into a cavernous, eclectic abode that has since unfolded on the covers of several esteemed magazines.

Earlier this year, Architectural Digest described the Wests’ residence as “one of the most fascinating, otherworldly, and, yes, strange pieces of domestic architecture on the planet.”

Characterized by clear, geometrical lines and white open spaces, filled with equally futuristic furniture, the home resembles a modern-day spin on a Belgian monastery, as West told AD.

The standout nature of the home, a reflection of West’s highly individualistic style, is not a surprise given the rapper’s annoyance with luxury properties that, despite their own embellishments, more often than not come off as the products of the same mold.

“The relationships that I have with architects, my understanding of sacred proportions, this new vibe, this new energy,” is what is driving West, the real estate developer. “I am tired of McMansions,” he told Charlamagne tha God. “That is wack. Everybody’s house is wack.”

His critique of McMansions and large homes is a common one: they are produced with similar features and styles. West hints that this is even the case at the level of home above McMansions where more resources does not necessarily translate into unique or quality homes. You can purchase a very expensive property and it may not be interesting or suit the particular needs of the residents.

At the same time, with his wealth and connections, West operates at a level beyond the typical McMansion owner. He has the resources to transform a large home based on a new vision. Mansion as monastery, as it were. He can pursue a particular plan and mold the home in ways that many McMansion owners cannot.

Now, if someone with fame and resources could help find a way to transform McMansions or relatively large houses (think 3,000-6,000 square feet) in the ways that West wants, this could help change the image of such homes. I imagine many McMansions owners would be interested in the idea of “sacred proportions” in their homes or differentiating their residences in significant ways from neighbors.