Building Chicago its first “true backlot” as filming days grow

Cinescape recently announced plans to expand their Chicago backlot which is featured on several current shows:

Cinespace, the soundstage complex on the West Side that is home to TV shows such as NBC’s “Chicago Fire” and ABC’s upcoming midseason drama “Mind Games,” plans to expand its filmmaking options by building a backlot on its existing 58-acre campus…

“We’re going to put the facades right on the existing buildings,” says Pissios. “One street will be a row of New York brownstones. One will be Chinatown. Another will be a restaurant, a bank and a courthouse.

“So this will help TV and film productions when I can say, ‘This will save you money.’ We have a solid film (tax) incentive but it’s not the best in the country. And there’s big costs when you shoot on location — moving all the trucks, setting up catering, closing streets off, which requires security people. So how about when you’re here, I give (you) the option to just shoot everything on our 58 acres? Instead of going to 19th and Michigan Ave. to shoot those brownstones, they could shoot it right here…

L.A. is currently the only U.S. city with true backlots, so one in Chicago would be unique. Pissios plans to start the project in the fall, with work expected to be completed about a year later. “And if everything goes well, we would love to somehow, down the line, make this a little tourist attraction, where buses could come in and we give people a tour.”

It is a little bit funny that the expanded backlot would help provide settings for other cities. Why not a full backlot of Chicago scenery? At the same time, Chicago has had more film and TV shooting in the city so perhaps this doesn’t matter too much, particularly if the alternative is for people to go to Toronto or Vancouver to shoot “Chicago.” The city set a record in 2013 for the most filming days in the city:

The number of film and television projects filmed in Chicago, jumped 20 percent in 2013 to 2,198 filming days, according to the Chicago Film office.

City officials said it was a new record high, trumping 2012’s 1,808 days.

The filming hours include six simultaneous full-time TV series, three studio features shot back-to-back and 137 commercials…

TV series shooting in Chicago during 2013 included ABC’s “Betrayal” and “Mind Games” as well as NBC’s “Chicago Fire,” “Chicago PD” and “Crisis.” USA’s “Sirens” also shoots in Chicago.

Studio features filmed in Chicago in 2013 included “Divergent,” “Jupiter Ascending” and “Transformers 4.” All three will be released in 2014.

Good for business but how Chicago are these movies/shows/commercials anyway? Are there lots of shots of iconic Chicago buildings or more of a Chicago culture or not much at all?

Chicago’s annexations through the years

Watch Chicago expand through annexation here.

Maps at the Chicago History Museum show that in 1837, city borders were:

  • Lake Michigan to the east
  • North Avenue to the north
  • 22nd Street to the south
  • Wood Street to the west

In the Great Fire of 1871, much of the city was destroyed. The most significant annexation in Chicago history came almost two decades later, in 1889.

That’s when Hyde Park, Lake View and Jefferson and Lake townships became part of Chicago. The annexations were the result of an election and added 125 miles and 225,000 people to the city, making it the nation’s largest city by square mileage at the time…

“One of the reasons annexation stops […] in the early 1900s is because the city really doesn’t want to annex any more territory,” said Chicago historian Ann Keating, who wrote Chicago Neighborhoods and Suburbs: A Historical Guide and co-edited The Encyclopedia of Chicago. “Our vision is suburban communities wouldn’t want to join in to the city, but the fact of the matter is the city kind of hits a point where they can no longer extend services.”

This is a common trait of most American big cities: they started relatively small and then annexed quite a bit of territory. However, Chicago’s experience mirrors cities in the North which essentially couldn’t annex much past 1900. While suburbs prior to this point had been willing to join the city to gain from the big city’s services and the city’s prestige, by around 1900 these local services were cheaper to build themselves and cities had different reputations. But, annexation was still quite common for Sunbelt cities, most of whom were able to continue to annex through the 20th century. David Rusk tracks these annexations in his book Cities Without Suburbs. Here is one chart:

RuskCitiesWithoutSuburbsTable1.5Quite a big difference which Rusk argues allowed Sunbelt cities to capture more of the suburban growth and benefit from a wider tax base and more diverse population.

Super Bowl byproduct: first regional mass transit map for New York City

The Super Bowl prompted officials to put together a regional mass transit map for New York City for the first time:

Festivities for the big game are spread between Manhattan’s Times Square, Newark’s Prudential Center, and the MetLife Stadium in the Meadowlands. So getting around by public rail involves, depending on your route, the PATH, NJ Transit, the MTA subway, the Long Island Railroad or even Amtrak.

To make life easier, the New York/New Jersey Super Bowl Committee asked designer Yoshiki Waterhouse of Vignelli Associates to merge all the systems onto one diagram.

The result is the closest thing the New York City area has to an all-in-one rapid transit map. The host committee has been passing them out to fans and media and has made it available online. But if you’re a regular New Jersey to Manhattan commuter, or just a design fan, you should probably get your hands on one of one these before they end up as an expensive collector’s item.

While there are clearly a lot of things going on in this map, it doesn’t make much sense that this is the first full transit map. (Technically, it doesn’t include buses but that is another story.) Why might this be? One assumption could be that the average visitor or tourist isn’t terribly interested in leaving New York City on a typical visit. Plenty of visitors might want to go to Brooklyn but how many want to take a train to Long Island or the Prudential Center in New Jersey? Another answer could be that for trips within New York City, the city and others clearly see the subway as the only way to go because of its efficiency and coverage.

“Without Lake Mead, there would be no Las Vegas”

The 14 year drought in southern Nevada, northern Arizona, and southern California threatens Lake Mead and the water supply to Las Vegas and other communities. The ability to have such a city in the middle of a desert is quite remarkable. It rests on the construction of Hoover Dam:

HooverDamJul12

I’ve been there twice and I was impressed both times by the ability to put this all together in the 1930s. Yet, the dam is highly dependent on available water and weather patterns. Here is a look at the lower Lake Mead from the top of Hoover Dam in July 2012:

LakeMeadJul12

While this is partly a cautionary tale about the the limits of human consumption, it also presents an opportunity for human ingenuity. As the news report notes, “Las Vegas actually reuses 93% of its water.” Imagine if all cities in the world reached such levels. Thus, even with an extended drought, Las Vegas may continue to thrive:

BellagioFountainsJul12

The show must go on…

Super Bowl program, tickets feature NYC skyline though game takes place in New Jersey

Updating the New York/New Jersey Super Bowl discussion, the official Super Bowl program and tickets feature New York City:

But it reached a fever pitch this week when the NFL unveiled its design for the official game program and tickets — a shot of the New York City skyline — with New Jersey a small speck in the distance.

“Apparently, the NFL needs a geography lesson,” Sen. Robert Menendez, (D-NJ) said at a press conference with Sen. Cory Booker and other elected officials held to denounce the NFL’s design and reprimand players and broadcasters who refer to the Feb. 2 game as the ‘New York Super Bowl.’ Menendez also took issue with the “tiny sliver of Jersey City” visible in the program cover, adding; “You’re kidding, right?”

Brian McCarthy, a spokesman for the NFL who took pains to point out he lives in New Jersey, sent a long list of the NFL-supported Super Bowl activities happening in the Garden State. He insisted that the program and ticket design featured Jersey City, and said the Super Bowl logo prominently shows MetLife Stadium with a view toward New York City, adding that other promotional decor displayed both New York and New Jersey.

But the program design — in which Jersey City can be found if you’re looking for it — hit a nerve that was made raw almost immediately after the 2010 announcement that the nation’s first cold-weather Super Bowl would be played in New Jersey; news which was heralded on the cover of New York City’s tabloids as the ‘New York Super Bowl,’ and is repeatedly referred to by sportscasters as such.

I suspect that the New Jersey politicians can complain all they want and most people are still going to focus on New York City. Fair or not, New York City has a more glamorous profile than suburban New Jersey. Perhaps New Jersey can take solace in the fact that much of the attention on New York City tends to primarily focus on the wealthier areas of Manhattan, like around Times Square or Wall Street, while leaving out the majority of the city.

“Chicago’s RIverwalk To Be the Next Times Square?”

The City of Chicago just announced what it desires for its Riverwalk:

In the Mayor’s attempt to turn the Chicago Riverwalk into Times Square Jr. or Hong Kong Lite, the city may soon be installing some new lights. A lot of lights. The Mayor wants to boost tourism in the city by 10 percent, or attract 55 million annual visitors by 2020 and thinks that adding a light show to the city would be the key. The lights are intended to highlight Chicago’s architecture and skyline, but also to open up tourists’ wallets by extending the day into night.

This “bright” initiative, headed up by the president of Broadway In Chicago, will start with an international call for submissions. Plans show that the lights won’t only be noticeable in the loop, as the Mayor’s vision is to expand the project into the neighborhoods. Perhaps some think Chicago’s world famous architecture can’t speak for itself.

More on the plans:

“It will make nighttime in Chicago an experience unto itself. It will make us North America’s city of lights. People will come from far and wide to see what we’ve done and enjoy our city,” Emanuel told a clout-heavy audience at the Museum of Science and Industry.The light-up Chicago initiative is being spearheaded by Lou Raizin, president of Broadway in Chicago.

If artists, architects and engineers “work together as teams,” Raizin said he’s certain they will find ways to use Chicago’s world-renowned architecture, the city’s iconic bridges, Lower Wacker and the river itself as a “canvas” to “imagine lighting in a unique and different” way.

“It’s about creating a spectacle that winds up allowing us to be sensitive to the assets that we have, but making a pivot that takes the old guard to the vanguard. It’s not just washing a building with light. It’s about creating theater. It’s about engaging. It’s not just color. It’s three-dimensional. It’s really creating events in light,” Raizin said.

One can only hope this is done tastefully and doesn’t turn out to be garish. But, there is a lot of potential with the riverwalk and I’m still surprised it has taken this long to do much. This may seem particularly odd since since Chicago has a long history of protecting land along Lake Michigan. Yet, the city has never quite respected the river in the same way as the lake. The river has always been much more functional: a connection to the Mississippi or a place to dump sewage. Perhaps the lights indicate a new era might soon begin…

Nice graphic on Chicago’s relative position as a global city

The cover story in today’s Chicago Tribune on Chicago’s status as a global city includes a nice graphic showing how Chicago matches up on a variety of dimensions.

This sort of multi-dimensional graphic is becoming more common. Its biggest advantage is that it can display a lot of information across a variety of dimensions. This graphic shows 10 different aspects of being a global city. It is also relatively easy to compare ranks of cities, if you know what you are looking at – the further out the area or the more area a city covers on the graphic means a higher ranking. Of course, the biggest downside is that is takes a little bit of time to figure out how to read it. Is a city better if it is closer to the middle or further away on each dimension? (It is is better to be further out – higher ranking cities cover more area.) It can also be a lot to take in at once.

It is a nice addition to add the seven comparison cities at the bottom with Chicago’s mass overlaid on each diagram. Just having Chicago’s rankings graphed would provide some information but do so without any context.

Mapping NYC’s manufacturing facilities in 1919

A 1919 map of New York City’s manufacturing facilities provides insights into the city’s manufacturing prowess:

In 1919, this list shows, New York produced more than 50% of total national output in twelve lines of manufacture, and was competitive in many more.

Geographer Richard Harris, writing about industry in the city between 1900-1940 in the Journal of Historical Geography, points out that because of the particular products New York was known for (lapidary work, women’s clothing, millinery), many industrial workers were women. In 1939, they represented 36% of the total workforce. Workers in Lower Manhattan, where many garment factories were located, were particularly female.

Harris points out that although factories tended to move outward into the boroughs after 1919, before WWII the city did retain many factories in its central core, bucking the nationwide trend of suburbanization of industry. In 1940, 60% of New York workers had manufacturing jobs.

In the midcentury period, however, development trends turned toward offices and corporate headquarters. Zoning regulations made building more factories difficult.

In recent years, the city’s economy has rested on the service and financial industries. While manufacturers still do set up shop in the city, the scope of their activities is specialized. According to the New York City Economic Development Corporation, industry now provides just 16% of private-sector jobs. New York still produces garments, textiles, and printed material, and has increased production of packaged foods (see this October 2013 report from the NYCEDC for details [PDF]), but city factories tend to be smaller and to employ fewer workers.

This is an impressive range of industrial capabilities in 1919. As the above section notes, today New York City doesn’t have much of a manufacturing image due to the rise of Wall Street, the finance industry, the sector, and entertainment industries. Yet, 16% of manufacturing jobs in New York City still adds up to a big number of employees and firms, even if these facilities are not in highly visible areas in Manhattan. Additionally, some of the more hip areas in New York City today, such as Williamsburg and SoHo, are places that were ripe for gentrification and redevelopment in recent decades after large industry left in the mid 20th century.

CNN’s Chicagoland reality series featuring Rahm Emanuel premieres at Sundance

Here is some activity regarding the upcoming Chicagoland series on CNN:

The William Morris Endeavor clients decided to ask that their agency not represent them in the deal so as to avoid a conflict of interest when covering Chicago mayor Rahm Emanuel, brother of WME co-CEO Ari Emanuel. The agency agreed with the decision…

The filmmakers tell The Hollywood Reporter that the project is an evenhanded look at the mayor and the city, which was rocked by a bitter teacher’s strike and has grappled with a high murder rate. “The teacher’s union thought we were with Rahm, and Rahm thought we were the teacher’s union,” Benjamin says.

The pair gained extraordinary access to Rahm Emanuel, which was facilitated by David Axelrod, the Chicago-based former campaign adviser to President Barack Obama. Rahm was Obama’s first chief of staff and helped him get elected in 2008. Ari was instrumental in mobilizing the Hollywood donor community to back Obama.

Levin and Benjamin shot footage over an eight-month period in which the murder rate did go down, but they say they were prepared to cover the city’s story however it unfolded. “We expect criticism,” says Levin. “So long as it’s from all sides, we’ll be happy. If someone says we’re too kind or too critical to one side, that wouldn’t be good.”

In a series like this, I imagine there will be plenty of unhappy viewers. Regardless, it should be interesting to see how Chicago and its mayor are portrayed. City effectively responding to 21st century challenges or superactive mayor needed to help a city escape its own troubles? Additionally, I think it will be difficult to convey the complexity of a global city like Chicago in eight episodes and by focusing on its leader. Leaders are important but they don’t dictate everything happening in a city of nearly 3 million people.

In the movie Her, futuristic Los Angeles looks like Shanghai

In recently watching the movie Her, I was intrigued to see the futuristic Los Angeles. What exactly does it look like? Shanghai, as the film was filmed in LA and there. Here is what I noticed in the film:

1. There are a number of portrayals of Los Angeles. For example, the Walt Disney Concert Hall is featured in several scenes. One time the main character walks past the Hall and another scene takes places on an outside terrace with a lotus flower fountain on an upper level of the hall. Here is what the fountain looks like:

WaltDisneyConcertHallFountain

See an exterior shot of the building in an earlier post. This building fits well with a futuristic image with its metal panel exterior and unusual lines.

2. There are a number of shots of a city skyline, particularly from the main character’s apartment. However, this view usually has a lot more tall buildings than Los Angeles actually has. While Los Angeles has a downtown as well as an outcropping of taller buildings by Beverly Hills, there were clearly too many to be LA. At the same time, there were also shots featuring the One Wilshire building. So the film plays loose with the skyline shots but they are often Shanghai.

3. There are a number of scenes in public spaces, particularly nice plazas and walkways that connect large buildings. I haven’t explored all of LA but I know these are limited in the downtown so there seemed to be too many.

4. There is a scene early in the movie featuring a subway/train map in the background and while the base map is of Los Angeles, it clearly has too many mass transit routes to match today’s LA.

5. Others images of mass transit don’t look like LA including a bullet train and elevated mass transit lines.

6. Some of the shots from apartments or the tops of buildings show more boulevards than streets or highways.

7. Some of the outdoor scenes have street signs that look more Asian in design as well as more Asian pedestrians (though LA has a large Asian population).

Los Angeles was once viewed as the future of American cities: sprawling, encompassing a broad range of terrains from beaches to hills, and glamorous locations. However, American filmmakers may now be looking to rapidly growing Chinese cities for what the future holds.