Category Archives: Places

Modern wonder: NYC’s water system

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Here is a look at the vast system that keeps pumping clean water flowing in New York City:

The pipes that carry this life-giving force are largely invisible to New York’s thirsty masses. (Here’s a great map.) The system includes 19 reservoirs nestled in the rolling hills and mountains, draining a sprawling 1.2 million-acre watershed; three controlled lakes; 300 miles of underground thruways, including one that burrows 1,100 feet underneath the Hudson River; and thousands of miles of thin pipe under New York’s streets. Together, they deliver fresh, potable water to 8.4 million people in New York City and another 1 million people upstate…

The system emerged as a matter of necessity. “New York City developed this water system because it was unlucky,” says Kenneth T. Jackson, the Columbia University historian and authority on New York City. “It couldn’t could take water out of the rivers, because the Hudson is salty all the way up to Poughkeepsie.” In the 18th and early 19th centuries, the city’s growing number of residents relied on wells, water brought in on ships, and spring-fed ponds like the Collect (near what is now Foley Square), which quickly turned into dumping grounds for sewage and garbage. The fetid waters helped spawn the cholera epidemic of 1832, which killed more than 3,500 residents. And the absence of significant water sources in city streets thick with wooden buildings led to a series of disastrous fires. After the Great Fire of 1835, which consumed about 700 structures, municipal leaders were moved to act…

Built at a time when the city’s population stood at about 200,000, the Croton system served well until the early 1900s. By then, New York’s population soared to more than 3 million, thanks to immigration, expansion, and the annexation of the Bronx and Brooklyn. In the early 20th century, the city expanded the system to develop new resources in the Catskills. The Ashokan Reservoir, whose creation required the submerging of seven villages, came into service in 1915. A system of pipes and canals were constructed to ferry water via the Catskill Aqueduct 92 miles to the Kensico and Hillview Reservoirs in Westchester—including a circular tunnel with a diameter of 14 feet that goes 1,100 feet under the Hudson River near West Point. Water Tunnels No. 1 (completed in 1917) and No. 2 (completed in 1937) carried the water from Yonkers into Manhattan. Next came the Delaware system to the city’s northwest. Starting in the 1950s, vast pools of water created by damming tributaries of the Delaware River were fed into new infrastructure, including the Delaware Aqueduct, which at 82 miles is the longest continuous underground water tunnel in the world. Here, again, gravity does the work. The highest reservoirs are about 1,200 feet above sea level. And the volume of water pushing down through the pipes creates an enormous amount of power. Today, Bosch notes, “the pressure is so great that it can take it to the sixth floor of most boroughs without any pumping,” said Bosch.

The 500 miles of fat pipes upstate are augmented by 6,500 miles of narrower underground conduits that run underneath the five boroughs, from the crags of Riverdale to the distant, wave-tossed shores of the Rockaways. From the Hillview Reservoir in Yonkers, right on the Bronx border, pipes plunge a few hundred feet into one of the three massive water tunnels that carry water to the south about 500 feet below ground level. Every 20 blocks or so, vertical tunnels sprout up to feed into trunk water mains, with a diameter of about a foot. Ultimately, they connect to buildings, whose pipes are private property.

It would be really difficult to have the #1 global city without a well-designed water system. Such planning and engineering may not get much attention in explaining New York City’s rise but it certainly had to be present. Interestingly, histories of Chicago tend to note the importance of reversing the flow of the Chicago River so that waste was sent downstream towards the Mississippi rather than into Lake Michigan where it polluted the water supply.

How Naperville can present its suburban sprawl in its proposed bicentennial museum

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Naper Settlement officials suggested they want to build a museum for the city’s 200th birthday:

Naperville’s 200th birthday is still about 16 years away, but Naper Settlement officials already are thinking about what the city should give itself to mark the occasion.

Their answer is Scott’s Block, a history museum made to look like a downtown building that existed between 1854 and 1975 as a bank and a gathering hall.

Imagined as a 31,000-square-foot museum to be built on the Naper Settlement campus at 523 S. Webster St., Scott’s Block would give Naperville’s historical stewards space to tell stories beginning with the city’s founding era in the 1830s. Stories of war heroes, women business leaders, even iconic ice cream shops could be displayed in the new space the settlement hopes to build in time for Naperville’s bicentennial in 2031, said Rena Tamayo-Calabrese, president and CEO…

Scott marked the nation’s 100th anniversary by building a gathering place, and the city marked its first 100 years in 1931 with the creation of Centennial Beach. Next for the city’s 150th anniversary came the Riverwalk, and Tamayo-Calabrese says now it’s time to think about what should commemorate the 200th year…

Having additional space would let the settlement bring many of the 55,000 artifacts it has in storage out for all to see in themed exhibits that could rotate throughout the year.

Naper Settlement primarily emphasizes the city’s early decades after the community was founded in the early 1830s. While these are important years, Naperville was quite small until after World War II. It is since then that the community grew to over 140,000 people and over 35 square miles. The Naperville of today is built on some of these early decisions but looks quite different now. So, what could Naper Settlement present about this era? I offer three key things Naperville residents and leaders like to discuss and one other feature that might be a bit harder to present:

1. The role of Harold Moser, known as “Mr. Naperville.” Moser ended up building dozens of subdivisions as the city expanded. The first major one was Moser Highlands just to the southeast of downtown. Moser was also involved in the community, giving lots of money and serving in a variety of roles.

2. The opening of Bell Labs in the mid 1960s just northwest of the intersection of Naperville and Warrenville Roads. The East-West Tollway opened in 1958 and Bell Labs announced the construction of a large facility in 1964. The arrival of high-tech white-collar jobs helped kick off a boom in such positions in Naperville. Today, the city is home to a number of notable companies.

3. The construction of the Riverwalk about the DuPage River. This park was part of a mid-1970s plan to help revive Naperville’s downtown that was facing stiff competition from areas like the newly-opened Fox Valley Mall (where the developer had sided with Aurora rather than Naperville). Volunteers and civic groups helped put together the first small stretch and the Riverwalk has expanded since then. It is a lively attraction during the summer and helped bring people and businesses to the downtown.

4. The one feature that might be harder to present because it doesn’t emphasize a particular person or event is the willingness of Naperville to annex land. After World War II, many suburbs across the United States had opportunities to expand. Naperville truly pursued this, annexing multiple large chunks and expanding to the north to encompass land around the interstate (capturing some of this white-collar job growth) and particularly to the south and west until finally running into other communities (Aurora in the 1970s, others in the early 2000s). One of the remarkable features of Naperville is its size and wealth; few communities its size have its level of wealth, good jobs, low crime, and low poverty.

Frank Gehry answers critics of the Lucas Art Museum design

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Architect Frank Gehry suggests Chicagoans will come to accept his proposed design for the Lucas Art Museum:

Chicago is a great city for architecture and has historically supported innovative, forward-looking work. There is a natural impulse to deride a project in the early stages of design, particularly one that has a new shape or expression.

This is not a new concept.

The Guggenheim Museum in Bilbao, Spain, the Eiffel Tower in Paris and even the Monadnock Building in Chicago had many early critics. In my own experience, the Walt Disney Concert Hall in Los Angeles was called broken crockery when I first went public with it, and that was the nicest thing that got said. In Bilbao, the newspapers had an article asking for the architect of the museum to be killed — that was me! All of these projects have gone on to be great assets to their mutual cities, and I think the same will be true of the Lucas Museum of Narrative Art and Chicago.

The work presented for the Lucas Museum has precedent. It’s not just out of the blue; it is something that has been in the air for many years. The use of rooftops as public space has precedent in the Malmo Concert Hall in Sweden by Snohetta. It is one of the first great examples, and I think it has proved very successful. Zaha Hadid has used flowing forms in many of her projects to great effect. If we go even further back, Eric Mendelsohn was using organic forms to create his masterpieces such as the Einstein Tower in Germany…

Please do not dismiss it because it doesn’t look like something you’ve never seen before.

An interesting plea from the starchitect. Chicago is indeed an important city in architecture, particularly with the rise of the International Style in the post-war era. Yet, Chicago doesn’t have too many whimsical or rounded designs as its larger buildings tend to stick with older Green styles (think the Museum Campus), modernism (International Style of glass-walled skyscrapers), and the occasional postmodern touch in a high-rise or tall office building.

If Gehry is right that cities tend to accept his work down the road, does his line of reasoning cut off any potential criticism from the start? Gehry suggests new designs may be unusual but they tend to be liked down the road. But, there are buildings that are constructed and people never quite take a liking to them. As another example, Gehry’s design for the Eisenhower Memorial in Washington D.C. has prompted a lot of debate. How would we know if the Lucas Art Museum is one of those cases that is not popular years later? The location near Lake Michigan and the public interest in such land is not likely to do the building’s design any favors.

New “Dry City Brew Works” reminds Wheaton of its dry past

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A new brewery in Wheaton has a name that highlights the community’s past stance toward alcohol:

Exposed brick walls, metal accents, a wooden ceiling and plans for local musicians to regularly perform give Dry City Brew Works the feel of an urban coffeehouse…

The name, of course, is a reference to Wheaton’s history of being a dry city until the mid-1980s.

“A lot of people, especially from the Wheaton area, are telling us, ‘Wow, finally, it’s so good to have something like this in Wheaton.’ They love the name and the play on Wheaton and the reaction to the actual product has been good,” Jessica said.

Friends, family and strangers helped the brewery raise $15,000 through a Kickstarter.com campaign to help with some of the startup costs. The owners are now in the process now of rewarding the backers with Dry City-stamped T-shirts, glasses and other items.

A bit of a change for a community which voted for its own prohibition after the Federal prohibition ended. Read an earlier post about Wheaton’s dry past and reactions to Ale Fest a few years ago. The ban on alcohol sales was revoked in part because of arguments that such sales would help the downtown: enhance the downtown experience, attract businesses and restaurants, and thus boost tax revenues. A brewery downtown would seem to contribute to all this though it remains to be seen how successful a brewery in Wheaton can be.

Watch for how Chicago’s new “Array of Things” signs communicate information

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Big data about Chicago is to be communicated to the public in a few different ways, including from public signs:

But the information it gathers is only half of what the Array of Things does. It will communicate that data in a complete, machine-readable form online, for users to search, analyze, and adapt. The sensors, however, will also communicate the data to passers-by.And that presents an interesting design dilemma. Most public signage seems self-evident and intuitive, like stop signs and walk signals, but it tends not to change very much, and when it does, it’s iterative. What do you do when you’re designing a new form of public signage, on the cheap, and one that has the possibility to communicate a wide range of information? To find out, I spoke with the array’s designers, SAIC professor Douglas Pancoast and master’s student Satya Batsu.

The obvious approach would be to use a screen. But screens are fragile and expensive. “We knew we didn’t want to have screens,” says Pancoast. “We wanted it to be visible—it couldn’t be too small, it couldn’t be too big, and you couldn’t mistake it for traffic.”…

That also led the designers to the current design of the Array nodes. (Not final, necessarily—the 3D-printed screens are cheap, quickly produced, and replaceable in a few minutes with off-the-shelf hardware.) The hexagonal shape of the lights in a honeycomb pattern is meant to further distinguish the Array nodes from traffic signals—a simple, familiar shape that’s still different from the language of signage that will surround it on city streets…

From that, Pancoast and Batsu narrowed down the nodes to their current iteration, leaving open the question of what information they’ll communicate and how people will recognize it. And that’s where the community comes in. The Array of Things is “neighborhood asset mapping,” in Pancoast’s words; residents are likely to be interested in different data in different places. In one place, they might be interested in air quality, an “asymmetrical” issue across the city. In another, sound or temperature.

This could present some interesting opportunities for observation to see how residents will interact with these public signs. Will they stand around them? Glance at them quickly as they walk by? Ignore them? I’m curious to know what information these signs could provide on a regular basis that would be better than what residents could gather on their smartphones or that would add value to their daily routine.

“An urban slum in the countryside” marked by a lack of McMansions

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McMansions may be everywhere (including Iraq) but one writer notes their conspicuous absence in the suburbs of Cardiff, Wales:

“Out on what were the squelchy red muds, bluebell woods, beech-clad hillocks and bosky blackberry hedgerows of the ancient parish of Llanederyn, prices have collapsed and nothing sells. Few want to live in a no man’s land 40 minutes by bus from the city centre, an unloved, invisible of executive Mcmansions, roundabouts and superstores, sagging lintels and dripping gutters.”

We also learn that Trowbridge is “shabby and lacklustre” and that Llanederyn’s Maelfa indoor precinct is “a post-apolcalyptic boarded-up no-go zone, spurned by market forces uninterested in poor people.

“Thus was created an urban slum in the countryside.”

Some vivid descriptions that evoke a bleak image. It is interesting to compare this description of bleakness with how such things are discussed in regard to American McMansions. Outside of depictions of “zombie subdivisions” due to unfinished developments or suburban neighborhoods ravaged by foreclosures, American critics of McMansions tend to emphasize their emotional bleakness. Having McMansions implies having plenty of money or resources (or at least the means of acquiring debt). Yet, critics suggest neighborhoods with McMansions lack community, are lonely, project images of power but are empty inside. In the future, all those McMansions may suffer the fate of many homes: people who have moved on to newer and better things, the need for many home repairs, and a lack of exterior sheen due to age. The bleakness is not class-based or like urban blight with empty and boarded-up buildings but rather is based on a lack of soul.

Black congregation in Seattle follows its members to the suburbs

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Here is one illustration of the demographic changes in American suburbs: an African-American church heads for Seattle’s suburbs.

The Rev. Leslie David Braxton saw the writing on the wall in 1999. Members of his former congregation at Mount Zion Baptist Church in the Central District were moving south, and in Seattle, the black middle class was already starting to shrink…

A data junkie and sociologist by training, the reverend rattles off statistics effortlessly. In 1999, he gleaned that in 20 years, the Central District wouldn’t be the epicenter of the black community…

He pushed for Mount Zion to open a satellite campus south of the city. After some internal conflicts, he resigned and, in 2005 started his own church, New Beginnings Christian Fellowship, south of Seattle…

“We’re sitting on 8½ acres. There’s no way you’d be able to get that kind of property in the city.” And, if a similar building existed, he said, “it certainly wouldn’t be affordable.”

To Braxton, there’s an upside, however. For many black families, the suburbs offer an opportunity to live out the American dream — good schools, the house with a two-car garage and a spacious yard — far more easily than the city. It’s a reversal, he says, of white flight, common in the East Coast.

Churches can often go where a majority of their members go. The pattern described here sounds similar to that of numerous white urban churches after World War II: as whites moved to the suburbs, so did a number of the congregations. Such moves weren’t necessarily immediate; it took time for some established institutions to leave buildings and neighborhoods where they may have been for decades and/or served multiple waves of white immigrants.

But, the suburbs today have a wider range of residents including more non-whites, immigrants, and lower- and working-class people. Suburban religious congregations already reflect some of these changes and will likely demonstrate these further in the future.

Detroit’s art museum raises $800 million, saving its art and helping the city escape bankruptcy

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The deal late last week to end Detroit’s bankruptcy also means the city’s art museum didn’t have to sell much of its famous art:

As many outlets are noting, the bankruptcy could have been far lengthier, and even more painful for retirees, had it not been for an unusual deal designed to save the Detroit Institute of Arts while minimizing cuts to pensions. The museum has been owned by the city since 1919, and its collection, appraised at $4.6 billion, includes works by the likes of Rembrandt, Van Gogh, and Matisse, as well as Bruegel the Elder’s masterful The Wedding Dance. In April 2013, the city’s governor-appointed emergency manager, Kevyn Orr, informed the DIA that it would have to contribute at least $500 million to paying off Detroit’s debts, even if meant selling off paintings at auction. Creditors also demanded a sale, because, you know, they’re creditors.

Instead, the museum essentially went on an ambitious fundraising drive, in which it managed to raise more than $800 million, including $330 million from nine different philanthropic foundations. Another $200 million came from the state of Michigan, which, despite Gov. Rick Snyder’s protestations that he wouldn’t bail out Detroit, did apparently feel compelled to preserve some of its cultural heritage.

In return for the money, the deal will essentially “ransom the museum from city ownership,” as the New York Times puts it, placing it in control of an independent charitable trust.

It sounds like foundations and others that gave money to the art museum not just helped preserve the museum’s finer pieces but also raised extra money for the museum. Given that many urban supporters these days laud the positive influence of arts on urban development, perhaps the museum can play a bigger role in helping to revive downtown Detroit with some of that extra money.

At the same time, it is interesting to consider some of the tradeoffs in Detroit leaving bankruptcy: is it better to preserve art (often something passed down from generation to generation) or to cut the pensions of employees and retirees? Save big culture or provide more money for people living in the community? Perhaps this is an overly simplified comparison but raising hundreds of millions for art could have very different outcomes than raising that money to help residents.

First shared street – devoid of street markings, signs – coming soon to Chicago

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This has been tried elsewhere (see this example in England) but the first shared street will be in place next year in Chicago:

The New York Times editorial board recently called the concept of shared streets a “radical experiment” for the city of Chicago, which plans to start construction on its first one on Argyle Street early next year. Yet the philosophy behind them–that by removing common street control features, street users will actually act less recklessly and negotiate space through eye-contact—is actually not all that new. Shared streets have been built and shown to be effective in reducing accidents in London already. In the U.S., shared streets exist in Seattle, Washington and Buffalo, New York.

The Chicago project came about as the city was looking to implement a normal street improvement project for Argyle Street, an active block with businesses and restaurants in a diverse neighborhood where many Vietnamese immigrants settled in the 1970s. The street had also shut down for the city’s first night market for the last two summers, and Alderman Harry Osterman, whose ward includes the area, says officials wanted to continue spurring the revitalization of the area. The lakefront bicycle path is only two blocks away…

The $3.5 million street renovation will feature a design with no curbs or lanes, and minimal signage, though there will be stop signs, so as not to descend too far into chaos. Different colors and pavers will indicate where the sidewalk would normally end and where the street begins; the speed limit will be 15 miles per hour. Overall, the goal is to change the mood of the street: “Psychologically for drivers, they will know that they can’t just shoot from stop sign to stop sign.”

Osterman hopes that as a result of the improvement project, more visitors will come to businesses in the area, and that the open space will make it easier to encourage more sidewalk cafes and temporary events. The city is now nudging existing business to spruce up their facades.

It will be fascinating to see how this plays out in Chicago. Several of the interesting features here:

1. Such designs deemphasize the role of cars. Chicago drivers tend to like to go fast when they can so I suspect they will not like this change.

2. Pedestrians and businesses will probably like this a lot as it can enhance street life, leading to more people hanging around and frequenting the businesses.

3. In looking at the design, I did wonder about parking. If someone wants to drive to this stretch, this change might lead to more parking issues on adjacent blocks.

4. Even if this is successful, will it catch on more widely in Chicago? As noted above, while walkers and businesses will probably like this, you can’t have too many of these street or drivers will be really upset about their limited options.

Patterns in teardowns in Chicago’s inner-ring suburbs

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An architecture professor has found some patterns in the teardowns in inner-ring suburbs surrounding Chicago:

Together, the data set Charles studied included 591,101 single-family houses in Cook County suburbs [between 2000 and 2010], and she determined that 4,789 were redeveloped during that 10-year period. That’s less than 1 percent, but that 1 percent was concentrated and not just in the obvious suburbs one might think.

She found that the teardown phenomenon didn’t affect all communities, wasn’t driven just by developers (often a homebuyer was behind the first teardown in a subdivision), and wasn’t confined to tony neighborhoods where the rebuilt homes were expensive McMansions that stretched from one lot line to the other.

In fact, some of the municipalities that saw clusters of teardowns were suburbs with moderately priced houses and families with moderate incomes, and it was those communities that saw the most conspicuous difference in size between the old house and the new one that replaced it. Charles also found that most teardowns occurred in white and non-Hispanic communities, and in areas with highly regarded school districts.

The article continues with the typical arguments for and against teardowns. Her conclusions?

“I’m not entirely convinced this is gentrification,” Charles said. “If you look that the new house is three times as expensive, you’d think the household coming in would have a considerably higher income. By one definition, that’s a form of gentrification. But I’ve heard examples in Norridge of people who grew up in Norridge and wanted to stay there.”

I wonder if this is what is going on: the Chicago suburbs have experienced teardowns for decades but they were much more likely in higher-class suburbs like Elmhurst, Hinsdale, and Naperville. These suburbs had relatively expensive property so only those with a lot of money and who were really interested in the particular status conferred by these suburbs could pursue teardowns. However, now with those with less money or who are looking for “original” neighborhoods have spread out to other suburbs that offer good schools, good deals, and some status. In other words, the locations have become more diffuse as the practice spreads. This won’t necessarily spread to all suburbs – some just don’t have the status or schools or demographics that those with money will want to buy into. Yet, those looking for unique teardown opportunities may continue to seek out new suburbs.