Don’t think that buying a McMansion will make you happy

A new book titled Happy Money: The Science of Smarter Spending suggests buying a nice home does not lead to greater happiness:

What could possibly be more satisfying than ditching that old starter home you and your spouse moved into during your broke newlywed years?

Two studies cited in “Happy Money” prove otherwise.

When researchers followed groups of German homeowners five years after they moved into new homes, they all wound up saying they were happier with their newer house. But there was one problem: They weren’t any happier with their lives. The same was true in a study of Ohio homeowners in which it turned out they weren’t any happier with their lives than renters.

“Even in the heart of middle America, housing seems to play a surprisingly small role in the successful pursuit of happiness,” Dunn and Norton write. “If the largest material purchase most of us will ever make provides no detectable benefit for our overall happiness, then it may be time to rethink our fundamental assumptions about how we use money.”

Regardless of whether someone owns a McMansion or not, this goes against a lot of the American Dream. Critics argue McMansions aren’t great purchases because of their poor design, environmental impact, poor community life, and other issues, yet people have continued to buy larger houses in recent decades. At the same time, some of these critics would tell McMansion owners to buy homes that better fit their individual needs. What unites these approaches to homes is the idea that people are better off having purchased a home. Perhaps they are in the eyes of society – indeed, people once argued homeownership would keep people from taking an interest in communism. But, if this research holds up, then perhaps we should retire the argument that individuals will be more satisfied as homeowners and stick to making a civic or community-oriented pitch for homeownership.

Including city smells in urban sociology

The word Chicago may be linked to smelling onions so why not try to track down distinctive smells in Chicago?

It’s a gorgeous Friday afternoon in July, and we’re walking through Archer Park with Diego and Juliet’s nine-year-old daughter Paula. We’ve gone in search of Juliet’s latest smell interest, an odor she noticed last fall when Paula was taking tumbling classes at the park. While Paula practiced forward rolls, Juliet and Diego killed time at the playground. And that’s where she smelled it: the unmistakable, nostalgic odor of Silly Putty.

Haven’t heard about Silly Putty in a while or maybe never? Well, it’s the putty that bounces, stretches, and (most bizarrely) snaps when given a blow, and it comes in a plastic egg. According to Juliet, it also has a distinctive “plastic-y chemical type of smell.” It’s this smell she recalls wafting over the playground from Archer Park’s industrial western edge on those fall evenings…

All this assumes of course that the city’s odor detectives are successful in tracking down an odor’s source. What happens, I ask, in cases like ours where investigators show up only to find that the smell has left the building? Omenazu says this happens a lot, and unfortunately, there’s not much the city can do.

“Odor is very transient,” he says. “It might be intense now, but in the next ten minutes, it’s gone.”

Smell also poses the additional challenge of being a moving target. “Sometimes it’s from Indiana” Omenazu says. “Sometimes it’s from as far away as Peoria. There was a case of a gas smell that everybody was smelling. … People’s Gas discovered that [the leak] wasn’t even in Chicago.” One complaint and one investigation may yield nothing, but Omenazu suggests persistence usually wins out. When I ask him how often he inspects facilities, he says if there are complaints “then we visit them as many times as we get complaints.”

All of this makes me think that somehow urban sociology has failed to deliver on urban smells. What we often say or show about cities often has to do with sight and sounds. Think of maps, impressive photos, words on a page, movies. But isn’t a key part of the urban experience the smells? For example, walking around in New York City during ASA two weekends ago was not only an impressive visual and auditory experience: there were plenty of competing smells. And, I would contend that midtown Manhattan smells a little different on the whole than Chicago’s Loop.

There is no easy way to put smells back into descriptions of cities outside of visiting them. However, it is a key part of experiencing cities and should not be overlooked.

1989 = a fine year for McMansions

A description of Rob Pattinson’s new Beverly Hills rental includes a funny bit about the year it was built:

Poooooor rich, rakish Rob Pattinson had to abandon his lovely Los Feliz home because it harbored “too many memories” of his life with cheating ex Kristen Stewart. Those two! We could’ve sworn they were still dating. Anyway, he’s finally found a new place to stay, reportedly–a McMansion rental in a part of Beverly Hills “that is so close to Studio City it might as well be Studio City,” as the Real Estalker puts it (it’s in The Summit off Mulholland near Coldwater). The five-bedroom house was built in 1989, a terrific year for McMansions, and comes with six bathrooms, a dining room, a library, a den with an oak sports bar, and a pool and spa. It sold in April for $3.7 million but it’s totally unclear what Pattinson is paying (it was listed for $15k a month last year before it sold). Meanwhile, RE hears that the previous owner was Lisa Marie Presley, “who quietly leased it to a slew of celebs including Cate Blanchett, Pete Sampras, and Shaquille O’Neal.”

McMansions were indeed constructed in 1989 but the term did not enter into wide usage until the late 1990s and early 2000s. I know the line is meant to be a joke but it might be interesting to compare the 1989 models versus those of other years to check their vintage…

New luxury NYC condo building gives affordable housing residents their own back entrance

A new luxury condo building in New York City has space for affordable housing – but those residents have to use a separate, back entrance:

The poor will use a separate door under plans for a new Upper West Side luxury tower — where affordable housing will be segregated from ritzy waterfront condos despite being in the same building.

Manhattan developer Extell is seeking millions in air rights and tax breaks for building 55 low-income units at 40 Riverside Boulevard, but the company is sequestering the cash-poor tenants who make the lucrative incentives possible.

Five floors of affordable housing will face away from the Hudson River and have a separate entrance, elevator and maintenance company, while 219 market-rate condominiums will overlook the waterfront…

“It’s a blatant attempt to segregate people,” fumed Rosenthal, who is demanding that HPD deny Extell’s request for tax breaks. “It’s just not a good thing for the city of New York to be supporting.”“I hate the visual of market-rate tenants going in one door and affordable tenants going in another, but that’s a visceral reaction,” Diller said.

I’m not sure we should be all that surprised. Developers generally don’t want to construct affordable housing because it cuts into the profits they could make. This is particularly the case in dense areas like Manhattan where land is at a premium and using some of the space for affordable housing means leaving money on the table. So, if the city is going to offer tax breaks for including some affordable housing units (and this is a common strategy for encouraging affordable housing), why wouldn’t a developer want to separate the exits so the wealthy can think they live in a building solely with other wealthy people (and will pay more for this appearance)?

On the other hand, perhaps New York needs to add to what it means by “affordable housing.” It is one thing just to require units. It is another to place wealthier and less-wealthy residents closer together so they might actually interact. This is the sort of “black box” behind mixed-income neighborhoods that replaced public housing high-rises in many American cities. The idea is that more regular contact between wealthier and less wealthy residents will help those less wealthy residents in the long run.

Should you study love in a sociology course?

I’ve seen multiple stories about a new sociology course on love at a university in India. Here is one such story:

The battle of superiority between natural and social sciences is being played out at one of India‘s oldest universities and good old Love may just become a casualty.

Among general education courses to familiarise humanities and science students with each others’ disciplines, Kolkata’s Presidency University is offering unique optional papers like “Digital Humanities”, “The Physics of Everyday Life”, and “Love” – likely to be option number 1 for most undergraduate students!

The subject of Love, hitherto the premise of departments of English and Philosophy, will be addressed for the first time by a department of sociology in an Indian university. The only other known precedent is the Sociology of Love undergraduate course offered at the University of Massachusetts in the US…

Roy hopes to cover several elements of Love – from Love-as-romance to Love-as-industry. He is hoping to bank on Love theorists like Anthony Giddens, Zygmunt Bauman and Eric Fromm, who have enriched sociological discourses with “The Transformation of Intimacy; Sexuality, Love and Eroticism in Modern Societies” , “Liquid Love” and “The Art of Loving” respectively.

My first thought is a line that I have provided to Introduction to Sociology students: if humans are involved in any way, sociologists can and will study it. Considering there is not a shortage of writing and commentary about love, sociologists should study it.

But, several articles, including this one, seem to hint at a different sort of issue: by applying social science methods to love, do social scientists change what love is? If it is shown to be influenced by social forces and norms, does this demean love? This sounds a bit silly to me: we know there is a more individual component to love (emotions, though this individualistic idea ), we know there is a physical dimension (the response of the body), and we know there is a social dimension (what love is and how it is expressed differs). Sociologists often “pull back the curtain” on social behavior but this doesn’t necessarily mean it ruins the experience of love. On the contrary, it may just enlighten people about the social dimensions of love.

Another idea. A number of social scientists have been behind the creation of popular dating websites (great phrase: “algorithms of love”): a psychologist is behind eHarmony.com, a sociologist is behind perfectmatch.com, and an anthropologist developed the algorithm behind chemistry.com. These social scientists have helped develop the idea that love can be scientific, that there are patterns that can be applied in a waiting market where plenty of people want such “Scientific” matching.

Crafting the perfect Gothic McMansion in a 21st century novel

A review of the new novel Fallen Land suggests the McMansion at the heart of the book plays a big role:

The McMansion, that derisively nicknamed trophy home of suburban arrivistes, is different things to all people: the darling of building contractors, the forest-guzzling residential equivalent of the SUV to land preservationists.

Among American practitioners of the modern Gothic novel, the McMansion has rarely been rendered with the resplendent gloom of, say, Shirley Jackson’s Hill House, or the majesterial melancholy of Edgar Allan Poe’s House of Usher. In his smashing followup to his formidable debut novel “Absolution,” however, Patrick Flanery has fashioned a crumbling 21st-century manor that can hold its own among those authors’ most sepulchral, ALLEGORICAL inspirations.

The trappings of “Fallen Land’’ are pure old-school Hollywood. Imagine a housing development that evokes the splashy-cum-sinister Victorian fantasy of “Meet Me in St. Louis” and Hitchcock’s “Shadow of a Doubt” and you have Dolores Woods, a Midwestern subdivision committed to a regressive aesthetic “in which the past was preferable and this country was at its greatest before it tried to tear itself apart in the middle of the nineteenth century.” The community’s pastiche array of gabled roofs and picket fences disguise the jerry-built nature of its construction: pop-up palaces whose yawning spaces and teetering infrastructure “terrify where they were meant to comfort,” the American Dream turned nightmare.

The development’s showpiece, classically enough, has been erected atop the site of tragic events from a darker epoch whose emotional undercurrents will haunt the home’s new tenants, Julia and Nathaniel Noailles. The Noailles have relocated from Boston with their smart, idiosyncratic son Copley (named for the hotel address where he was conceived) in pursuit of snazzier positions: she with a university lab, he with a mega-corporation that powers virtually every private enterprise on earth, including the fascistic private school in which Copley is newly installed.

I’ve noted before that the McMansion has become a popular tragic setting for modern stories. See this post about McMansions and horror films. The McMansion represents a hollow setting, a place that may look impressive but is empty at its core. The people who inhabit such homes are similar: people who thought purchasing a big home would bring satisfaction but are sadly mistaken. Even worse, the inhabitants – and it sounds like those in Fallen Land fit the bill – might be bad people, the kinds who squander money, are mean or amoral, and are up to nefarious purposes. All together, these stories suggest at the least that tragedies befall those in McMansions with the stronger argument that those who live in McMansions and their homes are rotten to the core.

Perhaps my argument would be strengthened by searching for counterfactuals: can we find many positive depictions of McMansion dwellers in novels, movies, TV shows, etc.?

The Chicago School model of urban growth doesn’t quite fit…but neither do other models

Sociologist Andy Beveridge adds to the ongoing debate within urban sociology over the applicability of the Chicago School’s model of growth:

Ultimately, Beveridge’s interesting analysis found that the basic Chicago School pattern held for the early part of the 20th century and even into the heyday of American post-war suburbanization. But more recently, the process and pattern of urban development has diverged in ways that confound this classic model…

The pattern of urban growth and decline has become more complicated in the past couple of decades as urban centers, including Chicago, have come back. “When one looks at the actual spatial patterning of growth,” Beveridge notes, “one can find evidence that supports exponents of the Chicago, Los Angeles and New York schools of urban studies in various ways.” Many cities have vigorously growing downtowns, as the New York model would suggest, but outlying areas that are developing without any obvious pattern, as in the Los Angeles model.

The second set of maps (below) get at this, comparing Chicago in the decades 1910-20 and 1990-2000. In the first part of the twentieth century, decline was correlated with decline in adjacent downtown areas, shown here in grey. Similarly, growth was correlated with growth in more outlying suburbs, shown here in black. In the earlier period growth radiated outwards — a close approximate of the Chicago school concentric zone model. But in the more recent map, growth and decline followed less clear patterns. Some growth concentrated downtown, while other areas outside the city continued to boom, in ways predicted more accurately by the New York and Los Angeles models. The islands of grey and black–which indicate geographic correlations of decline and growth, respectively–are far less systematic. As Beveridge writes, the 1990-2000 map shows very little patterning. There were “areas of clustered high growth (both within the city and in the suburbs), as well as decline near growth, growth near decline, and decline near decline.”

Interesting research. It sounds like the issue is not necessarily the models of growth but how widely they are applied within a metropolitan region. Assuming the same processes are taking place over several hundred square miles is making too much of a leap. We might then need to look at smaller areas or types of areas as well as micro processes.

This reminds me that when teaching urban sociology this past spring and reading as a class about the Chicago School, New York School, and Los Angeles School, students wanted to discuss why sociologists seem to want one theory to explain all cities. This isn’t necessarily the case; we know cities are different, particularly when you get outside of an American or Western context. At the same time, we are interested in trying to better understand the underlying processes surrounding city change. Plus, Chicago, New York, and LA have had organized (sometimes more strongly, sometimes more loosely) groups based in important schools pushing theories (and we don’t have such schools in places like Miami, Atlanta, Dallas, Portland, etc.).

Uptick in McMansion type cemetery plots and mausoleums?

Sales of big houses are on the rise as are sales of expensive cemetery plots:

The generation that brought us the McMansion is now reviving the McMausoleum. As more boomers contemplate their final years, some are spending sums of $1 million or more to buy or build spacious resting places in exclusive historic graveyards, as Stefanos Chen of The Wall Street Journal reports this week. The result, says Chen: An eruption of bungalow-sized luxury tombs, flanked by colorful statuary (think roller skates and Fender Stratocasters) in memorial parks previously known for their grim sobriety…

For Americans, big spending on burial today is more an issue of location, location, location. Older cemeteries that already host the remains of prominent people are able to command premium prices for their dwindling supply of plots. Ray Brandt, a 66-year-old attorney, talks with Chen about his $1.1 million mausoleum in Metairie Cemetery in New Orleans—where the plot alone can cost $250,000. How do you get from there to seven figures? For starters, the lot is bigger than any New York City apartment I ever lived in, at 1,024 square feet, with resting space for 12. “There will be two sets of bronze doors, one of which will open to a back patio with picnic-style furniture and a view of a lagoon,” explains Chen. “I guess it’s the last house I’ll buy,” says Brandt.

Even boomers with smaller budgets are influencing the look and layout of cemeteries. In the Hollywood Forever cemetery in Los Angeles, one of the most common requests is to be buried near the grave of Johnny Ramone (born John Cummings), whose plot features a bust of the late punk rocker wailing on his guitar. (Ramone, who passed away in 2004, isn’t actually buried there yet, but the cemetery says his ashes will be moved there along with his wife’s after she dies.) Those who can’t be near such monument statuary are increasingly asking for equally distinctive décor, Chen reports, custom-ordering, say, a bust of a Greek warrior or a frieze of flamenco dancers.

Some thoughts:

1. I think this is a convenient story-line: boomers who like McMansions also like big burial sites. While there is an attempt in the second paragraph of the story to suggest other American generations have also liked big plots, the hook to the story is that the boomers spend excessively.

2. There is little to no data in this story suggesting there is a real uptick in the sales of these large plots.

3. Does this mean that even more than ever those with money to purchase such monuments will be remembered much more than people who choose cremation?

4. This story hints at another issue: historic cemeteries are running out of space. This means they can drive up the asking price but does it also mean they are very nearly “dead” institutions? With the rise of cremations, is there a glut of space in newer cemeteries or on the whole are cemeteries slowly easing out of existence?

Suburban worries that Metra troubles may end up giving Chicago more influence

DuPage County Chairman Dan Cronin doesn’t want the troubles with Metra to give Chicago an opportunity to grab more power over regional transit:

As Metra tries to function amid scandal, it’s essential the suburbs maintain their influence on the board, DuPage Chairman Dan Cronin warned Friday.

With state lawmakers and Gov. Pat Quinn pushing to reinvent the troubled agency, there’s a danger whatever emerges will shift the balance of power to Chicago, Cronin said.

“I’m here representing the nearly 1 million people in DuPage County,” Cronin said. “I want to make sure their voice is heard. We have to be mindful of transit needs in the suburbs.”…

Friday marked the first time the board of directors has met since its game-changing session in June when they approved a separation agreement with former CEO Alex Clifford that’s been called a golden parachute at best and “hush money” at worst…

Other fallout included the departures of Kane County appointee Mike McCoy and DuPage’s Paul Darley. McCoy, a civil engineer and former county chairman, and business owner Darley were considered independent voices on the board.

There is not much context here about Cronin’s statements. However, this statement hints at larger issues. This is part of a ongoing power struggle in the Chicago region between the city and suburban interests. There are transit needs in DuPage County including rail lines to Chicago and major highways and roads (plus a lack of mass transit to points within the county itself outside of Metra lines). And Metra is not the only flashpoint; the Regional Transit Authority is another issue. But, this could also simply be a manifestation of something many suburbanites, particularly conservatives, fear: Chicago is a power-hungry entity that can’t wait to dictate more policy to the rest of Illinois. And this may be the reason many suburbanites live there in the first-place or now justify their suburban presence: they wanted to get away from Chicago.

Cost, adapting to different climates big obstacles to building passive houses in the US

The New York Times explains passive houses and also describes several obstacles to building more of them:

Proponents of passive building argue that the additional cost (which is estimated at 5 to 20 percent) will come down once construction reaches critical mass and more American manufacturers are on board. And there are a few signs that day may be coming. More than 1,000 architects, builders and consultants have received passive-house training in this country; at least 60 houses or multifamily projects are in the works; and Marvin Windows, a mainstream manufacturer based in Minnesota, recently began making windows that meet passive certification standards…

“What I’m worried about,” he said, “is that the current halo around the passive-house standard will result in its being incorporated into the building code. That would be unfortunate because they are unnecessarily expensive houses, from $300,000 to $500,000 on average, that cost more than will ever be justified by lifetime energy savings or carbon reductions.”

Mr. Holladay favors a more flexible formula called the Pretty Good House, which promotes modest improvements in insulation coupled with renewable energy from solar panels — an approach, he said, that achieves similar energy savings without the additional expense.

To make things more complicated, no two passive houses are likely to be built to exactly the same specifications. Thousands of variables, including the architectural design, the size of the house, how many people will live there, and longitude and latitude, are taken into consideration by the sophisticated software created by Dr. Feist and his Passivhaus Institute in Darmstadt, Germany…

Figuring out how to make the model work in the hot, humid Southeast is a bigger challenge, something the Europeans have not had to deal with. With this in mind, Ms. Klingenberg’s organization is working to develop American standards, taking into account variations in energy use and leakage rates from one climate zone to another; they are expected to be released this fall.

In other words, these are complicated homes and this gets added to the cost. Like other technological innovations, manufacturing and building at a larger scale could soon help make them more accessible and understandable. Additionally, the context matters as well. If standards like building codes and environmental expectations about new houses change plus consumers display more interest in unique, green homes, there may be more and more passive homes in the coming years.