Author Archives: legallysociable

Using the Forest Preserve to protect thousands of acres

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The Chicago Tribune highlights the proactive efforts of the Cook County Forest Preserve to protect land:

Why does Cook County have a bigger, better-distributed array of preserves than does any other U.S. metropolis?

In part because indefatigable visionaries (1) projected metro Chicago to someday grow to 10 million people, (2) figured that property development would devour unprotected plots of land, and (3) staged their own land grab so greenery forever would punctuate urban sprawl. As public health pioneer Dr. John Rauch said after the Civil War in his much-cited push for a Chicago parks district, “we want not alone a place for business, but also one in which we can live.”

But the key stroke of brilliance came in 1904 from architect Dwight H. Perkins and landscape architect Jens Jensen. They studied Cook County’s still open lands and concluded: “Instead of acquiring space only, the opportunity exists for preserving country naturally beautiful. … Another reason for acquiring these outer areas is the necessity of providing for future generations …” The upshot was a state law that created the district and its mission statement — overwhelmingly tipped toward preserving and protecting lands, plants and animals rather than toward ball fields, playgrounds and other park-like recreation…

In January a blue-ribbon panel of outsiders set that 25-year agenda, including: Acquire another 20,000 prime acres selected by naturalists, rehab 30,000 acres overrun by invasive plants, and build a huge network of volunteers and members of a new Civilian Conservation Corps. We’re counting on a new policy council of volunteers with excellent conservation cred to ride herd on the plan. Distinguished groups such as Openlands and Metropolis Strategies also are on the case.

For those concerned about sprawl, efforts like those of the Cook County Forest Preserve, the DuPage County Forest Preserve, and other bodies have helped retain some open land amidst 9+ million residents in the Chicago region. These spaces are often more “natural” than sculpted parks even if I’ve heard hundreds of jokes about the lack of nature in northeastern Illinois (nature seems to equal hills or mountains for many). Chicago may be a world leader in regards to its lakefront parks but the collection of Forest Preserves across the region is also pretty unique.

On the other hand, it would be interesting to note how many Chicago area residents utilize these Forest Preserves that are within an easy drive for many. I drive past several DuPage Forest Preserve properties each day and yet I don’t think I visited any during this calendar year. (In contrast, I’ve used the Prairie Path dozens of times. This trail was started by citizens and today is maintained by a number of groups.) The Forest Preservers are supported with tax dollars so if people want a return on that money, they should utilize these spaces. (However, if everyone did, I suspect these places wouldn’t seem very natural.)

Don’t see social media as representative of full populations

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This should be obvious but computer scientists remind us that social media users are not representative populations:

One of the major problems with sites like Twitter, Pinterest or Facebook is ‘population bias’ where platforms are populated by a very narrow section of society.

Latest figures on Twitter suggest that just five per cent of over 65s use the platform compared with 35 per cent for those aged 18-29. Similarly far more men use the social networking site than women.

Instagram has a particular appeal to younger adults, urban dwellers, and non-whites.

In contrast, the picture-posting site Pinterest is dominated by females aged between 25 and 34. LinkedIn is especially popular among graduates and internet users in higher income households.

Although Facebook is popular across a diverse mix of demographic groups scientists warn that postings can be skewed because there is no ‘dislike’ button. There are also more women using Facebook than men, 76 per cent of female internet users use the site compared with 66 per cent of males.

Who does the data from social media represent? The people who use social media who, as pointed out above, tend to skew younger across the board and have other differences based on the service. Just because people are willing to put information out there doesn’t mean that it is a widely shared perspective, even if a Twitter account has millions of followers or a Facebook group has a lot of likes. Until we have a world where everyone participates in social media in similar ways and makes much of the same information public, we need to be careful about social media samples.

More protesters taking to the highways

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Protesters around the world have moved to highways where they very visibly stop traffic:

In L.A., some of those demonstrators were arrested after shutting down traffic in both directions on the 101 Freeway. Another group of protesters flummoxed traffic downtown by laying down in the intersection of Cesar Chavez Boulevard and Grand Avenue.

They were not alone. Protesters took to I-95 in Providence. Highway 55 in Minneapolis. I-75 in Cincinnati. I-980 in Oakland. I-44 in St. Louis. I-35 in Dallas. And the Lincoln Tunnel and the West Side Highway in New York.

Across the nation, many of the protests that continue to simmer have moved from parks, plazas and civic centers to freeways and highways. The ongoing protests reflect national outrage following a grand jury decision that has vexed critics, to say nothing of the many black lives cut short in police shootings. Yet the move to the highways is something else: an evolution in the language and strategy of civil disobedience.

This isn’t just an American phenomenon:

It was late in September that protesters first took a major freeway in Hong Kong’s financial district. The protests gained critical mass more than a month after Brown’s death in Ferguson. When Hong Kong demonstrators clashed with police, they appeared to adopt the “Hands Up, Don’t Shoot” posture made familiar after weeks of protests in Ferguson.

This updates a post from a month ago about protestors blocking traffic in Atlanta. As noted before, this raises some interesting questions about public spaces and traffic safety. American drivers tend to like wide roads with more lanes because they think this will help them get places faster. (This is not the case on highly congested highways where simply adding lanes tend to increase the number of cars on the roads. Width does seem to matter on more normal streets where width tends to give drivers the impression they have some margin of error to go faster.) Highways tend to be some of the most empty places we have: no pedestrians, no bicycles, almost no one out of their car unless something has gone wrong. Yet, protesters blocking traffic can draw the attention of a lot of people at once both on the roads and from aerial shots that show the power even a relatively small number of people can have.

Is protesting on a highway as symbolic as some of the protests in shopping malls in the St. Louis areas? Does cutting off America’s transportation “arteries” make the same point as protesting in temples of capitalism? I’m not sure but it certainly is more unusual given the typical functions of highways.

Thanksgiving and Black Friday expose class differences

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What people do on Thanksgiving and the day after is indicative of their class status:

But Black Friday is also, as pseudo-holidays go, more class-conscious than most. It is thus more divisive than most. If you can’t normally afford a flat-screen/iPad/Vitamix/Elsa doll/telephone, Black Friday discounts could offer you the opportunity to purchase those items. If you can normally afford those things, though, you may well decide that the trip to the mall, with its “throngs” and its “masses” and its sweaty inconvenience, isn’t worth the trouble.

Which is another way of saying what a headline last week, from the Los Angeles Times, summed up well: “Black Friday highlights the contrast between rich and poor.” As a spectacle, it may be celebrated by all, but it is participated in, increasingly, by a few. Black Friday stands, both temporally and culturally, in stark contrast to Thanksgiving, which is not a Hallmark holiday so much as a Williams-Sonoma one, and which involves, at its extremes, people who can afford heritage turkeys/disposable centerpieces/vessels designed solely to pour gravy congratulating themselves on how wonderfully non-commercial the whole thing is. With stomachs full of bird and broccolini and bourbon-ginger-apple pie, they settle in to watch the news stories that come out of Black Friday—the stampedes, the stabbings—and gawk in amusement and amazement. “All that for a flat screen,” they say, drinking their wine and clucking their tongues.

Perhaps this helps explain something I saw in a number of news stories about shoppers going out to line up for Thanksgiving evening store openings. A number of those interviewed suggested they didn’t like the idea of having to leave home to shop (some foregoing their family meals) or having retail workers put in holiday hours. Yet, they felt compelled to shop because the deals were too good to pass up.

This all sounds like Bourdieu’s lifestyle differences through class distinctions. How do you celebrate Thanksgiving? It should be little surprise that food and entertainment choices that day are guided by class-influenced tastes. When do you shop and how do you do it? It is all likely (from brands to time you have to spend on it) influenced by class.

I remember one professor of mine suggesting to the class that they needed to go to Walmart to find real (implied: average) Americans. At least one student seemed aghast. Perhaps the peak of that would be to go to Walmart on Thanksgiving and Black Friday…

Boom in Data Designer jobs in the future?

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One designer argues the proliferation of data means the job of data designer will be needed in the coming years:

When I began my career 25 years ago, the notion of design in the software industry was still nascent. It was an engineer’s world, in which just making software function was the consuming focus. So the qualification for this design role was quite simple: do you know anything about software? Those of us trying to apply humanistic or artistic notions to the process faced fundamental technical challenges. It was actually quite exciting, but a constant uphill battle to effect change…The new design challenge is to use this data for the same humanistic outcomes that we have in mind when we shape products through the user interface or physical form. Even conceding that many interfaces are not changing much—we still use PCs, and the mobile experience still mirrors traditional PC software tropes—we can see the data that moves through these systems is becoming more interesting. Just having this data affords the possibility of exciting new products. And the kind of data we choose to acquire can begin to humanize our experiences with technology…

We might consider the Data Designer a hybrid of two existing disciplines. Right now, Data Analysts and Interaction Designers work at two ends of the spectrum, from technical to humanistic. Data Analysts offer the most expertise in the medium, which is a great place to start; but they are approaching the problem from a largely technical and analytical perspective, without the concentration we need in the humanistic aspects of the design problems they address. Interaction Designers today are expert in designing interfaces for devices with screens. They may encounter and even understand the data behind their interfaces; but for the most part, it’s too often left out of the design equation…

Sociological implications. Presented with new capabilities of new technology, the design problem is to determine not just if a certain capability can be used, but how and why it should be used. When systems take in data quietly, from behind the scenes, from more parts of our lives, and shape this data in radical new ways, then we find an emerging set of implications that design does not often face, with profound sociological and safety issues to consider.

Data doesn’t interpret itself; people need to make sense of it and then use it effectively. Simply having all of this data is a good start but skilled practitioners can do effective, useful, and aesthetically pleasing things with the data.

My question would be about how to make to this happen? Is this best addressed top-down by certain organizations who have the foresight and/or resources to make this happen? Or, is this best done by some new startups and innovators who show others the way?

Why are The Property Brothers renovating a Las Vegas McMansion?

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The Property Brothers at Home recently started on HGTV and it involves renovating a large home outside Las Vegas. Though they don’t call it this, here is why the home is a McMansion:

1. It is about 5,000 square feet. Plenty of space inside, particularly with the cavernous living room.

2. It is on a quiet residential street about 11 miles outside of Las Vegas. Classic suburban setting.

3. It is a relatively new build. It does beg the question of why a relatively new house needs so many new design ideas.

4. The home has a Mediterranean exterior which is not exactly “native” to Las Vegas (though defining “native” Las Vegas architecture could be interesting).

5. It was purchased as a foreclosure. Las Vegas was one of the foreclosure centers in recent years.

There are a few factors going against the McMansion trend: the home does not necessarily seem poorly built (often a critique of mass-produced homes) and it is on a decent size lot.

Why would the Scott brothers want to be associated with such a home? I understand that they are putting their own personal touch on it but many critics would argue they are starting from a bad place: garish home in a lonely suburban neighborhood in the metropolitan region that exemplifies suburban and consumerist excess.

Sociologist is the “Jane Goodall of the [insular] art world”

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Sociologist Sarah Thornton provides a behind the scenes look at the elite art world:

It’s an exclusive, insular world, but Thornton’s first book about art, 2008’s “Seven Days in the Art World,” was pure populism, a dishy, behind-the-scenes read about heady auctions at Christie’s, the cutthroat atmosphere of art fairs, and much more. It became an unexpected bestseller and landed the writer in art’s inner circle…

Thornton has the ability to “seduce people to expose themselves,” the artist Andrea Fraser recently told an audience at New York’s New Museum.

The author’s two volumes on art read nothing like most art books, which are often academic tomes or picture-filled coffee-table books. But “33 Artists” has just one muddy black-and-white image for every chapter. Instead, Thornton fills in the blanks, writing so evocatively that the reader can easily imagine the immensity of a hundred million sunflower seeds rendered in porcelain by Ai…

Fraser and others opened their doors to Thornton as she traversed the globe to interview and observe artists in their own world. The author watches as Maurizio Cattelan prepares for what he called his retirement retrospective at New York’s Guggenheim in 2011. She is with eccentric Japanese pop artist Yayoi Kusama on the eve of her phenomenal 2012 comeback, when she landed a retrospective at the Whitney and a complementary Louis Vuitton line. And Thornton spends time in the studios of photographer Laurie Simmons and her husband, painter Carroll Dunham, just before their daughter, Lena, lands a deal with HBO.

This is one of Thornton’s greatest knacks: She tends to arrive on artists’ doorsteps just before some seismic shift in their public profiles. But her other talent is gaining access, penetrating artists’ private spheres as both an art-world insider and an academically minded outsider.

While the article is short on details about the art world, it does describe three unique features that help Thorton’s work stand out. First, she effectively uses the ethnographic method. One artist describes her as “like a ghost” and she clearly has the ability to build relationships and then use connections to explain the broader world of major artists. All of this takes time, sustained effort, and the ability to systematically gather information. Second, she is able to write in a way that appeals to a popular audience. How many sociologists write bestsellers or are said to write evocatively? Third, she gets access to an elite group. Artists whose works sell for millions have a particular social status and can be inaccessible to the average person. (I remember one of my art colleagues asking a group of other faculty about how many of the most famous artists alive today they could name. We did not do well.)

It all sounds interesting to me…

Frank Gehry answers critics of the Lucas Art Museum design

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Architect Frank Gehry suggests Chicagoans will come to accept his proposed design for the Lucas Art Museum:

Chicago is a great city for architecture and has historically supported innovative, forward-looking work. There is a natural impulse to deride a project in the early stages of design, particularly one that has a new shape or expression.

This is not a new concept.

The Guggenheim Museum in Bilbao, Spain, the Eiffel Tower in Paris and even the Monadnock Building in Chicago had many early critics. In my own experience, the Walt Disney Concert Hall in Los Angeles was called broken crockery when I first went public with it, and that was the nicest thing that got said. In Bilbao, the newspapers had an article asking for the architect of the museum to be killed — that was me! All of these projects have gone on to be great assets to their mutual cities, and I think the same will be true of the Lucas Museum of Narrative Art and Chicago.

The work presented for the Lucas Museum has precedent. It’s not just out of the blue; it is something that has been in the air for many years. The use of rooftops as public space has precedent in the Malmo Concert Hall in Sweden by Snohetta. It is one of the first great examples, and I think it has proved very successful. Zaha Hadid has used flowing forms in many of her projects to great effect. If we go even further back, Eric Mendelsohn was using organic forms to create his masterpieces such as the Einstein Tower in Germany…

Please do not dismiss it because it doesn’t look like something you’ve never seen before.

An interesting plea from the starchitect. Chicago is indeed an important city in architecture, particularly with the rise of the International Style in the post-war era. Yet, Chicago doesn’t have too many whimsical or rounded designs as its larger buildings tend to stick with older Green styles (think the Museum Campus), modernism (International Style of glass-walled skyscrapers), and the occasional postmodern touch in a high-rise or tall office building.

If Gehry is right that cities tend to accept his work down the road, does his line of reasoning cut off any potential criticism from the start? Gehry suggests new designs may be unusual but they tend to be liked down the road. But, there are buildings that are constructed and people never quite take a liking to them. As another example, Gehry’s design for the Eisenhower Memorial in Washington D.C. has prompted a lot of debate. How would we know if the Lucas Art Museum is one of those cases that is not popular years later? The location near Lake Michigan and the public interest in such land is not likely to do the building’s design any favors.

Adding a chart to scientific findings makes it more persuasive

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A new research study suggests charts of data are more persuasive compared to just text:

Then for a randomly selected subsample, the researchers supplemented the description of the drug trial with a simple chart. But here’s the kicker: That chart contained no new information; it simply repeated the information in the original vignette, with a tall bar illustrating that 87 percent of the control group had the illness, and a shorter bar showing that that number fell to 47 percent for those who took the drug.

But taking the same information and also showing it as a chart made it enormously more persuasive, raising the proportion who believed in the efficacy of the drug to 97 percent from 68 percent. If the researchers are correct, the following chart should persuade you of their finding.

What makes simple charts so persuasive? It isn’t because they make the information more memorable — 30 minutes after reading about the drug trials, those who saw the charts were not much more likely to recall the results than those who had just read the description. Rather, the researchers conjecture, charts offer the veneer of science. And indeed, the tendency to find the charts more persuasive was strongest among those who agreed with the statement “I believe in science.”

Charts = science? If veneer of science is the answer, why does the chart support science? Scientists are the ones who use charts? Or they are the ones who are trusted more with charts?

I wonder if there are other explanations:

1. Seeing a clear difference in bars (87% vs. 47%) makes a stronger impression than simply reading the difference. A 40% difference is abstract but is more striking in an image.

2. More people accept the power of visual data today compared to written text. Think of all those Internet infographics with interesting information.

Three graphics showing more non-whites in the American suburbs

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William Frey discusses the increase of non-whites in American suburbs with three graphics:

These findings are not new though the trend continues: the suburban populations of the three largest minority groups have increased in recent decades. William Frey and others at the Brookings Institution have been tracking these findings quite effectively. Yet, as Frey notes, population growth doesn’t mean that non-whites are evenly spread throughout the suburbs:

While Hispanics, Asians and blacks are now main players in suburbanization, they do not yet have a substantial presence in the outer suburbs and show some clustering in same-race communities, in many cases as a result of quasi-legal exclusionary practices.

Thus, the headline of this piece – “The Suburbs: Not Just for White People Anymore” – might be a bit misleading. This does not mean that wealthier whites and non-whites are living in the same places even if more non-whites live in suburban areas. Given the role of social class in the suburbs where more wealth and money means living in more exclusive communities, many non-whites haven’t exactly attained the same suburban life.