A new master plan for Chicago builds on (odd) legacies of older plans

With the announcement yesterday that Chicago will embark on a new planning process for the local government to consider, one news report included this tidbit about previous planning processes:

When finished, the document would be submitted to the plan commission and the City Council for approval. Gorski said the last such citywide plan in 1966 had official status but never got formal approval.

And from the official Chicago press release:

“While Chicago may have pioneered citywide planning with the 1909 ‘Plan of Chicago,’ this is a rare opportunity to collectively address current and future issues with a collaborative and coordinated effort with other planning entities, businesses, institutions and the people of Chicago,” DPD Deputy Commissioner Kathleen Dickhut said.

This history would be worth exploring more. Here are a few questions/issues/thoughts which I am sure someone has answered and/or explored:

  1. Why was the 1966 plan not formally approved?
  2. The gap between 1966 and today seems like a long time to not have a different master plan. Chicago has changed a lot since then. Is it safe to assume there have been a lot of smaller (district, community areas, etc.) plans developed and acted upon since 1966?
  3. The reference to the 1909 Burnham Plan is interesting in that it had limited influence on subsequent changes in Chicago or the region. It remains an influential plan yet may not be the best advertisement for a plan that led to lasting change.
  4. While the Burnham Plan is often held up as a visionary example, other Chicago planning visions or decisions may not hold up as well. For example, doing research on Cabrini-Green, I became acquainted with the story of how public housing projects came to be located where they were. Or, think of the placement of the Dan Ryan Expressway.
  5. Even if the new plan is not completed on time or is not approved or enacted, it can be a valuable process to engage numerous stakeholders from around the city to think about and discuss what they want the city to be about.
  6. Balancing the larger vision with the important minutiae to decided at the local scale will be interesting to watch. Either job would be difficult on its own.

Reminder of Chicago’s vital position in the American railway network

I recently saw a map on Reddit that displayed four maps of railway networks: Europe, North America, Southeast Asia, and Australia.RailwayNetworksJul2320

There is a lot that could be said with these maps. When I looked at the North America map, one thing jumped out at me: the centrality of Chicago to the passenger network (and to railroads more broadly). Not surprisingly, given the density of population and major population centers, there are more passenger trains between Washington, D.C. and Boston. The rest of the country is relatively sparse except for the convergence of lines in and out of Chicago. This is partly the result of geography – Chicago’s position at the base of the Great Lakes helps – but also the result of decisions to route traffic and develop infrastructure in and around Chicago and not elsewhere (like in St. Louis or Memphis or Cincinnati or other options). And a lot of rail traffic and freight runs through the region as well.

If a more robust passenger rail system develops in the United States, this map suggests Chicago will be in the thick of it. This would present an opportunity for a city that is already a transportation center with busy airports, crowded roads, and potentially more rail traffic and visitors. It is a little surprising that Chicago and Illinois leaders do not talk more about potential railroad options – consider the decades-long focus on a potential third airport, plans for highways that do not get off the ground, or the slow speed at which railroad congestion is addressed – as this could only add to what Chicago already has.

Addressing more Chicago traffic when fewer people take mass transit

With COVID-19, few may be willing to ride mass transit even as everyday life slowly returns to some normalcy. This has consequences for traffic:

man standing beside train

Photo by Trace Hudson on Pexels.com

World Business Chicago, a public-private nonprofit agency that promotes the city, estimates that on a given workday there about 406,000 office workers in downtown Chicago, making it the country’s second-biggest central business district after Manhattan.

Many of those people arrive by trains and buses, with the CTA and Metra providing almost 1.9 million rides combined on an average, pre-coronavirus weekday. That includes 1.6 million total one-way CTA rides and 263,000 Metra trips…

Riders’ hesitation may come in part from the Centers for Disease Control and Prevention’s recommendation in May that people drive to work alone. That guidance rankled public transportation advocates and created concerns of major traffic and environmental impacts in densely populated cities…

“We’re hearing stories from New York and (Washington) D.C. about employers saying if you’ve taken public transportation you can’t come in the building,” Lavin said. “We want to be sure there’s nothing against public transportation here. In order to do that, we need to have a dialogue.”

Chicago has heavy traffic even with mass transit use because it is a transportation center with plenty of highways and intermodal facilities.

As noted in an earlier blog post, this does present an opportunity to reduce traffic long-term or make a choice to continue to rely on a sprawling landscape full of drivers in their own private vehicles. There are multiple options to pursue:

1. More people working from home. This would reduce traffic on major roads.

2. Stagger work times more so that “rush hour” is more spread out.

3. Find ways to make sure mass transit is safe and/or people feel confident riding it. This might require more resources or better PR or new ideas.

4. Pushing for more people to be able to work closer to their workplaces (meaning more housing options throughout a metropolitan region).

5. Pushing for denser areas in the city or suburbs. (This might be a hard sell right at the moment due to concerns about COVID-19.)

6. Providing more incentives for fleets of vehicles (electric or otherwise) so that not every household has so many cars.

Any one of these or several of them could be pursued at multiple levels with actions from individuals, local groups and municipalities, states, regions, and the federal government.

Bringing the Texas U-turn to Chicago

An innovation is coming to a particularly difficult Chicago road construction site: a Texas U-turn will be in place for drivers hoping to get on the northbound Kennedy from the eastbound Eisenhower.

Google Maps image of Meachem Road and Illinois Route 390

Kennedy-bound traffic will be detoured onto the far-right Eisenhower lane and steered to the outbound Dan Ryan Expressway. From there, motorists will take a “Texas U-turn” at the Taylor Street interchange and go from there to the westbound Kennedy…

“The detour will be a dedicated lane separated by a barrier wall to restrict merging into the regular Dan Ryan lanes and requiring drivers to use the Taylor Street interchange,” IDOT engineers said.

What’s a Texas U-turn? It “refers to a roadway that allows vehicles to make a 180-degree maneuver to go in the opposite direction, usually without traffic signals,” IDOT spokeswoman Maria Castaneda said. “They were first widely used in Texas on one-way frontage roads that paralleled expressways.

“The free flow U-turn improves traffic flow and reduces congestion in certain situations because it keeps the U-turning traffic out of the cross road intersections. An example of this is at the Meacham Road interchange on Route 390.”

According to Wikipedia, the Texas U-turn is present in a number of states.

Two additional thoughts:

1. A precondition for the Texas U-turn seems to be having frontage roads along highways. There are some areas in the Chicago region where this is common – such as long the Dan Ryan Expressway – but many other areas where frontage roads are not present and properties back up to the highway. In Chicago, I wonder if the frontage roads are the result of fitting highways into the existing street grid (such as the Congress Street Expressway, later the Eisenhower).

2. It would be interesting to see how different road innovations spread across states. How do highway innovations diffuse across the United States? They may arise because of particular local conditions but then engineers and planners elsewhere see how they are applicable. At some point, there is federal intervention regarding safety and regulations. Having driven on highways across the United States, there is both familiarity with the system – similar signage, the roadways themselves look similar – as well as local peculiarities – exits on different sides, the size of on and off-ramps as well as the space between them, HOV lanes, etc.

Related post: the coming of the diamond interchange to the Chicago area.

When a billboard with a basketball player slowed down Chicago traffic

Along one of the most congested stretches of highway in the United States, a mural of NBA player Dennis Rodman led to even more traffic in early 1996:

In March 1996, men’s clothier Bigsby & Kruthers painted an image of Rodman on the side of a building just off the Kennedy Expressway. The 32-foot-high mural stared eastbound traffic in the eye, causing gapers delays in both directions that snarled traffic as badly as road construction.

An operations manager for a traffic-data company said the larger-than-life image added 20 to 30 minutes to morning commutes on the Kennedy and the Edens Expressway. And that was before Rodman’s hair was even on it.

“The 75-foot-wide advertisement included a color image of Michael Jordan looking down on traffic,” a March 26, 1996, Tribune story read. “But it’s the oversize Rodman who has taken the rush out of rush hour. His power glower is punctuated with three earrings and a nose ring; his arms are crossed, and his natty suit has the sleeves ripped out to reveal his collection of tattoos. He is even leaning forward, as if he just might want to butt heads.”

Standing just before the North Avenue exit, the painting was wider and taller than billboard laws normally would have allowed. But because the building was being used as a Bigsby & Kruthers warehouse, the advertising was not limited in size.

While most of the mural was black and white, the hair was in color — and changed as Rodman’s dye did, only adding to the traffic headaches.

Alas, the mural didn’t last. Bigsby & Kruthers covered it up a little more than two weeks after it first appeared in response to the concern of traffic officials.

A few quick thoughts:

  1. Cities have regular spots that come up on traffic reports and the Kennedy is typically on the list in Chicago (“from O’Hare to downtown”). These spots can be on the list for a variety of reasons: a chokepoint for traffic, an odd curve or different road design (such as narrowing of lanes), and/or regular accidents. Billboards probably are not common contributors to this.
  2. At the same time, certain billboards or advertisements can be become part of the urban highway experience. As commuters travel regular routes, they get used to seeing particular signs. New signs can also garner attention if they are a significant change or unusual. The other sports one that comes to mind from the Chicago region involved a series of Brian Urlacher balding treatment billboards along I-294 that popped up several years ago. I’m not sure if it caused any delays but it certainly caught people’s eyes as one of the city’s most recognizable recent sports stars suddenly had hair.
  3. The particular Rodman billboard came as part of a perfect storm. Take a regularly congested stretch of highway plus an incredible basketball team that set the record that year for most wins in a season plus a truly unique player on the billboard (and not one who fit the typical Chicago image). The billboard did not last long but it left a mark.

The geographical improbability of Ferris Bueller and a limited view of Chicago

Ferris Bueller and friends see a lot of the Chicago region in Ferris Bueller’s Day Off but their journey is improbable:

Chicago is a big city. Like, really, really big. The makers obviously looked at what they wanted Ferris to do and decided to leave geographic and timeline reality in the dust as Ferris and friends drove away in a red Ferrari GT California Spyder.

Case in point: Ferris begins his day on the far upper side of Chicago, in one of those fancy North Shore neighborhoods past Northwestern University. He convinces friend Cameron—who lives in a different fancy neighborhood—to borrow his dad’s Ferrari, pull the subterfuge with his girlfriend at the school and then drive into the city. The clock is already ticking!

But then! A longish discussion with the parking garage attendants. Sightseeing at the then-Sears Tower. Lunch (impersonating Sausage King Abe Froman). More sightseeing at the Chicago Mercantile Exchange. A Cubs game! (Games typically last 3 hours, by the way.) Then more sightseeing back downtown at the Art Institute, followed by an epic parade crash. By this time, it must be nearly midnight! But no, it’s back up to the northern suburbs (presumably during rush hour) followed by an emotional discussion about life and love with friends, a ridiculously long footrace home and… Ferris is back in his bed by the time the folks walk in. By our math, those shenanigans would’ve taken roughly, oh, two days! Or at least 26 hours.

This would not be the first time a movie took liberties with geography (see another Chicago example here). It is easy to think why a film would do this: they want to have characters move in places that are well known, they do not necessarily have to adhere to rules of space and time, and the point of this film is about teenagers having a crazy day in and around the big city.

At the same time, films (and TV shows that follow similar logics) present a distorted view of cities. I could see this working out in two ways in Ferris Bueller. First, they visit the most well-known sites of the city. These can be fun locations, full of people, recognizable around the world. Ferris and friends have fun there. But, this reinforces only certain parts of Chicago and the surrounding region, missing out on a lot of other interesting sites. Second, their visits are quick in and out trips. They drop in, see the most important parts, and leave. In other words, not only do they primarily visit tourist sites, they are the ultimate tourists: they consume and move on and then return to mundane daily life.

These issues are on top of the time and space concerns of the film. Perhaps most viewers do not care about any of these; Chicago looks like a fun place in a time when the city (and other big cities) faced major issues. But, if viewers see enough films and TV shows that do this, they take in a limited perspective of cities and urban life.

Following (or not) the latest fashionable way to revive urban spaces

Blair Kamin dismisses a proposal to create a High Line like park along LaSalle Street in the Loop in part by appealing to history:

In 1979, as America’s downtowns struggled to meet the challenge of suburban shopping malls, the flavor of the month was the transit mall. Make cities more like suburbs, the thinking went, and they’ll be able to compete. So Chicago cut the number of traffic lanes on State Street from six to two— for buses only — and outfitted the ultrawide sidewalks with trees, flowers and bubble-topped bus shelters…

A recently issued study of the central Loop by commercial real estate brokers Cushman & Wakefield floats the idea of inserting a High Line-inspired elevated walkway through the heart of LaSalle Street. But unlike the High Line or Chicago’s 606 trail, which exude authenticity because they’re built on age-old elevated rail lines, the LaSalle Street walkway would be entirely new — more wanna-be cool than the real thing…

The pathway would combat the perception that LaSalle is a stuffy, “old school” street lined by intimidating temples of finance, the study claims. “With thoughtful modification,” it goes on, “LaSalle Street can become the live-work-play nucleus of the Central Loop.”

Kamin summarizes his proposed strategy:

In short, the way to confront the central Loop’s looming vacancies is to build carefully on existing strengths, rather than reach desperately for a hideous quick fix that would destroy one of the city’s great urban spaces.

A few thoughts in response:

1. Kamin cites two previous fashions – transit malls, linear parks – and cautions against following them. But, certainly there are other fashions from the urban era after World War Two that could be mentioned including: large urban renewal projects (often clearing what were said to be “blighted” or slum areas), removing above ground urban highways (see the Big Dig, San Francisco), mixed-income developments (such as on the site of the former Cabrini-Green high rises), transit-oriented development, waterfront parks, and more. Are all of these just fashions? How would one know? Certainly, it would be difficult for every major city to simply copy a successful change from another city and expect it to work in the same way in a new context. But, when is following the urban fashion advisable?

2. How often does urban development occur gradually and in familiar ways versus more immediate changes or disruptions? My sense is that most cities and neighborhoods experience much more of the first where change slowly accumulates over years and even decades. The buildings along LaSalle Street have changed as has the streetscape. But, the second might be easy to spot if a big change occurs or something happens that causes residents and leaders to notice how much might change. Gentrification could be a good example: communities and neighborhoods experience change over time but one of the concerns about gentrification is about the speed at which new kinds of change is occurring and what this means for long-time residents.

3. As places change, it could be interesting to examine how much places at the edge of change benefit from being the first or in the beginning wave. Take the High Line: a unique project that has brought much attention to New York City and the specific neighborhoods in which the park runs. As cities look to copy the idea, does each replication lose some value? Or, is there a tipping point where too many similar parks saturate the market (and perhaps this would influence tourists differently than residents)? I could also see where other cities might benefit from letting other places try things out and then try to correct the issues. If the High Line leads to more upscale development and inequality, later cities pursuing similar projects can address these issues early on.

Celebrating new development – and recognizing what is lost

Looking at a few 2010s retrospectives at Curbed, I enjoyed looking at one detailing some of the buildings and spaces lost in Chicago in the last ten years:

The losses in Chicago’s built environment go far beyond the buildings and their architectural features. These places are symbols of greater failures: vacant lots represent a dearth of affordable housing, church-condo conversions signal the absence of community spaces, and closed schools call attention to the city’s disinvestment in its neighborhoods.

This only covers a sliver of the demolitions and conversions that have occurred in the past decade. These spaces are still mourned today, and as we reach the end of a decade, let’s take a look back at what Chicago has lost.

This is an interesting collection. And it does not even address the significant changes that may have come to neighborhoods or smaller areas through new development. Addressing how a place changes in atmosphere and feel goes beyond just buildings.

What is the proper or best way to mark these losses? Growth is often seen as an inarguable good. Don’t residents and leaders want new buildings, new options, updated spaces? Here are a few ways buildings and spaces could be memorialized:

  1. Articles, books, and websites can help keep memories alive. A retrospective like the one above makes sense but such pieces need to keep coming, particularly as the years pass and new residents do not even know what used to be there.
  2. Some sort of public marker or display in certain locations. This would be hard to do for every structure that changes but imagine having both a new building or space and a public marker with an image and some text that records what also stood on that land. This would help future visitors visualize what used to stand there.
  3. How about a museum for a lost Chicago? I could envision exciting displays with pictures, videos, interviews, text, and immersive recreations (whether parts of buildings that are reconstructed or using virtual reality displays) that celebrate what used to be in Chicago. A history museum can do some of this as could a celebration of architecture but really focusing on buildings and spaces could be really interesting and worthwhile for a city that wants to celebrate its past.
  4. Of course, ongoing historic preservation efforts can help keep this in the public eye. While it may be difficult at times to agree on a balance between saving key structures and allowing for change and innovation, at least having public discussions about important structures helps provide reminders of how something can be lost even as something new looks promising.

Looking to define the first skyscraper

The ten-story Home Insurance Building constructed in Chicago in 1885 may or may not remain as the world’s first skyscraper:

New York’s proponents have long stressed that great height is the defining feature of skyscrapers. They point to the fact that lower Manhattan had tall office buildings on its Newspaper Row, like the clock tower-topped New York Tribune Building (a 260 footer), as early as 1875 — 10 years before the Home Insurance Building was completed.

But although the New York towers used commercial passenger elevators, which had been around since the 1850s, they were constructed of load-bearing masonry. Their thick exterior walls likely prevented ample amounts of natural light from entering offices. The walls also chewed up valuable interior space. The buildings were, in essence, dinosaurs — large and impressive, but, structurally at least, exemplars of a dying breed.

In contrast, Jenney’s Home Insurance Building did employ advanced structural technology, though the extent to which it did so is subject to debate. Jenney, who had earned the rank of major in the Civil War during his hitch with the U.S. Army Corps of Engineers, appears to have improvised the structure, as he would have done when he designed fortifications at Shiloh and Vicksburg…

Highlighting a single building ignores the reality that American skyscrapers came into existence through evolution, not revolution. While there were decisive moments along the way, progress entailed steps and missteps, inspiration and improvisation, and an intense rivalry between Chicago and New York.

The rivalry between New York and Chicago continues, this time involving early tall buildings. Both cities are marked by iconic skylines and buildings: the Empire State Building and the Chrysler Building versus the Sears Tower and Hancock Building, the view from the Upper Bay or Hudson River on Manhattan versus looking from Lake Michigan at the Loop. (And this just scratches the surface of the architecture in both urban regions.)

The final paragraph cited above is more interesting: at what point did a completely new type of building emerge? Earlier parts of the piece suggested it had to do with the shift from masonry walls to a steel frame structure. And perhaps it will be very difficult to find the first building that truly did this and to what leading heights it rose. At the least, it will be worth bragging and tourist rights. At its best, it might help historians, architects, and others better understand how the modern city that we are so used to just 135 years or so later truly came to be.

And I’m sure ink has already been spilled on this but the fact that the Home Insurance Building was demolished in 1931 may factor into this. If the building was still standing, people would have a chance to see the structure. Though it lives on in books and memories, that it has been gone nearly ninety years probably does not help its cause in the court of public opinion.

Paraphrased future: “Love or hate McMansions, the ones in Chicago deserve to be recognized”

Brutalist architecture may have few admirers but this does not stop people from suggesting the style is worth examining or saving. Here is a recent headline from Curbed Chicago: “13 Brutalist masterpieces that every Chicagoan should know; Love or hate the style, Chicago’s concrete buildings deserve to be recognized.” And this is the argument made about why these buildings are worth looking at:

Popular during the 1960s and 70s, Brutalism should not be overlooked for its historical importance. Though Chicago lost a few Brutalist buildings—most famously Bertrand Goldberg’s Prentice Women’s Hospital, which was demolished in 2014—the style might even be poised for a comeback.

“In many cases, concrete buildings captured the aspirations of the city at critical times,” Chicago-based architect Iker Gil said in a statement last year. “As we shape the future of Chicago, it is worth trying to learn from the lessons and opportunities represented by these remarkable buildings.”

If this argument is successful, then it is a short step toward a similar argument for all kinds of architectural styles and buildings. In particular, the same case could be made for McMansions. Even though many critiqued such homes, what buildings better capture the consumeristic exuberance and grandiosity of the 1990s and 2000s? What buildings better illustrate the sprawling of America and a dedication to private single-family homes that flaunt the status of the homeowners? Why not preserve at least a few McMansions for future generations to remember and learn from?

Somehow, I suspect the calls for preserving McMansions will be more muted or absent. Brutalism seems to attract the attention of enough elite or leading proponents that some of its most interesting buildings will survive. Few leading architects, critics, or designers will stand up for McMansions. Still, I would suspect enough of them will last 50+ years and the legions of McMansion buyers and builders may just come together to make sure some survive much longer.